Galleria Borghese

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Galleria Borghese Piazzale del Museo Borghese, 5, 00197 Metro: Piazza di Spagna, line A 8:30 am – 7:30 pm (Closed Monday) They say the best museum in Rome is the city itself. That may be so, but the Galleria Borghese is still a gem worth seeing. Its collections are housed in a magnificent 17th-century villa and offer a compact course in the Italian aesthetic. In just 20 rooms, you are exposed to antiquities, the Renaissance and the beginnings of baroque art. Visits to the Galleria in the northeast corner of the sprawling Villa Borghese park are by reservation, which allows you the pleasure of seeing the Bernini sculptures from every angle without being crowded out. The gallery features an important part of the collection begun by Cardinal Scipione Borghese (nephew of Pope Paul V), between 1576 and 1633. As well as an avid art collector of Caravaggio’s works, the Cardinal was Bernini’s first sponsor. Thus, the museum counts with an extensive collection of both artists. The exhibitions are found on the mansion’s bottom and top floor. The first floor houses works of art by renowned artists such as Tiziano, Raphael, Caravaggio, Rubens and Botticelli. The ground floor is dedicated to classic antiquities from the first to the third centuries AD. This part of the museum is the most surprising with fascinating mosaics and impressive sculptures, as well as impeccably preserved frescoes that decorate the mansion’s walls and ceilings. The sculptures by Bernini and Canovas found in each hall make the visit to this museum even more special. Since this museum is extremely popular, booking in advance is mandatory and only those with a pre-paid admissions ticket will be let in. .

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Name of Object: Apollo and Daphne Location: Rome, Italy Holding
Name of Object: Apollo and Daphne Location: Rome, Latium, Italy Holding Museum: Borghese Gallery Date of Object: 1622–1625 Artist(s) / Craftsperson(s): Gian Lorenzo Bernini (1598, Naples-1680, Rome) Museum Inventory Number: CV Material(s) / Technique(s): Marble Dimensions: h: 243 cm Provenance: Borghese Collection Type of object: Sculpture Description: This sculpture is considered one of the masterpieces in the history of art. Bernini began sculpting it in 1622 after he finished The Rape of Proserpina. He stopped working on it from 1623 to 1624 to sculpt David, before completing it in 1625. With notable technical accuracy, the natural agility of this work shows the astonishing moment when the nymph turns into a laurel tree. The artist uses his exceptional technical skill to turn the marble into roots, leaves and windswept hair. Psychological research, combined with typically Baroque expressiveness, renders the emotion of Daphnes terror, caught by the god in her desperate journey, still ignorant of her ongoing transformation. Apollo, thinking he has achieved his objective, is caught in the moment he becomes aware of the metamorphosis, before he is able to react, watching astonished as his victim turns into a laurel tree. For Apollos head, Bernini looked to Apollo Belvedere, which was in the Vatican at the time. The base includes two scrolls, the first containing the lines of the distich by Maffeo Barberini, a friend of Cardinal Scipione Borghese and future Pope Urban VIII. It explores the theme of vanitas in beauty and pleasure, rendered as a Christian moralisation of a profane theme. The second scroll was added in the mid-1700s.
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