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Fanning the Flames: Fandoms and Consumer Culture in Contemporary Japan
FANNING THE FLAMES Fans and Consumer Culture in Contemporary Japan Edited by William W. Kelly Fanning the Flames SUNY series in Japan in Transition Jerry Eades and Takeo Funabiki, editors Fanning the Flames Fans and Consumer Culture in Contemporary Japan EDITED BY WILLIAM W. K ELLY STATE UNIVERSITY OF NEW YORK PRESS Published by State University of New York Press, Albany © 2004 State University of New York All rights reserved Printed in the United States of America No part of this book may be used or reproduced in any manner whatsoever without written permission. No part of this book may be stored in a retrieval system or transmitted in any form or by any means including electronic, electrostatic, magnetic tape, mechanical, photocopying, recording, or otherwise without the prior permission in writing of the publisher. For information, address State University of New York Press, 90 State Street, Suite 700, Albany, NY 12207 Production by Kelli Williams Marketing by Michael Campochiaro Library of Congress Cataloging-in-Publication Data Fanning the f lames : fans and consumer culture in contemporary Japan / edited by William W. Kelly. p. cm. — (SUNY series in Japan in transition) Includes bibliographical references and index. ISBN 0-7914-6031-2 (alk. paper) — ISBN 0-7914-6032-0 (pbk. : alk.paper) 1. Popular culture—Japan—History—20th century. I. Kelly, William W. II. Series. DS822.5b. F36 2004 306'.0952'09049—dc22 2004041740 10987654321 Contents List of Illustrations vii Acknowledgments ix Introduction: Locating the Fans 1 William W. Kelly 1 B-Boys and B-Girls: Rap Fandom and Consumer Culture in Japan 17 Ian Condry 2 Letters from the Heart: Negotiating Fan–Star Relationships in Japanese Popular Music 41 Christine R. -
Global Political Ecology
Global Political Ecology The world is caught in the mesh of a series of environmental crises. So far attempts at resolving the deep basis of these have been superficial and disorganized. Global Political Ecology links the political economy of global capitalism with the political ecology of a series of environmental disasters and failed attempts at environmental policies. This critical volume draws together contributions from 25 leading intellectuals in the field. It begins with an introductory chapter that introduces the readers to political ecology and summarises the book’s main findings. The following seven sections cover topics on the political ecology of war and the disaster state; fuelling capitalism: energy scarcity and abundance; global governance of health, bodies, and genomics; the contradictions of global food; capital’s marginal product: effluents, waste, and garbage; water as a commodity, human right, and power; the functions and dysfunctions of the global green economy; political ecology of the global climate; and carbon emissions. This book contains accounts of the main currents of thought in each area that bring the topics completely up-to-date. The individual chapters contain a theoretical introduction linking in with the main themes of political ecology, as well as empirical information and case material. Global Political Ecology serves as a valuable reference for students interested in political ecology, environmental justice, and geography. Richard Peet holds degrees from the London School of Economics (BSc (Econ)), the University of British Columbia (MA), and the University of California, Berkeley (PhD). He is currently Professor of Geography at Clark University, Worcester, MA. His interests are development, global policy regimes, power, theory and philosophy, political ecology, and the causes of financial crises. -
Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2015 Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender Kazue Harada Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the East Asian Languages and Societies Commons Recommended Citation Harada, Kazue, "Japanese Women's Science Fiction: Posthuman Bodies and the Representation of Gender" (2015). Arts & Sciences Electronic Theses and Dissertations. 442. https://openscholarship.wustl.edu/art_sci_etds/442 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of East Asian Languages & Cultures Dissertation Examination Committee: Rebecca Copeland, Chair Nancy Berg Ji-Eun Lee Diane Wei Lewis Marvin Marcus Laura Miller Jamie Newhard Japanese Women’s Science Fiction: Posthuman Bodies and the Representation of Gender by Kazue Harada A dissertation presented to the Graduate School of Arts & Sciences of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2015 St. Louis, Missouri © 2015, Kazue Harada -
A Brief Summary of Japanese-Ainu Relations and the Depiction of The
The road from Ainu barbarian to Japanese primitive: A brief summary of Japanese-ainu relations in a historical perspective Noémi GODEFROY Centre d’Etudes Japonaises (CEJ) “Populations Japonaises” Research Group Proceedings from the 3rd Consortium for Asian and African Studies (CAAS) “Making a difference: representing/constructing the other in Asian/African Media, Cinema and languages”, 16-18 February 2012, published by OFIAS at the Tokyo University of Foreign Studies, p.201-212 Edward Saïd, in his ground-breaking work Orientalism, underlines that to represent the “Other” is to manipulate him. This has been an instrument of submission towards Asia during the age of European expansion, but the use of such a process is not confined to European domination. For centuries, the relationship between Japan and its northern neighbors, the Ainu, is based on economical domination and dependency. In this regard, the Ainu’s foreignness, impurity and “barbaric appearance” - their qualities as inferior “Others” - are emphasized in descriptive texts or by the regular staging of such diplomatic practices as “barbarian audiences”, thus highlighting the Japanese cultural and territorial superiority. But from 1868, the construction of the Meiji nation-state requires the assimilation and acculturation of the Ainu people. As Japan undergoes what Fukuzawa Yukichi refers to as the “opening to civilization” (文明開化 bunmei kaika) by learning from the West, it also plays the role of the civilizer towards the Ainu. The historical case study of the relationship between Japanese and Ainu from up to Meiji highlights the evolution of Japan’s own self-image and identity, from an emerging state, subduing barbarians, to newly unified state - whose ultramarine relations are inspired by a Chinese-inspired ethnocentrism and rejection of outside influence- during the Edo period, and finally to an aspiring nation-state, seeking to assert itself while avoiding colonization at Meiji. -
Referencia Bibliográfica: Saito, K. (2011). Desire in Subtext: Gender
Referencia bibliográfica: Saito, K. (2011). Desire in Subtext: Gender, Fandom, and Women’s Male-Male Homoerotic Parodies in Contemporary Japan. Mechademia, 6, 171–191. Disponible en https://muse.jhu.edu/article/454422 ISSN: - 'HVLUHLQ6XEWH[W*HQGHU)DQGRPDQG:RPHQ V0DOH0DOH +RPRHURWLF3DURGLHVLQ&RQWHPSRUDU\-DSDQ .XPLNR6DLWR Mechademia, Volume 6, 2011, pp. 171-191 (Article) 3XEOLVKHGE\8QLYHUVLW\RI0LQQHVRWD3UHVV DOI: 10.1353/mec.2011.0000 For additional information about this article http://muse.jhu.edu/journals/mec/summary/v006/6.saito.html Access provided by University of Sydney Library (13 Nov 2015 18:03 GMT) KumiKo saito Desire in Subtext: Gender, Fandom, and Women’s Male–Male Homoerotic Parodies in Contemporary Japan Manga and anime fan cultures in postwar Japan have expanded rapidly in a manner similar to British and American science fiction fandoms that devel- oped through conventions. From the 1970s to the present, the Comic Market (hereafter Comiket) has been a leading venue for manga and anime fan activi- ties in Japan. Over the three days of the convention, more than thirty-seven thousand groups participate, and their dōjinshi (self-published fan fiction) and character goods generate ¥10 billion in sales.1 Contrary to the common stereo- type of anime/manga cult fans—the so-called otaku—who are males in their twenties and thirties, more than 70 percent of the participants in this fan fic- tion market are reported to be women in their twenties and thirties.2 Dōjinshi have created a locus where female fans vigorously explore identities and desires that are usually not expressed openly in public. The overwhelming majority of women’s fan fiction consists of stories that adapt characters from official me- dia to portray male–male homosexual romance and/or erotica. -
May 2020 1(4)
What’s in this issue Welcome Message Eye on Japan Tokyo Days – report by Nadine Willems Piece of Japan Upcoming Events General Links Editor: Oliver Moxham, CJS Project Coordinator CJS Director: Professor Simon Kaner Contact Us Header photo by editor Welcome Message CJS ニュースレターへようこそ! Welcome to the first May edition of the CJS e-newsletter. This week we are happy to bring you positive news from Japan on handling of the pandemic as infection rates continue to slow after a thankfully quiet Golden Week and the government finally accepts that the virus may not simply disappear by the end of May. We have inspiring stories of human kindness in Japan to keep spirits up, a brand new article from Nadine Willems on the trials of acquiring masks in lockdown Tokyo and a raft of cultural goodies on the theme of humanity versus nature in our Piece of Japan segment. You can find a message from CJS Director Professor Simon Kaner on the Sainsbury Institute for the Study of Japanese Arts and Cultures website and hear more from our SISJAC colleagues on their monthly e-bulletin. We hope you enjoy reading and as ever look forward to hearing from you on what you would like to see in future issues. Written by Oliver Moxham, CJS Project Coordinator and editor Editor’s note: Japanese names are given in the Japanese form of family name first i.e. Matsumoto Mariko Eye on Japan: Quiet Golden Week|Flattening the Curve|Castles in the Spotlight 日本の最新情報 As Golden Week passes by with World Heritage Sites on high alert for daring sightseers, it would seem that most heeded the calls to at least not travel, if not stay indoors. -
Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses Fall 1-7-2020 Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities Jeffrey Braytenbah Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Asian History Commons, and the Asian Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Braytenbah, Jeffrey, "Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the ashioningF of Ainu/Japanese Colonial Identities" (2020). Dissertations and Theses. Paper 5356. https://doi.org/10.15760/etd.7229 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Crania Japonica: Ethnographic Portraiture, Scientific Discourse, and the Fashioning of Ainu/Japanese Colonial Identities by Jeff Braytenbah A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History Thesis Committee: Kenneth J. Ruoff, Chair Laura Robson Jennifer Tappan Portland State University 2019 © 2019 Jeff Braytenbah Abstract Japan’s colonial activities on the island of Hokkaido were instrumental to the creation of modern Japanese national identity. Within this construction, the indigenous Ainu people came to be seen in dialectical opposition to the 'modern' and 'civilized' identity that Japanese colonial actors fashioned for themselves. This process was articulated through travel literature, ethnographic portraiture, and discourse in scientific racism which racialized perceived divisions between the Ainu and Japanese and contributed to the unmaking of the Ainu homeland: Ainu Mosir. -
The Moon Bear As a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan
Catherine Knight Independent Scholar The Moon Bear as a Symbol of Yama Its Significance in the Folklore of Upland Hunting in Japan The Asiatic black bear, or “moon bear,” has inhabited Japan since pre- historic times, and is the largest animal to have roamed Honshū, Shikoku, and Kyūshū since mega-fauna became extinct on the Japanese archipelago after the last glacial period. Even so, it features only rarely in the folklore, literature, and arts of Japan’s mainstream culture. Its relative invisibility in the dominant lowland agrarian-based culture of Japan contrasts markedly with its cultural significance in many upland regions where subsistence lifestyles based on hunting, gathering, and beliefs centered on the mountain deity (yama no kami) have persisted until recently. This article explores the significance of the bear in the upland regions of Japan, particularly as it is manifested in the folklore of communities centered on hunting, such as those of the matagi, and attempts to explain why the bear, and folklore focused on the bear, is largely ignored in mainstream Japanese culture. keywords: Tsukinowaguma—moon bear—matagi hunters—yama no kami—upland communities—folklore Asian Ethnology Volume 67, Number 1 • 2008, 79–101 © Nanzan Institute for Religion and Culture nimals are common motifs in Japanese folklore and folk religion. Of the Amammals, there is a wealth of folklore concerning the fox, raccoon dog (tanuki), and wolf, for example. The fox is regarded as sacred, and is inextricably associated with inari, originally one of the deities of cereals and a central deity in Japanese folk religion. It has therefore become closely connected with rice agri- culture and thus is an animal symbol central to Japan’s agrarian culture. -
An Analysis of Moto Hagio's the Heart of Thomas
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-18-2019 When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The eH art of Thomas Kaoru Tamura Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Japanese Studies Commons, and the Women's Studies Commons Recommended Citation Tamura, Kaoru, "When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The eH art of Thomas" (2019). Arts & Sciences Electronic Theses and Dissertations. 1747. https://openscholarship.wustl.edu/art_sci_etds/1747 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Program in East Asian Studies When a Woman Betrays the Nation: an Analysis of Moto Hagio’s The Heart of Thomas by Kaoru Tamura A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 2019 St. Louis, Missouri © 2019, Kaoru Tamura Table of Contents List of Figures ................................................................................................................................ iii Acknowledgments........................................................................................................................ -
T Cartoonists
Publisher of the Worl d’sG r eatest Car toon ists SUMMER 2019 SUMMER 2019 7563 lake city way ne • seattle, wa 98115 • usa telephone: 206-524-1967 • fax: 206-524-2104 customer service: 800-657-1100 [email protected] • www.fantagraphics.com Distributed to the book trade in the In Japan: In Singapore, Malaysia: Distributed to the comic book special- United States by: ty market by Diamond Comics Distrib- Rockbook – Gilles Fauveau Pansing Distribution Pte Ltd utors (www.diamondcomics.com). W.W. NORTON AND COMPANY, INC. Expirime 5F 10-10 Ichibancho 1 New Industrial Road 500 Fifth Avenue Chiyoda-ku Times Centre For information on distribution New York, NY 10110 102-0082 Tokyo Singapore 536196 elsewhere, please contact Martin Tel.: 212-354-5500 Japan Tel (65) 6319 9939 Bland. Fax: 212-869-0856 Tel: (81) 90 9700 2481 Fax (65) 6459 4930 Order Dept. Tel.: 800-233-4830 Tel: (81) 90 3962 4650 email: [email protected] email: [email protected] Order Dept. Fax: 800-458-6515 General Inquiries email: [email protected] Customer Service Dept.: 800-233-4830 In Thailand, Cambodia, Laos, Vietnam, [email protected] Special Sales Dept.: Myanmar: Sales & Distribution Martin Bland 800-286-4044 In Taiwan and Korea: [email protected] www.wwnorton.com Hardy Bigfoss International Co., Ltd. Publicity & Marketing Jacq Cohen B. K. Norton Ltd. 293 Maenam Kwai Road, Tambol Tha [email protected] In the United Kingdom & Europe: 5F, 60 Roosevelt Road Makham Print Buyer Jason Miles Sec. 4, Taipei 100 Amphur Muang [email protected] -
Fabulous Year 24 Group’, the Such As Yuri (‘Girls’ Love’) and Shonen-Ai
34 GIRLS’ WORLD THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 GIRLS’ WORLD 35 - THE ‘FABULOUSGIRLS YEAR 24 GROUP’ & THE SHOJO MANGA REVOLUTION’ WORLD ZOE TAYLOR tells the extraordinary story of a group of pioneering young Japanese women who reshaped the comics industry and the wider culture, challenged inherited ideas of gender and revolutionised visual storytelling. Taylor also interviews MATT THORN, whose English translations became a vehicle for popularising the work Fushi no Hana (An Immortal Flower), Yukiko Kai, 1979 36 GIRLS’ WORLD THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 THE ILLUSTRATION REPORT SPRING 2016 ISSUE 33 GIRLS’ WORLD 37 Huge twinkling eyes, splintered panels, abstract page audience of teenagers to shojo- manga (it was previously layouts, androgynous boys, fowing hair, stars, fowers and aimed only at elementary school girls), which allowed the melancholic longing… Year 24 Group artists to explore more complex themes These distinctive features of shojo- manga – Japanese such as sexual abuse and abortion and, with their open ap- comics aimed at junior and high school girls – crystallised proach to gender and sexuality, paved the way for genres in the early 1970s when ‘the Fabulous Year 24 Group’, the such as yuri (‘Girls’ Love’) and shonen-ai- . frst wave of women artists working in the genre, elevated it to a new cultural prominence. Exploring philosophical, THE ORIGINS psychological and previously taboo themes with a unique Shojo- manga magazines such as Ribon began appearing sense of lyricism, they revolutionised the medium in works in the 1950s and 1960s. Their precursors, the pre-war il- such as Moto Hagio’s The Heart of Thomas (1974-75) and So, in a sense, the revolutionaries lustrated literary magazines, had promoted a nationwide Keiko Takemiya’s The Song of the Wind and Trees (1976- reading community of girls. -
Origins of the Japanese Languages. a Multidisciplinary Approach”
MASTERARBEIT / MASTER’S THESIS Titel der Masterarbeit / Title of the Master’s Thesis “Origins of the Japanese languages. A multidisciplinary approach” verfasst von / submitted by Patrick Elmer, BA angestrebter akademischer Grad / in partial fulfilment of the requirements for the degree of Master of Arts (MA) Wien, 2019 / Vienna 2019 Studienkennzahl lt. Studienblatt / A 066 843 degree programme code as it appears on the student record sheet: Studienrichtung lt. Studienblatt / Masterstudium Japanologie UG2002 degree programme as it appears on the student record sheet: Betreut von / Supervisor: Mag. Dr. Bernhard Seidl Mitbetreut von / Co-Supervisor: Dr. Bernhard Scheid Table of contents List of figures .......................................................................................................................... v List of tables ........................................................................................................................... v Note to the reader..................................................................................................................vi Abbreviations ....................................................................................................................... vii 1. Introduction ................................................................................................................. 1 1.1. Research question ................................................................................................. 1 1.2. Methodology ........................................................................................................