Nr. 16, October-December 2020 CULTURE, FRATERNITY AND
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Name of Object: Apollo and Daphne Location: Rome, Italy Holding
Name of Object: Apollo and Daphne Location: Rome, Latium, Italy Holding Museum: Borghese Gallery Date of Object: 1622–1625 Artist(s) / Craftsperson(s): Gian Lorenzo Bernini (1598, Naples-1680, Rome) Museum Inventory Number: CV Material(s) / Technique(s): Marble Dimensions: h: 243 cm Provenance: Borghese Collection Type of object: Sculpture Description: This sculpture is considered one of the masterpieces in the history of art. Bernini began sculpting it in 1622 after he finished The Rape of Proserpina. He stopped working on it from 1623 to 1624 to sculpt David, before completing it in 1625. With notable technical accuracy, the natural agility of this work shows the astonishing moment when the nymph turns into a laurel tree. The artist uses his exceptional technical skill to turn the marble into roots, leaves and windswept hair. Psychological research, combined with typically Baroque expressiveness, renders the emotion of Daphnes terror, caught by the god in her desperate journey, still ignorant of her ongoing transformation. Apollo, thinking he has achieved his objective, is caught in the moment he becomes aware of the metamorphosis, before he is able to react, watching astonished as his victim turns into a laurel tree. For Apollos head, Bernini looked to Apollo Belvedere, which was in the Vatican at the time. The base includes two scrolls, the first containing the lines of the distich by Maffeo Barberini, a friend of Cardinal Scipione Borghese and future Pope Urban VIII. It explores the theme of vanitas in beauty and pleasure, rendered as a Christian moralisation of a profane theme. The second scroll was added in the mid-1700s. -
Information Guide Vatican City
Information Guide Vatican City A guide to information sources on the Vatican City State and the Holy See. Contents Information sources in the ESO database .......................................................... 2 General information ........................................................................................ 2 Culture and language information..................................................................... 2 Defence and security information ..................................................................... 2 Economic information ..................................................................................... 3 Education information ..................................................................................... 3 Employment information ................................................................................. 3 European policies and relations with the European Union .................................... 3 Geographic information and maps .................................................................... 3 Health information ......................................................................................... 3 Human rights information ................................................................................ 4 Intellectual property information ...................................................................... 4 Justice and home affairs information................................................................. 4 Media information ......................................................................................... -
Patronage and Dynasty
PATRONAGE AND DYNASTY Habent sua fata libelli SIXTEENTH CENTURY ESSAYS & STUDIES SERIES General Editor MICHAEL WOLFE Pennsylvania State University–Altoona EDITORIAL BOARD OF SIXTEENTH CENTURY ESSAYS & STUDIES ELAINE BEILIN HELEN NADER Framingham State College University of Arizona MIRIAM U. CHRISMAN CHARLES G. NAUERT University of Massachusetts, Emerita University of Missouri, Emeritus BARBARA B. DIEFENDORF MAX REINHART Boston University University of Georgia PAULA FINDLEN SHERYL E. REISS Stanford University Cornell University SCOTT H. HENDRIX ROBERT V. SCHNUCKER Princeton Theological Seminary Truman State University, Emeritus JANE CAMPBELL HUTCHISON NICHOLAS TERPSTRA University of Wisconsin–Madison University of Toronto ROBERT M. KINGDON MARGO TODD University of Wisconsin, Emeritus University of Pennsylvania MARY B. MCKINLEY MERRY WIESNER-HANKS University of Virginia University of Wisconsin–Milwaukee Copyright 2007 by Truman State University Press, Kirksville, Missouri All rights reserved. Published 2007. Sixteenth Century Essays & Studies Series, volume 77 tsup.truman.edu Cover illustration: Melozzo da Forlì, The Founding of the Vatican Library: Sixtus IV and Members of His Family with Bartolomeo Platina, 1477–78. Formerly in the Vatican Library, now Vatican City, Pinacoteca Vaticana. Photo courtesy of the Pinacoteca Vaticana. Cover and title page design: Shaun Hoffeditz Type: Perpetua, Adobe Systems Inc, The Monotype Corp. Printed by Thomson-Shore, Dexter, Michigan USA Library of Congress Cataloging-in-Publication Data Patronage and dynasty : the rise of the della Rovere in Renaissance Italy / edited by Ian F. Verstegen. p. cm. — (Sixteenth century essays & studies ; v. 77) Includes bibliographical references and index. ISBN-13: 978-1-931112-60-4 (alk. paper) ISBN-10: 1-931112-60-6 (alk. paper) 1. -
New Vatican Library Website Aims to Serve Scholars, Entice Curious
New Vatican Library website aims to serve scholars, entice curious VATICAN CITY (CNS) — The Vatican Library has revamped its website to serve scholars better and facilitate navigation for the curious. “Because of the pandemic, physical presence has become more difficult and, therefore, the website aims to be a place for welcoming, collaboration and openness,” Msgr. Cesare Pasini, the library’s prefect, told Vatican News July 22. With a fresh look, easier and more intuitive navigation, and greater online services for researchers, the updated site, www.vaticanlibrary.va, went live in mid-July, right when the library closed for the summer months. Along with many other Vatican institutions open to the public, the library had shut down during Italy’s nationwide lockdown, then reopened June 1 to limited numbers of scholars and with the required restrictions and safety measures to curb the spread of the coronavirus. Plans for the “restyling” ended up being especially opportune given the continued restrictions and that the pandemic in other parts of the world may be preventing other scholars from traveling to Italy to do research at the library. Some of the new features, the monsignor said, include more powerful and expanded search functions, and registered researchers can now easily ask staff questions and order digital reproductions of manuscripts, texts and other materials from the libraries collections. “We are the pope’s librarians,” he said, and every pope over the centuries has wanted the library to be open to the world. “That is why we want to truly be at the service of our visitors with a modern and up-to-date tool that immediately provides what people are searching for or even offers them something more,” he said. -
Uva-DARE (Digital Academic Repository)
UvA-DARE (Digital Academic Repository) The Artful Hermit. Cardinal Odoardo Farnese's religious patronage and the spiritual maening of landsacpe around 1600 Witte, A.A. Publication date 2004 Link to publication Citation for published version (APA): Witte, A. A. (2004). The Artful Hermit. Cardinal Odoardo Farnese's religious patronage and the spiritual maening of landsacpe around 1600. in eigen beheer. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:07 Oct 2021 3.. PATRONAGE, PROTECTORATE AND REGULAR REFORMS Orazionee e Morte Thee name of the brotherhood of Santa Maria dell'Orazione e Morte. from which Farnese rented thee Camerino degli i:remiti in !61 ! alluded to its two aims: orazione indicated the act of prayer, andd morte referred to burying the dead. -
Pdf (Accessed January 21, 2011)
Notes Introduction 1. Moon, a Presbyterian from North Korea, founded the Holy Spirit Association for the Unification of World Christianity in Korea on May 1, 1954. 2. Benedict XVI, post- synodal apostolic exhortation Saramen- tum Caritatis (February 22, 2007), http://www.vatican.va/holy _father/benedict_xvi/apost_exhortations/documents/hf_ben-xvi _exh_20070222_sacramentum-caritatis_en.html (accessed January 26, 2011). 3. Patrician Friesen, Rose Hudson, and Elsie McGrath were subjects of a formal decree of excommunication by Archbishop Burke, now a Cardinal Prefect of the Supreme Tribunal of the Apostolic Signa- tura (the Roman Catholic Church’s Supreme Court). Burke left St. Louis nearly immediately following his actions. See St. Louis Review, “Declaration of Excommunication of Patricia Friesen, Rose Hud- son, and Elsie McGrath,” March 12, 2008, http://stlouisreview .com/article/2008-03-12/declaration-0 (accessed February 8, 2011). Part I 1. S. L. Hansen, “Vatican Affirms Excommunication of Call to Action Members in Lincoln,” Catholic News Service (December 8, 2006), http://www.catholicnews.com/data/stories/cns/0606995.htm (accessed November 2, 2010). 2. Weakland had previously served in Rome as fifth Abbot Primate of the Benedictine Confederation (1967– 1977) and is now retired. See Rembert G. Weakland, A Pilgrim in a Pilgrim Church: Memoirs of a Catholic Archbishop (Grand Rapids, MI: W. B. Eerdmans, 2009). 3. Facts are from Bruskewitz’s curriculum vitae at http://www .dioceseoflincoln.org/Archives/about_curriculum-vitae.aspx (accessed February 10, 2011). 138 Notes to pages 4– 6 4. The office is now called Vicar General. 5. His principal consecrator was the late Daniel E. Sheehan, then Arch- bishop of Omaha; his co- consecrators were the late Leo J. -
Rome in Bernini's Footsteps
Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Roma bike tours - Choose the best guided tour Enjoy with us the squares, the monuments, and the streets of the genuine Rome. leadingroma.com Sections Close DONATE VNY PROUD Arts Commenta per primoShared: 6!"#$%& Rome in Bernini’s Footsteps Afer seeing ”Bernini” at the Villa Borghese, follow this itinerary to visit this exceptional artist's other masterpieces around Rome by Lucy Gordan Elephant and Obelisk by Bernini Nov 20 2017 At the Villa Borghese in Rome several of Bernini's sculptures are on permanent exhibit, but his heritage is to be found in more sites in Rome. An easier but not chronological route, which takes about 2 hours on foot (or by hopping on and off the no. 62 bus) not including visiting time, starts at the church of Santa Maria della Vittoria with his Ecstasy of St. Teresa and ends in St. Peter’s Square. Utilizziamo i cookie per offrirti servizi e informazioni in linea con le tue preferenze. Continuando a scorrere e a navigare ne consenti l'uso. OK Maggiori informazioni http://www.lavocedinewyork.com/en/arts/2017/11/20/rome-in-the-berninis-footsteps/ Page 1 of 10 Rome in Bernini’s Footsteps – La Voce di New York 11/25/17, 10:19 AM Gianlorenzo Bernini Gian Lorenzo Bernini, the most famous and important sculptor in 17th century Europe, but also a recognized architect, painter, events organizer, poet and playwright, was born in Naples on December 7, 1598 to a Mannerist sculptor, Pietro Bernini, originally from near Florence, and Angelica Galante, a Neapolitan, the sixth of their thirteen children. -
The Secret Vatican Archives by FRANCIS J
The Secret Vatican Archives By FRANCIS J. WEBER* Chancery Archives Archdiocese of Los Angeles Downloaded from http://meridian.allenpress.com/american-archivist/article-pdf/27/1/63/2744560/aarc_27_1_6800776812016243.pdf by guest on 30 September 2021 F all the relations between Europe and America that from time to time have been reflected in European archives, per- O haps the most continuous have been relations involving the Catholic Church. As one scholar has phrased it, "The records of that church are, therefore, organic archives for Canada and for the larger portion of the United States during their entire history."1 This author recently had occasion to work in the Archivio Segreto Vaticano in search of materials dealing with the history of the Catholic Church in California. And it was while searching through the numberless indexes that he realized that the precious collection has not been exploited by English-speaking scholars to any great extent. The following observations are limited to that part of the greater collection of Vatican Archives known as "secret" but the reader should not overlook the other holdings of the Vatican, which can only be mentioned here in passing. The Archivio Segreto Vaticano is really not "secret" at all, even though the archivist occasionally restricts the use of materials of a private nature (carattere riservato) "which cannot be given pub- licity for reasons of public interest, religious and social."2 Any serious scholar will be admitted upon addressing a written request to the Prefetto dell'Archivio Segreto Vaticano, Citta del Vaticano.3 Two small photographs of the petitioner are required along with a statement of his qualifications or letters of recommendation and a general description of the documentations he wishes to consult.4 The idea of grouping the archives of the various congregations or departments of the Holy See into one general collection had long been contemplated but it was Pope Paul V who actually initiated the archivio in 1611. -
The Vatican Secret Archives
The Vatican Secret Archives The Vatican Secret Archives, recognized as the most notable and most impor- tant archives in the world, are distinguished by the abundance and variety of their collections (mostly constituting complete and independent unities) which have gradually been added from the seventeenth century onward when the in- stitution was established to become the central archives of the Church. A large part of their contents long predate the beginning of the Archives, in many cases by several centuries during which time material was handled in different ways, often complicated and not always clear. Even more than the time ele- ment, the geographical extent of these Archives makes them complex. Unlike other collections, they have a universal character, for they are the archives of the Catholic Church. Although now in great part open for consultation by students, the Archives have kept the official title of "Secret", a title formerly given to sovereigns' archives which were considered as private and only to be used for purposes of State or of government, apart from the rare occasions when access permission was given to scholars. Even after being opened for consultation, the Vatican Archives cannot be called public. The Pope not only owns them but retains their management and direction, and it is only by his concession that students are admitted (Regulations of the Vatican Archives, arts. 1 and 2). To understand their nature and their purpose better, we may recall that ar- chives are an organized collection of documents emanating from or received by a corporate body in the course of its activities. -
Rome Tourist Information
Rome As capital of the Roman Empire, the Papal States and Italy, Rome truly is the "Eternal City". One of the world's most elegant capitals the layers of history and the city's sheer excess of beauty can prove overwhelming to the unsuspecting visitor. This is a city best explored on foot, with every corner offering an overlooked treasure or unforgettable panorama. Roman columns soar up aimlessly next to medieval basilicas, the sound of water splashing in fountains fills the air in front of Renaissance palaces and exuberant Romans jostle through multi-coloured markets and winding cobbled streets. Breathe the air of the Caesars in the Roman forum, stroll through the menacing Colosseum, marvel at the splendours of the Vatican Palace - and you will wonder if this can be the capital of a modern industrial nation or whether you have stepped back into the pages of history. But around these relics of history Rome is still evolving. It's at the cutting edge of fashion and cuisine and is one of the most popular shopping destinations on Earth. So prepare to soak up history and modernity in equal measure in one of Europe's most fascinating cities. Sightseeing Rome is a work of art in itself and you'll never tire of wandering its streets and plazas, discovering new and ever greater architectural gems with every turn. Seeing the many treasures the city contains would take a lifetime, but there are several highlights that remain essential on a trip to the Eternal City. The Roma Archeologia Card costs EUR20 and is valid for 7-days. -
Communication Bilancio 2020
2020 Consolidated financial statement July 22nd, 2021 The Vatican and the Roman Curia are not the same. We are presenting ONLY the balance of the Roman Curia 2020 Total Vatican 2020 Consolidation Perimeter (Net Equity %) Income 248M€ Expenses 315M€ Net Equity 1.379M€ # of Entities 60 2 2 2020 Consolidated Financial Statement – Balance Sheet Variance vs COMMENTS M€ 2020 Actual 2019 Actual Actual 2019 Assets 2.203,2 2.154,0 49,2 ▪ Cash and Cash Equivalents (+148,4M€) – strategy to maintain as much liquidity as possible due to the Current Assets 1.186,3 949,5 236,8 uncertainties cause by the SARS-CoV-2 pandemic. Cash and cash equivalents 521,3 372,9 148,4 Opposite impact in long term financial investments. Receivables (+83,5M€) – mainly due to a loan agreement Receivables 165,1 81,5 83,5 ▪ between APSA and SdS to refinance investment of 60SA Current Financial Investments 495,7 491,1 4,6 (London) at much better conditions (+127M€), partially offset by the collection of the credits to Papal Funds (30 Others 4,2 4,0 0,2 M€) and to CFIC (10 M€). Non - Current Assets 1.016,9 1.204,4 (187,6) ▪ Non current Financial Investments (-180,3M€) – due to Tangile and Intangible Assets 14,6 14,4 0,2 divestments on long term instruments to increase liquidity (see first point) and to decrease short term financial Investments Properties 618,5 625,9 (7,4) liabilities. Non - Current Financial Investments 383,8 564,1 (180,3) ▪ Current Financial Liabilities (-26,5M€) – driven by the Liabilities and Net Equity 2.203,2 2.154,0 49,2 repayment of APSA debt to Bambin Gesù Hospital (19 M€) and the net short term financial position of APSA versus Current Liabilities 467,5 489,2 (21,8) other Holy See’s depository entities. -
VILLA BORGHESE and BORGHESE GALLERY After Moving to Rome In
VILLA BORGHESE AND BORGHESE GALLERY After moving to Rome in 1541, the Borghese family became very important following the appointment of Camillo Borghese as Pope Paul V in 1605. The park in which their villa was situated was landscaped to include a lake with a small Ionic temple on an island. The Borghese family was patron of many Renaissance artists, in particular Bernini, and the Gallery’s founder, Cardinal Scipione Borghese, accumulated some of the greatest art treasures of all time. The city of Rome obtained the Villa from the Borghese family in 1903 and since then it has been open to the public. The gardens are a lovely place to relax, with cafés and peaceful walks, and there is even a replica of Shakespeare’s Globe Theatre in the grounds. You will find statues of Byron, Goethe and Victor Hugo, and picturesque temples made to look like ruins. Much of the collection is now in the Louvre, after being sold by Pauline, Napoleon Bonaparte’s sister. She married Prince Camillo Borghese in 1807 and posed as Venus for this sculpture by Canova. After it was finished her husband locked it away and did not even allow the sculptor to see it again. Bernini’s two masterpieces Apollo and Daphne and Rape of Proserpina should not be missed. Here you can see the nymph Daphne trying to escape from the god Apollo at the very moment the gods listened to her prayers and decided that turning her into a tree was the best way to rescue her. Her hair and fingers are turning to leaves and her toes are elongating into roots, while a fine bark is beginning to cover her body.