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Cambridge University Press 978-1-107-01610-1 - The Ancient World in Silent Cinema Edited by Pantelis Michelakis and Maria Wyke Index More information Index of films discussed Abenteuer des Prinzen Achmed, Die (1926) By the Cross (In Hoc Signo Vinces, Italy, 1913, see Adventures of Prince Achmed, The dir. Nino Oxilia), 122 Adam’s Rib (USA, 1922, dir. Cecil B. DeMille), 262, 284–5 Cabiria (Italy, 1914, dir. Giovanni Pastrone), 1, Adventures of Prince Achmed, The (Die 13, 20–1, 27, 109–11, 115, 123, 152, 229–46, Abenteuer des Prinzen Achmed, Germany, 248–9, 255, 278, 310 1926, dir. Lotte Reiniger), 79 Caduta di Troia, La (1911) see Fall of Troy, The ‘Aesop’s Fables’ (USA, 1921–9, dir. Paul Cajus Julius Caesar (Italy, 1914, dir. Enrico Terry), 3 Guazzoni), 14, 118 Androcles and the Lion (Androclès, France, Carthage in Flames (Cartagine in Fiamme,Italy 1912, dir. L. Feuillade), 283 and France, 1959, dir. Carmine Gallone), 240 Anneau fatal, L’ (1912) see Fatal Ring, The Cheat, The (USA, 1915, dir. Cecil DeMille), 109 Antony and Cleopatra (Marcantonio e Christ Walking on Water (Le Christ marchant Cleopatra, Italy, 1913, dir. Enrico Guazzoni), sur les flots, France, 1899, dir. Georges 53, 116, 118, 120, 122 Méliès), 170 Apocalisse, L’ (Italy, 1947, dir. Giuseppe Maria Christus (Italy, 1916, dir. Giulio Antamoro), 117 Scotese), 258 Circe, the Enchantress (USA, 1924, dir. Attila (Italy, 1918, dir. F. Mari), 255 Robert Z. Leonard), 147 Augen der Mumie Ma, Die (1918) see Eyes of Cleopatra (USA, 1908, dir. J. Stuart Blackton), 53 the Mummy Ma Cleopatra (USA, 1917, dir. J. Gordon Edwards), 54, 71, 275, 328 Balthasar’s Feast (Le Festin de Balthazar, Cleopatsy (USA, 1918, dir. Hal Roach), 275 France, 1910, dir. Louis Feuillade), xiii Colossus of Rhodes, The (Il Colosso di Rodi, Battle of the Teutoburg Forest (1924) Italy, France, Spain, 1961, dir. Sergio see Hermannschlacht, Die Leone), 240 Behold the Man (USA, 1921, dir. Spencer Cupid and Psyche (Edison Manufacturing Co., Gordon Bennet), 172 USA, 1897), 1 Bending Her (USA, 1928, dir. Lupino Lane), 275 Ben-Hur (USA, 1907, dir. Sidney Olcott), 9, 20, Daniel (USA, 1914, dir. F. A. Thomson), 117 189–204, 280 Dante’s Inferno (L’inferno, Italy, 1911, dir. Ben-Hur (USA, 1925, dir. Fred Niblo), 1, 23, Francesco Bertolini, Adolfo Padovan, 27, 275, 280, 313, 319, 321, 336 Giuseppe de Liguoro), 32–4, 115 Ben-Hur (USA, 1959, dir. William Wyler), 27, Daughter of the Gods (USA, 1916, dir. Herbert 100, 320, 327 Brenon), 139 Beyond the Rocks (USA, 1922, dir. Sam Dust of Egypt, The (USA, 1915, dir. George Woods), 56, 66–7, 72, 127 D. Baker), 62 Bible, The (La Bibbia, Aquila, 1913), 117 Birth of a Nation, The (USA, 1915, dir. Egyptian Mummy, The (USA, 1914, dir. D. W. Griffith), 109, 249, 279 Lee Beggs), 53 Blade am satans bog (1921) see Leaves from Egyptian Mystery, The (USA, 1909, dir. J. Searle Satan’s Book Dawley), 63 Burning Sands (USA, 1922, dir. George Emperor Nero and the Fire of Rome (Keizer Melford), 84 Nero en de Brand van Rome, 1913), 122 369 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01610-1 - The Ancient World in Silent Cinema Edited by Pantelis Michelakis and Maria Wyke Index More information 370 Index of films discussed Eyes of Mummy Ma, The (Die Augen der Intolerance (USA, 1916, D. W. Griffith), 1, 13, Mumie Ma, Germany, 1918, dir. Ernst 37, 43, 46–8, 50–2, 74–5, 79, 94–6, 98, 100–1, Lubitsch), 56, 65–7, 71 106–7, 152, 177, 180, 234, 241, 244, 262, 265, 275, 278–9, 284, 287, 295 Fall of Troy, The (La caduta di Troia, Italy, Island of Calypso, Ulysses and the Giant 1911, dir. Luigi Romano Borgnetto & Polyphemus (L’île de Calypso, Ulysse et le Giovanni Pastrone), 114–15, 122, 148, 151, géant Polyphème, France, 1905, dir. Georges 155, 159–60, 163, 229, 241 Méliès), 147, 155–7 Fatal Ring, The (L’anneau fatal, France, 1912, dir. Louis Feuillade), 63 Joseph in the Land of Egypt (USA, 1914, dir. Fazil (USA, 1928, dir. Howard Hawks), 71 W. Eugene Moore), 53 Frate Sole (Brother Son, Italy, 1918, dir. Mario Judgment of Paris, The (Le jugement de Corsi), 248–9, 255 Pâris, France, 1902, dir. Georges Hatot), Friends, Romans and Leo (USA, 1917, dir. Alan 112, 147 Crosland), 275 Judith and Holofernes (Giuditta e Oloferne, From the Manger to the Cross (USA, 1912, dir. Italy, 1908, dir. Mario Caserini), xiii, 207, Sidney Olcott), 53, 117 211–15, 217, 219–20, 228 Judith and Holofernes (Giuditta e Oloferne, Giuditta e Oloferne (1908) see Judith and Italy, 1920, dir. Aldo Molinari), 255 Holofernes Judith and Holofernes (Judith et Holopherne, Giuditta e Oloferne (1920) see Judith and France, 1910, dir. Louis Feuillade), 207, Holofernes 214–18, 220 Giuliano l’Apostata (1919) see Julian the Judith of Bethulia (USA, 1914, dir. D. W. Apostate Griffith), 95, 98–100, 106, 207, 217–28, 279 Jugement de Pâris, Le (1902) see Judgment of Haunted Curiosity Shop, The (UK, 1901, Paris, The dir. Walter R. Booth), 60 Julian the Apostate (Giuliano l’Apostata, Italy, Heimkehr des Odysseus, Die (1918) see Return 1919, dir. Ugo Falena), 21, 247–61 of Odysseus, The Julius Caesar (USA, 1909, dir. J. Stuart Heimkehr des Odysseus, Die (1922) see Return Blackton), 118 of Odysseus, The Julius Caesar (1914) see Cajus Julius Caesar Helen of Troy (Helena, Germany, 1924, dir. Manfred Noa), viii, 147–8, 151–2, 155, King Menelaus at the Movies (König Menelaus 158–60, 162–3 im Kino, Austria, 1913, dir. Hans Otto Héliogabale (Heliogabalus, France, 1910, dir. Löwenstein), 3, 147 André Calmettes), 113 King of Kings (USA, 1927, dir. Cecil Her Husband’s Trademark (USA, 1922, dir. B. DeMille), 170 Sam Wood), 127 Hermannschlacht, Die (Battle of the Teutoburg Last Days of Pompeii, The (Gli ultimi giorni di Forest, Germany, 1924, dir. Leo König), Pompeii, Ambrosio, Italy, 1913, dir. Mario 22, 297–312 Caserini and Eleuterio Rodolfi), 116, 119, Hero of the Arena, The (Der Held Der Arena, 122, 124, 283, 326 Germany, 1928), 162 Last Days of Pompeii, The (Gli ultimi giorni di His Prehistoric Past (USA, 1914, dir. Charlie Pompeii, Italy, 1908, dir. Luigi Maggi and Chaplin), 275 Arturo Ambrosio), 115, 236 Horitz Passion Play, The (Klaw & Erlanger, Last Days of Pompeii, The (Gli ultimi giorni di USA, 1897), 1, 6, 12, 169 Pompeii, Italy, 1926, dir. Carmine Gallone and Amleto Palermi), 254 Image Maker, The (USA, 1917, dir. W. Eugene Last Days of Pompeii, The (Ione o Gli ultimi Moore), 62 giorni di Pompeii, Pasquali, Italy, 1913, dir. In Hoc Signo Vinces (1913) see By the Cross Giovanni Enrico Vidali), 122, 237 In the Hands of Imposters (Den hvide Slavehandel, Last Days of Pompeii, The (UK, 1900, dir. Denmark, 1911, dir. August Blom), 114 Robert Paul), 111–12 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-01610-1 - The Ancient World in Silent Cinema Edited by Pantelis Michelakis and Maria Wyke Index More information Index of films discussed 371 Leaves from Satan’s Book (Blade am satans bog, Nero (Nerone, Italy, 1909, dir. Luigi Maggi), Denmark, 1921, dir. Carl Theodor Dreyer), 115, 323 20, 171, 180–8 Nero (USA, 1922, dir. J. Gordon Edwards), 323 Legend of Midas, The (La légende de Midas, Nero Trying out Poisons on His Slaves (Néron France, 1910, dir. Louis Feuillade), xiii essayant des poisons sur des esclaves, France, Life and Passion of Jesus Christ, The (La vie et 1896, Georges Hatot), 1, 111 passion du Christ, France, 1905, dir. Noah’s Ark (USA, 1928, dir. Michael Curtiz), Ferdinand Zecca & Lucien Nonguet), xiv, 20, 262 31, 171, 178, 187–8 Life of Christ, The (La vie et passion du Christ, Odissea, L’ (1911) see Odyssey, The Gaumont, France, 1906, dir. Alice Guy), 30, Odyssey of a Countryman in Paris (Odyssée 35 d’un paysan à Paris, France, 1905, dir. Life of Moses, The (USA, 1909, dir. Charles Charles-Lucien Lépine), 151 Kent and J. Stuart Blackton), 5, 123, 264 Odyssey of a Scholar, The (L’Odyssée d’un Life of Moses, The (La vie de Moïse¸ Pathé, savant, Pathé, France, 1908), 151 France, 1905), 264, 268 Odyssey of a Spaceship, The (L’Odyssée de la Luke, the Gladiator (USA, 1916, dir. Hal voiture astral, France, 1905, dir. Georges Roach), 275 Méliès), 151 Odyssey of a Super (Odissea di una comparsa, Male and Female (USA, 1919, dir. Cecil B. Italy, 1909, dir. Romolo Bacchini), 151 DeMille), 126, 262–3, 268, 284 Odyssey of the North, An (USA, 1914, dir. Man’s Genesis (USA, 1912, dir. D. W. Griffith), Hobart Bosworth), 147, 159 284 Odyssey, The (L’Odissea, Italy, 1911, dir. Manslaughter (USA, 1922, dir. Cecil Francesco Bertolini, Giuseppe di Liguoro, B. DeMille), 262, 267, 284 Adolfo Padovan), xiv, 8, 147–9, 151, 153–5, Market Scene in Cairo (Edison, USA, 159–60, 162–3 1903), 53 Oil and Water (USA, 1912, dir. D. W. Griffith), Mercy, the Mummy Mumbled (USA, 1918, dir. 96, 102, 105 R. W. Phillips), 53 Messiah, The (La vie et la passion de nôtre Passion Play of Oberammergau, The (USA, Seigneur Jésus Christ, France, 1913–14), 1898, dir. Richard Hollaman), 170 117 Passion Play, The (USA, 1898, dir. Sigmund Miracle, The (Das Mirakel, Austria/Germany, Lubin), 170 1912, dir. Cherry Kearton and Max Passion, The (La Passion, France, 1897, dir. Reinhardt), 117 Léar [Albert Kirchner]), 169 Miracle, The (Das Mirakel, Germany, 1912, dir. Passion, The (La Passion, Gaumont, France, Mime Misu), 118 1898), 169 Modern Sphinx, A (USA, 1916, dir.
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    Repositorium für die Medienwissenschaft Hans Jürgen Wulff Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020 2020-07-26 https://doi.org/10.25969/mediarep/14138 Veröffentlichungsversion / published version Buch / book Empfohlene Zitierung / Suggested Citation: Wulff, Hans Jürgen: Der Seuchenfilm: Epidemien und virale Infektionen im Film. Teil II: Filmographien 1930–2020. Westerkappeln: DerWulff.de 2020-07-26 (Medienwissenschaft: Berichte und Papiere 194). DOI: https://doi.org/10.25969/mediarep/14138. Erstmalig hier erschienen / Initial publication here: http://berichte.derwulff.de/0194_20.pdf Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Creative Commons - This document is made available under a creative commons - Namensnennung - Nicht kommerziell - Keine Bearbeitungen 4.0/ Attribution - Non Commercial - No Derivatives 4.0/ License. For Lizenz zur Verfügung gestellt. Nähere Auskünfte zu dieser Lizenz more information see: finden Sie hier: https://creativecommons.org/licenses/by-nc-nd/4.0/ https://creativecommons.org/licenses/by-nc-nd/4.0/ Medienwissenschaft: Berichte und Papiere 194, 2020: Epidemiefilm II. Redaktion und Copyright dieser Ausgabe: Hans J. Wulff u. Ludger Kaczmarek. ISSN 2366-6404. URL: http://berichte.derwulff.de/0194_20.pdf. CC BY-NC-ND 4.0. Letzte Änderung: Rev. 1, 26.07.2020. Der Seuchenfilm: Epidemien und virale Infektionen im Film Teil II: Filmographien 1930 !0!0 Kompiliert und eingeleitet von Hans J. Wulff Inhalt: 1. Einleitung: Das Drama der Epidemie. Ein kurzer Blick auf die Filmgeschichte [2] 2. Der Seuchenfilm. Kleine Filmographie der Epidemien im Spielfilm, 1$%&'2&2& [(] %. Film"graphie der Z"m*ies und anderer virus-infizierter Wesenswandler [/$] 0. V"n Viren, F"rschern und Ärzten, a*er auch v"n Ü*erle*enden und Z"mbies: Kleine Seri"graphie der Seuchenthematik im Fernsehen [1&0] 4.
  • Emma Lazarus - Poems

    Emma Lazarus - Poems

    Classic Poetry Series Emma Lazarus - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Emma Lazarus(22 July 1849 – 19 November 1887) Emma Lazarus was an American Jewish poet born in New York City. She is best known for "The New Colossus", a sonnet written in 1883; its lines appear on a bronze plaque in the pedestal of the Statue of Liberty placed in 1903. The sonnet was written for and donated to an auction, conducted by the "Art Loan Fund Exhibition in Aid of the Bartholdi Pedestal Fund for the Statue of Liberty" to raise funds to build the pedestal. Emma Lazarus was honored by the Office of the Manhattan Borough President in March 2008 and was included in a map of historical sites related or dedicated to important women. <b>Background</b> Lazarus was the fourth of seven children of Moshe Lazarus and Esther Nathan, Sephardic Jews whose families, originally from Portugal, had been settled in New York since the colonial period. She was related through her mother to Benjamin N. Cardozo, Associate Justice of the US Supreme Court. From an early age, she studied American and British literature, as well as several languages, including German, French, and Italian. Her writings attracted the attention of Ralph Waldo Emerson. He corresponded with her until his death. <b>Literary Career</b> Lazarus wrote her own poems and edited many adaptations of German poems, notably those of Johann Wolfgang von Goethe and Heinrich Heine. She also wrote a novel and two plays. Her most famous work is "The New Colossus", which is inscribed on the pedestal of the Statue of Liberty.