An Outcast of the Islands
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Ian P. Watt Papers
http://oac.cdlib.org/findaid/ark:/13030/kt329035kz No online items Guide to the Ian P. Watt Papers Daniel Hartwig Stanford University. Libraries.Department of Special Collections and University Archives Stanford, California October 2010 Copyright © 2015 The Board of Trustees of the Leland Stanford Junior University. All rights reserved. Note This encoded finding aid is compliant with Stanford EAD Best Practice Guidelines, Version 1.0. Guide to the Ian P. Watt Papers SC0401 1 Overview Call Number: SC0401 Creator: Watt, Ian P. Title: Ian P. Watt papers Dates: 1956-1989 Physical Description: 55 Linear feet Summary: Correspondence, lectures, notes, course materials, bibliographies, articles, proofs, clippings, and reprints pertaining to courses he taught, departmental business, academic associations, and other professional activities. Some of the material pertains to his teaching at UC Berkeley before he came to Stanford; also included are materials pertaining to his experiences as a Japanese prisoner of war during World War II and the building of the bridge over the River Kwai. Language(s): The materials are in English. Repository: Department of Special Collections and University Archives Green Library 557 Escondido Mall Stanford, CA 94305-6064 Email: [email protected] Phone: (650) 725-1022 URL: http://library.stanford.edu/spc Preliminary inventory available. Information about Access This collection is open for research. Ownership & Copyright All requests to reproduce, publish, quote from, or otherwise use collection materials must be submitted in writing to the Head of Special Collections and University Archives, Stanford University Libraries, Stanford, California 94304-6064. Consent is given on behalf of Special Collections as the owner of the physical items and is not intended to include or imply permission from the copyright owner. -
Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 8-26-2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography" (2016). Faculty Publications: School of Music. 64. http://digitalcommons.unl.edu/musicfacpub/64 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 08/26/2016 Chronology and Itinerary of the Career of J. Tim Brymn Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. They are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012/2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. None of them is any kind of finished, polished document; all represent work in progress, complete with missing data and the occasional typographical error. -
Ships and Sailors in Early Twentieth-Century Maritime Fiction
In the Wake of Conrad: Ships and Sailors in Early Twentieth-Century Maritime Fiction Alexandra Caroline Phillips BA (Hons) Cardiff University, MA King’s College, London A Thesis Submitted for the Degree of Doctor of Philosophy Cardiff University 30 March 2015 1 Table of Contents Abstract 3 Acknowledgements 4 Introduction - Contexts and Tradition 5 The Transition from Sail to Steam 6 The Maritime Fiction Tradition 12 The Changing Nature of the Sea Story in the Twentieth Century 19 PART ONE Chapter 1 - Re-Reading Conrad and Maritime Fiction: A Critical Review 23 The Early Critical Reception of Conrad’s Maritime Texts 24 Achievement and Decline: Re-evaluations of Conrad 28 Seaman and Author: Psychological and Biographical Approaches 30 Maritime Author / Political Novelist 37 New Readings of Conrad and the Maritime Fiction Tradition 41 Chapter 2 - Sail Versus Steam in the Novels of Joseph Conrad Introduction: Assessing Conrad in the Era of Steam 51 Seamanship and the Sailing Ship: The Nigger of the ‘Narcissus’ 54 Lord Jim, Steam Power, and the Lost Art of Seamanship 63 Chance: The Captain’s Wife and the Crisis in Sail 73 Looking back from Steam to Sail in The Shadow-Line 82 Romance: The Joseph Conrad / Ford Madox Ford Collaboration 90 2 PART TWO Chapter 3 - A Return to the Past: Maritime Adventures and Pirate Tales Introduction: The Making of Myths 101 The Seduction of Silver: Defoe, Stevenson and the Tradition of Pirate Adventures 102 Sir Arthur Conan Doyle and the Tales of Captain Sharkey 111 Pirates and Petticoats in F. Tennyson Jesse’s -
Mapping Topographies in the Anglo and German Narratives of Joseph Conrad, Anna Seghers, James Joyce, and Uwe Johnson
MAPPING TOPOGRAPHIES IN THE ANGLO AND GERMAN NARRATIVES OF JOSEPH CONRAD, ANNA SEGHERS, JAMES JOYCE, AND UWE JOHNSON DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Kristy Rickards Boney, M.A. ***** The Ohio State University 2006 Dissertation Committee: Approved by: Professor Helen Fehervary, Advisor Professor John Davidson Professor Jessica Prinz Advisor Graduate Program in Professor Alexander Stephan Germanic Languages and Literatures Copyright by Kristy Rickards Boney 2006 ABSTRACT While the “space” of modernism is traditionally associated with the metropolis, this approach leaves unaddressed a significant body of work that stresses non-urban settings. Rather than simply assuming these spaces to be the opposite of the modern city, my project rejects the empty term space and instead examines topographies, literally meaning the writing of place. Less an examination of passive settings, the study of topography in modernism explores the action of creating spaces—either real or fictional which intersect with a variety of cultural, social, historical, and often political reverberations. The combination of charged elements coalesce and form a strong visual, corporeal, and sensory-filled topography that becomes integral to understanding not only the text and its importance beyond literary studies. My study pairs four modernists—two writing in German and two in English: Joseph Conrad and Anna Seghers and James Joyce and Uwe Johnson. All writers, having experienced displacement through exile, used topographies in their narratives to illustrate not only their understanding of history and humanity, but they also wrote narratives which concerned a larger global ii community. -
MAP SHOWING LOCATIONS of MINES and PROSPECTS in the DILLON Lox 2° QUADRANGLE, IDAHO and MONTANA
DEPARTMENT OF THE INTERIOR U.S. GEOLOGICAL SURVEY MAP SHOWING LOCATIONS OF MINES AND PROSPECTS IN THE DILLON lox 2° QUADRANGLE, IDAHO AND MONTANA By JeffreyS. Loen and Robert C. Pearson Pamphlet to accompany Miscellaneous Investigations Series Map I-1803-C Table !.--Recorded and estimated production of base and precious metals in mining districts and areas in the Dillon 1°x2° guadrangle, Idaho and Montana [Production of other commodities are listed in footnotes. All monetary values are given in dollars at time of production. Dashes indicate no information available. Numbers in parentheses are estimates by the authors or by those cited as sources of data in list that follows table 2. <,less than; s.t., short tons] District/area Years Ore Gold Silver Copper Lead Zinc Value Sources name (s. t.) (oz) (oz) (lb) (lb) (lb) (dollars) of data Idaho Carmen Creek 18 70's-190 1 (50,000) 141, 226 district 1902-1980 (unknown) Total (50,000) Eldorado 1870's-1911 17,500 (350 ,000) 123, 226 district 1912-1954 (13,000) (8,000) (300,000) Total (650,000) Eureka district 1880's-1956 (13 ,500) 12,366 (2,680,000) 57,994 (4,000) ( 4,000 ,000) 173 Total (4,000,000) Gibbonsville 1877-1893 (unknown) district 1894-1907 (83,500) (1,670,000) 123, 226 1908-1980 ( <10 ,000) 123 Total (2,000,000) Kirtley Creek 1870's-1890 2,000 40,500 173 district 1890's-1909 (<10,000) 1910-1918 24,300 (500 ,000) 123 1919-1931 (unknown) 1932-1947 2,146 (75 ,000) 173 Total (620,000) McDevitt district 1800's.-1980 (80,000) Total (80,000) North Fork area 1800's-1980 (unknown) Total ( <10 ,000) Pratt Creek 1870's-1900 (50 ,000) district Total (50,000) Sandy Creek 1800 's-1900 (unknown) district 1901-1954 19,613 4,055 4,433 71,359 166,179 (310,000) 17 3, 200 Total (310 ,000) Montana Anaconda Range 1880's-1980 (<100,000) area Total (<100,000) Argenta district 1864-1901 (1 ,500 ,000) 1902-1965 311,796 72,241 562,159 604,135 18,189,939 2,009,366 5,522,962 88 Total (7,000,000) Baldy Mtn. -
Annual Report 2000
2000 ANNUAL REPORT NATIONAL GALLERY OF ART 2000 ylMMwa/ Copyright © 2001 Board of Trustees, Cover: Rotunda of the West Building. Photograph Details illustrated at section openings: by Robert Shelley National Gallery of Art, Washington. p. 5: Attributed to Jacques Androet Ducerceau I, All rights reserved. The 'Palais Tutelle' near Bordeaux, unknown date, pen Title Page: Charles Sheeler, Classic Landscape, 1931, and brown ink with brown wash, Ailsa Mellon oil on canvas, 63.5 x 81.9 cm, Collection of Mr. and Bruce Fund, 1971.46.1 This publication was produced by the Mrs. Barney A. Ebsworth, 2000.39.2 p. 7: Thomas Cole, Temple of Juno, Argrigentum, 1842, Editors Office, National Gallery of Art Photographic credits: Works in the collection of the graphite and white chalk on gray paper, John Davis Editor-in-Chief, Judy Metro National Gallery of Art have been photographed by Hatch Collection, Avalon Fund, 1981.4.3 Production Manager, Chris Vogel the department of photography and digital imaging. p. 9: Giovanni Paolo Panini, Interior of Saint Peter's Managing Editor, Tarn Curry Bryfogle Other photographs are by Robert Shelley (pages 12, Rome, c. 1754, oil on canvas, Ailsa Mellon Bruce 18, 22-23, 26, 70, 86, and 96). Fund, 1968.13.2 Editorial Assistant, Mariah Shay p. 13: Thomas Malton, Milsom Street in Bath, 1784, pen and gray and black ink with gray wash and Designed by Susan Lehmann, watercolor over graphite, Ailsa Mellon Bruce Fund, Washington, DC 1992.96.1 Printed by Schneidereith and Sons, p. 17: Christoffel Jegher after Sir Peter Paul Rubens, Baltimore, Maryland The Garden of Love, c. -
Ship-Breaking.Com 2012 Bulletins of Information and Analysis on Ship Demolition, # 27 to 30 from January 1St to December 31St 2012
Ship-breaking.com 2012 Bulletins of information and analysis on ship demolition, # 27 to 30 From January 1st to December 31st 2012 Robin des Bois 2013 Ship-breaking.com Bulletins of information and analysis on ship demolition 2012 Content # 27 from January 1st to April 15th …..……………………….………………….…. 3 (Demolition on the field (continued); The European Union surrenders; The Senegal project ; Letters to the Editor ; A Tsunami of Scrapping in Asia; The END – Pacific Princess, the Love Boat is not entertaining anymore) # 28 from April 16th to July 15th ……..…………………..……………….……..… 77 (Ocean Producer, a fast ship leaves for the scrap yard ; The Tellier leaves with honor; Matterhorn, from Brest to Bordeaux ; Letters to the Editor ; The scrapping of a Portuguese navy ship ; The India – Bangladesh pendulum The END – Ocean Shearer, end of the cruise for the sheep) # 29 from July 16th to October 14th ....……………………..……………….……… 133 (After theExxon Valdez, the Hebei Spirit ; The damaged ship conundrum; Farewell to container ships ; Lepse ; Letters to the Editor ; No summer break ; The END – the explosion of Prem Divya) # 30 from October 15th to December 31st ….………………..…………….……… 197 (Already broken up, but heading for demolition ; Demolition in America; Falsterborev, a light goes out ; Ships without place of refuge; Demolition on the field (continued) ; Hong Kong Convention; The final 2012 sprint; 2012, a record year; The END – Charlesville, from Belgian Congo to Lithuania) Global Statement 2012 ……………………… …………………..…………….……… 266 Bulletin of information and analysis May 7, 2012 on ship demolition # 27 from January 1 to April 15, 2012 Ship-breaking.com An 83 year old veteran leaves for ship-breaking. The Great Lakes bulker Maumee left for demolition at the Canadian ship-breaking yard at Port Colborne (see p 61). -
Dick Leslie's Luck, by Harry Collingwood
Harry Collingwood "Dick Leslie's Luck" | Chapter 1 | | Chapter 2 | | Chapter 3 | | Chapter 4 | | Chapter 5 | | Chapter 6 | | Chapter 7 | | Chapter 8 | | Chapter 9 | | Chapter 10 | | Chapter 11 | | Chapter 12 | | Chapter 13 | | Chapter 14 | | Chapter 15 | | Chapter 16 | | Chapter 17 | Chapter One. A Maritime Disaster. The night was as dark as the inside of a cow! Mr Pryce, the chief mate of the full-rigged sailing ship Golden Fleece—outward-bound to Melbourne— was responsible for this picturesque assertion; and one had only to glance for a moment into the obscurity that surrounded the ship to acknowledge the truth of it. For, to begin with, it was four bells in the first watch—that is to say, ten o’clock p.m.; then it also happened to be the date of the new moon; and, finally, the ship was just then enveloped in a fog so dense that, standing against the bulwarks on one side of the deck, it was impossible to see across to the opposite rail. It was Mr Pryce’s watch; but the skipper—Captain Rainhill—was also on deck; and together the pair assiduously promenaded the poop, to and fro, pausing for a moment to listen and peer anxiously into the thickness to windward every time that they reached the break of the poop at one end of their walk, and the stern grating at the other. Now, a dark and foggy night at sea is an anxious time for a skipper; but the anxiety is multiplied tenfold when, as in the present case, the skipper is responsible not only for the safety of a valuable ship and cargo, but also for many human lives. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
Two Years Before the Mast; a Personal Narrative, by Richard Henry Dana, Jr.; with a Supplement by the Author and Introduction and Additional Chapter by His Son
Two years before the mast; a personal narrative, by Richard Henry Dana, jr.; with a supplement by the author and introduction and additional chapter by his son ... with illustrations by E. Boyd Smith TWO YEARS BEFORE THE MAST ILLUSTRATED COPYRIGHT EDITION DISLODGING THE HIDES (page 252) TWO YEARS BEFORE THE MAST A PERSONAL NARRATIVE BY RICHARD HENRY DANA, JR. WITH A SUPPLEMENT BY THE AUTHOR AND INTRODUCTION AND ADDITIONAL CHAPTER BY HIS SON “ Housed on the wild sea, with wild usages ” WITH ILLUSTRATIONS BY E. BOYD SMITH Two years before the mast; a personal narrative, by Richard Henry Dana, jr.; with a supplement by the author and introduction and additional chapter by his son ... with illustrations by E. Boyd Smith http://www.loc.gov/resource/calbk.139 BOSTON AND NEW YORK HOUGHTON MIFFLIN COMPANY The Riverside Press Cambridge 1911 COPYRIGHT, 1911, BY RICHARD H. DANA ALL RIGHTS RESERVED ILLUSTRATIONS From drawings by E. Boyd Smith. DISLODGING THE HIDES ( colored ) (page 252) Frontispiece THE SHIP ALERT ( vignette ) Title-page HARVARD COLLEGE IN 1836 ix After a drawing by Eliza S. Quincy, in the “History of Harvard University” by Josiah Quincy. RICHARD HENRY DANA, JR. xii From a daguerreotype in 1842. THE BRIG PILGRIM SETTING SAIL 1 LECTURING THE CREW 4 THE CAPTAIN 12 SIGHTING A VESSEL 20 WHALES AND GRAMPUSES 30 FALLING OVERBOARD 42 FACSIMILE FROM SHORT DIARY WRITTEN AT SEA 42 From this, after the long diary was lost, the copy for the book was prepared. FACSIMILE OF THE UNOFFICIAL LOG OF THE ALERT 42 Kept by the Mate Amazeen. -
XXIV:4) Ernst Lubitsch, to BE OR NOT to BE (1942, 99 Min.)
February 7, 2012 (XXIV:4) Ernst Lubitsch, TO BE OR NOT TO BE (1942, 99 min.) Directed and produced by Ernst Lubitsch Original story by Melchior Lengyel Ernst Lubitsch Screenplay by Edwin Justus Mayer Original Music by Werner R. Heymann Cinematography by Rudolph Maté Film Editing by Dorothy Spencer Production Design by Vincent Korda Selected for the National Film Registry, 1996. Carole Lombard...Maria Tura Jack Benny...Joseph Tura Robert Stack...Lieut. Stanislav Sobinski Felix Bressart...Greenberg Lionel Atwill...Rawitch Stanley Ridges...Professor Siletsky Sig Ruman...Col. Ehrhardt Tom Dugan...Bronski Charles Halton...Producer Dobosh 1932 Trouble in Paradise, 1932 One Hour with You, 1932 George Lynn...Actor-Adjutant Broken Lullaby, 1931 The Smiling Lieutenant, 1930 Monte Henry Victor…Capt. Schultz Carlo, 1928 The Patriot, 1927 The Student Prince in Old Maude Eburne...Anna Heidelberg, 1925 Lady Windermere's Fan, 1924 The Marriage Halliwell Hobbes...Gen. Armstrong Circle, and 1915 Zucker und Zimmt. Miles Mander...Major Cunningham EDWIN JUSTUS MAYER (November 8, 1896, New York City, New York – September 11, 1960, New York City, New York) ERNST LUBITSCH (January 28, 1892, Berlin, Germany – has 48 Hollywood writing credits, among them 1958 The November 30, 1947, Hollywood, California) has 76 directing Buccaneer (1938 script), 1953 “Broadway Television Theatre” credits (some of which are 1948 That Lady in Ermine, 1946 (play - “The Firebrand”), 1945 Masquerade in Mexico (story), Cluny Brown, 1943 Heaven Can Wait, 1942 To Be or Not to Be, 1945 A Royal Scandal, 1942 To Be or Not to Be, 1941 They Met 1941 That Uncertain Feeling, 1940 The Shop Around the in Bombay, 1941 Underground (story), 1940 Lucky Partners, Corner, 1939 Ninotchka, 1938 Bluebeard's Eighth Wife, 1937 1939 Rio, 1939 Exile Express, 1939 Midnight (story), 1938 The Angel, 1935 La veuve joyeuse, 1934 The Merry Widow, 1933 Buccaneer, 1936 Till We Meet Again, and 1932 Wild Girl. -
The Explorer in English Fiction
- The Explorer in English Fiction Peter Knox-Shaw, M.A. (Cantab.) A Dissertation submitted for the Ph.D. degree at the University of Cape Town, I985 University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town CONTENTS Preface iii Abstract iv I. The Explorer, and Views of Creation I II. Crusoe, Desert Isle Ventriloquist 45 III. Defoe's ~ilderness: The image of Africa in Captain Singleton 70 "DI. Melville's Happy Valley: Typee and its literary context 95 V. Captain Ahab and the Albatross: Moby Dick in a period context I28 VI. Conrad Dismantles Providence: Deserted idylls in An Outcast of the Islands 156 VII. The Eidden Man: Heart of Darkness, its context and aftermath I87 VIII. The Country of the Mind: Exploration as metaphor in Voss 224 IX. 'rhe Sacramental Wild: A Frinae of Leaves 250 Notes and References 272 BibliogTapby 3I3 Index 330 iii. Preface I should like to express my gratitude to Professor Haresnape who supervised this dissertation and supplied - even when pressed for time - encouragement, counsel and detailed advice. To the librarians and staff at Jagger Library, the South African Library, the British Museum, the Public Record Office, and the University Library of Cambridge my thanks are due for much patience and frequent help.