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Fitzgerald in the Late 1910S: War and Women Richard M
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Duquesne University: Digital Commons Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2009 Fitzgerald in the Late 1910s: War and Women Richard M. Clark Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Clark, R. (2009). Fitzgerald in the Late 1910s: War and Women (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/416 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. FITZGERALD IN THE LATE 1910s: WAR AND WOMEN A Dissertation Submitted to the McAnulty College and Graduate School Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Richard M. Clark August 2009 Copyright by Richard M. Clark 2009 FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark Approved July 21, 2009 ________________________________ ________________________________ Linda Kinnahan, Ph.D. Greg Barnhisel, Ph.D. Professor of English Assistant Professor of English (Dissertation Director) (2nd Reader) ________________________________ ________________________________ Frederick Newberry, Ph.D. Magali Cornier Michael, Ph.D. Professor of English Professor of English (1st Reader) (Chair, Department of English) ________________________________ Christopher M. Duncan, Ph.D. Dean, McAnulty College and Graduate School of Liberal Arts iii ABSTRACT FITZGERALD IN THE LATE 1910s: WAR AND WOMEN By Richard M. Clark August 2009 Dissertation supervised by Professor Linda Kinnahan This dissertation analyzes historical and cultural factors that influenced F. -
Americanizing the Movies and "Movie-Mad" Audiences, 1910-1914
Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914 The publisher gratefully acknowledges the generous contribution to this book provided by Eric Papenfuse and Catherine Lawrence. Americanizing the Movies and “Movie-Mad” Audiences, 1910–1914 Richard Abel UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London University of California Press, one of the most distinguished univer- sity presses in the United States, enriches lives around the world by advancing scholarship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2006 by The Regents of the University of California Several chapters and entr’actes are revised and expanded versions of earlier essays, which are listed in the acknowledgments on pages xvi–xvii. The A. A. Milne epigraph is from Winnie-the-Pooh (New York: E. P. Dutton, 1926), 70. Library of Congress Cataloging-in-Publication Data Abel, Richard, 1941– Americanizing the movies and “movie-mad” audiences, 1910–1914 / Richard Abel. p. cm. Includes bibliographical references and index. ISBN-13, 978-0-520-24742-0 (cloth: alk. paper) ISBN-10, 0-520-24742-6 (cloth : alk. paper) ISBN-13, 978-0-520-24743-7 (pbk.: alk. paper) ISBN-10, 0-520-24743-4 (pbk. : alk. paper) 1. Motion pictures—United States—History. 2. Motion pic- tures—Social aspects—United States. 3. Nationalism—United States. I. Title: Americanizing the movies and “movie-mad” audi- ences, 1910–1914. -
History of the Cafe Republique 1910-1913
H-DC History of the Cafe Republique 1910-1913 Discussion published by John DeFerrari on Friday, July 9, 2021 From theStreets of Washington blog. Full article with illustrations is at: http://www.streetsofwashington.com/2021/06/the-short-exuberant-life-of-washingtons.html June 29, 2021 THE SHORT, EXUBERANT LIFE OF WASHINGTON'S CAFÉ RÉPUBLIQUE The restaurant business is famously risky, and perhaps the greatest risks are taken by those who invest in elaborate new eateries without a sound plan for making them profitable. Such is the cautionary tale of the posh Café République, an extravagant enterprise that flourished for just a few years in downtown Washington in the 1910s, serving as a quintessential expression of the fragile exuberance of its times. Citation: John DeFerrari. History of the Cafe Republique 1910-1913. H-DC. 07-09-2021. https://networks.h-net.org/node/28441/discussions/7883577/history-cafe-republique-1910-1913 Licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 United States License. 1 H-DC The main dining room of the Cafe Republique. In September 1911, a certain Maggie Mae sent this postcard to her friend Agnes Collins in Auburn, New York. She wrote: "Your pal Magie is---having one fine time. Just had luncheon at this cafe. Some class-Washington. Gee Agnes its a case of When Dreams Come True." (Author's collection.) In April 1910, a group of local investors organized as the Columbia Cafe Company to open the Café République in remodeled space at the northwest corner of the Corcoran Office Building, located at 15th and F Streets NW, across the street from the Treasury Department. -
A Life Transformed: the 1910S
TWO A Life Transformed: The 1910s Not the least significant element of modem political history is contained in the constant growth of individual personality accompanied by the limitation of the State.! Georg Jellinek, 1892 FIRST TRIP TO CHINA AND THE JAPANESE COMMUNITY IN PEKING When Nakae grew bored with working for the South Manchurian Rail way Company, once again his benefactors came to his rescue and found something else for him. Around October 1914, his mother's former boarder, Ts'ao Ju-lin, managed to land him an offer. Ts'ao summoned Nakae to Peking with a one-year contract to work as secretary to Ariga Nagao (1860-1921). Ariga was a professor of international law at Waseda University and had been a friend of Ushikichi's father, although thei; political views diverged sharply. Apparently, years before, Mrs. Nakae out of concern for her wayward son's future had prevailed on the ever grateful Ts'ao to intercede on behalf of Ushikichi if necessary. Nakae received the handsome monthly salary of one hundred yuan for responsibilities neither especially demanding nor explicit. One suspects that he held this sinecure, which might otherwise not have existed, because of his mother's earlier appeal. We know, however, that Nakae spent a great deal of his time in China that year leading what he himself would later refer to as the life of a "profligate villain" (hi5ti5 burai).2 In 1914 Ariga accepted an invitation to serve as an advisor to the gov- "'-------------------- -- 28 A Life Transformed ernment of Yuan Shih-k'ai (1859-1916), which had taken power several years earlier in the young Republic of China. -
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945
Records of the Immigration and Naturalization Service, 1891-1957, Record Group 85 New Orleans, Louisiana Crew Lists of Vessels Arriving at New Orleans, LA, 1910-1945. T939. 311 rolls. (~A complete list of rolls has been added.) Roll Volumes Dates 1 1-3 January-June, 1910 2 4-5 July-October, 1910 3 6-7 November, 1910-February, 1911 4 8-9 March-June, 1911 5 10-11 July-October, 1911 6 12-13 November, 1911-February, 1912 7 14-15 March-June, 1912 8 16-17 July-October, 1912 9 18-19 November, 1912-February, 1913 10 20-21 March-June, 1913 11 22-23 July-October, 1913 12 24-25 November, 1913-February, 1914 13 26 March-April, 1914 14 27 May-June, 1914 15 28-29 July-October, 1914 16 30-31 November, 1914-February, 1915 17 32 March-April, 1915 18 33 May-June, 1915 19 34-35 July-October, 1915 20 36-37 November, 1915-February, 1916 21 38-39 March-June, 1916 22 40-41 July-October, 1916 23 42-43 November, 1916-February, 1917 24 44 March-April, 1917 25 45 May-June, 1917 26 46 July-August, 1917 27 47 September-October, 1917 28 48 November-December, 1917 29 49-50 Jan. 1-Mar. 15, 1918 30 51-53 Mar. 16-Apr. 30, 1918 31 56-59 June 1-Aug. 15, 1918 32 60-64 Aug. 16-0ct. 31, 1918 33 65-69 Nov. 1', 1918-Jan. 15, 1919 34 70-73 Jan. 16-Mar. 31, 1919 35 74-77 April-May, 1919 36 78-79 June-July, 1919 37 80-81 August-September, 1919 38 82-83 October-November, 1919 39 84-85 December, 1919-January, 1920 40 86-87 February-March, 1920 41 88-89 April-May, 1920 42 90 June, 1920 43 91 July, 1920 44 92 August, 1920 45 93 September, 1920 46 94 October, 1920 47 95-96 November, 1920 48 97-98 December, 1920 49 99-100 Jan. -
Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
1914 , April 24, Reno Earthquake
The November 21, 1910 Tonopah Junction Earthquake, and the February 18, 1914 and April 24, 1914 Reno Earthquakes in Nevada Craig M. dePolo and Terri M. Garside Nevada Bureau of Mines and Geology University of Nevada, Reno Reno, Nevada 89557 [email protected] March 2006 U.S.G.S. NEHRP Award No. 04HQGR0114 Research supported by the U.S. Geological Survey (USGS), Department of the Interior, under USGS award number 04HQGR0114. The views and conclusions contained in this document are those of the authors and should not be interpreted as necessarily representing the official policies, either expressed or implied, of the U.S. Government “It began with a mumble and a rumble and a grumble, then a vibration, followed by an oscillation, a tango, a turkey trot, Castle glide, Century Club wiggle, Belle Isle joggle and a Verdi rag.” Reno Evening Gazette April 24, 1914 “We like these earthquakes in Nevada. They are indicative that the earth is settling and settlement is what Nevada wants.” Reno Evening Gazette April 24, 1914 Table of Contents ABSTRACT 1 1910, November 21, Tonopah Junction Earthquake EARTHQUAKE SUMMARY 4 EARTHQUAKE SEQUENCE 4 EARTHQUAKE CATALOG ACCOUNTS 5 NEWSPAPER ACCOUNTS 6 1914, February 18, Reno Earthquake EARTHQUAKE SUMMARY 8 EARTHQUAKE SEQUENCE 10 EARTHQUAKE CATALOG ACCOUNTS 10 NEWSPAPER ACCOUNTS 12 Nevada Newspapers 12 California Newspapers 38 OTHER ACCOUNTS 41 MODIFIED MERCALLI INTENSITY ASSIGNMENTS 43 Isoseismal Map 43 1914 , April 24, Reno Earthquake EARTHQUAKE SUMMARY 46 EARTHQUAKE SEQUENCE 48 EARTHQUAKE CATALOG ACCOUNTS 48 NEWSPAPER -
Beckham Bird Club
The Filson Historical Society Major, S. I. M. (Samuel Ira Monger), 1877-1952 Papers, 1826-1952 For information regarding literary and copyright interest for these papers, see the Curator of Special Collections, James J. Holmberg Size of Collection: 7 Cubic Feet Location Number: Mss./A/M234 Major, S. I. M. (Samuel Ira Monger), 1877-1952 Papers, 1826-1952 Scope and Content Note The Major Papers include correspondence and other material related to S. I. M. Major, III’s life and career in the United States Navy. Correspondence, primarily from friends and family to Major, reveals the everyday life of an American naval officer in the late 19th and early 20th centuries. Notable correspondents include future admiral and Chief of Staff to President Franklin D. Roosevelt, William D. Leahy, and James Wheldon Johnson, the first African-American Executive Secretary of the National Association for the Advancement of Colored People. The collection also contains correspondence and other items related to other members of the Major family, including Major’s father, S. I. M. Major, Jr., who was Kentucky State Printer, as well as the mayor of Frankfort, Kentucky, circa 1878-1880. Other topics of interest include items related to the Beauchamp-Sharp tragedy of 1826, and Major’s involvement in the office of the U.S. Ambassador to France in 1914. Any photographs have been transferred to the Scott-Major Family photo archives, and a number of miscellaneous postcards were transferred to the Filson’s postcard collection. Major, S. I. M. (Samuel Ira Monger), 1877-1952 Papers, 1826-1952 Biographical Note Born in Frankfort, Kentucky, in 1877, S. -
1913 Annual Census Report
ANNUAL REPORT FFP" q $a33 OF THE DIRECTOR OF THE CENSUS TO THE SECRETARY OF COMMERCE FOR THE FISCAL YEAR ENDED JUNE 30, 1913 WASHINGTON GOVERNMENT PRINTING OFFICE 1913 1913 REPORT OR TIIE DIRECTOR OF THE CENSUS. DEPARTAZENIOF COMI\IERCE, BUREAUOF TIIE CENSUS, Washiny/ton,November $6, 1913. Sm: There is submitted hercvith the following report upon the operations of the Bureau of the Census cluriizg the fiscal year endecl Sune 30, 1913, and upon the work now in progress. 'As I did not take the oath of office luiztil July 1, 1913, the work of this Burean during tlie entire fiscal year 1913 was uncler the clzarge of my prede- cessor, Director E. Dana Durand. A very considerable part of the Bureau's force was engaged during the,fiscal year upon the clefeisrccl ~vorlcof the Thirteentlz Decennial Cens~zs,but the usual aiznnal investigations regarding financial sta- tistics of cities, prod~~ctionand cons~unptionof cotton, vital statis- tics, nncl forest mere carried on, and in addition ~vor17I was done on the tobacco inquiyy (n~xthorizedby acl; of Congress approvecl Apr. 30, 1012) and the qu~nquennialcensus of electrical industries. PROGRESS OF DEFERRED THIRTEENTH CENSUS WORK. POPULATION. The Division of Population was engaged during the fiscal year ended June 30, 1913, wholly on work m connection with the Thir- teentli Censrrs. This work coizzprised, first, the preparation and, in large part, the coi1113letion of the text and tables for the general and State rclsorts on population (Vols. I, 11, and I11 of tlze Thirteenth Census reports), and second, the practical completion of the machine tabulation and other work l~recediiigthe actual preparation of the tables for the occ~~pationreport (Vol. -
Strafford, Missouri Bank Books (C0056A)
Strafford, Missouri Bank Books (C0056A) Collection Number: C0056A Collection Title: Strafford, Missouri Bank Books Dates: 1910-1938 Creator: Strafford, Missouri Bank Abstract: Records of the bank include balance books, collection register, daily statement registers, day books, deposit certificate register, discount registers, distribution of expense accounts register, draft registers, inventory book, ledgers, notes due books, record book containing minutes of the stockholders meetings, statement books, and stock certificate register. Collection Size: 26 rolls of microfilm (114 volumes only on microfilm) Language: Collection materials are in English. Repository: The State Historical Society of Missouri Restrictions on Access: Collection is open for research. This collection is available at The State Historical Society of Missouri Research Center-Columbia. you would like more information, please contact us at [email protected]. Collections may be viewed at any research center. Restrictions on Use: The donor has given and assigned to the University all rights of copyright, which the donor has in the Materials and in such of the Donor’s works as may be found among any collections of Materials received by the University from others. Preferred Citation: [Specific item; box number; folder number] Strafford, Missouri Bank Books (C0056A); The State Historical Society of Missouri Research Center-Columbia [after first mention may be abbreviated to SHSMO-Columbia]. Donor Information: The records were donated to the University of Missouri by Charles E. Ginn in May 1944 (Accession No. CA0129). Processed by: Processed by The State Historical Society of Missouri-Columbia staff, date unknown. Finding aid revised by John C. Konzal, April 22, 2020. (C0056A) Strafford, Missouri Bank Books Page 2 Historical Note: The southern Missouri bank was established in 1910 and closed in 1938. -
Final Judgment: U.S. V. Motion Picture Patents Company, Et
THE UNITED STATES OF AMERICA, PETITIONER, vs. MOTION PICTURE PATENTS COMPANY, GENERAL FILM COM PANY, BIOGRAPH COMPANY, THOMAS A. EDISON (INC.), ESSANAY FILM MANUFACTURING COMPANY, THE KALEM COMPANY, (INC.), GEORGE KLEINE, LUBIN MANUFAC TURING COMPANY, MELIES MANUFACTURING COMPANY, PATHE FRERES, THE SELIG POLYSCOPE COMPANY, THE VITAGRAPH COMPANY OF AMERICA, ARMAT MOVING PICTURE COMPANY, FRANKL. DYER, HENRY N. MARVIN, J. J. KENNEDY, WILLIAM PELZER, SAMUEL LONG, J. A. BERST, SIEGMUND LUBIN, GASTON MELIES, ALBERT E. SMITH, GEORGE K. SPOOR, AND W. N. SELIG, DEFEN DANTS. Before OLIVER B. DICKINSON, United States District Judge. DECREE. This cause came on for final,, hearing upon the plead ings and all the evidence and was argued on behalf of the petitioner by Edwin P. Grosvenor, Special Assistant to the Attorney General, and on behalf of the defendants by Charles F. Kingsley, Melville Church and Hon. Reuben 0. Moon, and thereafter, upon consideration thereof, the Court announced and caused to be filed, on October 1, 1915, its written opinion therein. Whereupon the Court adjudged, ordered and decreed as follows: First. That the petition be and is hereby dismissed as to the defendant, Melies Manufacturing Company. Second. The death of Samuel Long occurred after the final hearing and there has been no revivor. Third. That the defendants (other than the Melies Manufacturing Company, against whom the petition is dismissed) and each of them, have attempted to monopo lize and have monopolized and have combined and con spired, among themselves -
Holy Ghost College Bulletin
Sanctum 33 1917 a college man wrote some words to be sung to *he tune of an old English hunting song; but both these attempts, while meritorious, lacked something or other that would give a song enduring popularity among the old grads and underclass men. Some telepathic message about this state of affairs must have crossed the Allegheny mountains in the direction of New York, for just before the school year opened Joseph Breil, whom Pitts- burgh and the world knows as the composer of the music for "Intolerance", "The Birth of a Nation", "Cabiria", and other big motion-picture plays, and as the author of a successful grand opera, " The Legend ", was inspired to write as follows to the President of the University : " Back in the middle eighties, in the days of Fathers Power, Griffin, McCabe, Gross, Dangelzer and others, I used to trudge up the Bluff every day to the Pittsburgh College, to get my 'education.' Since then I have developed into a composer of some distinction and am known practically over the world, wherever better music is cultivated. "I am sending you a song of mine; perhaps one of your poets could arrange a text to it, and it could be adopted as the Duquesne University Hymn. I would be pleased to learn that such a thing has been done. " Sincerely yours, "Joseph Carl Breil." It so happens that the new music fits the text sung before the war, without submitting the latter to any fundamental remodeling, and the University will have its wish. The new hymn is the result of the combination.