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George Santayana: a Critical Anomaly Carol Ann Erickson University of Nebraska at Omaha
University of Nebraska at Omaha DigitalCommons@UNO Student Work 2-1966 George Santayana: A critical anomaly Carol Ann Erickson University of Nebraska at Omaha Follow this and additional works at: https://digitalcommons.unomaha.edu/studentwork Part of the English Language and Literature Commons Recommended Citation Erickson, Carol Ann, "George Santayana: A critical anomaly" (1966). Student Work. 55. https://digitalcommons.unomaha.edu/studentwork/55 This Thesis is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Student Work by an authorized administrator of DigitalCommons@UNO. For more information, please contact [email protected]. GEORGE 1SANT.A.YANA, CRITICAL ANOMALY A Thesis J 4;) Presented to the Department o.f English and the Fa~ulty or the Oollege of Graduate Studies :University of Omaha In Partial Fulfillment of the Requirements for the Degre& Master of Arts by -Carol A. Erickson February 1966 UM I Number: EP72700 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material ~ad to be removed, a note will indicate the deletion. ' UMf. UMI EP72700 Published by ProQuest LLC (2015). Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 13'1·6 Ann Arbor, Ml 48106 - 1346 Accepted for the faculty of the College of Graduate Studies of the University of Omaha, 1n_part1al fulfillment of.the requirements for the degree Master of Arts. -
UGEN-103 Literature in English 1750-1900 Uttar Pradesh Rajarshi Tandon Open University
Bachelor of Arts UGEN-103 Literature in English 1750-1900 Uttar Pradesh Rajarshi Tandon Open University Block-1 PRE ROMANTIC POETRY AND ROMANTIC POETRY (I) 3-78 UNIT-1 William Blake : TheTyger 7 UNIT-2 William Wordsworth : Ode on intimations of Immortality 17 UNIT-3 S.T. Coleridge : The Rime of the Ancient Mariner 35 Block-2 ROMANTIC POETRY (II) AND VICTORIAN POETRY 79-148 UNIT-4 P.B. Shelley : Ode to the West Wind 83 UNIT-5 John Keats : Ode to Autumn 97 UNIT-6 Lord Alfred Tennyson : Ulysses 113 UNIT-7 Robert Browning : My Last Duches 131 Block-3 PROSE 149-192 UNIT-8 Charles Lamb : Dream Children 153 UNIT-9 Hazlitt : My First Acquaintance with Poets 171 Block-4 FICTION : JANE AUSTIN : PRIDE AND PREJUDICE 193-246 UNIT-10 Jane Austin : Life and Literary Works 197 UNIT-11 Pride and Prejudice : Title, Theme and Plot 207 UNIT-12 Pride and Prejudice : Characters 221 UNIT-13 Structure and Technique 235 UGEN-103/1 Block-5 FICTION : CHARLES DICKENS : OLIVER TWIST 247-304 UNIT-14 Charles Dickens : Life and Literary Works 251 UNIT-15 Oliver Twist : Analysis 263 UNIT-16 Oliver Twist : Characters 275 UNIT-17 Structure andTechnique 289 UNIT-18 Oliver Twist : Social Concerns 299 UGEN-103/2 Bachelor of Arts UGEN-103 Literature in English 1750-1900 Uttar Pradesh Rajarshi Tandon Open University BLOCK 1 PRE ROMANTIC POETRY AND ROMANTIC POETRY (I) UNIT-1 William Blake : The Tyger UNIT-2 William Wordsworth : Ode on Intimations UNIT-3 S.T. Coleridge : The Rime of the Ancient Mariner UGEN-103/3 Advisory Committee Prof. -
The Letters of George Santayana Book Six, 1937—1940 the Works of George Santayana Volume V the Letters of George Santayana 6:3
The Letters of George Santayana Book Six, 1937—1940 The Works of George Santayana Volume V The Letters of George Santayana 6:3 To Charles Augustus Strong 2 January 1937 • Rome, Italy (MS: Rockefeller) Hotel Bristol, Rome Jan. 2, 1937 Dear Strong George and Margaret were here yesterday evening and gave me better news of the children. Johnny seems to be all right, the lump in the throat being declared imaginary–at least, if I understood what was said. I am going to see them at the Grand Hotel one of these day at 4 o’clock when they (and I) return from their outing. Margaret herself looked very well, much more natural than when I last saw her in the Piazza in Florence. I write to erase if possible any unpleasant impression caused by my reports. Glad you enjoyed Der Zauberberg. So did I, although I didn’t understand every word, and had to look some of them–when the sense mattered–in the dictionary bought to help me with Heidegger. There is a German translation of my novel “aus dem Amerikanischen.” Also, a Swedish translation. I ask myself why. Don’t they all read “American”? Yours ever G.S. 6:4 The Letters of George Santayana To Carl Sadakichi Hartmann 3 January 1937 • Rome, Italy (MS: Riverside) C/o Brown Shipley & Co 123, Pall Mall, London, S.W.1 Rome, Jan. 3, 1937 Dear Mr. Hartmann It is very pleasant to know that my slightly farcical sketch of Boston in the 1870’s fall in more or less with your own memories. -
Poetry and Philosophy: Towards a Comparative Analysis Aayushee Garg
================================================================= Language in India www.languageinindia.comISSN 1930-2940 Vol. 17:10 October 2017 UGC Approved List of Journals Serial Number 49042 ================================================================ Poetry and Philosophy: Towards a Comparative Analysis Aayushee Garg ========================================================= Within the extant domain of humanities, both poetry and philosophy are accorded almost an equal amount of veneration. Since Socrates in Plato’s Republic expelled the imitative tragic poets from his ideal state laying grounds for reformed ethical poetry, there have been numerous debates in this regard. Poetry and philosophy have remained at loggerheads since then. However, there are various approaches to read the binary of poetry and philosophy. A comparative analysis of any two ideas must aspire to estimate the recognisable differences as well as similarities between the two of them. Are poetry and philosophy similar to each other? Is there a dichotomy between the two? This essay attempts to contrast and compare the two fields critically. (Jansen 5) Poetry and Philosophy Observed as two states of mind, the philosophical mind transcends the puerile barriers of senses in order to perceive the immediate reality, as Krishnamurti claims throughout the three volumes of his Commentaries on Living. The philosophical mind strives to exorcise the poetic mind of its inherent romantic element which is continuously racing towards the sublime. The poetic mind, on the other hand, strives to expunge the rigid labels that the philosophical mind has always grown up with. Philosophy has a serious problem with poetry’s call for a “willing suspension of disbelief.” Even, romantic poet Coleridge admitted that a certain sense of cognitive estrangement is required to engage in “poetic faith.” Kathartic poetry in Aristotelian terms revels in the incredulity of language, while philosophy reprimands the truancy of language. -
Vericat, Fabio L (2002) from Physics to Metaphysics: Philosophy and Style in the Critical Writings of T
Vericat, Fabio L (2002) From physics to metaphysics: philosophy and style in the critical writings of T. S. Eliot (1913-1935). PhD thesis. http://theses.gla.ac.uk/7445/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] From Physics to Metaphysics: Philosophy and Style in the Critical Writings of T. S. Eliot (1913-1935) by Fabio L. Vericat Submitted for the Ph.D. Degree Department of English Literature University of Glasgow June 2002 ii Abstract This thesis considers Eliot's critical writing from the late 1910s till the mid-1930s, in the light his of PhD thesis - Knowledge and Experience in the Philosophy of F. H. Bradley - and a range of unpublished material: T S. Eliot's Philosophical Essays and Notes (1913- 4) in the Hayward Bequest (King's College, Cambridge University); T. S. Eliot's Family Papersin the T. S. Eliot Collection at the Houghton Library (Harvard University); and items from the Harvard University Archives at the Pusey Library. 'Me thesis offers a comprehensive view of Eliot's critical development throughout this important period. -
Objects and Phenomenologies in the Poetry of Zbigniew Herbert and Wallace Stevens
Objects and phenomenologies in the poetry of Zbigniew Herbert and Wallace Stevens Maciej Marzec, s1491008 [email protected] Supervisor: dr. Maria Boletsi Second reader: dr. Yasco Horsman Literary Studies Research Master 2015/2016 Index of content 0. Introduction.....................................................................................................................................................3 1. Chapter – Theoretical background..................................................................................................................5 1.1. Preliminary definitions...........................................................................................................................6 1.2.Graham Harman, speculative realism and object-oriented ontology......................................................8 1.2.1. Style, aesthetics and metaphors in Harman's philosophy............................................................11 1.2.2. Prince of Networks and Harman's relevance for my project.......................................................15 1.3. Ian Bogost and Alien Phenomenology.................................................................................................18 1.4 Amerindian ontology.............................................................................................................................22 1.5. Conclusion of the theoretical part........................................................................................................26 2. Chapter – Zbigniew Herbert.........................................................................................................................27 -
Journal of Comparative Literature and Aesthetics
ISSN: 0252-8169 JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Vol. XXIII Nos. 1-2: 2000 A special volume on Aesthetic Experience A VISHVANATHA KAVIRAJA INSTITUTE PUBLICATION Editor: A.C. SUKLA B-8, Sambalpur University, Jyoti Vihar, Orissa India-768019. Fax-0663+430314, Fax:0663+431915 E.Mail: [email protected] Editorial Advisor Milton H. Snoeyenbos Department of Philosophy Georgia State University Atlanta: Georgia 30303, U.S.A. Editorial Board John Hospers University of Southern California W.J.T. Mitchel University of Chicago Ralph Chohen University of Virginia Philip Alperson Temple University Peter Lamarque University of Hull Denis Dutton University of Canterbury Michael H. Mitias Kuwait University Grazia Marchiano University of Siena Salim Kemal University of Dundee V.K. Chari Carleton University S.K. Saxena University of Delhi Goran Hermeren University of Lund Patric Thomas City University of New York Chelva Kanaganayakam Trinity College, Toronto Managing Editor Sanjay Sarangi All subscriptions / books for review / papers / reviews / notes for publication are to be sent to the Editor JOURNAL OF COMPARATIVE LITERATURE AND AESTHETICS Volume: XXIII: Nos. 1-2: 2000 A VISHVANATHA KAVIRAJA INSTITUTE PUBLICATION A special Volume on Aesthetic Experience The Present Volume is edited by Michael H. Mitias Kuwait University, Kuwait And partially funded by Milton H. Snoeyenbos Georgia State University, Atlanta, Georgia CONTENTS Michael H. Mitias 1-5 Editorial: Concept of Aesthetic Experience V.K. Chari 7-30 Aesthetic Experience: A Review Robert Wilkinson 31-52 Nishida and Santayana on Goethe An Essay in Comparative Aesthetics Allan Casebier 53-59 Japanese Aesthetic Stephanie A. Ross 61-78 Aesthetic Qualities, Aesthetic Experience, Aesthetic Value Grazia Marchiano 79-85 Launching out into the Aesthetic Depth Carol S. -
The Philosophical and Rhetorical Concept of Enargeia at Work in Latin Poetry Robert E
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2015 Seeing the Unseeable: The Philosophical and Rhetorical Concept of Enargeia at Work in Latin Poetry Robert E. (Robert Edward) Hedrick Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES SEEING THE UNSEEABLE: THE PHILOSOPHICAL AND RHETORICAL CONCEPT OF ENARGEIA AT WORK IN LATIN POETRY By ROBERT E. HEDRICK, III A Dissertation submitted to the Department of Classics in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Spring Semester, 2015 Robert Hedrick defended this dissertation on March 16, 2015. The members of the supervisory committee were: Timothy Stover Professor Co-Directing Dissertation Svetla Slaveva-Griffin Professor Co-Directing Dissertation John Roberts University Representative Nathaniel Stein Committee Member Francis Cairns Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the dissertation has been approved in accordance with university requirements. ii This manuscript is dedicated to two people who have deeply influenced me and who, in fact, share my name: my grandfather, Robert E. Hedrick (1920-1997), and my father, Robert Hedrick, Jr. My grandfather was a truly great person. He served his country as a captain in the U.S. Army during World War II and saw combat throughout Europe. After returning home, he went on to become the first “Doctor” in the family and was the director of the Orlando location of Florida Southern College. Without him, I would not be the man I am today. -
Danteʼs Paradiso: No Human Beings Allowed
'DQWHV3DUDGLVR1R+XPDQ%HLQJV$OORZHG Bruce Silver Philosophy and Literature, Volume 38, Number 1, April 2014, pp. 110-127 (Article) 3XEOLVKHGE\7KH-RKQV+RSNLQV8QLYHUVLW\3UHVV DOI: 10.1353/phl.2014.0006 For additional information about this article http://muse.jhu.edu/journals/phl/summary/v038/38.1.silver.html Access provided by University Of South Florida Libraries (23 Aug 2014 19:58 GMT) Bruce Silver DANTe’S PARADISO: NO HUMAN BEINGS ALLOWED “But when you meet her again,” he observed, “in Heaven, you, too, will be changed. You will see her spiritualized, with spiritual eyes.”1 Abstract. That there is a balance between reason and faith in Dante’s Divine Comedy is not news. Still, an exploration of this balance is worth additional attention. Among other things, one discovers that Dante, following Thomas Aquinas, rejects the classical Greek ideal of happi- ness as reasoning with excellence. In addition and more important, one discovers that what Dante requires in order for human beings to be happy leads to this surprising conclusion: the set of happy human beings in Dante’s heaven is empty. I ante is not a philosopher, although George Santayana sees him Das one among a very few philosophical poets.2 The Divine Comedy deals in terza rima with issues that are philosophically urgent, including the relation between reasoning well and happiness.3 And as one of the few great epics in Western literature, the Comedy offers its readers the pleasures of world-class poetry, fabulous beasts from classical literature, good people and sinners from Dante’s Italy, and the prolongation in verse of Thomas Aquinas’s Summa Theologiae and Summa contra Gentiles. -
Santayana's Hermeneutics of Poetry and Philosophy
limbo Núm. 40, 2020, pp. 139-156 issn: 0210-1602 Santayana’s Hermeneutics of Poetry and Philosophy Leonarda Vaiana George Santayana, Th ree Philosophical Poets: Lucretius, Dante, and Goethe, in Th e Works of George Santayana, coedited by Kellie Dawson and David E. Spiech, with an Introduction by James Seaton, vol. viii, Cambridge, Massachusetts and London, England, Th e Mit Press., 2019, 239+xxxvi. George Santayana was mentioned as “a brilliant philosopher and a man of letter” by the famous novelist and literary critic T.S. Eliot, who was one of Santayana’s students at Harvard. Some years later, John Crowe Ransom summed up this assessment labelling Santayana “literary philosopher”, and not so long ago Irving Singer entitled one of his books Santayana, Literary Philosopher. Yet not only literature and philosophy are the elements of a blend giving rise to original insights within the fi eld of literary criticism, as Singer suggests [Singer (2000)]. Rather they are totally melted, in Santayana’s words, in “a personal work of art” that makes it inappropriate to distinguish between literature and philosophy. Evidence of this are the questions that Santayana introduces at the beginning of his Th ree Philosophical Poets: Lucretius, Dante, and Goethe: “Are poets, at heart, in search of a philosophy? Or is philosophy in the end, nothing but poetry?” (p. 6). Th us, James Seaton, in his stimulating introduction to the recent critical edition of this work, is right to assert the eccentricity of the close connection of philosophy and poetry, which “allowed Santayana to express the central emphasis of his own way of Notas críticas 139 140 Leonarda Vaiana thinking”, while “the most influential philosophical schools in England and the United States during Santayana’s lifetime discounted any relationship between philosophy and poetry and instead emphasized the connection between philosophy and science” (p. -
Edwin Arlington Robinson: the Poetry of the Act
This dissertation has been 63-2545 microfilmed exactly as received ROBINSON, William Ronald, 1927- EDWIN ARLINGTON ROBINSON: THE POETRY OF THE ACT. The Ohio State University, Ph.D., 1962 Language and Literature, modern University Microfilm..,iu~., Ann Arbor, Mi.- hn EDWIN ARLINGTON ROBINSON* THE POETRY OF THE ACT DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University Etjr William Ronald Robinson, B.A., M. A. ****** The Ohio State University 1962 Approved by ' Adviseil Department of English ACKNOWLEDGEMENTS I am indebted to The Macmillan Company for permission to quote from the Collected Poems of Edwin Arlington Robinson (1937)* the Selected Letters of Edwin Arlington Robinson (ed. Ridgely Torrence, 1940) and the Essays and Introductions (1961) of William Butler Yeats; and to Charles Scribners' Sons for permission to quote from George Santayana's The Life of Reason (One-Volume Edition, 195*0* I am also indebted to Professor John Harold Wilson, whose en couragement and advice made my graduate career, and thus this work, possible; and to Professor Roy Harvey Pearce, my mentor in literature, who taught me the uses of the heart and mind in the humanities and thereby provided direction and discipline for my curiosity. Of the many others who have influenced my intellectual life, I shall mention but one, my wife, Mina J, Robinson, who left the way clear for me to pursue a graduate career and who was indispensable in bringing this work to completion. ii Your doom Is to be free. The seed of truth Is rooted In you. -
E. A. Burtt: Historian and Philosopher
NOTES TO E. A. BURTT: HISTORIAN AND PHILOSOPHER Notes to the Introduction 1 The Metaphysical Foundations of Modern Physical Science: A Historical and Critical Essay, (London: Kegan Paul, Trench, Trubner, 1924) was published in England by the International Library of Psychology, Philosophy, and Scientific Method, edited by c.K. Ogden. Burtt had tried, unsuccessfully, to have the volume published in the u.s. Since the book was a Ph.D. thesis and Columbia required 100 copies before granting Burtt his degree, he finally found a New York publisher to make the printing in the U. S. Harcourt, Brace & Company gave part of their issue a separate cover which reads: "The Metaphysics of Sir Isaac Newton: An Essay on the Metaphysical Foundations of Modern Science, by Edwin Arthur Burtt, AB, STM, Assistant Professor of Philosophy in the University of Chicago. Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, in the Faculty of Philosophy, Columbia University." The rest of the edition bore the title: The Metaphysical Foundations of Modern Physical Science (1925). The book was reissued in 1932 by Routledge & Kegan Paul in the second edition. Only the last chapter was changed, and it was completely rewritten with greater emphasis on the need for a new philosophy of mind. Since 1932 the book has been reprinted many times without further revision, and remains in print today. The Humanities Press picked it up in 1952, Anchor Books edition, 1954. First paper back edition, 1980. The sixth printing appeared in 1992. Some reprint editions have an error in the title, which reads, "The Metaphysical Foundations of Modern Science." The original publisher is bringing out a new reprint edition in the near future.