In the Public Eye July 2007
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FOR IMMEDIATE RELEASE CONTACT: Dafina Mcmillan July 25, 2011 [email protected] 212-609-5955
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan July 25, 2011 [email protected] 212-609-5955 New from TCG Books: Oh, Wild West! by Culture Clash NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the publication of Oh, Wild West!, Culture Clash’s new trio of plays that rewrites California’s past. For more than twenty-five years, this award-winning trio – Richard Montoya, Ric Salinas and Herbert Siguenza – has been storming the nation’s stages with their unique blend of hilarious comedy and shrewdly observed social satire, becoming the most prominent Chicano/Latino performance troupe in the U.S. This latest anthology includes a preface by Richard Montoya and introduction by Tony Taccone, as well as an interview with Culture Clash by John Glore. “This brilliant team of writer/performers offers artful, intelligent work that deserves the rap attention of large and diverse audiences.” – Backstage West In Oh, Wild West!, Culture Clash interweaves pop culture with their home state’s local history. Chavez Ravine covers the land grab that uprooted an entire community to build Dodger Stadium; Water & Power focuses on the assimilation of Chicanos and their rise to political influence and Zorro in Hell! reimagines early California through the eyes of the original masked man. “Sharp, cutting and on the edge” (Los Angeles Times), Culture Clash applies its signature irreverent comic style to an exploration of the American obsession with Westward Expansion that rings particularly true today. As Salinas states, “These plays have a specific voice of race and culture that will engage dialogue because of the continual shift of landscape of this subject…Our plays want to engage the reader by examining our historical past –not always accurate in history books– in order to know where our collective Latino pulse is today.” “Fans of Culture Clash’s Chicano-inflected, spoken-word-erupting performance art needn’t worry that they’ve lost sight of their significant gifts. -
8 Redefining Zorro: Hispanicising the Swashbuckling Hero
Redefining Zorro: Hispanicising the Swashbuckling Hero Victoria Kearley Introduction Such did the theatrical trailer for The Mask of Zorro (Campbell, 1998) proclaim of Antonio Banderas’s performance as the masked adventurer, promising the viewer a sexier and more daring vision of Zorro than they had ever seen before. This paper considers this new image of Zorro and the way in which an iconic figure of modern popular culture was redefined through the performance of Banderas, and the influence of his contemporary star persona, as he became the first Hispanic actor ever to play Zorro in a major Hollywood production. It is my argument that Banderas’s Zorro, transformed from bandit Alejandro Murrieta into the masked hero over the course of the film’s narrative, is necessarily altered from previous incarnations in line with existing Hollywood images of Hispanic masculinity when he is played by a Hispanic actor. I will begin with a short introduction to the screen history of Zorro as a character and outline the action- adventure hero archetype of which he is a prime example. The main body of my argument is organised around a discussion of the employment of three of Hollywood’s most prevalent and enduring Hispanic male types, as defined by Latino film scholar, Charles Ramirez Berg, before concluding with a consideration of how these ultimately serve to redefine the character. Who is Zorro? Zorro was originally created by pulp fiction writer, Johnston McCulley, in 1919 and first immortalised on screen by Douglas Fairbanks in The Mark of Zorro (Niblo, 1920) just a year later. -
Mojada: a Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo
PRESENTS Mojada: A Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo November 4 - November 26, 2017 On the U.S. Bank Main Stage Artistic Director | Chris Coleman Mojada: A Medea in Los Angeles by Luis Alfaro Directed by Juliette Carrillo Scenic & Costume Lighting Designer Composer & Sound Designer Lonnie Rafael Alcaraz Designer Christopher Acebo David Molina Video Designer Dramaturg Voice & Text Director Kaitlyn Pietras Tiffany Ana López Michelle Lopez-Rios Fight Director Stage Manager Rehearsal Assistant U. Jonathan Toppo* D. Christian Bolender* Stage Manager Mary Meagan Smith* Production Assistant Repertory Producer Casting Director Katie Nguyen Mica Cole Joy Dickson This production of Mojada: A Medea in Los Angeles was originally produced at Oregon Shakespeare Festival, Bill Rauch, Artistic Director, Cynthia Rider, Executive Director. The world premiere of Mojada was produced by Victory Gardens Theater, Chicago, IL, Chay Yew, Artistic Director, Chris Mannelli, Managing Director. Bruja, a first adaptation of Medea, was commissioned, developed and received its world premiere by Magic Theatre, San Francisco, CA, Loretta Greco, Producing Artistic Director. Performed without intermission. Videotaping or other photo or audio recording is strictly prohibited. THE CAST Sabina Zuniga Varela* Medea Lakin Valdez* Jason VIVIS* Tita Nancy Rodriguez* Josefina Vilma Silva* Armida Jahnangel Jimenez Acan Ken Yoshikawa Soldier *Member of Actors’ Equity Association, the Union of Professional Actors and Stage Managers in the United States. A LETTER FROM THE ARTISTIC DIRECTOR A shrine to Hygeia, goddess of good health, was situated just outside the theater of Epidaurus in Greece. I think the Athenians were on to something with that juxtaposition. Each year, citizens came together for an annual ritual of sharing stories on the hillside. -
Get Kindle < 2006 Plays (Book Guide)
TWVSBHYQTN7F eBook 2006 plays (Book Guide) 2006 plays (Book Guide) Filesize: 7.65 MB Reviews It in a of my personal favorite ebook. It is probably the most awesome publication i have read through. You wont really feel monotony at anytime of the time (that's what catalogs are for regarding in the event you check with me). (Juliet Kertzmann) DISCLAIMER | DMCA SUYTVIQF9NQS ^ Kindle ^ 2006 plays (Book Guide) 2006 PLAYS (BOOK GUIDE) Reference Series Books LLC Jan 2013, 2013. Taschenbuch. Book Condition: Neu. 246x187x10 mm. Neuware - Source: Wikipedia. Commentary (plays not included). Pages: 35. Chapters: The 39 Steps, God of Carnage, Madea Goes to Jail, If I Were You, Rock 'n' Roll, Black Watch, The Seafarer, In Extremis, Three Days of Rain, Rabbit Hole, Frost/Nixon, (I Am) Nobody's Lunch, To Quote the Bard, Zero Hour, The Dead Guy, The Pool, The Flying Spaghetti Monster Holiday Pageant, Love and Money, Indrapura, Brick Up The Mersey Tunnels, What's Done in the Dark, The Little Dog Laughed, Drunk Enough to Say I Love You , To W.H., Speech and Debate, Meeting Joe Strummer, The Sunset Limited, Giant Green Lizard! The Musical, Tryst, Prime Resident, Don Juan in Soho, Terre Haute, The Cut, Opus, In Gabriel's Kitchen, There's No Place Like a Home, The Peach Season, The Pocket Orchestra, Pete and Dud: Come Again, Arborophilia, Zorro in Hell, Pumpgirl, The Emperor of Sydney, The Early Bird, Some Men, Manigma, The Death of Little Ibsen, The Scene, A bolt from the blue, Mitzi's Abortion, Indian Blood, Pen, Argonautika, Matkalla Porkkalaan, Fundamentalisti, Nuoruustanssi, Sorsastaja, Ulrike Maria Stuart, Über Tiere. -
John P. Harrington Papers 1907-1959
THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: NATIVE AMERICAN HISTORY, LANGUAGE, AND CULTURE OF MEXICO/CENTRAL AMERICA/ SOUTH AMERICA I:DITRD Br Elaine L. Mills KRAUS INTER AJ 10 L Pl BLIC 110 Di ision of Kraus-Thom Jl )r 1lI1.allon LUl11tcd THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America Prepared in the National Anthropological Archives Department ofAnthropology National Museum ofNatural History Washington, D.C. THE PAPERS OF John Peabody Harringtan IN THE Smithsonian Institution 1907-1957 VOLUME SEVEN A GUIDE TO THE FIELD NOTES: Native American History, Language, and Culture of Mexico/Central America/South America EDITED BY Elaine L. Mills KRAUS INTERNATIONAL PUBLICATIONS A Division of Kraus-Thomson Organization Limited White Plains, N.Y. © Copyright The Smithsonian Institution 1988 All rights reserved. No part ofthis work covered by the copyright hereon may be reproduced or used in any form or by any means-graphic, electronic, or mechanical, including photocopying, recording or taping, information storage and retrieval systems-without written permission ofthe publisher. First Printing Printed in the United States of America §TM The paper in this publication meets the minimum requirements of American National Standard for Information Science- Permanence of Papers for Contents Printed Library Materials, ANSI Z39.48-1984. Library ofCongress Cataloging-in-Publication Data INTRODUCTION VII / V1/l Harrington, John Peabody. Scope and Content ofthis Publication VII / vu The papers ofJohn Peabody Harrington in the Smithsonian Institution, 1907 -1957. -
New Orleans Nostalgia "Zorro Rides Again" Ned Hémard Copyright 2007
N EW ORLEANS NOSTALGIA Remembering New Orleans History, Culture and Traditions By Ned Hémard Zorro Rides Again In 1937, New Orleans became the first city in the United States to be provided funding under the Wagner Act. Contracts for the St. Thomas and Magnolia housing projects were the first signed by FDR under Senator Robert Wagner’s legislation, and with it the Housing Authority of New Orleans (HANO) was created. A young LBJ was one of the principal authors of the Housing Act of 1937, and he saw to it that the first three grants were announced in alphabetical order (with Austin being mentioned before New Orleans and New York). Also that year, New Orleans saw the founding of a new carnival organization, the Knights of Hermes (which continues to charm the city with its annual parade). Hermes, HANO and housing were the talk of the town, and Hitler was the talk of the nation. For those who wanted some form of escapism, there was always the local movie house. Among numerous neighborhood theatres, there was the Bell, the Cortez, the Casino and the Carrollton (which had been rebuilt the year before). Or perhaps one visited the Imperial on Hagan Avenue (Jefferson Davis Parkway today) followed by a stop at the Parkway Bakery (also on Hagan … then as today). 1937 produced great films like Frank Capra’s “Lost Horizon”, the Marx Brothers in “A Day at the Races”, “Stella Dallas”, “Topper” and “The Awful Truth”. In addition to these classics were the serial Westerns from Republic, and 1937’s “Zorro Rides Again” was one of these twelve-chapter runs. -
At the Mission San Juan Capistrano
AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers. -
Calendar of Cultural Events and Activities October 2006
Calendar of Cultural Events and Activities October 2006 The Crying Planet - Día del los Muertos Altares 9/23/06 through 11/26/06 Centro Cultural de la Raza (www.centroraza.com) Features the community altar "The Crying Planet" by artists Celeste León de Roberts, Teresa Hoyos, and José Uscanga Chávez 12 to 4 pm (CLOSED ON MONDAYS) 619.235.6135 Paper Traces: Latin American Prints and Drawings from the Museum's Collection 9/23/06 through 12/31/06 San Diego Museum of Art (www.sdmart.org) Curated by the UCSD VisArts Research Group, this special exhibition reveals the depth and breadth of the Museum's Latin American collection, which boasts examples by major artists from all over Latin America. With approximately 60 prints and drawings of varying media and sizes, Paper Traces features works from such artists as José Clemente Orozco, Diego Rivera, Rufino Tamayo, Roberto Matta, José Luis Cuevas, and Antonio M. Frasconi. Also included are new acquisitions on view for the first time, such as Hugo Crosthwaite's Bartholomew and Leonora Carrington's High Priestess. 10 am to 6 pm (until 9 pm on Thursdays) 619.232.7931 (CLOSED ON MONDAYS) Zorro in Hell 9/30/06 through 10/29/06 La Jolla Playhouse (www.lajollaplayhouse.com/shows/2006season/zorro.htm) El Zorro – is he alive and well or lost in the Hollywood Hills? The legendary masked hero rode out of the pages of pulp fiction, tumbled into Tinseltown's image machine and transcended the barriers of class, race and ethnicity to become a hero for the oppressed in every land. -
Four Star Films, Box Office Hits, Indies and Imports, Movies A
Four Star Films, Box Office Hits, Indies and Imports, Movies A - Z FOUR STAR FILMS Top rated movies and made-for-TV films airing the week of the week of June 27 - July 3, 2021 American Graffiti (1973) Cinemax Mon. 4:12 a.m. The Exorcist (1973) TMC Sun. 8 p.m. Father of the Bride (1950) TCM Sun. 3:15 p.m. Finding Nemo (2003) Freeform Sat. 3:10 p.m. Forrest Gump (1994) Paramount Mon. 7 p.m. Paramount Mon. 10 p.m. VH1 Wed. 4 p.m. VH1 Wed. 7:30 p.m. Giant (1956) TCM Mon. 3 a.m. Glory (1989) Encore Sun. 11:32 a.m. Encore Sun. 9 p.m. The Good, the Bad and the Ugly (1967) Sundance Sun. 3:30 p.m. L.A. Confidential (1997) Encore Sun. 7:39 a.m. Encore Sun. 11:06 p.m. The Lady Vanishes (1938) TCM Sun. 3:30 a.m. The Man Who Knew Too Much (1956) TCM Sun. 10:45 a.m. The Man Who Knew Too Much (1934) TCM Sun. 11:15 p.m. Monsieur Hulot's Holiday (1953) TCM Mon. 8:30 p.m. North by Northwest (1959) TCM Sat. 12:15 p.m. Once (2006) Cinemax Mon. 2:44 a.m. Ordinary People (1980) EPIX Tues. 3:45 p.m. Psycho (1960) TCM Sun. 5 p.m. Rear Window (1954) TCM Sat. 7:15 p.m. Saving Private Ryan (1998) BBC America Wed. 8 p.m. BBC America Thur. 4 p.m. Shadow of a Doubt (1943) TCM Sat. 9:15 p.m. -
Teaching Spanish Through Hispanic Art by Maria Tucker Telelearning
IUPUI/IMA Community Project > Activities > Instructional Units > Teaching spanish through hi... Page 1 of 4 Teaching Spanish Through Hispanic Art By Maria Tucker Telelearning Louisiana School Natchitoches, Louisiana Instructional Plan Title: Teaching Spanish Through Hispanic Art Keywords: Maps. Art, music, language, food, and culture Curriculum Area: Spanish Grade Level: Nine to twelve Size group: Whole class (8 to 12 students) Time to Complete Instructional Plan: Four weeks culminating project over a thee-month period This plan will lead to these Instructional Objectives: 1. Students will learn about the importance of Spanish language in U.S.A. 2. Students will learn the geography of Hispanic world. 3. Students will create a picture of their favorite artist and write about him/her. 4. Students will be able to communicate in Spanish what they have learned. 5. Students will learn to recognize and respect cultural differences. 6. Students will learn to sing Spanish songs and able to translate them. 7. Students will learn about the differences of Hispanic art of Hispanic countries 8. Students will learn about the connection between art and language. Indiana State Proficiencies: 1.4.2 Students demonstrate an understanding of the concept of culture though comparisons of the culture's studies and their own. 2. Students will acquire information and recognize the different Hispanic countries of the world. Materials and resources Maps nationalgeographic.com Art calendar Smithsonian American Art Museum http://nrnaa-rvther.si.edu/1001/index.html Hoosier Artist http://www.ulib.iuyui.edu/imls/hoosierar.html Books file://C:\Documents%20and%20Settings\Administrator\My%20Documents\OliveTree\IMLS\site\ac.. -
Annual Salaries for Current County Employees (As of February 15, 2018)
Annual Salaries for Current County Employees (As of February 15, 2018) Name Annual Salary Job Classification Department Abalos,Consuela M $ 48,776.00 Eligibility Worker III Department of Social Services Abbs,Audrey Blanche $ 43,134.00 Eligibility Worker III Department of Social Services Abdollahian,Mina $ 62,790.00 Librarian II Library Operations Admin Abed,Esam $ 88,374.00 Social Services Program Mgr Department of Social Services Abell,Donald $ 73,320.00 Deputy Sheriff II Sheriff Abella,Roxanne C. $ 44,928.00 Supvsng Office Assistant Dept of Child Support Services Aboyte,Angelica $ 26,884.00 Admitting Interviewer I Behavioral Health Abraha,Taddelle $ 65,356.20 Correctional Officer III Sheriff Aburto,Lupe $ 60,970.00 Social Worker III Department of Social Services Acio,Abigail May Santos $ 42,068.00 Correctional Officer II Sheriff Ackerman,Christina Elaine $ 38,142.00 Eligibility Worker III Department of Social Services Acle,Rafael I. $ 32,812.00 Eligibility Worker II Department of Social Services Acosta,Christopher L. $ 22,854.00 Stock Clerk I Probation-Juvenile Institutio Acosta,Frank F $ 51,105.60 Correctional Officer III Sheriff Acosta,Jesse Peter $ 43,394.00 Correctional Officer II Sheriff Acosta,Laura L. $ 48,776.00 Eligibility Worker III Department of Social Services Acosta,Rachel $ 48,828.00 Staff Analyst I Library Operations Admin Acosta,Rachel M. $ 51,220.00 Chief Office Assistant Probation Acosta,Richard $ 59,098.00 Job Specialist III Department of Social Services Acosta,Tiffany Nicole Sandy $ 35,802.00 Admitting Interviewer II Department of Public Health Acosta,Yessica $ 62,296.00 Unlic Mental Health Clinician Behavioral Health Acosta-Mabrey,Rosalinda $ 120,744.00 Assist Chief Probation Officer Probation Adame,Angel Arley $ 45,563.70 Correctional Officer II Sheriff Adams,Christopher D. -
California History Online | the Physical Setting
Chapter 1: The Physical Setting Regions and Landforms: Let's take a trip The land surface of California covers almost 100 million acres. It's the third largest of the states; only Alaska and Texas are larger. Within this vast area are a greater range of landforms, a greater variety of habitats, and more species of plants and animals than in any area of comparable size in all of North America. California Coast The coastline of California stretches for 1,264 miles from the Oregon border in the north to Mexico in the south. Some of the most breathtaking scenery in all of California lies along the Pacific coast. More than half of California's people reside in the coastal region. Most live in major cities that grew up around harbors at San Francisco Bay, San Diego Bay and the Los Angeles Basin. San Francisco Bay San Francisco Bay, one of the finest natural harbors in the world, covers some 450 square miles. It is two hundred feet deep at some points, but about two-thirds is less than twelve feet deep. The bay region, the only real break in the coastal mountains, is the ancestral homeland of the Ohlone and Coast Miwok Indians. It became the gateway for newcomers heading to the state's interior in the nineteenth and twentieth centuries. Tourism today is San Francisco's leading industry. San Diego Bay A variety of Yuman-speaking people have lived for thousands of years around the shores of San Diego Bay. European settlement began in 1769 with the arrival of the first Spanish missionaries.