Live Oak Internationa Oak International Cde Tional

Total Page：16

File Type：pdf, Size：1020Kb

Live Oak Internationa Oak International Cde Tional

LIVE OAK INTERNATIONAL CDE Comp. # Bridle # Driver Horse Name USEF # Passport # SINGLE PONY 50 50 Mott-Kocsis Mary Stanhope Express 4135100 USA40915 51 51 Maye Paul Markus 4899265 102TT29 52 52 Seaton Muffy A Black Tie Affair 5152504 103CJ39 Captain Jack 54 54 Marshall Janelle Sparrow 5123442 102VZ89 GS Thunderboy 55 55 Neubauer Jada Henry 5090937 102QZ14 SINGLE HORSE Battersea Rodney 56 56 Hamilton Nifty (Nick) 5127746 102XB89 57 57 Hamilton Jan Jan Jao Desparado (Desi) 5127747 102XB94 58 58 Groves Robin Thor's Toy Truck 4529444 USA10974 Nupafeedu's Auto 59 59 Adcox Scott Pilot 5218886 103LU48 60 60 Precious Carole Sinatra 18 EC GER26614 61 61 Larsson Olof Reno W 5008195 102MZ89 62 62 Arnold Jacob Halstead's Shale 5058968 102YS95 63A 63 Stover Kimberly Bruce Wayne 5176230 103KH64 63B 63 Stover Kimberly Laughlin 5001001 USA42099 64 64 Valdes Kelly Wonder Boy 5171368 102VK65 65 65 Berndl Leslie Uminco (Travis) 4934349 USA41192 RG Cowboys Black 66 66 Crookston Donna J Cadillac 4796609 USA10992 67 67 Chapman Barb Sidney Raseri 5173372 103CO14 68 68 Schmitt Sara Kaboom 5036806 USA42619 69 69 Levasseur Catherine Macha EC 102WD83 70 70 Graburn Sterling Ulano 4937509 102NM66 71 71 Rivers Cheryl Pratt Hotspur's Red Rowl 5173259 103FT09 Comp. # Bridle # Driver Horse Name USEF # Passport # PAIR PONY Braakmoor Clowny 72 72A O'Brien, Wendy Clark 5222055 GER40346 72B Braakmoor Conan 5222056 GER40347 72C Olivin Diabolo 5222057 GER40345 Rollingwoods Sittin 73 73A Keathley, Elizabeth Easy 5216763 73B Rollingwoods Vidar 5038821 USA42636 Annandale Brandy 73C Snap 5055782 FRA12826 74 74A Matheson, Jennifer Cees 5074214 102NX75 74B Danyloo 4621846 GER21656 74C Hemmingway 5012792 USA42290 74D Topper 5012950 USA42294 PAIR HORSE Wrigley-Miller, 76 76A Misdee Riant W 5016222 102MZ88 76B Sam 5021232 102TS21 76C Snoopy W 4775444 NED07987 76D Sultan 5021233 GBR13821 76E Hugh 5080884 102TR78 Comp. # Bridle # Driver Horse Name USEF # Passport # PONY TEAMS 77 77A Stroud, Allison Mosby 4538327 USA08976 77B Benjamin 4074008 USA08656 77C Kilkerin Edward 4620714 GBR11490 77D Cong Donal 4620713 GBR11489 77E Sir Patrick 4767834 USA08975 77F Mystic 5009263 USA42202 78 78A Schneider, Heather Supreme Court 4917933 103DO93 78B Patrick 4569982 103CG96 78C Grey Goose 5169267 103DO92 78D Cruise 5010326 USA42219 78E Rambo 4961747 USA41658 HORSE TEAMS 79 79A Zubek, Casey Tornado 4952197 102ML24 79B Zorro 5063705 102ML30 79C Zender 5063828 102MM34 79D Zindgraaf 5063704 102ML29 79E Weltino 5021248 102ML27 79F Zippo 5063825 102MM33 Comp. # Bridle # Driver Horse Name USEF # Passport # 80 80A Weber, Chester Splash 4931201 USA42035 80B Senate 4792011 GBR13820 80C Boy W 4921051 GBR14039 80D Horus Du Bois 5098139 FRA09535 80E Boris W 5167678 103CR42 80F Rolex W 4096912 USA08197 80G Para 4921060 BEL12233 80H Uniek 4880147 ESP04028 81 81A Billing, Darryl Thunder EC CAN40587 81B Villeroy EC CAN40590 81C Victor EC CAN40588 81D Prince EC 103IL86 81E Tornado EC CAN40589 81F King EC BEL06066 .

Copy Link

Recommended publications

8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later.
[Show full text]
John P. Harrington Papers 1907-1959
THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF MEXICO/CENTRAL AMERICA/ SOUTH AMERICA I:DITRD Br Elaine L. Mills KRAUS INTER AJ 10 L Pl BLIC 110 Di ision of Kraus-Thom Jl )r 1lI1.allon LUl11tcd THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America Prepared in the National Anthropological Archives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America EDITED BY Elaine L. Mills KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1988 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United States of America §TM The paper in this publication meets the minimum requirements of American National Standard for Information Science- Permanence of Papers for Contents Printed Library Materials, ANSI Z39.48-1984. Library ofCongress Cataloging-in-Publication Data INTRODUCTION VII / V1/l Harrington, John Peabody. Scope and Content ofthis Publication VII / vu The papers ofJohn Peabody Harrington in the Smithsonian Institution, 1907 -1957.
[Show full text]
New Orleans Nostalgia "Zorro Rides Again" Ned Hémard Copyright 2007
N EW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Zorro Rides Again In 1937, New Orleans became the first city in the United States to be provided funding under the Wagner Act. Contracts for the St. Thomas and Magnolia housing projects were the first signed by FDR under Senator Robert Wagner’s legislation, and with it the Housing Authority of New Orleans (HANO) was created. A young LBJ was one of the principal authors of the Housing Act of 1937, and he saw to it that the first three grants were announced in alphabetical order (with Austin being mentioned before New Orleans and New York). Also that year, New Orleans saw the founding of a new carnival organization, the Knights of Hermes (which continues to charm the city with its annual parade). Hermes, HANO and housing were the talk of the town, and Hitler was the talk of the nation. For those who wanted some form of escapism, there was always the local movie house. Among numerous neighborhood theatres, there was the Bell, the Cortez, the Casino and the Carrollton (which had been rebuilt the year before). Or perhaps one visited the Imperial on Hagan Avenue (Jefferson Davis Parkway today) followed by a stop at the Parkway Bakery (also on Hagan … then as today). 1937 produced great films like Frank Capra’s “Lost Horizon”, the Marx Brothers in “A Day at the Races”, “Stella Dallas”, “Topper” and “The Awful Truth”. In addition to these classics were the serial Westerns from Republic, and 1937’s “Zorro Rides Again” was one of these twelve-chapter runs.
[Show full text]
Teaching Spanish Through Hispanic Art by Maria Tucker Telelearning
IUPUI/IMA Community Project > Activities > Instructional Units > Teaching spanish through hi... Page 1 of 4 Teaching Spanish Through Hispanic Art By Maria Tucker Telelearning Louisiana School Natchitoches, Louisiana Instructional Plan Title: Teaching Spanish Through Hispanic Art Keywords: Maps. Art, music, language, food, and culture Curriculum Area: Spanish Grade Level: Nine to twelve Size group: Whole class (8 to 12 students) Time to Complete Instructional Plan: Four weeks culminating project over a thee-month period This plan will lead to these Instructional Objectives: 1. Students will learn about the importance of Spanish language in U.S.A. 2. Students will learn the geography of Hispanic world. 3. Students will create a picture of their favorite artist and write about him/her. 4. Students will be able to communicate in Spanish what they have learned. 5. Students will learn to recognize and respect cultural differences. 6. Students will learn to sing Spanish songs and able to translate them. 7. Students will learn about the differences of Hispanic art of Hispanic countries 8. Students will learn about the connection between art and language. Indiana State Proficiencies: 1.4.2 Students demonstrate an understanding of the concept of culture though comparisons of the culture's studies and their own. 2. Students will acquire information and recognize the different Hispanic countries of the world. Materials and resources Maps nationalgeographic.com Art calendar Smithsonian American Art Museum http://nrnaa-rvther.si.edu/1001/index.html Hoosier Artist http://www.ulib.iuyui.edu/imls/hoosierar.html Books file://C:\Documents%20and%20Settings\Administrator\My%20Documents\OliveTree\IMLS\site\ac..
[Show full text]
California History Online | the Physical Setting
Chapter 1: The Physical Setting Regions and Landforms: Let's take a trip The land surface of California covers almost 100 million acres. It's the third largest of the states; only Alaska and Texas are larger. Within this vast area are a greater range of landforms, a greater variety of habitats, and more species of plants and animals than in any area of comparable size in all of North America. California Coast The coastline of California stretches for 1,264 miles from the Oregon border in the north to Mexico in the south. Some of the most breathtaking scenery in all of California lies along the Pacific coast. More than half of California's people reside in the coastal region. Most live in major cities that grew up around harbors at San Francisco Bay, San Diego Bay and the Los Angeles Basin. San Francisco Bay San Francisco Bay, one of the finest natural harbors in the world, covers some 450 square miles. It is two hundred feet deep at some points, but about two-thirds is less than twelve feet deep. The bay region, the only real break in the coastal mountains, is the ancestral homeland of the Ohlone and Coast Miwok Indians. It became the gateway for newcomers heading to the state's interior in the nineteenth and twentieth centuries. Tourism today is San Francisco's leading industry. San Diego Bay A variety of Yuman-speaking people have lived for thousands of years around the shores of San Diego Bay. European settlement began in 1769 with the arrival of the first Spanish missionaries.
[Show full text]
Lights! Camera! Gallop!
Lights! Camera! Gallop! The story of the horse in film By by Lesley Lodge Published by Cooper Johnson Limited Copyright Lesley Lodge © Lesley Lodge, 2012, all rights reserved Lesley Lodge has reserved her right under the Copyright, Designs and Patents Act 1988, to be identified as the author of this work. ISBN: 978-0-9573310-1-3 Cover photo: Running pairs Copyright Paul Homsy Photography Taken in Ruby Valley in northern Nevada, USA. Shadowfax – a horse ‘so clever and obedient he doesn’t have a bridle or a bit or reins or a saddle’ (Lord of the Rings trilogy) Ah, if only it was all that simple . Contents Chapter One: Introducing... horses in film Chapter Two: How the horse became a film star Chapter Three: The casting couch: which horse for which part? Chapter Four: The stars – and their glamour secrets Chapter Five: Born free: wild horses and the wild horse film Chapter Six: Living free: wild horse films around the world Chapter Seven: Comedy: horses that make you laugh Chapter Eight: Special effects: a little help for horses Chapter Nine: Tricks and stunts: how did he do that? Chapter Ten: When things go wrong: spotting fakes and mistakes Chapter Eleven: Not just a horse with no name: the Western Chapter Twelve: Test your knowledge now Quotes: From the sublime to the ridiculous Bibliography List of films mentioned in the book Useful websites: find film clips – and more – for free Acknowledgements Photo credits Glossary About the author Chapter One Introducing….horses in film The concept of a horse as a celebrity is easy enough to accept – because, after all, few celebrities become famous for actually doing much.
[Show full text]
Latino Identity in Allende's Historical Novels
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Purdue E-Pubs CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 13 (2011) Issue 4 Article 8 Latino Identity in Allende's Historical Novels Olga Ries University Diego Portales Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Ries, Olga. "Latino Identity in Allende's Historical Novels." CLCWeb: Comparative Literature and Culture 13.4 (2011): <https://doi.org/10.7771/1481-4374.1876> This text has been double-blind peer reviewed by 2+1 experts in the field.
[Show full text]
INTERACTION BETWEEN ISLAND FOXES (Urocyon Littoralis) and NATIVE AMERICANS on ISLANDS OFF the COAST of SOUTHERN CALIFORNIA: II
/. Ethnobiol. 11(2):205-229 Winter 1991 INTERACTION BETWEEN ISLAND FOXES (Urocyon littoralis) AND NATIVE AMERICANS ON ISLANDS OFF THE COAST OF SOUTHERN CALIFORNIA: II. ETHNOGRAPHIC, ARCHAEOLOGICAL, AND HISTORICAL EVIDENCE PAUL W. COLLINS Department of Vertebrate Zoology Santa Barbara Museum of Natural History 2559 Puesta Del Sol Santa Barbara, CA 93105 ABSTRACT.-Interactions which existed between Native Americans and island foxes (Urocyon littoralis) were examined using data gathered from archaeological, ethnographic, and ethnohistoric sources to ascertain how Native Americans viewed and used foxes and thus why they transported and introduced them to islands off the coast of southern California. Island foxes were harvested for their pelts which were used to make arrow-quivers, capes, blankets, and ceremonial fox dance headdresses. Although foxes were not an important staple in the diet of the inhabitants of the Channel Islands, they were kept as pets or semi domesticates and did playa prominent role in religious and ceremonial practices. The Island Chumash conducted an Island Fox Dance ceremony and foxes served as totems, dream-helpers, and characters in Chumash legends. Human-fox burial associations and ceremonial fox burials attest to the religious and ceremonial significance afforded foxes by Native Americans. I conclude, based on this data, that island foxes from the Northern Channel Islands were initially transported as pets and subsequently became feral on the Southern Channel Islands. RESUMEN.-Se examinaron las interacciones que existian entre los indfgenas y los zorros islenos (Urocyon littoralis), empleando informacion recogida de fuentes arqueo16gicas, etnograficas y etnohist6ricas para averiguar como percibian y utilizaban los indlgenas a los zorros y as! entender por que los transportaron e introdujeron a algunas islas frente a la costa del sur de California.
[Show full text]
Zorro the Musical
PRESS RELEASE – Thursday 5 September 2019 Twitter / Facebook / Instagram / website #ZorroMusicalUK Aria Entertainment and John Gertz present ZORRO THE MUSICAL ▪ A NEW PRODUCTION OF ZORRO THE MUSICAL WILL PREMIERE AT HOPE MILL THEATRE IN MANCHESTER, PRODUCED BY KATY LIPSON FOR ARIA ENTERTAINMENT AND JOHN GERTZ IN ASSOCIATION WITH ZORRO USA, LLC. ▪ DIRECTED BY CHRISTIAN DURHAM, THIS RE-IMAGINED, IMMERSIVE PRODUCTION WILL RUN FROM 14 MARCH – 18 APRIL 2020 ▪ TICKETS NOW ON SALE FROM WWW.HOPEMILLTHEATRE.CO.UK/EVENTS/ZORRO/ ▪ IMAGE AVAILABLE TO DOWNLOAD HERE Katy Lipson and John Gertz are thrilled to announce a new production of Zorro The Musical which will run at the Hope Mill Theatre in Manchester from 14 March – 18 April 2020. The production will place audiences at the heart of this legendary adventure as they are invited to take part in flamenco dancing and sample tapas on offer during the evening. Audiences will be taken on a journey into this iconic story of good vs. evil, love vs. hate, by an energetic and talented company of actor-musicians, directed by Christian Durham. With music by the Gipsy Kings and John Cameron, lyrics by Stephen Clark and a book by Stephen Clark and Helen Edmundson, Zorro is inspired by the 2005 fictional biography of the same name written by Isabel Allende. Zorro the Musical retells the dramatic tale of a romantic hero in an immersive new production featuring original music by the Gypsy Kings alongside their international hits including Bamboleo, Baila Me and Djobi Djoba. Casting and full creative team will be announced in due course.
[Show full text]
Press Release
08 May 2008 BKN International AG (“BKN” or the “Company”) Interim Results for the six months to 31 March 2008 BKN, a global animation company engaged in the distribution and marketing of animated children’s television programmes and related consumer products, that has been listed on the Deutsche Boerse of the Frankfurt Stock Exchange since March 2000 and quoted on the AIM market of the London Stock Exchange since December 2003, today reports its Interim Results for the six months ended 31 March 2008 with record net earnings for the Group (being the Company and its subsidiaries). Financial Highlights 1st Half 2008 1st Half 2007 Total Sales € 8.2 m € 7.6 m +9% EBT € 2.9 m € 2.1 m +35% Net income € 2.4 m € 1.9 m +28% EPS € 0.125 € 0.121 +3.3% EBITDA € 6.1 m € 4.2 m +44% Net Cash generated by € 4.6 m € 1.1 m +330% operating activities Financial Detail • Total Sales increased 9% to €8.2 million (2007: €7.6 million). Total Gross Income increased 7% to €8.7 million (2007: €8.1 million). • Total expenses amounted to €5.1 million (2007: €5.4 million). • Profit before tax increased 35% to €2.9 million (2007: €2.1 million). • Net income increased 28% to €2.4 million (2007: €1.9 million). • Earnings per share increased 3.3% to €0.125 per share (2007: €0.121 per share). This is based on the capital increase and the dilution thereof in July 2007. • EBITDA increased 44% to €6.1 million (2007: €4.2 million).
[Show full text]
Going Digital Enables Worldwide Animation Collaboration
Going Digital Enables Worldwide Animation Collaboration BKN New Media is a global animation company based in London and Barcelona engaged in the distribution and marketing of animated children’s television programmes and the marketing of related consumer products in all forms. BKN New Media own the Intellectual Property Rights Huminah Huminah animation in Nova Scotia and qualify as to many successful global brands including the Zorro- Canadian Content as well as Illusion Studios in Argentina. Generation Z series as well as films such as Jungle Book- All three studios will produce using Toon Boom software Rikki Tikki Tavi to the Rescue and Ali Baba and the Forty and BKN New Media will deliver in English, French, German, Thieves- the Lost Scimitar of Arabia. Its new productions Latin Spanish, Castilian Spanish, Brazilian Portuguese, include a second season of Zorro- Generation Z and Joshua Greek and Classic Arabic. Blake: the Agency, both of which will be co-produced with 1 2 3 4 5 6 BKN New Media is committed to providing quality entertainment to children around the world. Heading this prestigious Company, the team includes Allen Bohbot1, Chairman & CEO; Rick Ungar2, Executive producer; Nicola Andrews3, Managing Director, English and German speaking markets, Canada, Russia, CIS, Middle East and Turkey; Laura Tapias4, Managing Director Spanish and Portuguese speaking markets, French, Italian, Greek markets; Sam Edwards5, Post Production Manager; and, Paco Ureña6, Production Executive. “Until 2007, BKN New Media was a purely traditional studio outsourcing the animation production to China and the Philippines. The Company then decided to upgrade our facilities in London and Barcelona, equipping them with the latest computers, Wacom Cintiq 21U, high-speed servers and internet lines in order to keep the production in Europe.
[Show full text]
News from Native California PERIODICAL P.O
news from native california PERIODICAL P.O. Box 9145, Berkeley, CA 94709 POSTAGE PAID News from Native NaliforniaNews from Native news from native california VOLUME 28 ISSUE 2 WINTER 2014/15 2 28 ISSUE VOLUME Saying Our Share: Surviving the Missions With special Art Editor, Vol.Vol. 28, No.28, 2,No. Winter 2, Winter 2014/15 2014/15,$5.95 $5.95 James Luna editor’s notes news from native california of News, “Saying Our Share: Surviving the Missions,” was inspired by artist James Luna (Puyoukitcum/Ipi/Mexican), who has done PUBLISHER: Malcolm Margolin us the great honor of serving as our art editor, as well as co-conspirator and FOUNDERS: Malcolm Margolin, David W. friend. It’s a thrill to to hand this over to James to share his vision. Peri, Vera Mae Fredrickson —Lindsie Bear, Editor EDITOR: Lindsie Bear CONTRIBUTING EDITORS: Tiffany Adams, Dugan … Opening Night Preview Benefit for Aguilar, Brian Bibby, Marina Drummer, Anyone who has gotten to know me over the years won’t call me Mr. Homeward Bound of Marin Margaret Dubin, L. Frank, Jeannine Gendar, Special Exhibit: Leanne Hinton, Julian Lang, Frank LaPena, Opto-mystic (sp) .…I know) because I have this “f*ck it air” that does not speak California Indian Basketry to that. But let me remind you all that I do have dreams of the future and have Vincent Medina, Beverly R. Ortiz, Terria PRESENTED BY KR MARTINDALE SHOW MANAGEMENT Yesterday and Today Smith, Paula Tripp-Allen, Linda Yamane lived a greater part of my life under the influence…of a dream! OUTREACH COORDINATOR: Vincent Medina The Big Enchilada dream that I have maneuvered through is that ART CAN INTERNS: Amanda Gallegos, Analisa Tripp CHANGE THINGS; CAN HAVE A GREAT DEAL TO SAY ON WHAT IS www.marinshow.com [email protected] 310 822 9145 HAPPENING AT THE PRESENT AND WHAT WILL HAPPEN IN THE GRAPHIC DESIGN: Rebecca LeGates PROOFREADING: Kim Hogeland FUTURE.
[Show full text]