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The Twentieth Century Reform of the Liturgy: Outcomes and Prospects John F
Valparaiso University ValpoScholar Institute of Liturgical Studies Occasional Papers Institute of Liturgical Studies 2017 The weT ntieth Century Reform of the Liturgy: Outcomes and Prospects John F. Baldovin S.J. Boston College School of Theology & Ministry, [email protected] Follow this and additional works at: http://scholar.valpo.edu/ils_papers Part of the Catholic Studies Commons, and the Liturgy and Worship Commons Recommended Citation Baldovin, John F. S.J., "The wT entieth Century Reform of the Liturgy: Outcomes and Prospects" (2017). Institute of Liturgical Studies Occasional Papers. 126. http://scholar.valpo.edu/ils_papers/126 This Conference Proceeding is brought to you for free and open access by the Institute of Liturgical Studies at ValpoScholar. It has been accepted for inclusion in Institute of Liturgical Studies Occasional Papers by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. The Twentieth Century Reform of the Liturgy: Outcomes and Prospects John F. Baldovin, S.J. Boston College School of Theology & Ministry Introduction Metanoiete. From the very first word of Jesus recorded in the Gospel of Mark reform and renewal have been an essential feature of Christian life and thought – just as they were critical to the message of the prophets of ancient Israel. The preaching of the Gospel presumes at least some openness to change, to acting differently and to thinking about things differently. This process has been repeated over and over again over the centuries. This insight forms the backbone of Gerhard Ladner’s classic work The Idea of Reform, where renovatio and reformatio are constants throughout Christian history.1 All of the great reform movements in the past twenty centuries have been in response to both changing cultural and societal circumstances (like the adaptation of Christianity north of the Alps) and the failure of Christians individually and communally to live up to the demands of the Gospel. -
Sept 2010 Pp. 20-23.Indd
A Celebration of Joe Hoppe’s Legacy at St. Patrick’s Church, New Orleans Marijim Thoene High school graduation, 1956 Notre Dame Seminary, 1967 concerts with the Saint Louis Cathedral M.T.: You have all the qualities I At St. Patrick’s Evening of Celebration, Choir under the direction of Elise Cam- think a man of the cloth should when Joe was honored for his 40 years bon and Father Stahl. have—compassion, a fi ne education, of service to the church and when he re- Joe at Evening of Celebration In August 1968 Msgr. John P. Reyn- integrity, reverence, a sense of hu- ceived the Alumnus of the Year Award from the University of New Orleans, olds hired him as the organist for St. Pat- mor. Are you glad that you chose to presented by his dear friend and de- Introduction rick’s Church, where, as Joe said, “There serve the church as a musician rath- partment chair, Dr. James Hammann Joe Hoppe has been organist and di- was no choir or cantor. I was the music er than as a priest, that you chose to rector of music for over 40 years at St. program!” Over time he recruited sing- follow “a road less traveled ?” Patrick’s Roman Catholic Church in New ers, and had a choir of over 40 voices. In J.H.: Yes. After two years in the active Orleans, Louisiana, located in the busi- September 1990 he was accepted into ministry, I came to the realization that ness district at 734 Camp Street. This the master’s program at the University for personal and spiritual reasons, I had historic church, completed in 1840, is in of New Orleans, where he studied or- to make a change in my life. -
What Is “Ad Orientem”? Why Is the Priest Celebrating with His When We All Celebrate Facing East, the Us to God
What is “Ad Orientem”? Why is the priest celebrating with his When we all celebrate facing East, the us to God. Look where he’s pointing, not back to us? He isn’t. He could only ‘have priest is part of the people, not separated at the one pointing. his back to us’, if we were the center of from them. He is their leader and Facing East reinforces the mystery his attention at Mass. But we aren’t, God representative before God and we are of the Mass. We have become so is. The priest is celebrating looking east, all one, together in our posture. Think familiar with the actions of the priest; in anticipation of the coming of Jesus. about all those battle we sometimes forget Remember the words of the Advent images of generals the great mystery at the hymn, People Look East? “People, look on horseback—they heart of it: that the priest East. The time is near of the crowning of are facing with their exercises his priesthood the year. Make your house fair as you are troops, not facing in Jesus Himself and it able, trim the hearth and set the table. against them. Just so, is Jesus really and truly People, look East and sing today: Love, the priest is visibly present both standing as the guest, is on the way.” part of the people and the priest and on the altar We have become so familiar to Mass clearly acts in persona as the sacrifice. When celebrated with the priest facing us that Christi capitis, “in the the priest bends low over we have forgotten that this is a relatively person of Christ the the elements and then new innovation both historically and head,” when we all face elevates, first the host and liturgically and actually something that the same direction. -
SACRED MUSIC Winter 2002 Volume 129 No.4
SACRED MUSIC Winter 2002 Volume 129 No.4 -~..~ " 1 ......... -- Cathedral and Campanile, Florence, Italy. SACRED MUSIC Volume 129, Number 4, Winter 2002 EDITORIAL 3 Kneeling for Holy Communion SIR RICHARD TERRY AND THE WESTMINSTER CATHEDRAL TRADITION 5 Leonardo J. Gajardo "ONE, HOLY, CATHOLIC AND APOSTOLIC?" 9 Joseph H. Foegen, Ph.D. NARROWING THE FACTUAL BASES OF THE AD ORIENTEM POSITION 13 Fr. Timothy Johnson KNEELING FOR COMMUNION IN AMERICA?-YES! 20 Two letters from Rome REVIEWS 22 OPEN FORUM 25 NEWS 25 CONTRIBUTORS 27 INDEX 28 SACRED MUSIC Continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gregory of America since 1915. Published quarterly by the Church Music Association of America. Office of Publication: 134 Christendom Drive, Front Royal, VA 22630-5103. E-mail: [email protected] Editorial Assistant: Christine Collins News: Kurt Poterack Music for Review: Calvert Shenk, Sacred Heart Major Seminary, 2701 West Chicago Blvd., Detroit, MI 48206 Susan Treacy, Dept. of Music, Franciscan University, Steubenville, OH 43952-6701 Membership, Circulation and Advertising: 5389 22nd Ave. SW, Naples, FL 34116 CHURCH MUSIC ASSOCIATION OF AMERICA Officers and Board of Directors President Father Robert Skeris Vice-President Father Robert Pasley General Secretary Rosemary Reninger Treasurer Ralph Stewart Directors Rev. Ralph S. March, S.O. Cist. Stephen Becker Father Robert Pasley Kurt Poterack Rosemary Reninger Paul F. Salumunovich Rev. Robert A. Skeris Brian Franck Susan Treacy Calvert Shenk Monsignor Richard Schuler Ralph Stewart Membership in the Church Music Association of America includes a subscription to SACRED MUSIC. -
A Comparison of the Two Forms of the Roman Rite
A Comparison of the Two Forms of the Roman Rite Mass Structures Orientation Language The purpose of this presentation is to prepare you for what will very likely be your first Traditional Latin Mass (TLM). This is officially named “The Extraordinary Form of the Roman Rite.” We will try to do that by comparing it to what you already know - the Novus Ordo Missae (NOM). This is officially named “The Ordinary Form of the Roman Rite.” In “Mass Structures” we will look at differences in form. While the TLM really has only one structure, the NOM has many options. As we shall see, it has so many in fact, that it is virtually impossible for the person in the pew to determine whether the priest actually performs one of the many variations according to the rubrics (rules) for celebrating the NOM. Then, we will briefly examine the two most obvious differences in the performance of the Mass - the orientation of the priest (and people) and the language used. The orientation of the priest in the TLM is towards the altar. In this position, he is facing the same direction as the people, liturgical “east” and, in a traditional church, they are both looking at the tabernacle and/or crucifix in the center of the altar. The language of the TLM is, of course, Latin. It has been Latin since before the year 400. The NOM was written in Latin but is usually performed in the language of the immediate location - the vernacular. [email protected] 1 Mass Structure: Novus Ordo Missae Eucharistic Prayer Baptism I: A,B,C,D Renewal Eucharistic Prayer II: A,B,C,D Liturgy of Greeting: Penitential Concluding Dismissal: the Word: A,B,C Rite: A,B,C Eucharistic Prayer Rite: A,B,C A,B,C Year 1,2,3 III: A,B,C,D Eucharistic Prayer IV: A,B,C,D 3 x 4 x 3 x 16 x 3 x 3 = 5184 variations (not counting omissions) Or ~ 100 Years of Sundays This is the Mass that most of you attend. -
Pentecost IV
X Week from Sunday 17 th to Sunday 24th June 2018 X Music at English Martyrs’ PILGRIMAGE TO HOLYWELL Low Mass today - organist away Sunday 1st July Music at St. Walburge’s A coach will leave from SW at 11am. Price £15. Gregorian Chant sung by the Sisters Adorers For those not going to Holywell Mass Setting: Kyriale XI & Credo III there will be a Low Mass at SW at the usual time of 10.30 am. Offertory: Da Pacem Domine (M. Franck) Communion: Panis Angelicus (C. Franck) 2.30pm in Holywell (CH8 7PN): Last Gospel: Salve Regina (simple tone) Solemn High Mass, Recessional: All people that on earth do dwell (20) followed by Rosary Procession to St Winefride’s We l l . TEA & COFFEE AFTER MASS TODAY PLEASE PRAY Please join us for conversation for the sick members of our shrines: and refreshments after Mass today. Anita Richards, Jean O’Connor, Nathan and many others. WEEKLY SCHEDULE SAINT WALBURGE’S WEEKLY SCHEDULE SAINT THOMAS OF Sunday CANTERBURY & ENGLISH MARTYRS 10 am Confessions Sunday 10.30 am High Mass 9am Low Mass with organ 5.30 pm Vespers, Rosary & Benediction Monday - Friday Monday – Thursday 7.30 am Lauds (except Thurs) (morning prayer) 11.30am Rosary 8.30 am Angelus, followed by Low Mass 12 noon Angelus followed by Low Mass 5 pm Confessions 5.30 pm Vespers (evening prayer) Friday 6 pm Adoration 11.30am Rosary 7 pm Compline (night prayer) 12 noon Angelus followed by Sung Mass 12.45pm Devotions to the English Martyrs Saturday Saturday 7.30 am Lauds (morning prayer) 10am Low Mass 10 am Rosary (Confessions during) 10.45am Adoration of the Blessed 10.30 am Low Mass & Devotions Sacrament with Confessions available 5 pm Rosary & Benediction 5.30pm Mass (Ordinary Form – Parish 6pm Mass (Ordinary Form – Parish Priest) Priest) NEW 24 H VOTIVE CANDLES for your personal devotion towards CONFIRMATIONS The Sacred Heart, the Immaculate If would like to receive this sacrament and its FOR YOUR DIARY preparation, please contact us asap. -
Sacred Music, 136.4, Winter 2009
SACRED MUSIC Winter 2009 Volume 136, Number 4 EDITORIAL Viennese Classical Masses? | William Mahrt 3 ARTICLES Between Tradition and Innovation: Sacred Intersections and the Symphonic Impulse in Haydn’s Late Masses | Eftychia Papanikolaou 6 “Requiem per me”: Antonio Salieri’s Plans for His Funeral | Jane Schatkin Hettrick 17 Haydn’s “Nelson” Mass in Recorded Performance: Text and Context | Nancy November 26 Sunday Vespers in the Parish Church | Fr. Eric M. Andersen 33 REPERTORY The Masses of William Byrd | William Mahrt 42 COMMENTARY Seeking the Living: Why Composers Have a Responsibility to be Accessible to the World | Mark Nowakowski 49 The Role of Beauty in the Liturgy | Fr. Franklyn M. McAfee, D.D. 51 Singing in Unison? Selling Chant to the Reluctant Choir | Mary Jane Ballou 54 ARCHIVE The Lost Collection of Chant Cylinders | Fr. Jerome F. Weber 57 The Ageless Story | Jennifer Gregory Miller 62 REVIEWS A Gift to Priests | Rosalind Mohnsen 66 A Collection of Wisdom and Delight | William Tortolano 68 The Fire Burned Hot | Jeffrey Tucker 70 NEWS The Chant Pilgrimage: A Report 74 THE LAST WORD Musical Instruments and the Mass | Kurt Poterack 76 POSTSCRIPT Gregorian Chant: Invention or Restoration? | William Mahrt SACRED MUSIC Formed as a continuation of Caecilia, published by the Society of St. Caecilia since 1874, and The Catholic Choirmaster, published by the Society of St. Gre- gory of America since 1915. Published quarterly by the Church Music Associ- ation of America. Office of Publication: 12421 New Point Drive, Harbour Cove, Richmond, VA 23233. E-mail: [email protected]; Website: www.musicasacra.com Editor: William Mahrt Managing Editor: Jeffrey Tucker Editor-at-Large: Kurt Poterack Editorial Assistance: Janet Gorbitz and David Sullivan. -
The Roman Missal: the Order of Mass — a Guide for Composers
The Roman Missal The Order of Mass — A Guide for Composers DRAFT TEXT This document is being prepared to support the eventual publication of the English and Welsh edition of the Roman Missal 3rd edition. It will not be finalised until the English translation has received approval. At that the approved texts for the Order of Mass will be inserted together with any further information about the provision of music in the new edition. Until that time this document is offered for comment and as an indication of future guidance. Introduction The publication of the third edition of the Missale Romanum in 2002 and the subsequent translation into the vernacular offers an opportunity to both evaluate current musical settings for the Mass and provide guidance to composers in the future. This guide for composers highlights the provision for music in the Order of Mass in the Roman Missal. It brings together the core texts of the liturgy for musical setting as a reference and recommends best practice. This guide does not cover: the rites of Liturgical Year, celebrations of Sacraments and Funerals or the provision of hymns though many of the principles described will apply. This document is arranged in two parts. The Introduction is divided into sections on the Ministry of the Composer and general principles about the setting of liturgical texts and music for the liturgy. The second part is a description of the Order of Mass with details of both the liturgical and musical issues affecting each part. The Ministry of the Composer Composers, filled with the Christian spirit, should feel that their vocation is to develop sacred music and increase its store of treasures. -
Music Brochure 2019-2020
LITURGICAL MUSIC 2019 – 2020 Musical Offerings for the Sunday 11:15 A.M. Solemn Masses & Other Special Liturgies during the Program Year ———————————————————————— The Holy Trinity Schola Cantorum Dr. Andrew H. Yeargin, Director of Music & Organist HOLY TRINITY CATHOLIC CHURCH CATHOLIC TRINITY HOLY HOLY TRINITY CATHOLIC CHURCH 213 West 82nd Street, New York, NY 10024 | (212) 787-0634 September 14, 2019 The Feast of the Exaltation of the Holy Cross Dear Friends, Welcome to a new season of ecclesiastical music at the Church of the Holy Trinity. We are pleased to share with you this music brochure outlining our week-to-week selections of liturgical music for the 2019–2020 season. In addition to the highly diverse offerings in repertoire each Sunday, we are especially excited to present a concert performance of Johannes Brahms’s German Requiem with orchestra in March 2020. We hope you can join us regularly throughout the season for an enriching year of inspiring and evocative sacred music. OUR PHILOSOPHY ABOUT SACRED MUSIC: Music is an integral part of the worship experience, and is part of what binds together the many aspects of liturgy…the “mortar between the bricks,” so to speak. At times, the congregation is invited to sing hymns or refrains, adding their voices to countless others in a unified act of prayer and celebration. At other times, the choir or cantor may sing alone— offering prayers on behalf of the entire assembly—while the congregation reflects silently. In either instance—joining in song or prayerfully listening to others—the assembled congregation is actively participating in the litury. -
Dialogue Mass
DIALOGUE MASS Rev Edward Black As must surely be the case with many readers of The Remnant, I have followed the series of articles on the Dialogue Mass under the title ”Debating The Relevant Issues” with increasing bemusement. In what sense is the question of the Dialogue Mass relevant to us and where is this debate going? The extremely detailed article of Mr Tofari was certainly reminiscent of the content and style of the liturgical reformers of the 1950s and it is not surprising that it should have evinced the alarmed response of Mr Dahl. Are there really any traditional Catholics ready to repeat the painful experiences of 50 years ago? Mr Tofari’s article seems to indicate that he, at least, is one. Although he rightly states that Dialogue Mass is not a matter of doctrine but of praxis, he nevertheless also states that it is an important question. Indeed it is. Silence and sound are mutually exclusive. If his assertion is ever conceded in practice that a single person who decides to avail himself of making the responses at Mass has every right to do so then it spells the final end of what was once the universal and exclusive practice of the Western Church for more than 1000 years. Although this is an important matter, it is likewise a tiresome one — for it seems that every traditional institution and practice must be permanently placed in a position of self — defence and called upon at any time to justify itself. The standard procedure of the liturgical reformers has always been to appeal to the practice of the early Church, ignoring the greater part of her history until the 20th century, (save for the purposes of ridiculing it), in order to justify their innovations. -
Get PDF ^ Thermal Ionization Mass Spectrometry (TIMS)
FVCLWKSTHEVE \\ PDF \\ Thermal Ionization Mass Spectrometry (TIMS) Th ermal Ionization Mass Spectrometry (TIMS) Filesize: 8.1 MB Reviews Comprehensive guideline for book lovers. It is really simplified but excitement in the fifty percent in the publication. Your daily life period is going to be change as soon as you full looking at this book. (Kayley Lind) DISCLAIMER | DMCA 613O8FQDYCDR > eBook » Thermal Ionization Mass Spectrometry (TIMS) THERMAL IONIZATION MASS SPECTROMETRY (TIMS) Condition: New. Publisher/Verlag: Wiley-VCH | Silicate Digestion, Separation, Measurement | This first book to discuss both separation chemistry and mass spectrometry for mineral and rock analysis compares the two frequently used techniques, analyzing both their scope and limitations by way of numerous practical examples.The excellent and highly experienced author adopts a comprehensive and systematic approach, reviewing all the steps involved in an analytical workflow. In addition to thermal ionization mass spectrometry (TIMS), he also discusses applications of ICP-MS. Furthermore, alongside detailed protocols on sample preparation and mass spectrometric measurements, numerous practical hints are given.A must-have handy guide for all isotope geochemists and anyone involved in isotope analysis. | PREFACEPART I. INTRODUCTIONOVERVIEW OF ATOMS, ISOTOPES, AND BULK/SPOT ANALYSESThe atom, isotope and mass spectrometryBulk analysis and spot analysisElectron probe microanalysisSecondary ion mass spectrometryLaser ablation-inductively coupled plasma mass spectrometry -
Ad Orientem” at St
Liturgical Catechesis on “Ad Orientem” at St. John the Beloved “In Testimonium” Parish Bulletin Articles from October 2015 to May 2016 CITATIONS OF LITURGICAL DOCUMENTS IN ST. JOHN THE BELOVED PARISH BULLETIN Cardinal Sarah Speech at Sacra Liturgia USA 2015 (2015-10-18) SC 2.4 (2015-10-27) SC 7.8 (2015-11-01) SC 9 (2015-11-08) SC 11.12 (2015-11-15) Ecclesia de Eucharistia (2015-11-29) Ecclesia de Eucharistia (2015-12-06) Ecclesia de Eucharistia (2015-12-13) Sacramentum Caritatis, 20 (2016-01-31) Sacramentum Caritatis, 21 (2016-02-07) Sacramentum Caritatis, 55 (2016-02-14) Sacramentum Caritatis, 52 & 53a (2016-02-21) Sacramentum Caritatis, 53b & 38 (2016-02-28) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-06) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-13) “Silenziosa azione del cuore”, Cardinal Sarah, (2016-03-20) Spirit of the Liturgy, Cardinal Ratzinger, (2016-04-10) Roman Missal (2016-04-17) IN TESTIMONIUM… 18 OCTOBER 2015 Among my more memorable experiences of the visit of the Holy Father to the United States were the rehearsals for the Mass of Canonization. At the beginning of the second rehearsal I attended one of the Assistant Papal Masters of Ceremony, Monsignor John Cihak, addressed all the servers and other volunteers. He is a priest of the Archdiocese of Portland in Oregon and also a seminary classmate of mine. Monsignor reminded all present that the primary protagonist in the Sacred Liturgy is the Holy Trinity. From that he expounded on the nature of reverence, both as a matter of interior activity and exterior stillness.