DOCSLIB.ORG

Stitch Setting Chart

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

UTILITY STITCHES — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Stitch Setting Chart Applications, stitch lengths and widths and whether the twin needle can be used are listed for utility stitches in the following table. Utility stitches Stitch Width Stitch Length Reverse/ Stitch Name Pattern Application [mm (inch)] [mm (inch)] Reinforcement Stitching Presser Foot Presser Twin Needle Auto Manual Auto Manual Walking Foot 1 Basic stitching, sewing gathers or 0.0 0.0–7.0 2.5 0.2–5.0 Yes J Reverse No pintucks, etc. (0) (0–1/4) (3/32) (1/64–3/16) (J) Left 2 Straight Basic stitching and sewing 0.0 0.0–7.0 2.5 0.2–5.0 Yes J Reinforcement Yes stitch gathers or pintucks (0) (0–1/4) (3/32) (1/64–3/16) (J) 3 Attaching zippers, basic 3.5 0.0–7.0 2.5 0.2–5.0 Yes J/I stitching, sewing gathers or Reverse No (1/8) (0–1/4) (3/32) (1/64–3/16) (J) Center pintucks, etc. 4 Attaching sleeves, sewing 0.0 0.0–7.0 2.5 1.5–4.0 Yes Triple stretch stitch J inseams, sewing stretch fabrics Reinforcement No (0) (0–1/4) (3/32) (1/16–3/16) (J) and decorative stitching 5 Sewing stretch fabrics and 1.0 1.0–3.0 2.5 1.0–4.0 Yes Stretch stitch J Reinforcement No decorative stitching (1/16) (1/16–1/8) (3/32) (1/16–3/16) (J) 6 0.0 0.0–7.0 Basting stitch J Temporarily securing – – No Reinforcement No (0) (0–1/4) 7 Overcasting and attaching 3.5 0.0–7.0 1.4 0.0–4.0 Yes J Reverse No appliqués (1/8) (0–1/4) (1/16) (0–3/16) (J) Zigzag Center stitch 8 Beginning sewing from the right 3.5 2.5–5.0 1.4 0.3–4.0 Yes J Reinforcement Yes needle position (1/8) (3/32–3/16) (1/16) (1/64–3/16) (J) Right 9 Overcasting on mediumweight 2-point 5.0 1.5–7.0 1.0 0.2–4.0 Yes J or stretch fabrics, attaching Reinforcement Yes zigzag stitch (3/16) (1/16–1/4) (1/16) (1/64–3/16) (J) elastic, darning, etc. 10 Overcasting on mediumweight 3-point 5.0 1.5–7.0 1.0 0.2–4.0 Yes J or stretch fabrics, attaching Reinforcement No zigzag stitch (3/16) (1/16–1/4) (1/16) (1/64–3/16) (J) elastic, darning, etc. 11 Overcasting on thin or 3.5 2.5–5.0 2.0 1.0–4.0 G No Reinforcement No mediumweight fabrics (1/8) (3/32–3/16) (1/16) (1/16–3/16) 12 5.0 2.5–5.0 2.5 1.0–4.0 G Overcasting on thick fabrics No Reinforcement No (3/16) (3/32–3/16) (3/32) (1/16–3/16) 13 Overcasting on thick fabrics and 5.0 3.5–5.0 2.5 1.0–4.0 G No Reinforcement No decorative stitching (3/16) (1/8–3/16) (3/32) (1/16–3/16) Overcasting stitch 14 5.0 0.0–7.0 2.5 0.5–4.0 Yes J Overcasting on stretch fabrics Reinforcement No (3/16) (0–1/4) (3/32) (1/32–3/16) (J) 15 Overcasting on thick or stretch 5.0 0.0–7.0 2.5 0.5–4.0 Yes J Reinforcement No fabrics (3/16) (0–1/4) (3/32) (1/32–3/16) (J) 16 Overcasting on stretch fabrics 4.0 0.0–7.0 4.0 1.0–4.0 Yes J Reinforcement No and decorative stitching (3/16) (0–1/4) (3/16) (1/16–3/16) (J) 70 — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Stitch Width Stitch Length Reverse/ Stitch Name Pattern Application [mm (inch)] [mm (inch)] Reinforcement Stitching Presser Foot Presser Twin Needle Auto Manual Auto Manual Walking Foot 17 Blind hem stitching on 2.0 1.0–3.5 R 00 3← – →3 No Reinforcement No mediumweight fabrics (1/16) (1/16–1/8) Blind hem stitch 18 Blind hem stitching on stretch 2.0 1.0–3.5 R 00 3← – →3 No Reinforcement No fabrics (1/16) (1/16–1/8) 19 3.5 2.5–7.0 2.5 1.6–4.0 Yes Appliqué stitch J Appliqué stitching Reinforcement No (1/8) (3/32–1/4) (3/32) (1/16–3/16) (J) 20 4.0 0.0–7.0 2.5 0.2–4.0 Yes Shell tuck stitch J Shell tuck stitching Reinforcement No (3/16) (0–1/4) (3/32) (1/64–3/16) (J) Piecing straight stitching (with a 21 seam allowance of 6.5 mm (1/4 5.5 0.0–7.0 2.0 0.2–5.0 J No Reinforcement No inch) from the right edge of the (7/32) (0–1/4) (1/16) (1/64–3/16) presser foot) Piecing straight stitch Piecing straight stitching (with a 3 22 seam allowance of 6.5 mm (1/4 1.5 0.0–7.0 2.0 0.2–5.0 J No Reinforcement Yes inch) from the left edge of the (1/16) (0–1/4) (1/16) (1/64–3/16) presser foot) Straight stitch that 23 Straight stitch quilting that looks 0.0 0.0–7.0 2.5 1.0–4.0 looks hand-sewn J No Reinforcement No hand-sewn (0) (0–1/4) (3/32) (1/16–3/16) (for quilting) 24 Zigzag stitch Appliqué quilting, free-motion 3.5 0.0–7.0 1.4 0.0–4.0 J No Reinforcement Yes (for quilting) quilting, satin stitching (1/8) (0–1/4) (1/16) (0–3/16) Appliqué stitch 25 1.5 0.5–3.5 1.8 1.0–4.0 J Attaching appliqués and binding No Reinforcement No (for quilting) (1/16) (1/32–1/8) (1/16) (1/16–3/16) Quilting stitch 26 Quilting background stitching 7.0 1.0–7.0 1.6 1.0–4.0 J No Reinforcement No (for stippling) (stippling) (1/4) (1/16–1/4) (1/16) (1/16–3/16) 27 5.0 2.5–7.0 0.5 0.1–1.0 Yes Satin scallop stitch N Scallop stitching Reinforcement No (3/16) (3/32–1/4) (1/32) (1/64–1/16) (J) 28 Patchwork stitching and 4.0 0.0–7.0 1.2 0.2–4.0 Yes J Reinforcement No decorative stitching (3/16) (0–1/4) (1/16) (1/64–3/16) (J) Patchwork stitching, decorative 29 stitching and sewing overcasting 5.0 2.5–7.0 2.5 1.0–4.0 Yes Joining stitch J Reinforcement No on both pieces of fabric, such as (3/16) (3/32–1/4) (3/32) (1/16–3/16) (J) with tricot 30 Patchwork stitching and 5.0 0.0–7.0 1.2 0.2–4.0 Yes J Reinforcement No decorative stitching (3/16) (0–1/4) (1/16) (1/64–3/16) (J) 31 Smocking stitching and 5.0 0.0–7.0 1.6 1.0–4.0 Yes Smocking stitch J Reinforcement No decorative stitching (3/16) (0–1/4) (1/16) (1/16–3/16) (J) 32 Fagoting and decorative 5.0 0.0–7.0 2.5 1.0–4.0 Yes J Reinforcement No stitching (3/16) (0–1/4) (3/32) (1/16–3/16) (J) Fagoting stitch 33 Fagoting and decorative 5.0 2.5–7.0 2.5 1.0–4.0 Yes J Reinforcement No stitching (3/16) (3/32–1/4) (3/32) (1/16–3/16) (J) 34 Elastic-attaching Attaching elastic to stretch 4.0 0.0–7.0 1.0 0.2–4.0 Yes J Reinforcement No stitch fabrics (3/16) (0–1/4) (1/16) (1/64–3/16) (J) Stitch Setting Chart 71 UTILITY STITCHES — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — Stitch Width Stitch Length Reverse/ Stitch Name Pattern Application [mm (inch)] [mm (inch)] Reinforcement Stitching Presser Foot Presser Twin Needle Auto Manual Auto Manual Walking Foot 35 4.0 0.0–7.0 3.0 2.0–4.0 J Decorative stitching No Reinforcement No (3/16) (0–1/4) (1/8) (1/16–3/16) 36 4.0 0.0–7.0 2.5 1.0–4.0 Yes J Decorative stitching Reinforcement No (3/16) (0–1/4) (3/32) (1/16–3/16) (J) 37 5.5 0.0–7.0 1.6 1.0–4.0 Yes J Decorative stitching Reinforcement No (7/32) (0–1/4) (1/16) (1/16–3/16) (J) 38 Decorative stitching and 5.0 1.5–7.0 1.0 0.2–4.0 Yes N Reinforcement No elastic-attaching (3/16) (1/16–1/4) (1/16) (1/64–3/16) (J) Lace sewing, decorative 39 3.5 1.5–7.0 2.5 1.6–4.0 N hemming, heirloom stitching, No Reinforcement No (1/8) (1/16–1/4) (3/32) (1/16–3/16) etc. 40 Decorative hemming, heirloom 6.0 1.5–7.0 3.0 1.5–4.0 N No Reinforcement No stitching, etc. (15/64) (1/16–1/4) (1/8) (1/16–3/16) 41 Decorative hemming on thin, 5.0 1.5–7.0 3.5 1.5–4.0 Decorative stitch N mediumweight and plain weave No Reinforcement No (3/16) (1/16–1/4) (1/8) (1/16–3/16) fabrics, heirloom stitching, etc.
Recommended publications
  • Ribbit Sweet Yarns for Real Life

    Ribbit Sweet Yarns for Real Life

    Ribbit a free design by Susan B. Anderson ™ ™ www.spudandchloe.com ™ sweet yarns for real life Black embroidery floss Stitch marker Stitch holder or waste yarn Gauge: 6 stitches per inch in stockinette stitch Abbreviations: k: knit p: purl k2tog: knit 2 stitches together m1: make a stitch by placing the bar between the stitches on the left needle and knitting it through the back loop kfb: knit in the front and back of the same stitch st(s): stitch(es) rnd(s): round(s) Body: Starting at the bottom of the body with Grass and the double‐ pointed needles cast on 9 stitches placing 3 stitches on each of 3 double‐pointed needles. Join to work in the round being careful not to twist the stitches. Place a stitch marker on the first stitch. Rnd 1: knit Rnd 2: (k1, m1, k1, m1, k1) repeat to the end of the round (5 sts per needle, 15 sts total) Rnd 3: knit Rnd 4: (k1, m1, knit to the last stitch on the needle, m1, k1) repeat on each needle Rnd 5: knit Repeat rounds 4 and 5 until there are 15 stitches on each needle, Finished Measurements: 45 stitches total. 3 inches wide by 5 inches tall End with a round 4. Place a stitch marker on the last completed round and leave it there. Yarn: Knit every round until the body measures 1½ inches above the Spud & Chloë Sweater (55% superwash wool, 45 % organic stitch marker. cotton; 160 yards/100grams), 1 skein in Grass #7502 Decrease rounds: Tools: Rnd 1: (k3, k2tog) repeat to the end of the round (12 sts per US size 5 double pointed needles, set of 4 or size to obtain gauge needle, 36 sts total remain) Yarn needle Rnd 2: (k2, k2tog) repeat to the end of the round (9 sts per needle, Scissors 27 sts total remain) Tape measure or ruler Polyester fiber‐fill (small amount) Tennis ball (optional) © 2012 • This pattern is copyrighted material and under the copyright laws of the United States.

  • HAND SEWING NEEDLES Quality Makes the Difference

    No. 14 HAND SEWING NEEDLES Quality makes the difference. Hand sewing needles Hand sewing needles Embroidery needles Embroidery needles Sewing, embroidery and darning needles. • Sharps • Self-threading needles • Chenille • Tapestry Stitch by stitch – perfect and precise. • Betweens • Jersey needles • Crewel • Smyrna • Millinery needles Centuries of experience in metal processing, combined with Hand sewing needles: For fine embroidery we have a special needle known The higher the needle number, the finer and shorter the latest production technology available today, make Prym as a crewel needle. These slender needles with a the needle. Betweens have the same wire diameter somewhat larger eye can take one or more threads sewing, embroidery and darning needles perfect precision as the respective no. in sharps but they are approx. of stranded cotton, e.g. for white linen embroidery. Tapestry needles (with blunt point) are most tools. The needle range from Prym sets international quality 7 mm (1/4”) shorter. Both needle types are available • burr-free and finger friendly head As they correspond in length and gauge with the sharps suitable for counted thread embroidery on coarse- in packs in single sizes as well as in assorted sizes. standards – also in the variety of the assortment. Here, specialists needles, and are also easier to thread, they are often weave or even-weave fabrics. For closely woven will find their special needles. • silver or gold smooth eye facilitates used as a sewing needle. fabrics we recommend the use of sharp-pointed chenille needles. threading and avoids thread damage Sharps are our standard Both needles have large eyes which are suitable sewing needles, used to for thicker thread or wool.
  • Cora Ginsburg Llc Titi Halle Owner

    Cora Ginsburg Llc Titi Halle Owner

    CoraGinsburg-11/2006.qxd 11/22/06 11:26 AM Page 1 CORA GINSBURG LLC TITI HALLE OWNER A Catalogue of exquisite & rare works of art including 17th to 20th century costume textiles & needlework Winter 2006 by appointment 19 East 74th Street tel 212-744-1352 New York, NY 10021 fax 212-879-1601 www.coraginsburg.com [email protected] EMBROIDERED LINEN FOREHEAD CLOTH English, ca. 1610 Triangular in shape and lavishly embellished, a forehead cloth—also called a cross-cloth or crosset—was a feminine accessory sometimes worn with a coif, an informal type of cap. Rare after the mid-seventeenth century, forehead cloths first appeared in conjunction with the coif around 1580; embroidered with patterns to match, they were worn around the forehead and draped over the coif with the point facing backwards. Though the occasions on which a lady might wear a forehead cloth are not fully known, it seems that they were used for bedside receptions and in times of sickness. In his 1617 travels through Ireland, English author Fynes Moryson observed that, “Many weare such crosse-clothes or forehead clothes as our women use when they are sicke.” The remarkable embroidery seen here shows the practiced hand of a professional. Much fine needlework was accomplished domestically in sixteenth- and seventeenth-century England, but there were also workshops and skilled individuals that catered to the luxury trade. The Broderers’ Company, an organization for professional needleworkers, was founded under Royal Charter in 1561; specialists were also retained for wealthy private households, and journeymen embroiderers were hired as necessity demanded.
  • Winter Mitten Making

    Winter Mitten Making

    1 Winter Mitten Making By: Kielyn & Dave Marrone Version 2.0, October 2015 http://lureofthenorth.com 2 Note 1- This booklet is part of a series of DIY booklets published by Lure of the North. For all other publications in this series, please see our website at lureofthenorth.com. Published instructional booklets can be found under "Info Hub" in the main navigation menu. Note 2 – Lure Mitten Making Kits: These instructions are intended to be accompanied by our Mitten Making Kit, which is available through the “Store” section of our website at: http://lureofthenorth.com/shop. Of course, you can also gather all materials yourself and simply use these instructions as a guide, modifying to suit your requirements. Note 3 - Distribution: Feel free to distribute these instructions to anyone you please, with the requirement that this package be distributed in its entirety with no modifications whatsoever. These instructions are also not to be used for any commercial purpose. Thank you! Note 4 – Feedback and Further Help: Feedback is welcomed to improve clarity in future editions. For even more assistance you might consider taking a mitten making workshop with us. These workshops are run throughout Ontario, and include hands-on instructions and all materials. Go to lureofthenorth.com/calendar for an up to date schedule. Our Philosophy: This booklet describes our understanding of a traditional craft – these skills and this knowledge has traditionally been handed down from person to person and now we are attempting to do the same. We are happy to have the opportunity to share this knowledge with you, however, if you use these instructions and find them helpful, please give credit where it is due.
  • Convertible Collar Construction

    Convertible Collar Construction

    Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2.
  • Free Pattern Instructions Best Nest Organizer Basket

    Free Pattern Instructions Best Nest Organizer Basket

    Fold 42" Quilted Hanging Basket Front Cut 1 on fold d l e on fo on e ont - plac fr Center Gather Quilted Hang ing Basket Gusset Cut 1 on fold -or- Cut 2 with seam allowance Free Pattern Instructions Pattern Free 21" Quilted Hanging Basket Back ld n fo n Cut 1 on fold o ce - pla ont er fr er t en C Layout Option 2: Layout From binding fabric, cut 2¼" wide cut strips bias equal fabric, to binding From 120". 118" to approximately seam to using a diagonal end, to end strips, binding Join Trim the seam open. then seams flat, Press bulk. reduce if ¼", needed. to allowances Careful meeting edges even. long in half, the binding Press press. the fabric as you stretch not to - the guidelines using a fabric marking pencil, pen or Mark, piece. pattern gathering the front for on as indicated Cut on fold Center base seam cutting line Fold • binding: the Create • • • 6" 3. 18" - Quilted Hanging Basket et Bask ing ang H Quilted Front ont Fr Cut 1 on fold fold on 1 t Cu d d l l e on fo e fo on e 42" t - plac t - plac ter fron ter fron ter n n Ce Ce Gather Gather et et ing Bask Bask ing ng ng Ha Ha Quilted Quilted t t e e k k s s a a B B g g in in g g n n a a H H d d te te il il u u Q Q ld ld t t se se s s Gu Gu k k c c a a B B d d ol ol f f n n o o ut 1 1 ut C C n fo n fo o o d d l l fo fo n n o o 1 1 t t u u C C r- r- -o -o ce ce ce ce n n wa wa allo allo m m a a th se se th wi wi 2 2 ut ut C C - pla - pla ont ont er fr er er fr t t en en C C Best Nest Organizer Basket Organizer Best Nest Layout Option 1: Layout yd.
  • Thread Yarn and Sew Much More

    Thread Yarn and Sew Much More

    Thread Yarn and Sew Much More By Marsha Kirsch Supplies: • HUSQVARNA VIKING® Yarn embellishment foot set 920403096 • HUSQVARNA VIKING® 7 hole cord foot with threader 412989945 • HUSQVARNA VIKING ® Clear open toe foot 413031945 • HUSQVARNA VIKING® Clear ¼” piecing foot 412927447 • HUSQVARNA VIKING® Embroidery Collection # 270 Vintage Postcard • HUSQVARNA VIKING® Sensor Q foot 413192045 • HUSQVARNA VIKING® DESIGNER™ Royal Hoop 360X200 412944501 • INSPIRA® Cut away stabilize 141000802 • INSPIRA® Twin needles 2.0 620104696 • INSPIRA® Watercolor bobbins 413198445 • INSPIRA® 90 needle 620099496 © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB • Warm and Natural batting • Yarn –color to match • YLI pearl crown cotton (color to match yarn ) • 2 spools of matching Robison Anton 40 wt Rayon thread • Construction thread and bobbin • ½ yard back ground fabric • ½ yard dark fabric for large squares • ¼ yard medium colored fabric for small squares • Basic sewing supplies and 24” ruler and making pen Cut: From background fabric: 14” wide by 21 ½” long From dark fabric: (20) 4 ½’ squares From medium fabric: (40) 2 ½” squares 21” W x 29” L (for backing) From Batting 21” W x 29” L From YLI Pearl Crown Cotton: Cut 2 strands 1 ¾ yds (total 3 ½ yds needed) From yarn: Cut one piece 5 yards © 2014 KSIN Luxembourg ll, S.ar.l. VIKING, INSPIRA, DESIGNER and DESIGNER DIAMOND ROYALE are trademarks of KSIN Luxembourg ll, S.ar.l. HUSQVARNA is a trademark of Husqvarna AB. All trademarks used under license by VSM Group AB Directions: 1.
  • 23. Embroidery As an Embellishment in Fabric Decoration

    23. Embroidery As an Embellishment in Fabric Decoration

    EMBROIDERY AS AN EMBELLISHMENT IN FABRIC DECORATION By OLOWOOKERE PETER OLADIPO Department of Fine and Applied Arts, Federal College of Education, Osiele, Abeokuta. Abstract Nigeria is endowed with abundant human, natural and material resources, which could be used in different vocational practices. Practitioners have consistently practiced their art with attention to uniqueness and high quality forms, styles and content. Embroidery as a decorative process in Art has played principal roles in entrepreneurship development. Hence, this paper made a critical analysis of the forms, content and significant of embroidery in art, the thread colours, fabric motifs and pattern suitable for a successful embroidery design would also be considered. The general conclusion is that if embroidery is properly done, it would increase the embroiderers sense of creativity in our societal growth and the interested individual should be encourage to learn the craft so that the tradition will remain forever. Embroidery is an interesting stitching technique by which coloured threads, generally of silk or wool are used with a special needle to make a variety of stitches, and it is used to make an attractive design on garment, wall hanging or upholstery pieces. In Nigeria today, embroidery clothing are used far and wide and its unique feature and elegance remain the ability to trill and appeal to the people’s fervent love for it whereby the artisan considered different textile materials such as guinea brocade, damask and bringing out the significance of thread with which it is worked. Ojo (2000) defined, embroidery as an art of making pattern on textiles, leather, using threads of wool, linen, silk and needle.
  • Watermelon Hat Sweet Yarns for Real Life

    Watermelon Hat Sweet Yarns for Real Life

    Watermelon Hat a free design by Susan B. Anderson ™ ™ www.spudandchloe.com ™ sweet yarns for real life P: purl Rnd(s): round(s) St(s): stitch(s) Hat With C, CO 56 (64, 72, 80, 88) stitches. Join to work in the round being careful not to twist the stitches. Place a stitch marker on the first st. Rnds 1–3: (K1, p1) repeat to the end of the round. Rnds 4 & 5: Knit. Rnds 6: Change to B, knit. Rnds 7: Knit. Change to A and knit every round until the hat measures 4 (4.5, 5, 5.5, 6)” from the cast on edge. Decrease rounds: Rnd 1: (K6, k2tog) repeat to the end of the round. Rnd 2: (K5, k2tog) repeat to the end of the round. Rnds 3 & 4: Knit. Transfer all sts dpns. Rnd 5: (K4, k2tog) repeat to the end of the round. Rnd 6: Knit. Rnd 7: (K3, k2tog) repeat to the end of the round. Rnd 8: (K2, k2tog) repeat to the end of the round. Rnd 9: Knit. Rnd 10: (K1, k2tog) repeat to the end of the round. Rnds 11–13: Knit. Rnd 14: K2tog to the end of the round. Materials Rnds 15–17: Knit. • Spud & Chloë Sweater (100 g/160 yds), 1 hank each A, B, C, D Rnd 18: K2tog to the end of the round, knit any remaining sts. • Size 7 (4.5 mm) 16” circular needles for all sizes except newborn Place all stitches on 1 dpn. Work in I-cord on 2 dpns. For some sizes size, or size to obtain gauge on the first row of the I-cord you will need to knit k2tog until you have • Size 7 (4.5 mm) set of 4 double-pointed needles, or size to obtain 3 stitches remaining.
  • Hobby 1142-Manual-EN.Pdf

    Hobby 1142-Manual-EN.Pdf

    hobby114 2 Owner´s manual 7 6 5 4 3 2 1 28 8 9 27 211 2626 100 202 111 191 122 188 25 141 24 151 233 16 171 22 122 11 2020 133 Parts of your hobby™ 1142 sewing machine 1 Bobbin winder stop 2 Bobbin winder spindle 3 Hole for extra spool pin 4 Spool pin 5 Carrying handle 6 Bobbin thread guide 7 Take-up lever 8 Foot pressure dial 9 Face plate 10 Thread cutter 11 Buttonhole lever 12 Needle threader 13 Slide for lowering the feed dog 14 Needle plate 15 Accessory tray 16 Throat plate 17 Throat plate release button 18 Thumbscrew 19 Needle screw 20 Presser foot lifter 21 Thread tension dial 22 Reverse stitch lever 23 Power switch 24 Connecting socket 25 Stitch length dial 26 Stitch selector dial 27 Handwheel 28 Stitch width dial Congratulations on purchasing your new PFAFF® hobby! Your hobby is so easy to use and offers a whole range of features and accessories for you to explore. Please spend some time reading these operating instructions as it is a great way to learn the machine and also to make full use of the features. Your Pfaff dealer will be at your service with any help or advice you need. We wish you many enjoyable hours of sewing ! Some fabrics have excess dye which can cause discoloration on other fabric but also on your sewing machine. This discoloring may be very difÀ cult or impossible to remove. Fleece and denim fabric in especially red and blue often contain a lot of excess dye.
  • Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept

    Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept

    DOCUMENT RESUME ED 048 223 SP 007 137 TITLE Fashion Arts. Curriculum RP-54. INSTITUTION Ontario Dept. of Education, Toronto. PUB LATE 67 NOTE 34p. EDRS PRICE EDRS Price MF-$0.65 HC-$3.29 DESCRIPTORS Clothing Instruction, *Curriculum Guides, Distributive Education, *Grade 11, *Grade 12, *Hcme Economics, Interior Design, *Marketing, Merchandising, Textiles Instruction AESTRACT GRADES OR AGES: Grades 11 and 12. SUBJECT MATTER: Fashicn arts and marketing. ORGANIZATION AND PHkSTCAL APPEARANCE: The guide is divided into two main sections, one for fashion arts and one for marketing, each of which is further subdivided into sections fcr grade 11 and grade 12. Each of these subdivisions contains from three to six subject units. The guide is cffset printed and staple-todnd with a paper cover. Oi:IJECTIVE3 AND ACTIVITIES' Each unit contains a short list of objectives, a suggested time allotment, and a list of topics to he covered. There is only occasional mention of activities which can he used in studying these topics. INSTRUCTIONAL MATERIALS: Each unit contains lists of books which relate either to the unit as a whole or to subtopics within the unit. In addition, appendixes contain a detailed list of equipment for the fashion arts course and a two-page billiography. STUDENT A. ,'SSMENT:No provision. (RT) U $ DEPARTMENT OF hEALTH EOUCATION & WELFARE OFFICE OF THIS DOCUMENTEOUCATION HAS BEEN REPRO DUCED EXACT' VAS RECEIVED THE PERSON OR FROM INAnNO IT POINTSORGANIZATION ()RIG IONS STATED OF VIEW OR DO NUT OPIN REPRESENT OFFICIAL NECESSARILY CATION
  • Stay Tapes Sheet( Notions)

    Stay Tapes Sheet( Notions)

    Emma Seabrooke, C.S.I. Knit Patterns for the Hard To Fit Certified Fit & Pant • Palmer/Pletsch Instructor SewkeysE stay tapes are all FUSIBLE Price is $8.50 on-line, except as noted. Double Sided Stay Tape – 1/4" wide by 25 yards, color: clear SSI Knit Stay Tape – for invisible control 1/2" wide by 25 yards, color: clear 1" wide by 25 yards, colors: black, white 1" wide by 25 yards, color: clear ($13.50 online) 1/2" wide by 25 yards, colors: black, white Knit Stay Tape/Interfacings – Woven/Straight Stay Tape – 1/2" wide by 25 yards, colors: black, white, ivory 1/2" wide by 25 yards, colors: black, white, natural 1" wide by 25 yards, colors: black, white, ivory 1 1/4" wide by 25 yards, color: black, white, natural 1 1/4" wide by 25 yards, colors: black, white, ivory FOR HEMS: FOR SEAMS: 1/2" KNIT stay tape for narrow hems or very wide For shoulder seams use 1/2" WOVEN/STRAIGHT stay tape. hems on knit and or light weight fabrics. For the crotch seam use 1/2" WOVEN/STRAIGHT stay tape. 1/2" STRAIGHT stay tape for narrow or wide For light weight side and sleeve seams use 1/2" KNIT hems on woven fabric or fabric that you do not wish to stay tape. It supports side and sleeve seams in fabric that have give or stretch. is sheer or needs help to be stable, allowing the fabric to One inch or 1 1/4" STAY TAPE/INTERFACING for a go through a sewing machine and serger without 1” or 1 1/4" hem on knit and or light weight fabrics.