The Mask of Zorro , and the 2005 Sequel, T He Montero and Captain Love Go to the Mine to Collect the Gold Legend of Zorro , Are Available on DVD
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Booklegger Books by Grade Level/Call Number
Booklegger Books by grade level/call number Title Author Call # Grade Series Otto's Orange Day Cammuso, Frank J Graphic K/2 (1-2) Novels Bink and Gollie DiCamillo, Kate and Alison J Graphic K/2 (1-2) S McGhee Novels Red Ted and the Lost Things Rosen, Michael J Graphic K/2 Novels Painted Words: Marianthe's Story Aliki J Moving Up K/2 The Empty Pot Demi J Moving Up K/2 The Fly on the Ceiling: A Math Myth Glass, Dr. Julie J Moving Up K/2 Dinosaur Hunt Catrow, David JE - Level 1 K/2 S Billy and Milly, Short and Silly Feldman, Eve. B JE - Level 1 K/2 (K-1) Rhyming Dust Bunnie Thomas, Jan JE - Level 1 K/2 (K-1) S Fall Is Not Easy Kelley, Marty JE - Level 2 K/2 (K-1) Baa-Choo! Weeks, Sarah JE - Level 2 K/2 A Dog Named Sam Boland, Janice JE - Level 3 K/2 The Octopus Cazet, Denys JE - Level 3 K/2 S Dirk Bones and the Mystery of the Missing Cushman, Doug JE - Level 3 K/2 (K-1) S Books Goose and Duck George, Jean Craighead JE - Level 3 K/2 Iris and Walter the Sleepover Guest, Elissa Haden JE - Level 3 K/2 S Happy Go Ducky Houran, Lori Haskins JE - Level 3 K/2 (K-1) Monster School: First Day Frights Keane, David JE - Level 3 K/2 (1-2) The Best Chef in Second Grade Kenah, Katherine JE - Level 3 K/2 (1-2) S Ling and Ting: Not Exactly the Same Lin, Grace JE - Level 3 K/2 (1-2) S Emma's Strange Pet Little, Jean JE - Level 3 K/2 Mouse Soup Lobel, Arnold JE - Level 3 K/2 S The Bookstore Ghost Maitland, Barbara JE - Level 3 K/2 Three Stories You Can Read to Your Cat Miller, Sara Swan JE - Level 3 K/2 S September 2013 Pleasanton Public Library Page 1 of -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
John P. Harrington Papers 1907-1959
THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF MEXICO/CENTRAL AMERICA/ SOUTH AMERICA I:DITRD Br Elaine L. Mills KRAUS INTER AJ 10 L Pl BLIC 110 Di ision of Kraus-Thom Jl )r 1lI1.allon LUl11tcd THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America Prepared in the National Anthropological Archives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America EDITED BY Elaine L. Mills KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1988 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United States of America §TM The paper in this publication meets the minimum requirements of American National Standard for Information Science- Permanence of Papers for Contents Printed Library Materials, ANSI Z39.48-1984. Library ofCongress Cataloging-in-Publication Data INTRODUCTION VII / V1/l Harrington, John Peabody. Scope and Content ofthis Publication VII / vu The papers ofJohn Peabody Harrington in the Smithsonian Institution, 1907 -1957. -
Guantanamo Bay - - 9
Guantanamo Bay - - 9 , Vol. 58 No. 5 Friday, February 2, 2001 Guantanamo Bay community gathers President, SECDEF for Cuban American Friendship Day send message to Armed Forces gt By Linda D. Kozaryn and Jim Garamone American Forces Press Service As the armed forces welcomed Donald H. Rumsfeld Jan. 26, the nation's 21st defense secretary saluted those he was about to lead. "The president and I believe that the men and women who freely elect to wear the country's uniform deserve not only our respect, but our support, and yes, our appreciation," Rumsfeld said. Those who serve "in times of conflict de- serve not only our thanks for their sacrifice, but our commitment to value every WT SchooSamso stdet Elemntar danc (aoe veteran." ansomrBs omne Pulling a page from his pocket, he then read a message from President Bush pledging his sup- I port to America's service members and the men and women who support them and their families. "Your service in the cause of freedom is both noble and extraordinary," Bush wrote. "Because of you, America is strong and the flame of free- dom burns brighter than at any time in history. "Your country can never repay you for the sacrifices and hardships you endure, but we are grateful for the liberties we enjoy every day be- cause of your service," the president said. <. -Rumsfeld added, "On behalf of President Bush and Vice President Cheney and the civilian and military leadership here in the Defense De- a apartment, I make this pledge today, to every man and woman wearing a uniform. -
New Orleans Nostalgia "Zorro Rides Again" Ned Hémard Copyright 2007
N EW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Zorro Rides Again In 1937, New Orleans became the first city in the United States to be provided funding under the Wagner Act. Contracts for the St. Thomas and Magnolia housing projects were the first signed by FDR under Senator Robert Wagner’s legislation, and with it the Housing Authority of New Orleans (HANO) was created. A young LBJ was one of the principal authors of the Housing Act of 1937, and he saw to it that the first three grants were announced in alphabetical order (with Austin being mentioned before New Orleans and New York). Also that year, New Orleans saw the founding of a new carnival organization, the Knights of Hermes (which continues to charm the city with its annual parade). Hermes, HANO and housing were the talk of the town, and Hitler was the talk of the nation. For those who wanted some form of escapism, there was always the local movie house. Among numerous neighborhood theatres, there was the Bell, the Cortez, the Casino and the Carrollton (which had been rebuilt the year before). Or perhaps one visited the Imperial on Hagan Avenue (Jefferson Davis Parkway today) followed by a stop at the Parkway Bakery (also on Hagan … then as today). 1937 produced great films like Frank Capra’s “Lost Horizon”, the Marx Brothers in “A Day at the Races”, “Stella Dallas”, “Topper” and “The Awful Truth”. In addition to these classics were the serial Westerns from Republic, and 1937’s “Zorro Rides Again” was one of these twelve-chapter runs. -
Sunday Morning Grid 2/26/12 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/26/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Rangers Horseland The Path to Las Vegas Epic Poker College Basketball Pittsburgh at Louisville. (N) Å 4 NBC News Å Meet the Press (N) Å News Laureus Sports Awards Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Eye on L.A. Award Preview 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday NASCAR Racing Sprint Cup: Daytona 500. From Daytona International Speedway, Fla. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program The Wedding Planner 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J. -
Teaching Spanish Through Hispanic Art by Maria Tucker Telelearning
IUPUI/IMA Community Project > Activities > Instructional Units > Teaching spanish through hi... Page 1 of 4 Teaching Spanish Through Hispanic Art By Maria Tucker Telelearning Louisiana School Natchitoches, Louisiana Instructional Plan Title: Teaching Spanish Through Hispanic Art Keywords: Maps. Art, music, language, food, and culture Curriculum Area: Spanish Grade Level: Nine to twelve Size group: Whole class (8 to 12 students) Time to Complete Instructional Plan: Four weeks culminating project over a thee-month period This plan will lead to these Instructional Objectives: 1. Students will learn about the importance of Spanish language in U.S.A. 2. Students will learn the geography of Hispanic world. 3. Students will create a picture of their favorite artist and write about him/her. 4. Students will be able to communicate in Spanish what they have learned. 5. Students will learn to recognize and respect cultural differences. 6. Students will learn to sing Spanish songs and able to translate them. 7. Students will learn about the differences of Hispanic art of Hispanic countries 8. Students will learn about the connection between art and language. Indiana State Proficiencies: 1.4.2 Students demonstrate an understanding of the concept of culture though comparisons of the culture's studies and their own. 2. Students will acquire information and recognize the different Hispanic countries of the world. Materials and resources Maps nationalgeographic.com Art calendar Smithsonian American Art Museum http://nrnaa-rvther.si.edu/1001/index.html Hoosier Artist http://www.ulib.iuyui.edu/imls/hoosierar.html Books file://C:\Documents%20and%20Settings\Administrator\My%20Documents\OliveTree\IMLS\site\ac.. -
Pletf Television Pbograms
E/i; i, S CO PLETF TELEVISION PBOGRAMS lifton aferson Fair Lewn Garfield Haledon Hawthorne ...*.,,;•½ •,•,½ •.•;•,... :'.' Lodi ß :.;.,: ........ ... :.•. •...•, ß .-• Little Falls .. •.•;.. ½'. %.½ß .,•,:;• ....• ,-• :,:..::.., ...,.... ..... •.•.•.• ½•"• •, %'., . :•.:.:'"'.:..:, Mountain View :;:";,?;•-:? .... • , ,, ...: ß . :, ',]. .. .. .:. .., ..**.•:4%,.•,' , ..•;.:.•:•-•,.. *'•?;::,.• ;orth Haledon ,.•.% •.-.;•,•.,•,..-• Paterson r-ai½ m fon Lakes Park Sin ac fotowa ayne est Pterson LOVELIES OF SHADY LAKE ß ['GUST 17, 1955 VOL. XXX. No. 33 •-.••Little 'Falls .Parki-ng Meter Ordinance WHITE and SHAUGER, Inc. --CalledUnfa, r To MerchantsBy Stokes A GOODNA]•. TO • * ,' ,;ER iiiii LI•'I'LEFALLS --A parking meter ordinance ,s,cheduled _for for. • I firstunfairreading to merchants'Monda,y, byAugust Committeeman 18, was branded Dr. Jamesas Stokesharmful at andthe F URN IT U RE ....•'•'• Township Committee meeting this •veek. [.lying Room Bed Room Dining Room Stokes, a consis'ent opponent RUGS AHD CARPETS A SPECIALTY ..: :-• wasofthe registeringparking authority'his opposition saidheon leadSchumacher to a "seriousasserted problem'this, could that QUALITY and LOW PRICE ' the ordinancebecause he might only a total re.evaluationwould -- 39 Years Serving tile Public -- not be.present at the reading. correct. 435 STRAIGHT ST. MU. 4-71130 PATE•ON-,-N. J. The .new law wouldprovide a Whenthe problemwas refer- 240MARKi• ST. (ClWroll Pllaa Hotel Bldg.) MU4-79T• parking meter system for the red to Mayor Jacob De Young, he first time in the township's his- noted that the four companies in- tory.-The money collected would terviewed by' the committee for go to the parking authority to al- the revaluation said they could low them to buy land for off- not start earlier than next Jun.e. street parking and pay salaries Early in the session the com- of attendants. -
California History Online | the Physical Setting
Chapter 1: The Physical Setting Regions and Landforms: Let's take a trip The land surface of California covers almost 100 million acres. It's the third largest of the states; only Alaska and Texas are larger. Within this vast area are a greater range of landforms, a greater variety of habitats, and more species of plants and animals than in any area of comparable size in all of North America. California Coast The coastline of California stretches for 1,264 miles from the Oregon border in the north to Mexico in the south. Some of the most breathtaking scenery in all of California lies along the Pacific coast. More than half of California's people reside in the coastal region. Most live in major cities that grew up around harbors at San Francisco Bay, San Diego Bay and the Los Angeles Basin. San Francisco Bay San Francisco Bay, one of the finest natural harbors in the world, covers some 450 square miles. It is two hundred feet deep at some points, but about two-thirds is less than twelve feet deep. The bay region, the only real break in the coastal mountains, is the ancestral homeland of the Ohlone and Coast Miwok Indians. It became the gateway for newcomers heading to the state's interior in the nineteenth and twentieth centuries. Tourism today is San Francisco's leading industry. San Diego Bay A variety of Yuman-speaking people have lived for thousands of years around the shores of San Diego Bay. European settlement began in 1769 with the arrival of the first Spanish missionaries. -
Custom Book List
Custom Book List School: James A Garfield Local Schools MANAGEMENT READING WORD BOOK AUTHOR LEXILE® LEVEL GRL POINTS COUNT 10 Days: Abraham Lincoln Colbert, David 1110 8.5 N/A 7 16,823 10 Most Amazing Skyscrapers Scholastic 1100 10.4 N/A 6 8,263 10,000 Days Of Thunder Caputo, Philip 1210 7.6 Z 8 21,491 100 Inventions That Shaped... Yenne, Bill 1370 10 Z 10 33,959 100 Years In Photographs Sullivan, George 1120 6.8 N/A 5 13,426 1492: The Year The World Began Fernandez-Armesto, Felipe 1280 12.9 N/A 24 100,581 14th Dalai Lama Stewart, Whitney 1130 7.9 NR 6 18,455 1776 McCullough, David 1300 12.5 NR 23 105,034 1776: A New Look Kostyal, K. M. 1100 11.4 N/A 17 6,652 18 Best Stories By Poe Poe, Edgar Allan 1220 10 NR 22 99,118 1862, Fredericksburg Kostyal, K. M. 1160 11.6 N/A 5 7,170 1900s, The Woog, Adam 1160 8.5 NR 8 26,484 1910s, The Uschan, Michael V. 1280 8.5 NR 10 29,561 1920s, The Hanson, Erica 1170 8.5 NR 9 28,812 1930s, The Press, Petra 1300 8.5 NR 9 27,749 1940s, The Uschan, Michael V. 1210 8.5 NR 10 31,665 1960s, The Holland, Gini 1260 8.5 NR 10 33,021 1968 Kaufman, Michael T. 1310 10.9 N/A 11 36,546 1968 Democratic McGowen, Tom 1270 7.8 W 5 6,733 1970s, The Stewart, Gail B. -
Lights! Camera! Gallop!
Lights! Camera! Gallop! The story of the horse in film By by Lesley Lodge Published by Cooper Johnson Limited Copyright Lesley Lodge © Lesley Lodge, 2012, all rights reserved Lesley Lodge has reserved her right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work. ISBN: 978-0-9573310-1-3 Cover photo: Running pairs Copyright Paul Homsy Photography Taken in Ruby Valley in northern Nevada, USA. Shadowfax – a horse ‘so clever and obedient he doesn’t have a bridle or a bit or reins or a saddle’ (Lord of the Rings trilogy) Ah, if only it was all that simple . Contents Chapter One: Introducing... horses in film Chapter Two: How the horse became a film star Chapter Three: The casting couch: which horse for which part? Chapter Four: The stars – and their glamour secrets Chapter Five: Born free: wild horses and the wild horse film Chapter Six: Living free: wild horse films around the world Chapter Seven: Comedy: horses that make you laugh Chapter Eight: Special effects: a little help for horses Chapter Nine: Tricks and stunts: how did he do that? Chapter Ten: When things go wrong: spotting fakes and mistakes Chapter Eleven: Not just a horse with no name: the Western Chapter Twelve: Test your knowledge now Quotes: From the sublime to the ridiculous Bibliography List of films mentioned in the book Useful websites: find film clips – and more – for free Acknowledgements Photo credits Glossary About the author Chapter One Introducing….horses in film The concept of a horse as a celebrity is easy enough to accept – because, after all, few celebrities become famous for actually doing much. -
University of Southampton Research Repository Eprints Soton
University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations.