DOCSLIB.ORG

Guantanamo Bay - - 9

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guantanamo Bay - - 9 Guantanamo Bay - - 9 , Vol. 58 No. 5 Friday, February 2, 2001 Guantanamo Bay community gathers President, SECDEF for Cuban American Friendship Day send message to Armed Forces gt By Linda D. Kozaryn and Jim Garamone American Forces Press Service As the armed forces welcomed Donald H. Rumsfeld Jan. 26, the nation's 21st defense secretary saluted those he was about to lead. "The president and I believe that the men and women who freely elect to wear the country's uniform deserve not only our respect, but our support, and yes, our appreciation," Rumsfeld said. Those who serve "in times of conflict de- serve not only our thanks for their sacrifice, but our commitment to value every WT SchooSamso stdet Elemntar danc (aoe veteran." ansomrBs omne Pulling a page from his pocket, he then read a message from President Bush pledging his sup- I port to America's service members and the men and women who support them and their families. "Your service in the cause of freedom is both noble and extraordinary," Bush wrote. "Because of you, America is strong and the flame of free- dom burns brighter than at any time in history. "Your country can never repay you for the sacrifices and hardships you endure, but we are grateful for the liberties we enjoy every day be- cause of your service," the president said. <. -Rumsfeld added, "On behalf of President Bush and Vice President Cheney and the civilian and military leadership here in the Defense De- a apartment, I make this pledge today, to every man and woman wearing a uniform. We will work to make the system work. "Work so that you can serve with pride and know that service to our nation is a sacred call- ing," he said. "Work so that America and her friends and allies are strong and secure. Work so that the cause of freedom will better bind the community of nations, seeking, not conflict, but RA common purpose." Rumsfeld listed President Bush's three goals - - for the military: to strengthen the bond of trust with the American military, to protect the Ameri- VADMJ. can people both from attack and from threats of H. Letterman salutes GTMO s Cuban community (below) at the Cuban American terror and to build a military that takes advantage Friendship Day Jan. 26 at Phillips Park. See story on page 2. of remarkable new technologies to confront the Photos by PH2 Emmitt 1. Hawks threats of this new century. GTMO Recycle this -A MEW Lynx offers special Kelly awarded for role in solving bank robbery deal for residents GUANTANAMO BAY - Lynx Air Interna- tional, currently offering roundtrip air service from U.S. Naval Base Guantanamo Bay, Cuba, to Ft. Lauderdale, now offers the option of flying to Providenciales (Provo) Island and the Turks and Caicos Islands on Fridays and Sundays for $175 roundtrip. These flights can be booked with Lynx by calling 1-954-772-9808. Military personnel can get a special all-inclu- sive rate at the Allegro Resort on Grace Bay Beach in Providenciales. Call the hotel direct at 1-649- 946-5555. While in Provo, you can get your fill of diving or fly over to Grand Turk Island and do some wall diving with Oasis Divers, SeaEye Div- ing or Blue Water Diving. The Grand Turk dive operators will arrange hotel accommodations also. Check the internet for information on dive opera- tors in Providenciales or Grand Turk Island. Lynx Air International is also looking to hire Base Commander CAPT Robert Buehn recognizes Naval CriminalInvestigate Service Agent a part time agent. Individuals interested in ap- Norm Kelly for the role he played in bringing GTMO s bank robbers to justice. plying for this position, fax your letter of inter- Photo by PH2 Emmitt J. Hawks. est or resume to Lynx at 1-945-491-8361. 1.r Cuban American Friendship Day returns to GTMO By Migdalia Hettler corporate knowledge since 1903. Cuban American FriendshipDay Committee Special thanks to CAPT Robert and Mrs. On Jan. 26, another chapter in the GTMO Buehn, CDR Jack Van Zandt, MWR staff, CDR history unfolded. The Cuban American Friend- Craig Larson, LtCol Jerry Sneed and the Marine U.S. Naval Base ship Day celebration took place at Phillips Park Corps Security Force Company, Naval Hospital Guantanamo Bay, Cuba after over four years since the last celebration. Color Guard, Naval Hospital Galley, Kim Jones, Through the years the celebration has paid James Cave, PH2 Emmitt Hawks, Print Shop, Commander, Naval Base tribute to the Cubans and Americans that work Port Services, LT Ruth Goldberg, AE3 Brandon CAPT Robert A. Buehn side by side and gives recognition to this true Reninger, committee members and the Cuban friendship. community and volunteers for their contributions Chief Staff Officer More than 500 people attended the event in making this event such a great success. CDR Jack H. Van Zandt full of emotion, good food, fun and great music. As VADM Fetterman would say, "Have a Command Master Chief The highlight of the event was the "welcome great day in Guantanamo Bay!" PQCM(SW) Lloyd E. Smethers home" to VADM J. H. Fetterman, the guest speaker. VADM Fetterman has held a very spe- Public Affairs Officer cial place in the Cuban community's heart, both Energy Conservation Tip JOC Walter T. Ham IV exiled and commuters, since 1979 when he was Repair dripping faucets by replacing the base commander. washers. One drop per second wastes Editorial Assistant There is a lot of tradition in this celebration. 2,700 gallons of water per year. ABHAN Lindsay R. Clay Preserving these traditions, awards were pre- This newspaper is an authorized sented to the Cuban community, including the publication for members of the military "Passing of the Walking Stick" presented once Water Conservation service stationed overseas. Its contents again to Oscar Montoto. The Cuban community do not necessarily reflect the official views also presented For the week of Jan. 22 - 28 of the U.S. Government, the Department of the American of the Year Award to Defense or the U.S. Navy and do not imply Migdalia Hettler. Weekly Use - 4,810,288 endorsement thereof. Through this celebration, we get the oppor- Daily Avg. - 687,175 Voice: 4502, 4819 Fax: 4520 tunity to thank the Cuban community, especially - - Daily Goal - 700,000 E-mail: [email protected] (all amounts are in gallons) GAZE'PPE On-line: the commuters, for their sacrifices and contribu- www.nsgtmo.navy.mil tions to the base. We saved $1,167.04 on our They have provided expertise, historical and goal this week. Page 2 *Frday, February 2, 2001 * GAlllWWS SHOPPER Recycle this GAME-iIWE AUTOS BOATS MEETINGS LOST AND FOUND 1976 VW Bug, runs great, new front end, Leisure craft boat, 19 ft caddy cabin, 115 hp The American Red Cross Station Advi- Black dry snorkel lost at Cable Beach many new parts, $1,000 OBO. FMI call DWH motor, trailer and lots of extras, $2,800. FMI sory Committee meeting scheduled for about four weeks ago. The snorkel was 6305 or AWH 7779- call 7165. Feb. 5 has been changed to Feb 6 at 5 not lost in the water but dropped on the p.m. in the Fleet and Family Support Cen- way to the car. This snorkel is not sold 1985 Toyota king cab pick up, great dive 1988 17.5 ft. Larson Bowrider, 1988 HP force ter classroom. Everyone is invited to here in Guantanamo Bay and it has a truck, runs great, $800 OBO. FMI call DWH outboard motor, EZ loader trailer, Humming- attend. FMI call Joyce at 5060. unique dome-shaped top that locks out 6305 or AWH 7779. bird wide-eye fish fitnder, marine stereo sys- water. If found, call 7469 and ask for temt, 15 gallon fuel tank, water skis, two ropes The OCSC monthly board meeting will HM3 Calhoun. 1983 Buick Century, automatic/power steer- and sea biscuit. All required safety equip- take place Feb. 6 at 7 p.m. in the Commu- ing and brakes, runs pretty well, $1,000. ment and much more. Fully equpped and nity Center on Marina Point. A general Available Feb. 21. FMI call Linda at DWH ready to go! FMI call Rick at DWH 4148, membership meeting will follow at 7:30 SCHOLASTIC LINE 4174 or AWH 2809. Ext. 311 or AWH 7755, p.m. for all to attend. FMI call Barbara at 5604. The Navy College Learning Center of- 1986 Pontiac Fiero GT, 74.700 miles, in very 22' Cuddy Cabin. newly rebuilt 350 V- fers 30 free, conputer-based courses, in- good condition, white with rear deck air foil. 8, 15 hp kicker, out of bounds certified, cluding the fundamentals (math, reading 5 speed. V-6, Kelly Blue Book value - $3.900. teak swim platform, fish finder, radio, PETS and language) college level algebra, cal- asking $3.(00 FMI call AWH 7122. signal kit and 10 PFDs. $5.000. FMI call culus, chemistry, physics and prepara- 7687. Fotu-month-old female tabby for adop- tions for the ASVAB, CLEPs, SAT, ACT tion. FMI call 2212. Donations are also and GED. For more information, call the FOR SALE welcome. NCLC at 3997. YARD SALES 1985 Honda Nighthawks, motor work done, runs like a new bike, new paint job, Saturday, Caribbean Circle 18C, 7 a.m. Elementary School Lunch Menu new battery, new tires, new light covers, No early birds. We're having a two fam- two helmets, two spark plugs and a pair of ily yard sale. Monday - Sausage pizza, mixed vegetables, sugar cookies and milk saddle bags.
Load more

Recommended publications
  • 8 Redefining Zorro: Hispanicising the Swashbuckling Hero
    Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later.
    [Show full text]
  • Sunday Morning Grid 2/26/12 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 2/26/12 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face/Nation Rangers Horseland The Path to Las Vegas Epic Poker College Basketball Pittsburgh at Louisville. (N) Å 4 NBC News Å Meet the Press (N) Å News Laureus Sports Awards Golf Central PGA Tour Golf 5 CW News (N) Å In Touch Paid Program 7 ABC News (N) Å This Week News (N) Å News (N) Å News Å Eye on L.A. Award Preview 9 KCAL News (N) Prince Mike Webb Joel Osteen Shook Paid Program 11 FOX Hour of Power (N) (TVG) Fox News Sunday NASCAR Racing Sprint Cup: Daytona 500. From Daytona International Speedway, Fla. (N) Å 13 MyNet Paid Tomorrow’s Paid Program Best Buys Paid Program The Wedding Planner 18 KSCI Paid Hope Hr. Church Paid Program Iranian TV Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Sid Science Curios -ity Thomas Bob Builder Joy of Paint Paint This Dewberry Wyland’s Sara’s Kitchen Kitchen Mexican 28 KCET Hands On Raggs Busytown Peep Pancakes Pufnstuf Land/Lost Hey Kids Taste Simply Ming Moyers & Company 30 ION Turning Pnt. Discovery In Touch Mark Jeske Beyond Paid Program Inspiration Today Camp Meeting 34 KMEX Paid Program Al Punto (N) Fútbol de la Liga Mexicana República Deportiva 40 KTBN Rhema Win Walk Miracle-You Redemption Love In Touch PowerPoint It Is Written B. Conley From Heart King Is J.
    [Show full text]
  • Lights! Camera! Gallop!
    Lights! Camera! Gallop! The story of the horse in film By by Lesley Lodge Published by Cooper Johnson Limited Copyright Lesley Lodge © Lesley Lodge, 2012, all rights reserved Lesley Lodge has reserved her right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work. ISBN: 978-0-9573310-1-3 Cover photo: Running pairs Copyright Paul Homsy Photography Taken in Ruby Valley in northern Nevada, USA. Shadowfax – a horse ‘so clever and obedient he doesn’t have a bridle or a bit or reins or a saddle’ (Lord of the Rings trilogy) Ah, if only it was all that simple . Contents Chapter One: Introducing... horses in film Chapter Two: How the horse became a film star Chapter Three: The casting couch: which horse for which part? Chapter Four: The stars – and their glamour secrets Chapter Five: Born free: wild horses and the wild horse film Chapter Six: Living free: wild horse films around the world Chapter Seven: Comedy: horses that make you laugh Chapter Eight: Special effects: a little help for horses Chapter Nine: Tricks and stunts: how did he do that? Chapter Ten: When things go wrong: spotting fakes and mistakes Chapter Eleven: Not just a horse with no name: the Western Chapter Twelve: Test your knowledge now Quotes: From the sublime to the ridiculous Bibliography List of films mentioned in the book Useful websites: find film clips – and more – for free Acknowledgements Photo credits Glossary About the author Chapter One Introducing….horses in film The concept of a horse as a celebrity is easy enough to accept – because, after all, few celebrities become famous for actually doing much.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo by Victoria Lynn Kearley Thesis for the degree of Doctor of Philosophy May 2014 UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy ABSTRACT The Representation of Hispanic masculinity in US cinema 1998-2008: Genre, Stardom and Machismo Victoria Lynn Kearley This thesis examines how the conventions of four distinct genres, the star personas of two key Hispanic male stars and conceptions of Hispanic men as 'macho' intersected in constructing images of Hispanic masculinity in Hollywood between the years 1998 and 2008. The work makes an original contribution to knowledge as the first extensive study of Hispanic masculinity in contemporary Hollywood and affording new insights into the way in which genre conventions and star personas contributed to these representations.
    [Show full text]
  • Beverly-Hills-Chihuahua-Production
    THIS MATERIAL IS ALSO AVAILABLE ONLINE AT http://www.wdsfilmpr.com © Disney Enterprises, Inc. All Rights Reserved. disney.com/chihuahua CAST Rachel . PIPER PERABO Sam Cortez . MANOLO CARDONA CREDITS WALT DISNEY PICTURES Aunt Viv . JAMIE LEE CURTIS Vasquez. JOSÉ MARÍA YAZPIK Presents Rafferty . MAURY STERLING Officer Ramirez . JESUS OCHOA BEVERLY HILLS Store Owner . EUGENIO DERBEZ Rangers . OMAR LEYVA CHIHUAHUA NAOMY ROMO Angela. ALI HILLIS A Blair. MARGUERITE MOREAU MANDEVILLE FILMS/ Bryan . NICK ZANO SMART ENTERTAINMENT Inn Keeper Lady. CARMEN VERA Production Shelter Director . GINA GALLEGO Desk Clerk . HIRAM VILCHEZ A Film by Bellman . ALBERTO REYES RAJA GOSNELL Doorman/ The Carthay . ENRIQUE CHAVERO Directed by . RAJA GOSNELL Doorman/ Screenplay by . ANALISA LABIANCO Baja Sur Hotel . ANDRES PARDAVE and JEFF BUSHELL Armand . JUAN CARLOS MARTIN Story by . JEFF BUSHELL Conductor . JUAN ANTONIO SALDAÑA Produced by. DAVID HOBERMAN Ring Announcer . SAL LÓPEZ TODD LIEBERMAN Museum Guide . GIOVANNA ACHA Produced by . JOHN JACOBS Desk Sergeant. FERNANDO MANZANO Executive Producer . STEVE NICOLAIDES Butler . RANDALL ENGLAND Director of Chic Owners . CLAUDIA CERVANTES Photography . PHIL MEHEUX, BSC LILLIAN LANGE Production Designer . BILL BOES Waiter . BRANDON KEENER Editor . SABRINA PLISCO, A.C.E. Dog Nanny . JACK PLOTNICK Costume Shaman Lady . MARY PAZ MATA Designer . MARIESTELA FERNANDEZ Poor Woman. MAYRA SERBULO Visual Effects Baja Sur Supervisor . MICHAEL J. MCALISTER Desk Clerk . MONTSERRAT DE LEON Co-Producer . RICARDO DEL RIO GALNARES Lady . BERENICE ROMERO Music Composed by . HEITOR PEREIRA Museum Music Supervisor . BUCK DAMON Security Guards . ANTONIO INFANTE Casting by . AMANDA MACKEY, C.S.A. TOMIHUATZI XELHUALTZI and CATHY SANDRICH GELFOND, C.S.A. Little Boy . ERICK FERNANDO CAÑETE Limo Driver .
    [Show full text]
  • Director of Photography ASC International Award 2015
    McKinney Macartney Management Ltd PHIL MEHEUX BSC - Director of Photography ASC International Award 2015 FEATURE FILMS SPONGEBOB: SQUAREPANTS 2 Director: Paul Tibbitt. Producers: Cale Boyter, Nan Morales, Mary Parent and Craig Sost. Starring: Antonio Banderas, Tom Kenny, Clancy Brown and Bill Fagerbakke. Nickelodeon Movies / Paramount Animation. THE SMURFS 2 Director: Raja Gosnell. Producers: Jordan Kerner. Starring: Neil Patrick Harris, Hank Azaria and Christina Ricci. Columbia Pictures. HERE COMES THE BOOM Director: Frank Coraci. Producers: Adam Sandler, Kevin James and Todd Garner. Starring Salma Hayek, Kevin James, Henry Winkler and Joe Rogan. Columbia Pictures. THE SMURFS Director: Raja Gosnell Produer: Jordan Kerner, Starring Neil Patrick Harris, Hank Azaria and Jayma Mays. Columbia Pictures. EDGE OF DARKNESS Director: Martin Campbell. Producers: Graham King and Michael Wearing. Starring Mel Gibson, Ray Winstone, Danny Huston and Shawn Roberts. GK Films. BEVERLY HILLS CHIHUAHUA Director: Raja Gosnell. Producers: David Hoberman, Todd Lieberman and John Jacobs. Starring: Drew Barrymore, Andy Garcia, Piper Perabo and Salma Hayek. Walt Disney Pictures. Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 Fax: 020 8995 2414 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 PHIL MEHEUX BSC Contd … 2 JAMES BOND – CASINO ROYALE Director: Martin Campbell. Producers: Michael G. Wilson/Barbara Broccoli. Starring: Daniel Craig, Eva Green, Mads Mikkelsen, and Judi Dench. Eon Productions Ltd. BSC BEST CINEMATOGRAPHY AWARD 2007 BAFTA Nomination 2007 Best Cinematography THE LEGEND OF ZORRO Director: Martin Campbell. Producers: Laurie MacDonald and Walter F Parkes. Executive Producer: Steven Spielberg. Starring: Catherine Zeta Jones, Antonio Banderas, and Rufus Sewell.
    [Show full text]
  • From Latin to Latino Lover: Hispanicity and Female Desire in Popular Culture
    From Latin to Latino Lover: Hispanicity and Female Desire in Popular Culture Nadia Lie Published online: February 2014 http://www.jprstudies.org Abstract: This article examines the relationship between the concept of the Latin Lover and the notion of Hispanicity. The essay starts with an analysis of The Sheik (1921), which is generally considered as the film that launched the figure of the Latin Lover. The author then compares this figure to an important icon of Hispanicity: Zorro. Discussing various incarnations of Zorro, the author argues that the Latin Lover and the Zorro-incarnation of Hispanicity gradually merged over the years, thereby producing a new species: the Latino Lover. About the Author: Nadia Lie is professor of Spanish and Spanish-American literature and film at the University of Leuven (KU Leuven). She is the author of Transición y transacción: la revista cubana Casa de las Américas (Maryland-Leuven: Hispamérica-Leuven UP, 1995) and of several (co-)edited volumes in the field of comparative literature (e.g. Constellation Caliban (Amsterdam-Atlanta: Rodopi, 1997), Zorro & Co (Nijmegen: Vantilt, 2002), and El juego con los estereotipos: la redefinición de la identidad hispánica en la literatura y el cine postnacionales (Genève-Bruxelles-Oxford: Peter Lang, 2012)). She is currently working on space and mobility in contemporary Latin American cinema. Since 2013, she directs the international research project Transit. Transnationality at Large. The Transnational Dimension of contemporary Hispanic culture, funded by the European Union (website: http://projecttransit.eu/es ). Keywords: Antonio Banderas, Hispanicity, Isabel Allende, Latin Lover, Martin Campbell, Rudolph Valentino, Shrek, The Sheik, Zorro According to Richard Rodriguez, we owe the invention of the Hispanic to Richard Nixon, whose administration introduced this category in 1973 in the classification system of United States citizens (15).
    [Show full text]
  • La Leyenda De MOVIELAND; Historia Del Cine En El Estado De Durango
    La Leyenda de MOVIELAND; Historia del Cine en el Estado de Durango (1897 - 2004) Antonio Avitia Hernández México, 2005 Introducción De manera casi tan fortuita y tan veleidosa como los criterios y las posibilidades económicas de las compañías cinematográficas, de los productores y de los directores de cine, algunos paisajes naturales del estado de Durango han sido seleccionados como escenario del rodaje de diversas películas. Hasta donde se ha podido investigar, entre los años de 1897 a 2004, se han filmado un total de doscientos setenta y ocho (278) cintas en la entidad. De éstas, treinta (30) son de la época del cine silente, producidas entre 1897 y 1936. Noventa y ocho (98) son de formato de ocho, super ocho y dieciséis milímetros, independientes, así como filmes documentales científicos, antropológicos y culturales, entre otros. Con respecto al cine industrial, ciento cincuenta (150) han sido los filmes rodados en territorio durangueño entre los años de 1954 a 2004. Los objetivos principales de esta historia del cine en Durango son: hacer el recuento cuantitativo y cronológico, la ubicación histórica, la reseña de las sinopsis argumentales, las fichas filmográficas y la relación de los personajes y locaciones sobresalientes de las películas rodadas en la entidad, así como describir la impresión que, en el imaginario colectivo regional, ha tenido el cinematógrafo, en tanto séptimo arte e industria cinematográfica. De manera colateral, hasta donde ha sido posible, se hace referencia a la suerte de los filmes en lo que respecta a su distribución. En el primer capítulo El cine silente en Durango se hace el recuento, sinopsis argumental, situación histórica y establecimiento de los treinta filmes del periodo silente rodados en la entidad, desde el arribo de los enviados de Edison en 1897 hasta la cinta documental de propaganda política laudatoria, grabada por encargo del gobernador del estado coronel Enrique R.
    [Show full text]
  • Zorro Visible Fictions
    HOT Season for Young People 2011-2012 Teacher Guidebook Zorro Visible Fictions tson ber Ro las ug Do y b to ho P Season Sponsor A note from our Sponsor ~ Regions Bank ~ Jim Schmitz Executive Vice President Area Executive Middle Tennessee Area For over 125 years Regions has been proud to be a part of the Middle Tennessee community, growing and thriving as our area has. From the opening of our doors on September 1, 1883, we have committed to this community and our customers. One area that we are strongly committed to is the education of our students. We are proud to support TPAC’s Humanities Outreach in Tennessee Program. What an important sponsorship this is – reaching over 25,000 students and teachers – some students would never see a performing arts production with- out this program. Regions continues to reinforce its commitment to the communities it serves and in ad- dition to supporting programs such as HOT, we have close to 200 associates teaching financial literacy in classrooms this year. Season Sponsor Thank you, teachers, for giving your students this wonderful opportunity. They will certainly enjoy the experience. You are creating memories of a life- time, and Regions is proud to be able to help make this opportunity possible. Did you know that Krispy Kreme Doughnut Corporation helped groups across the nation raise more than $30 Million last year? Krispy Kreme’s Fundraising program is fast, easy, extremely profitable! But most importantly, it is FUN! For more information about how Krispy Kreme can help your group raise some dough, visit krispykreme.com or call a Neighborhood Shop near you! Contents Synopsis pages 2-3 The Author page 4 Historic Setting page 5 Comic Book Influence page 6 Exploration One page 7 Custom Crusader Exploration Two pages 8-9 A Horse, of Course Exploration Three page 10 The Play’s the Thing Exploration Four page 11 Destined for Greatness Exploration Five page 12 How Do You Find Bravery? TPAC Guidebook written and compiled by Lattie Brown with excerpts from the Zorro - Study Guide by Visible Fictions, as noted.
    [Show full text]
  • Zorro-Centenary-Presentation.Pdf
    The History of Zorro Johnston McCulley first brought Zorro to life in a 1919 pulp fiction serial. Inspired by McCulley’s Zorro, silent film star Douglas Fairbanks became the silver screen’s first swashbuckling action hero portraying ZORRO in the 1920 film, The Mark of Zorro. In 1925, Douglas Fairbanks returned to star in the sequel to The Mark of Zorro, Don Q, Son of Zorro. McCulley continued writing more than 60 stories featuring his masked hero, Zorro, over the next 40 years. Throughout the 1930’s and 40’s, ZORRO captured the imagination of audiences as he fought for justice in the Republic Studios serials. Tyrone Power became the next truly iconic silver screen Zorro, following in Fairbanks’ footsteps, when 20th Century Fox remade The Mark of Zorro in 1940. In 1957, Disney’s ZORRO television series premiered, starring Guy Williams and became a worldwide sensation. In the early 1960’s, Zorro character was adopted by the expanding Italian film industry. The masked hero also appeared in Mexican, Spanish, French and Belgian productions. The wave of international Zorro film productions reached its peak in 1974, with the release of the Italian/French production of ZORRO, starring Alain Delon. Zorro entered the 1990’s with 88 episodes of the New World television series starring Duncan Regher as the masked hero. The 1998 blockbuster The Mask of Zorro starred Antonio Banderas, Anthony Hopkins and introduced Catherine Zeta-Jones. The film grossed $250m worldwide. A sequel, The Legend of Zorro premiered October 30, 2005. ZORRO FEATURE FILMS IN DEVELOPMENT! Jonas Cuaron (Gravity co-writer) is set to direct the futuristic film: “Z” A Django/Zorro crossover film from Quentin Tarantino is on the fast- track at Columbia Pictures – a sequel to both Django Unchained and The Legend of Zorro! For Licensing Enquiries please contact: Licensing Management International Ltd 6 Lymington Enterprise Centre, Ampress Lane, Lymington, Hampshire SO41 8LZ, UK T: +44(0)1425 403430 F: +44(0)1425 403310 www.lmiuk.com [email protected] © 2018 Zorro Productions, Inc., All Rights Reserved.
    [Show full text]
  • Sunday Morning Grid 12/17/17 Latimes.Com/Tv Times
    SUNDAY MORNING GRID 12/17/17 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Sunday Face the Nation (N) The NFL Today (N) Å Football Cincinnati Bengals at Minnesota Vikings. (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Paid Olympic Trials Golf PNC Father/Son 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 In Touch Paid Program 7 ABC News This Week News News Jack Hanna Ocean Sea Rescue Wildlife 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Schuller Mike Webb Paid Program REAL-Diego Paid 11 FOX Fox News Sunday FOX NFL Kickoff (N) FOX NFL Sunday (N) Paid Program Nature Game Day 13 MyNet Paid Matter Fred Jordan Paid Program Herd for the Holidays (N) 18 KSCI Paid Program Paid Program 22 KWHY Paid Program Paid Program 24 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Oil Painting Milk Street Mexican Martha Jazzy Julia Child Chefs Life 28 KCET 1001 Nights 1001 Nights Mixed Nutz Edisons Biz Kid$ Biz Kid$ KCET Special Å KCET Special Å KCET Special Å 30 ION Jeremiah Youseff In Touch A Christmas Kiss ››› (2011) Elisabeth Röhm. A Christmas Mystery (2014) Esmé Bianco. 34 KMEX Conexión Paid Program Como Dice el Dicho La fuerza de creer La fuerza de creer República Deportiva 40 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It Is Written Jeffress K.
    [Show full text]
  • Changing Dress As a Display of Masculinity in the Superhero Genre
    Fashion Theory The Journal of Dress, Body and Culture ISSN: 1362-704X (Print) 1751-7419 (Online) Journal homepage: http://www.tandfonline.com/loi/rfft20 Masque-ulinities: Changing Dress as a Display of Masculinity in the Superhero Genre Friedrich Weltzien To cite this article: Friedrich Weltzien (2005) Masque-ulinities: Changing Dress as a Display of Masculinity in the Superhero Genre, Fashion Theory, 9:2, 229-250, DOI: 10.2752/136270405778051374 To link to this article: https://doi.org/10.2752/136270405778051374 Published online: 27 Apr 2015. Submit your article to this journal Article views: 550 Citing articles: 2 View citing articles Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rfft20 Masque-ulinities 229 Fashion Theory, Volume 9, Issue 2, pp. 229–250 Reprints available directly from the Publishers. Photocopying permitted by licence only. © 2005 Berg. Masque-ulinities: Changing Dress as a Display of Masculinity in the Friedrich Weltzien Superhero Genre Weltzien studied art history, Because of its use in differentiating between women and men, dress is an archaeology, and philosophy in important resource in defining gender as a social dimension. In what Freiburg, Vienna, Cologne, and Berlin. He received his PhD in follows, I do not want to examine which modes of dress signify masculin- 2001, for work on the philosophy ity specifically; rather, I would like to raise another question. Namely, to of the body and body concepts what extent is gender constructed by the act of changing dress? The in Europe after 1945. He currently serves as Research analysis will not focus on the costume itself but on the difference between Assistant in the Department of two alternative costumes and the circumstances under which the change Art History at the Free University is performed.
    [Show full text]