TREASURES in the SAND 6 Chapter 1 Where History Began
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SUMERIAN LEXICAL TEXTS from the TEMPLE SCHOOL of NIPPUR Oi.Uchicago.Edu
oi.uchicago.edu THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE PUBLICATIONS Edited by JAMES HENRY BREASTED oi.uchicago.edu oi.uchicago.edu CUNEIFORM SERIES-VOLUME I SUMERIAN LEXICAL TEXTS FROM THE TEMPLE SCHOOL OF NIPPUR oi.uchicago.edu THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS THE BAKER & TAYLOR COMPANY NEW YORK THE MACMILLAN COMPANY OF CANADA, LIMITED TORONTO THE CAMBRIDGE UNIVERSITY PRESS LONDON THE MARUZEN-KABUSHIKI-KAISHA TOKYO, OSAKA, KYOTO, FUKUOKA, BENDAI THE COMMERCIAL PRESS, LIMITED SHANGHAI oi.uchicago.edu THE UNIVERSITY OF CHICAGO ORIENTAL INSTITUTE PUBLICATIONS VOLUME XI CUNEIFORM SERIES-VOLUME I SUMERIAN LEXICAL TEXTS FROM THE TEMPLE SCHOOL OF NIPPUR BY EDWARD CHIERA PROFESSOR OF ASSYRIOLOGY, UNIVERSITY OF CHICAGO THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS oi.uchicago.edu COPYRIGHT 1989 BY THE UNIVERSITY OF CHICAGO ALL RIGHTS RESERVED. PUBLISHED NOVEMBER 1909 COMPOSED AND PRINTED BY THE UNIVERSITY OF CHICAGO PRESS CHICAGO, ILLINOIS, U.S.A. oi.uchicago.edu FOREWORD The valuable materials which Professor Chiera is making accessible to scholars for the first time in this volume of cuneiform tablets from the Nippur School need no introduction. The careful accuracy which characterizes his copies of such materials has already become well known to orientalists through his earlier publications of cuneiform sources. In this first volume of cuneiform records published by the Oriental Insti- tute, the editor is glad to announce that the range of the Institute's publica- tions is being expanded to include such important classes of documents as the series here published, even though the originals may not belong to the collec- tions of the Institute. -
Figure 1. of the Rock-Carved Cones from Turkey's Their Lava Caps. See Page 45, Footnote
Figure 1. of the rock-carved cones from Turkey's their lava caps. See page 45, footnote. UNIVERSITY MUSEUM BULLETIN VOL. 17 DECEMBER, 19S2 NO. 2 A "FULBRIGHT" IN TURKEY BACKGROUND AND PURPOSE Early in September 1951 I came to Istanbul as the first Fulbright Re- search Scholar appointed by the United State:, Educational Committee in Turkey. fi'or practically a whole year, until late in August 1952, I worked in Istanbul's Museum of the Ancient Orient, studying and copying the Sumerian literary tablets in the Nippur collection of its Tablet Archives. The pages to follow wiJI attempt to sketch briefly the purpose and nature of these researches and summarize some of their results.1 One of the more significant archaeological contributions of the past hundred years to the humanities consists of the discovery, restoration, and translation of the Sumerian literary documents, the oldest group of belles lettres in the history of civilization. Inscribed more than thirty-five hundred years ago in the cuneiform script on some four thousand clay tablets and fragments, they include a varied assortment of man's first recorded myths and epic tales, h ymns and lamentations, proverbs and essays. Long before the Hebrews wrote down their Bible, and the Greeks their Iliad and Odyssey, the Sumerians, who were neither Indo-Europeans nor Semites and whose original homeland may have been in the steppes of Central Asia, created a rich and mature literature, largely poetic in form, which was copied, translated, and imitated all over the ancient L T his is not to deny the great debt we owe even in th:s highly specialized field of cuneiform research to such institutions as the British Museum, the Louvre, the Berlin Museum, and the Ashmolean :Museum; the material from these museums copied and published by such scholars as Zimmem and De Genouillac, King, Langdon, and Gadd have proved to be invaluable for the restoration of the Sumerian literary documents. -
Fighting for the King and the Gods
FIGHTING FOR THE KING AND THE GODS Press SBL RESOURCES FOR BIBLICAL STUDY Editor Marvin A. Sweeney, Old Testament/Hebrew Bible Number 88 Press SBL FIGHTING FOR THE KING AND THE GODS A Survey of Warfare in the Ancient Near East Charlie Trimm Press SBL Atlanta Copyright © 2017 by Charlie Trimm All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Office, SBL Press, 825 Hous- ton Mill Road, Atlanta, GA 30329 USA. Library of Congress Cataloging-in-Publication Data Names: Trimm, Charlie, 1977– author. Title: Fighting for the king and the gods : a survey of warfare in the ancient Near East / by Charlie Trimm. Description: Atlanta : SBL Press, 2017. | Series: Resources for biblical study ; number 88 | Includes bibliographical references and index. Identifiers:LCCN 2017021412 (print) | LCCN 2017026895 (ebook) | ISBN 9780884142379 (ebook) | ISBN 9781628371840 (pbk. : alk. paper) | ISBN 9780884142386 (hardcover : alk. paper) Subjects: LCSH: Military art and science—History—To 500. | Military art and science— Middle East—History. | Iraq—History—To 634. Classification: LCC U31 (ebook) | LCC U31 .T75 2017 (print) | DDC 355.0209394—dc23 LC record available at hhps://lccn.loc.gov/2017021412 Press Printed on acid-free paper. SBL In memory of my father Press SBL Press SBL Contents Abbreviations and Sigla ...................................................................................ix List of Figures ................................................................................................xxiv 1. -
Susa and Memnon Through the Ages 15 4
Samuel Jordan Center for Persian Studies and Culture www.dabirjournal.org Digital Archive of Brief notes & Iran Review ISSN: 2470-4040 Vol.01 No.04.2017 1 xšnaoθrahe ahurahe mazdå Detail from above the entrance of Tehran’s fire temple, 1286š/1917–18. Photo by © Shervin Farridnejad The Digital Archive of Brief Notes & Iran Review (DABIR) ISSN: 2470-4040 www.dabirjournal.org Samuel Jordan Center for Persian Studies and Culture University of California, Irvine 1st Floor Humanities Gateway Irvine, CA 92697-3370 Editor-in-Chief Touraj Daryaee (University of California, Irvine) Editors Parsa Daneshmand (Oxford University) Arash Zeini (Freie Universität Berlin) Shervin Farridnejad (Freie Universität Berlin) Judith A. Lerner (ISAW NYU) Book Review Editor Shervin Farridnejad (Freie Universität Berlin) Advisory Board Samra Azarnouche (École pratique des hautes études); Dominic P. Brookshaw (Oxford University); Matthew Canepa (University of Minnesota); Ashk Dahlén (Uppsala University); Peyvand Firouzeh (Cambridge University); Leonardo Gregoratti (Durham University); Frantz Grenet (Collège de France); Wouter F.M. Henkelman (École Pratique des Hautes Études); Rasoul Jafarian (Tehran University); Nasir al-Ka‘abi (University of Kufa); Andromache Karanika (UC Irvine); Agnes Korn (Goethe Universität Frankfurt am Main); Lloyd Llewellyn-Jones (University of Edinburgh); Jason Mokhtarain (University of Indiana); Ali Mousavi (UC Irvine); Mahmoud Omidsalar (CSU Los Angeles); Antonio Panaino (Univer- sity of Bologna); Alka Patel (UC Irvine); Richard Payne (University of Chicago); Khodadad Rezakhani (Princeton University); Vesta Sarkhosh Curtis (British Museum); M. Rahim Shayegan (UCLA); Rolf Strootman (Utrecht University); Giusto Traina (University of Paris-Sorbonne); Mohsen Zakeri (Univer- sity of Göttingen) Logo design by Charles Li Layout and typesetting by Kourosh Beighpour Contents Articles & Notes 1. -
The Parthenon Sculptures Sarah Pepin
BRIEFING PAPER Number 02075, 9 June 2017 By John Woodhouse and Sarah Pepin The Parthenon Sculptures Contents: 1. What are the Parthenon Sculptures? 2. How did the British Museum acquire them? 3. Ongoing controversy 4. Further reading www.parliament.uk/commons-library | intranet.parliament.uk/commons-library | [email protected] | @commonslibrary 2 The Parthenon Sculptures Contents Summary 3 1. What are the Parthenon Sculptures? 5 1.1 Early history 5 2. How did the British Museum acquire them? 6 3. Ongoing controversy 7 3.1 Campaign groups in the UK 9 3.2 UK Government position 10 3.3 British Museum position 11 3.4 Greek Government action 14 3.5 UNESCO mediation 14 3.6 Parliamentary interest 15 4. Further reading 20 Contributing Authors: Diana Perks Attribution: Parthenon Sculptures, British Museum by Carole Radatto. Licenced under CC BY-SA 2.0 / image cropped. 3 Commons Library Briefing, 9 June 2017 Summary This paper gives an outline of the more recent history of the Parthenon sculptures, their acquisition by the British Museum and the long-running debate about suggestions they be removed from the British Museum and returned to Athens. The Parthenon sculptures consist of marble, architecture and architectural sculpture from the Parthenon in Athens, acquired by Lord Elgin between 1799 and 1810. Often referred to as both the Elgin Marbles and the Parthenon marbles, “Parthenon sculptures” is the British Museum’s preferred term.1 Lord Elgin’s authority to obtain the sculptures was the subject of a Select Committee inquiry in 1816. It found they were legitimately acquired, and Parliament then voted the funds needed for the British Museum to acquire them later that year. -
Troubleshooting Rosetta Stone Log-In Issues on Mobile
Portal > Knowledgebase > Teaching Learning and Research > Rosetta Stone > Troubleshooting Rosetta Stone Log-in Issues on Mobile Troubleshooting Rosetta Stone Log-in Issues on Mobile Kyle A. Oliveira - 2019-05-31 - 0 Comments - in Rosetta Stone A recent update to the Rosetta Stone apps on both iOS and Android may cause authentication issues. Please refer to the information below for resolving these issues. iOS To prevent any further issues regarding logging into the app on iOS, you must avoid opening the app unless you've authenticated through Brown's log in portal. Opening the app outside of logging in through Brown, will most likely result in the inability to log in and use the app. If you are having issues logging into it: Solution 1 1. Open your device's web browser, visit rosettastone.brown.edu, and log in 2. Click the “Launch Rosetta Stone Language Lessons” link to launch the app 3. You will experience the same problem as in the past - you will just see a "splash" screen instead of being logged in. On this screen, click Enterprise And Education Learners. 4. On the login screen that appears, type three random values (just a single letter will work) into the Username, Password, and Namespace fields. 5. You will see an error message. Click Try again and proceed with the next step. 6. Return to your web browser and again, visit rosettastone.brown.edu. 7. Click the “Launch Rosetta Stone Language Lessons” link to launch the app again. 8. Wait for the login to proceed - it should work. If you still see the error message, click the Try Again option. -
Wikimedia with Liam Wyatt
Video Transcript 1 Liam Wyatt Wikimedia Lecture May 24, 2011 2:30 pm David Ferriero: Good afternoon. Thank you. I’m David Ferriero, I’m the Archivist of the United States and it is a great pleasure to welcome you to my house this afternoon. According to Alexa.com, the internet traffic ranking company, there are only six websites that internet users worldwide visit more often than Wikipedia: Google, Facebook, YouTube, Yahoo!, Blogger.com, and Baidu.com (the leading Chinese language search engine). In the States, it ranks sixth behind Amazon.com. Over the past few years, the National Archives has worked with many of these groups to make our holdings increasingly findable and accessible, our goal being to meet the people where they are. This past fall, we took the first step toward building a relationship with the “online encyclopedia that anyone can edit.” When we first began exploring the idea of a National Archives-Wikipedia relationship, Liam Wyatt was one of, was the one who pointed us in the right direction and put us in touch with the local DC-area Wikipedian community. Early in our correspondence, we were encouraged and inspired when Liam wrote that he could quote “quite confidently say that the potential for collaboration between NARA and the Wikimedia projects are both myriad and hugely valuable - in both directions.” I couldn’t agree more. Though many of us have been enthusiastic users of the Free Encyclopedia for years, this was our first foray into turning that enthusiasm into an ongoing relationship. As Kristen Albrittain and Jill James of the National Archives Social Media staff met with the DC Wikipedians, they explained the Archives’ commitment to the Open Government principles of transparency, participation, and collaboration and the ways in which projects like the Wikipedian in Residence could exemplify those values. -
Gateways to Art Journal for Museum and Gallery Projects 2Nd Edition Download Free
GATEWAYS TO ART JOURNAL FOR MUSEUM AND GALLERY PROJECTS 2ND EDITION DOWNLOAD FREE Debra J DeWitte | 9780500292167 | | | | | Fred Wilson The Elgin MarblesBenin BronzesEthiopian Tabots and the Rosetta Stone are among the most disputed objects in its collections, and organisations have been formed demanding the return of these artefacts to their native countries of GreeceNigeriaEthiopiaand Egypt respectively. Figures should be sized between x pixels and x pixels x 72 dpi; acceptable file types include. Tainter, and S. A list of donations to the museum, dated 31 Januaryrefers to the Hamilton bequest of a "Colossal Foot of an Apollo in Marble". Archived from the original on 26 May Fred WilsonJGM. Larson, Kay. The Wilson cabinet of curiosities from Palau is an example of pre-contact ware. Retrieved 10 July Room 23 - The famous version of the ' Crouching Venus ', Roman, c. Preface, foreword, introduction, and similar parts of a book de Montebello, P. Location within central London. Particularly valuable collections are from the Andaman and Nicobar Islands much assembled by the British naval officer Maurice PortmanSri Lanka especially through the colonial administrator Hugh NevillNorthern Thailand, south-west China, the Ainu of Hokaidu in Japan chief among them the collection Gateways to Art Journal for Museum and Gallery Projects 2nd edition the Scottish zoologist John AndersonSiberia with artefacts collected by the explorer Kate Marsden and Bassett Digby and is notable for its Sakha pieces, especially the ivory model of a summer festival at Yakutsk and the islands of South-East Asia, especially Borneo. By the last years of the 19th century, The British Museum's collections had increased to the extent that its building was no longer Gateways to Art Journal for Museum and Gallery Projects 2nd edition enough. -
The Rosetta Stone
THE J ROSETTA STONE PRINTED BY ORDER OF THE TRUSTEES OF THE BRITISH MUSEUM. London : SOLD AT THE BRITISH MUSEUM f922. Price Sixpence. [all rights reserved.] I \ V'.'. EXCHANGE PHOTO ET IMP. DONALD :• : . » MACBETH, LONDON THE ROSETTA STONE. r % * THE DISCOVERY OF THE STONE. famous slab of black basalt which stands at the southern end of the Egyptian Gallery in the British Museum, and which has for more than a century " THEbeen universally known as the Rosetta Stone," was found at a spot near the mouth of the great arm of the Nile that flows through the Western Delta " " to the sea, not far from the town of Rashid," or as Europeans call it, Rosetta." According to one account it was found lying on the ground, and according to another it was built into a very old wall, which a company of French soldiers had been ordered to remove in order to make way for the foundations of an addition to the fort, " ' afterwards known as Fort St. Julien. '* The actual finder of the Stone was a French Officer of Engineers, whose name is sometimes spelt Boussard, and sometimes Bouchard, who subsequently rose to the rank of General, and was alive in 1814. He made his great discovery in August, 1799. Finding that there were on one side of the Stone lines of strange characters, which it was thought might be writing, as well as long lines of Greek letters, Boussard reported his discovery to General Menou, who ordered him to bring the Stone to his house in Alexandria. This was immediately done, and the Stone was, for about two years, regarded as the General's private property. -
Collecting the World
Large print text Collecting the World Please do not remove from this display Collecting the World Founded in 1753, the British Museum opened its doors to visitors in 1759. The Museum tells the story of human cultural achievement through a collection of collections. This room celebrates some of the collectors who, in different ways, have shaped the Museum over four centuries, along with individuals and organisations who continue to shape its future. The adjoining galleries also explore aspects of collecting. Room 1: Enlightenment tells the story of how, in the early Museum, objects and knowledge were gathered and classified. Room 2a: The Waddesdon Bequest, displays the collection of Renaissance and Baroque masterpieces left to the British Museum by Baron Ferdinand Rothschild MP at his death in 1898. Gallery plan 2 Expanding Horizons Room 1 Enlightenment Bequest Waddesdon The Room 2a 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow Grenville shop 4 Collecting the World page Section 1 6 The Age of Curiosity, 18th century Section 2 2 5 Expanding Horizons, 19th century Section 3 80 Changing Continuity, 20th century Section 4 110 Today and Tomorrow, 21st century Portraits at balcony level 156 5 Section 1 The Age of Curiosity, 18th century Gallery plan 2 Expanding Horizons 1 3 The Age Changing of Curiosity Continuity 4 Today and Tomorrow 6 18th century The Age of Curiosity The Age of Curiosity The British Museum was founded in 1753 as a place of recreation ‘for all studious and curious persons’. Its founding collection belonged to the physician Sir Hans Sloane (1660–1753). -
CHICAGO ASSYRIAN DICTIONARY (CAD) Martha T
oi.uchicago.edu CHICAGO ASSYRIAN DICTIONARY CHICAGO ASSYRIAN DICTIONARY (CAD) Martha T. Roth 2010–11 saw the publication of the final volume of the Chicago Assyrian Dictionary. The last detailed tasks occupied Manuscript Editor Linda McLarnan, Research Assistant Anna Hudson Steinhelper, and me for much of the year. Below is an edited version of the lecture I presented at the celebratory symposium for the completion of the project, held at the Oriental Institute on 6 June 2011. For more detailed histories, the reader is referred to I. J. Gelb’s “Introduction” to CAD A/1 (1964) and Erica Reiner’s An Adventure of Great Dimension (2002). The CAD was ambitiously begun in 1921 under the guidance of James Henry Breasted, whose vision for collaborative projects launched the Oriental Institute, the University of Chicago’s first research institute. Housed originally in the basement of Haskell Hall and under the direction of Daniel D. Luckenbill, the small staff of scholars and students began to produce the data set by typing editions onto 5 x 8 cards, duplicating with a hectograph, parsing, and filing. Luckenbill died unexpectedly in 1927 at the age of 46, and Edward Chiera was called to Chicago from the University of Pennsylvania to take over the project. The enlarged resident staff was augmented by some twenty international collaborators, and in 1930 the project moved into its current home in the new building, to a spacious room on the third floor that was specially reinforced to hold the weight of tons of file cabinets and books. Technological advances allowed the old hectograph to be replaced with a modern mimeograph machine for duplicating the cards. -
The Actions and Effects of Dr. Zahi Hawass
Wright State University CORE Scholar Browse all Theses and Dissertations Theses and Dissertations 2011 Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass Bonnie Jean Roche Wright State University Follow this and additional works at: https://corescholar.libraries.wright.edu/etd_all Part of the Arts and Humanities Commons Repository Citation Roche, Bonnie Jean, "Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass" (2011). Browse all Theses and Dissertations. 1049. https://corescholar.libraries.wright.edu/etd_all/1049 This Thesis is brought to you for free and open access by the Theses and Dissertations at CORE Scholar. It has been accepted for inclusion in Browse all Theses and Dissertations by an authorized administrator of CORE Scholar. For more information, please contact [email protected]. MUSEUMS AND RESTITUTION: THE ACTIONS AND EFFECTS OF DR. ZAHI HAWASS A thesis submitted in partial fulfillment of the requirements for the degree of Master of Humanities By BONNIE JEAN ROCHE Bachelors of Liberal Arts Bowling Green State University, 2008 2011 Wright State University WRIGHT STATE UNIVERSITY SCHOOL OF GRADUATE STUDIES June 10, 2011 I HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY Bonnie Jean Roche ENTITLED Museums and Restitution: The Actions and Effects of Dr. Zahi Hawass BE ACCEPTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF Master of Humanities. _________________________________ Donovan Miyasaki, Ph.D. Project Director _________________________________ Ava Chamberlain, Ph.D. Director, Master of Humanities Program Committee on Final Examination: __________________________________ Dawne Dewey, MA. __________________________________ Karla Huebner, Ph.D. __________________________________ Andrew Hsu, Ph.D. Dean, School of Graduate Studies ABSTRACT Roche, Bonnie Jean.