A Literary History of the Arabs
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There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924083936561 ^h fikErg £rf filersrg fistorg A LITERARY HISTORY OF INDIA. By R. W. Frazee, LL.B. A LITERARY HISTORY OF IRELAND. By Douglas Hyde, LL.D. A LITERARY HISTORY OF AMERICA. By Barrett Wendell, A LITERARY HISTORY OF SCOTLAND. By J. H. Millar, LL.B. A LITERARY HISTORY OF PERSIA. By Edward G. Browne, M.A. (In Two Volumes.) A LITERARY HISTORY OF FRANCE. By Emile Faguet. A LITERARY HISTORY OF THE ARABS. By Reynold A. Nicholson, M.A. Other Volumes in Preparation. LITERARY A HISTORY OF ROME. By J. Wight Duff, M.A. A LITERARY HISTORY OF THE JEWS. By Israel Abrahams, M.A. A LITERARY HISTORY OF SPAIN. By James Fitz- maurice-Kelly. A LITERARY HISTORY OF RUSSIA. ETC. ETC. ETC. THE LIBRJRr OF LITERJRr HISTORT A Literary History of the Arabs A Literary History of the Arabs By Reynold A. Nicholson, M.A. Lecturer in Persian in the University of Cambridge, and sometime Fellow of Trinity College New York Charles Scribner's Sons 153-157, Fifth Avenue 1907 (y4// rights reserved.) v:e Preface The term 'Literary History' may be interpreted in such diflFerent ways that an author who uses it is bound to explain at the outset what particular sense he has attached to it. When Mr. Fisher Unwin asked me to contribute a volume on the Arabs to this Series, I accepted his proposal with alacrity, not only because I welcomed the opportunity of making myself better acquainted with Arabic history and literature, but also and more especially in the hope that I might be able to compile a work which should serve as a general introduction to the subject, and which should neither be too popular for students nor too scientific for ordinary readers. Its precise character was determined partly by my own predilections and partly by the conditions of time and space under which it had to be produced. To write a critical account of Arabic literature was out of the question. Brockelmann's invaluable work, which contains over a thousand closely-printed pages, is confined to biography and bibliography, and does not deal with the historical development of ideas. This, however, seems to me the really vital aspect of literary history. It has been my chief aim to sketch in broad outlines what the Arabs thought, and to indicate as fer as possible the influences which moulded their thought. I am well aware that the picture is sadly incomplete, that it is full of gaps and blanks admitting of no disguise or apology ; but I hope that, taken as a whole, it is not unlike. Experience has convinced me that young students or X PREFACE Arabic, to whom this volume is principally addressed, often find great difficulty in understanding what they read, since they are not in touch with the political, intellectual, and religious notions which are presented to them. The pages of almost every Arabic book abound in familiar allusions to names, events, movements, and ideas, of which Moslems require no explanation, but which puzzle the Western reader unless he have some general knowledge of Arabian history in the widest meaning of the word. Such a survey is not to be found, I believe, in any single European book ; and if mine supply the want, however partially and inadequately, I shall feel that my labour has been amply rewarded. Professor E. G. Browne's Literary History of Persia covers to a certain extent the same ground, and discusses many important matters belonging to the common stock of Muhammadan history with a store of learning and wealth of detail which it would be impossible for me to emulate. The present volume, written from a different standpoint and on a far smaller scale, does not in any way clash with that admirable work ; on the contrary, numerous instances occur to me in which my omissions are justified by the fact that Professor Browne has already said all that is necessary. If I have sometimes insufficiently emphasised the distinction between history and legend on the one hand, and between popular legend and antiquarian fiction on the other, and if statements are made positively which ought to have been surrounded with a ring-fence of qualifications, the reader will perceive that a purely critical and exact method cannot reason- ably be expected in a compilation of this scope. As regards the choice of topics, I agree with the author of a famous Arabic anthology who declares that it is harder to select than compose {ikhtiyiru 'l-kaldm as^abu min td'Hfihi). Perhaps an epitomist may be excused for not doing equal justice all round. To me the literary side of the subject appeals more than the historical, and I have followed my bent hesitation for without ; in order to interest others a writer must PREFACE xi first be interested himself. In the verse-translations I have tried to represent the spirit and feeling of the original poems. This aim precludes verbal fidelity, which can only be attained through the disenchanting medium of prose, but scholars, I think, will recognise that my renderings are usually as faithful as such things can or should be. To reproduce a typical Arabic ode, e.g., one of the Mu^allaqit ('Suspended Poems'), in a shape at once intelligible and attractive to English readers is probably beyond the powers of any translator. Even in those passages which seem best suited for the purpose we are baffled again and again by the intensely national stamp of the ideas, the strange local colour of the imagery, and the obstinately idiomatic style. Modern culture can appreciate Firdawsf, 'Umar Khayyam, Sa'df, and IJafiz : their large humanity touches us at many points ; but the old Arabian poetry moves in a world apart, and therefore, notwithstanding all its splendid qualities, will never become popular in ours. Of the later poets who lived under the 'Abbasid Caliphate one or two might, with good fortune, extend their reputation to the West : notably the wise sceptic and pessimist, Abu *l-'Ala al-Ma'arr{. The following versions have at least the merit of being made directly from the original language and with a uniform motive. Considering the importance of Arabic poetry as (in the main) a true mirror of Arabian life, I do not think the space devoted to it is at all extravagant. Other branches of literature could not receive the same attention. Many an eminent writer has been dismissed in a few lines, many well- known names have been passed over. But, as before said, this work is a sketch of ideas in their historical environment rather than a record of authors, books, and dates. The transliteration of Arabic words, though superfluous for scholars and for persons entirely ignorant of the language, is an almost indispensable aid to the class of readers whom I have especially in view. My system is that recommended by the Xll PREFACE in his Royal Asiatic Society and adopted by Professor Browne the letter which he Literary History of Persia ; but I use z for fre- denotes by dh. The definite article al, which I have quently omitted at the beginning of proper names, has been here restored in the Index. It may save trouble if I mention ' ' for the abbreviations b.' for ibn ' (son of) ; J.R.J.S. for Zeitschrift Journal of the Royal Asiatic Society i Z.D.M.G. der Deutschen Morgenldndischen Gesellschaft ; and S.B.IV.A. for Sitzungsherichte der Wiener Akademie. Finally, it behoves me to make a full acknowledgment of my debt to the learned Orientalists whose works I have studied and freely ' conveyed ' into these pages. References could not be given in every case, but the reader will see for himself how much is derived from Von Kremer, Goldziher, Noldeke, and Wellhausen, to recall only a few of the leading authorities. At the same time I have constantly gone back to the native sources of information, and a great portion of the book is based on my own reading and judgment. Although both the plan and the execution are doubtless open to censure, I trust that serious mistakes have been avoided. The warmest thanks are due to my friend and colleague, Professor A. A. Bevan, who read the proofs throughout and made a number of valuable remarks which will be found in the footnotes.