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Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Nordic Drama
NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22. -
Reuters Institute Digital News Report 2020
Reuters Institute Digital News Report 2020 Reuters Institute Digital News Report 2020 Nic Newman with Richard Fletcher, Anne Schulz, Simge Andı, and Rasmus Kleis Nielsen Supported by Surveyed by © Reuters Institute for the Study of Journalism Reuters Institute for the Study of Journalism / Digital News Report 2020 4 Contents Foreword by Rasmus Kleis Nielsen 5 3.15 Netherlands 76 Methodology 6 3.16 Norway 77 Authorship and Research Acknowledgements 7 3.17 Poland 78 3.18 Portugal 79 SECTION 1 3.19 Romania 80 Executive Summary and Key Findings by Nic Newman 9 3.20 Slovakia 81 3.21 Spain 82 SECTION 2 3.22 Sweden 83 Further Analysis and International Comparison 33 3.23 Switzerland 84 2.1 How and Why People are Paying for Online News 34 3.24 Turkey 85 2.2 The Resurgence and Importance of Email Newsletters 38 AMERICAS 2.3 How Do People Want the Media to Cover Politics? 42 3.25 United States 88 2.4 Global Turmoil in the Neighbourhood: 3.26 Argentina 89 Problems Mount for Regional and Local News 47 3.27 Brazil 90 2.5 How People Access News about Climate Change 52 3.28 Canada 91 3.29 Chile 92 SECTION 3 3.30 Mexico 93 Country and Market Data 59 ASIA PACIFIC EUROPE 3.31 Australia 96 3.01 United Kingdom 62 3.32 Hong Kong 97 3.02 Austria 63 3.33 Japan 98 3.03 Belgium 64 3.34 Malaysia 99 3.04 Bulgaria 65 3.35 Philippines 100 3.05 Croatia 66 3.36 Singapore 101 3.06 Czech Republic 67 3.37 South Korea 102 3.07 Denmark 68 3.38 Taiwan 103 3.08 Finland 69 AFRICA 3.09 France 70 3.39 Kenya 106 3.10 Germany 71 3.40 South Africa 107 3.11 Greece 72 3.12 Hungary 73 SECTION 4 3.13 Ireland 74 References and Selected Publications 109 3.14 Italy 75 4 / 5 Foreword Professor Rasmus Kleis Nielsen Director, Reuters Institute for the Study of Journalism (RISJ) The coronavirus crisis is having a profound impact not just on Our main survey this year covered respondents in 40 markets, our health and our communities, but also on the news media. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
The Public Service Broadcasting Culture
The Series Published by the European Audiovisual Observatory What can you IRIS Special is a series of publications from the European Audiovisual Observatory that provides you comprehensive factual information coupled with in-depth analysis. The expect from themes chosen for IRIS Special are all topical issues in media law, which we explore for IRIS Special in you from a legal perspective. IRIS Special’s approach to its content is tri-dimensional, with overlap in some cases, depending on the theme. terms of content? It offers: 1. a detailed survey of relevant national legislation to facilitate comparison of the legal position in different countries, for example IRIS Special: Broadcasters’ Obligations to Invest in Cinematographic Production describes the rules applied by 34 European states; 2. identifi cation and analysis of highly relevant issues, covering legal developments and trends as well as suggested solutions: for example IRIS Special, Audiovisual Media Services without Frontiers – Implementing the Rules offers a forward-looking analysis that will continue to be relevant long after the adoption of the EC Directive; 3. an outline of the European or international legal context infl uencing the national legislation, for example IRIS Special: To Have or Not to Have – Must-carry Rules explains the European model and compares it with the American approach. What is the source Every edition of IRIS Special is produced by the European Audiovisual Observatory’s legal information department in cooperation with its partner organisations and an extensive The Public of the IRIS Special network of experts in media law. The themes are either discussed at invitation-only expertise? workshops or tackled by selected guest authors. -
Julen 2020 I
JULEN I SVT Foto: Robert Eldrim/Scalateatern SAGAN OM KARL-BERTIL JONSSONS JULAFTON Sagan om Karl-Bertil Jonssons julafton har blivit scenföreställning med nyskriven musik och med Henrik Dorsin som berättare på scenen. INNEHÅLL - TRADITIONER 1 - JULSPECIAL & ÅRS- 5 KRÖNIKOR Foto: Niklas Maupoix/SVT Foto: Ulrika Malm/SVT - BARNENS JUL 7 VÅR TID ÄR NU - 1951 JULKALENDERN: MIRAKEL - MUSIK & KULTUR 9 På juldagen blir det en högtidsstund för alla Vår Mirakel, årets julkalender i SVT, är en magisk - FÖRESTÄLLNINGAR tid är nu-fans. Då är det premiär för sista julsaga som rör sig i tid och rum mellan åren 11 säsongen av den älskade och hyllade drama- 1920 och 2020. - DOKUMENTÄRER & 13 serien . SAMHÄLLE - DRAMA & SERIER 16 - FILM 18 - SPORT 20 - KUNSKAPSKANALEN 21 - PREMIÄRER EFTER 22 Foto: Nathan Grossmann/CPH Foto: Ulrika Malm/SVT TRETTONHELGEN GRETA STJÄRNORNA PÅ SLOTTET Med reservation för ändringar Greta är berättelsen om hur fenomenet “Greta” En schlagerdrottning, en konstnär och tre uppstod. skådespelare – så ser årets uppställning ut i Stjärnorna på slottet. 1 TRADITIONER Kronprinsessan Victoria tillsammans med prinsessan Estelle och prins Oscar på Haga slott. Foto: Rikard Collisöö/SVT ÅRET MED KUNGAFAMILJEN Följ med när kronprinsessan Victoria tar med sig barnen, prinsessan Estelle och prins Oscar, ut i fårhagen och till bikuporna vid Haga slott. SVT har också mött kungaparet bland renar i Jokkmokk, strax innan JULBÖN pandemin tog fart. Coronapandemin har förstås påverkat kungafamil- I julbönen medverkar Åmåls kyrkas barnkörer under ledning av Ellinor jens arbete, och mycket har fått skötas på distans. Sjukvården har varit Wiman. Församlingens kyrkoherde Lotta Cohen talar utifrån julkrubban i fokus, till exempel när kronprinsessparet besökte fältsjukhuset i Älvsjö om julens stora berättelse. -
Katso Televisiota, Maksukanavia Ja Makuunin Vuokravideoita 4/2017 Missä Ja Millä Vain
KATSO TELEVISIOTA, MAKSUKANAVIA JA MAKUUNIN VUOKRAVIDEOITA 4/2017 MISSÄ JA MILLÄ VAIN. WATSON TOIMII TIETOKONEELLA, TABLETISSA JA ÄLYPUHELIMESSA SEKÄ TV-TIKUN TAI WATSON-BOKSIN KANSSA TELEVISIOSSA. WATSON-PERUSPALVELUN KANAVAT 1 Yle TV1 12 FOX WATSONISSA 2 Yle TV2 13 AVA MYÖS 3 MTV3 14 Hero 4 Nelonen 16 Frii MAKUUNIN 5 Yle Fem / SVT World 18 TLC UUTUUSLEFFAT! 6 Sub 20 National Geographic 7 Yle Teema Channel 8 Liv 31 Yle TV1 HD 9 JIM 32 Yle TV2 HD Powered by 10 TV5 35 Yle Fem HD 11 KUTONEN 37 Yle Teema HD Live-tv-katselu. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu tv-tikun tai Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Live-tv-katselu Watson-boksin kautta. Ohjelma/ohjelmasarjakohtainen tallennus. Vain live-tv-katselu Watson-boksin kautta. Vain live-tv-katselu. KANAVAPAKETTI €/KK, KANAVAPAIKKA, KANAVA Next 21 Discovery Channel C 60 C More First Sports 121 Eurosport 1 HD *1 0,00 € 22 Eurosport 1 C 61 C More First HD 8,90 € 122 Eurosport 2 HD 23 MTV C 62 C More Series 123 Eurosport 2 24 Travel Channel C 63 C More Series HD 159 Fuel TV HD 25 Euronews C 64 C More Stars 160 Motors TV HD 27 TV7 C 66 C More Hits 163 Extreme Sports HD Start 33 MTV3 HD *1 C 67 SF Kanalen 200 Nautical Channel 0,00 € C 75 C More Juniori Base 126 MTV Live HD *1 C More Sport S Pakettiin sisältyy oheisella 8,90 € 150 VH1 Swedish 40 SVT1 4,30 € 41 SVT2 24,95 € tunnuksella merkityt 151 Nick Jr. -
NSMC Internal Medicine Residents 2018-2019 PGY-4 Ashish Rai, MD
NSMC Internal Medicine Residents 2018-2019 PGY-4 Ashish Rai, MD Medical School: Dr. D.Y. Patil Medical College, India About me: I am originally from a small town in India called Ranchi. I attended medical school in Mumbai and moved to New York with my wife in 2014. I am interested in Pulmonary/Critical care. I am currently engaged in clinical research involving goals of care discussion among terminally ill patients, role of fluid resuscitation in sepsis, and global health research related to COPD and flutter valve devices. Personal interests: Traveling and food (includes cooking and of course, eating) PGY-3 Yahya Ahmad, MD Medical School: King Edward Medical University, Lahore, Pakistan. About me: I was born in Saudi Arabia, raised in Lahore, Pakistan. I like outdoor activities, especially enjoy watching and playing sports especially tennis, big Federer fan, even now. Clinical Interests: I want myself to be a good well rounded physician. I am interested in Cardiology and would love to be an Interventional cardiologist one day. Hobbies: Watching tennis, Go-karting, Playing squash and table tennis, video direction, trying out new restaurants, following current affairs. Kanwal Anwar, MD Medical School: University Medical & Dental College, Pakistan About me: I spent most of my childhood in Indonesia and later grew up in Pakistan. I love reading novels; some of my favorite series include Harry Potter and Lord of the Rings. Also, I’m a Doctor Who fan. Clinical Interests: Endocrinology, Rheumatology Personal Interests: Baking, Traveling, Photography, Reading. David Cardona, MD. Medical School: Universidad de Monterrey (UDEM), Mexico About me: I grew up in Monterrey, Mexico. -
Kanalplan Laholm (HC561)
C561000 150331 Kanalplan Laholm (HC561) SVT1 Sveriges Televisions huvudkanal, med ett utbud som omfattar allt från familjeunderhållning till debattprogram, barnprogram och kultur. Kanalplats 04. SVT2 Sveriges Televisions andra kanal, med ett utbud som omfattar allt från familjeunderhållning till debattprogram, barnprogram och kultur. Kanalplats 06. TV4 Den breda svenska underhållningskanalen med populära serier, filmer, sport, nyheter och dokumentärer. Kanalplats S10 E8. Barnkanalen SVT:s egna, reklamfria barnkanal varvar klassiska favoriter med nya produktioner. Kanalen fokuserar även på interaktivitet och barnens egen medverkan. Kanalplats S14. Kunskapskanalen SVTs kanal som sänder program inom ämnesområden som historia, natur, vetenskap, kultur, omvärld och språk. Kanalplats S16. SVT 24 Temakanal för sport och nyheter. Samhällsprogram och fördjupningar varvas med en mängd olika sporter. Kanalplats S14. TV 3 är kanalen som bjuder på underhållande program i form av film, serier, talkshows etc. Kanalplats E9. Kanal 5 är en av Sveriges största TV-kanaler och gör TV för moderna och aktiva människor, med inriktning på underhållning, serier, drama och film. Kanalplats 11. TV 6 är den nya breda underhållningskanalen. Kanalen är ett perfekt komplement till TV3 och ger dig bl a sport, actionfilmer, humor och realityserier. Kanalplats S19. Sjuan Sjuan är en bred kvinnlig kanal som bjuder på mängder av färgstark underhållning i form av realityserier, dramaserier, filmer och spänning. Kanalplats 12. Discovery Channel Unika produktioner om forskning, vetenskap, teknik, natur och historia. Kanalplats S18. MTV Europas mest populära musikkanal med intervjuer, livespelningar, hitlistor och mycket mer – dygnet runt! Kanalplats S15. TV 8 Svensk aktualitetskanal som blandar nyheter, inrikes- och utrikesmagasin och dokumentärer med filmer och underhållning. Kompletteras med börsinfo från Bloomberg, DiTV och nyheter från Deutsche Welle. -
Racism and Cultural Diversity in the Mass Media
RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA An overview of research and examples of good practice in the EU Member States, 1995-2000 on behalf of the European Monitoring Centre on Racism and Xenophobia, Vienna (EUMC) by European Research Centre on Migration and Ethnic Relations (ERCOMER) Edited by Jessika ter Wal Vienna, February 2002 DISCLAIMER ------------------------------------------------------------------------------------ This Report has been carried out by the European Research Centre on Migration and Ethnic Relations (ERCOMER) on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC. Reproduction is authorized, except for commercial purposes, provided the source is acknowledged and the attached text accompanies any reproduction: "This study has been carried out on behalf of the European Monitoring Centre on Racism and Xenophobia (EUMC). The opinions expressed by the authors do not necessarily reflect the position of the EUMC." 2 PREFACE The research interest in analysing the way mass media report on ethnic issues has increased in the Member States over the last decades. And for this reason the EUMC decided to bring together the major research reports and their findings over the last five years in this report "RACISM AND CULTURAL DIVERSITY IN THE MASS MEDIA - an overview of research and examples of good practice in the EU Member States, 1995- 2000". The project has been carried out by Dr Jessika ter Wal, at Ercomer, Utrecht University, the Netherlands. I would like to express my sincere gratitude to her for her excellent work. The report underlines the importance of media research in the area of racism and diversity.