DOCSLIB.ORG

Plagiat Merupakan Tindakan Tidak Terpuji Plagiat

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Plagiat Merupakan Tindakan Tidak Terpuji Plagiat PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI AN ANALYSIS OF NON-OBSERVANCE MAXIMS IN HUMOROUS CONVERSATION IN HOW I MET YOUR MOTHER SEASON 2 A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Caesilia Carolina 101214142 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI AN ANALYSIS OF NON-OBSERVANCE MAXIMS IN HUMOROUS CONVERSATION IN HOW I MET YOUR MOTHER SEASON 2 A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Caesilia Carolina 101214142 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI AN ANALYSIS OF NON-OBSERVANCE MAXIMS IN HUMOROUS CONVERSATION IN HOW I MET YOUR MOTHER SEASON 2 A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Caesilia Carolina 101214142 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF LANGUAGE AND ARTS EDUCATION FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2015 i PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI STATEMENT OF WORK’S ORIGINALITY I honestly declare that this thesis, which I have written, does not contain the work or the parts of the work of other people, except those cited in the quotations and the references, as a scientific paper should. Yogyakarta, September 10, 2015 The writer Caesilia Carolina 101214142 iv PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI LEMBAR PERNYATAAN PERSETUJUAN PUBLIKASI KARYA ILMIAH UNTUK KEPENTINGAN AKADEMIS Yang bertanda tangan di bawah ini, saya mahasiswa Universitas Sanata Dharma: Nama : Caesilia Carolina Nomor Mahasiswa : 101214142 Demi pengembangan ilmu pengetahuan, saya memberikan kepada Perpustakaan Universitas Sanata Dharma karya ilmiah saya yang berjudul: AN ANALYSIS OF NON-OBSERVANCE MAXIMS IN HUMOROUS CONVERSATION IN HOW I MET YOUR MOTHER SEASON 2 beserta perangkat yang diperlukan (bila ada). Dengan demikian saya memberikan kepada Perpustakaan Universitas Sanata Dharma hak untuk menyimpan, mengalihkan dalam bentuk lain, mengelolanya dalam bentuk pangkalan data, mendistribusikan secara terbatas, dan mempublikasikannya di Internet atau media lain untuk kepentingan akademis tanpa perlu meminta ijin dari saya maupun memberikan royalty kepada saya selama tetap mencantumkan nama saya sebagai penulis. Demikian pernyataan ini yang saya buat dengan sebenarnya. Dibuat di Yogyakarta Pada tanggal: 10 September 2015 Yang menyatakan, Caesilia Carolina v PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRACT Carolina, Caesilia, 2015. An Analysis of Non-Observance Maxims in Humorous Conversation in How I Met Your Mother Season 2. Yogyakarta: Sanata Dharma University. Linguistically, humor in TV-shows often arises from the verbal interaction that often emerges in daily life conversation. The humorous fragments are often found in the characters’ utterances when the conversation technically does not work as is supposed to be. The similar cases can be found in sitcom How I Met Your Mother season 2. In this case, humor was attributable to violation of normal conversation, also the comic characters. As is known, Grice’s Cooperative Principle governs the daily conversation based on principle of cooperation. Accordingly, this research aims to gain the sight of the language humor process in perspective of Grice’s CP and describe the involvement of the non-observances of CP in creating humorous effects. The research focus was framed within two questions: 1) What are kinds of the non-observance maxims employed in humorous conversations in the sitcom How I Met Your Mother season 2? And 2) How do the violations maxim take place in creating humorous effects in sitcom How I Met Your Mother season 2? To discover the findings, qualitative research was conducted with the pragmatic understanding by employing discourse analysis as a method. The research data are taken from the situation comedy How I Met Your Mother season 2. To gain the findings of the first focus, the humorous utterances in How I Met Your Mother season 2 were identified and classified according to the four categories of non-observance maxims, namely flouting, violating, infringing and suspending; without an exclusion of basic conversational structure theory. The second focus findings were gained with the guidance of the GTVH associated with the incongruity theory. The analysis resulted two main findings. First, there were four kinds of non-observances maxim of CP employed in humorous conversation: flouting, violating, infringing and suspending. Furthermore, exploiting multiple maxims were discovered as well. Second, humor was attributable to violation of four maxims. Violation maxims done by employing the non-observance maxims became script opposition as knowledge resource for humor production -- when the violation conflicted to the audiences’ normal conceptual patterns. However, violation maxims were insufficient in the context of audiovisual humor. It needed to be combined with other resources knowledge to be perceived that the situation is supposed to be funny in the context given. Keywords: non-observance, humorous effects, How I Met Your Mother season 2 vi PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ABSTRAK Carolina, Caesilia, 2015. An Analysis of Non-Observance Maxims in Humorous Conversation in How I Met Your Mother Season 2. Yogyakarta: Universitas Sanata Dharma. Secara linguistik, humor di sitkom sering muncul dari interaksi lisan dalam percakapan sehari-hari. Humor sering ditemukan pada ungkapan- ungkapan yang diucapkan oleh tokoh ketika secara teknis percakapan tersebut tidak berjalan semestinya. Kasus serupa dapat ditemukan di sitkom How I Met Your Mother season 2. Dalam kasus ini, humor berasal dari pemain sitkom dan percakapan yang dilanggar. Seperti yang diketahui, prinsip kerjasama oleh Grice mengatur mekanisme percakapan sehari-hari berdasarkan asas kerjasama. Sesuai hal tersebut, penelitian ini ditujukan untuk menganalis proses bahasa humor dari perspektif prinsip kerjasama oleh Grice dan mendiskripsikan keterlibatan cara-cara penyimpangan maksim dalam menciptakan efek humor. Penelitian ini fokus pada dua perumusan masalah: 1) Macam cara-cara penyimpangan apakah yang diterapkan dalam percakapan humor di sitkom How I Met Your Mother season 2? Dan 2) Bagaimanakah penyimpangan- penyimpangan maxim tersebut berperan dalam menciptakan efek humor di sitkom How I Met Your Mother season 2? Untuk menemukan hasil, penelitian kualitatif dilakukan melalui pendekatan pragmatik dengan menerapkan analisis percakapan sebagai metode. Data penelitian diambil dari sitkom How I Met Your Mother season 2. Rumusan masalah pertama dijawab dengan mengidentifikasi dan mengklasifikasi ungkapan-ungkapan lucu di sitkom How I Met Your Mother season 2 dengan arahan teori struktur dasar percakapan dan 4 macam cara penyimpangan: ‘flouting’, ‘violating’, ‘infringing’ dan ‘suspending’. Rumusan masalah kedua dijawab dengan mendiskripsikan hasil penyimpangan maksim dengan berpedoman pada teori humor verbal secara umum yang dikaitkan dengan teori humor. Hasil penelitian menunjukkan 2 penemuan utama. Pertama, 4 macam cara penyimpangan diterapkan dalam percakapan humor: ‘flouting’, ‘violating’, ‘infringing’ dan ‘suspending’. Selain itu, penyimpangan maksim bersamaan juga ditemukan. Kedua, humor muncul dari penyimpangam maksim. Penyimpangan maksim dari penerapan cara penyimpangan menjadi teks oposisi, yakni sebagai element sumber untuk pembuatan humor -- humor muncul ketika terjadi ketidakserasian antara penyimpangan dengan konsep sehari-hari penonton. Namun, penyimpangan-penyimpangan maksim tersebut tidak cukup dalam konteks humor secara audiovisual. Suatu kombinasi tertentu perlu ditambahkan agar humor dalam situasi yang diberikan dapat tangkap oleh penonton. Kata kunci: non-observance, humorous effects, How I Met Your Mother season 2 vii PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI “Every time you find some humor in a difficult situation, you win.” DEDICATED TO: The man upstairs, myself, big families, PBI C 2010, readers. ix PLAGIATPLAGIAT MERUPAKAN MERUPAKAN TINDAKAN TINDAKAN TIDAK TIDAK TERPUJI TERPUJI ACKNOWLEDGEMENTS Praise to Jesus, begotten Son of God. I truly thank God for every second of breath I breathe. Uneven for not leading me into temptation but lessons learnt. For me, everything may fail but Him. Even most rhymed, most beautiful, most meaningful sentence in any language would fail to describe my gratitude. The great gratitude goes to Carla Sih Pribandari, S.Pd., M.Hum. Her favor, her patience support me during the process of accomplishing this thesis. Moreover, her advice, comments, suggestions, and corrections were very
Load more

Recommended publications
  • How I Met Your Mother“
    DIPLOMARBEIT Titel der Diplomarbeit „Sitcoms im Internet. Zuseherreaktionen und Online-Diskurs in den sozialen Medien des Web 2.0 am Beispiel der twentysomething Sitcoms Friends und How I Met Your Mother“ Verfasserin Elsa Braunger, BA angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2015 Studienkennzahl lt. Studienblatt: A 317 Studienrichtung lt. Studienblatt: Theater-, Film- und Medienwissenschaft Betreuer: Univ.- Prof. Mag. Dr. habil. Ramón Reichert Danksagung Ich möchte diese Gelegenheit nutzen, um vor allem meiner Mutter, die mich während des Schreibens mit ihrer „positiven Energie“ unterstützt hat, aber auch meinem Stiefvater, meinen Geschwistern und dem Rest meiner Familie zu danken. Besonderer Dank gilt auch der Initiatorin der Gruppe „Anonyme Diplomanden“ und allen Mitgliedern des „Mädlsabend“ – ohne euch wäre meine Zeit als twentysomething äußerst langweilig gewesen. True story. Inhaltsverzeichnis I. Einleitung ....................................................................................................... 1 II. Die Sitcom ..................................................................................................... 3 II.1 Definitionen ................................................................................................................ 3 II.2 Entwicklungsgeschichte und Thematik ...................................................................... 5 II.3 Ausdruck gesellschaftlichen Wandels ........................................................................ 6 II.4 Suburban
    [Show full text]
  • Durham E-Theses
    Durham E-Theses Imperially Alone: David Foster Wallace and The Role of Fiction ROONEY, THOMAS,EDWARD,MARK How to cite: ROONEY, THOMAS,EDWARD,MARK (2016) Imperially Alone: David Foster Wallace and The Role of Fiction, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/11740/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 Imperially Alone: David Foster Wallace and The Role of Fiction Thomas Edward Mark Rooney This thesis explores the life and work of American writer David Foster Wallace. Through examining his fiction and non-fiction, it charts the development of his ideas and also attempts to identify the driving intention and goals behind his writing. Wallace’s work is analysed with particular regard to his literary style, recurring themes of entertainment, addiction, loss of self and isolation. His work is also compared with a contemporary writer: Bret Easton Ellis.
    [Show full text]
  • Sydney Program Guide Sydney Program
    12/2/2016 prtten04.networkten.com.au:7778/pls/DWHPROD/Program_Reports.Dsp_ELEVEN_Guide?psStartDate=11­Dec­16&psEndDate=17­Dec­16&psCh… SYDNEY PROGRAM GUIDE Sunday 11th December 2016 06:00 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. 06:05 am Invizimals (Rpt) G Tale Of Two Dimensions Part 2, A Keni is a young, super­gifted scientific researcher that discovers the Invizimals during a routine experiment. Keni begins to collaborate with the Invizimals to develope completely new and pioneering technology. 06:30 am Victorious (Rpt) G Three Girls And A Moose The girls are all attracted to Moose, Beck's Canadian hockey sports friend, and all three try to get his attention. 07:00 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons. ALL NEW EPISODES 07:05 am Transformers: Robots In Disguise G Portals Fixit tries to fix the groundbridge but accidentally summons Soundwave and Laserbeak. Elsewhere: Bumblebee becomes trapped in the Shadowzone. 07:30 am Toasted TV G Want the lowdown on what's hot in the playground? Join the team for the latest in pranks, pop culture, movies, music, sport, games and other seriously fun stuff! Featuring a variety of your favourite cartoons.
    [Show full text]
  • TV Journalist Robin Scherbatsky of How I Met Your Mother
    RIZWAN 1 Gender Confusion and the Female Journalist: TV Journalist Robin Scherbatsky of How I Met Your Mother Fatima Rizwan Master’s Thesis USC Annenberg 4/1/2013 RIZWAN 2 Contents 1. Abstract 2. Methodology 3. Literature Review 4. How I Met Your Mother: The Series 5. Robin Scherbatsky: Tomboy Childhood 6. Robin and the Image of the Female Journalist a. Louise “Babe” Bennett, Mr. Deeds Goes to Town (1936) b. Hildy Johnson, His Girl Friday (1940) c. Murphy Brown, Murphy Brown (1988-1998) 7. Robin, Family, and Fluff 8. Robin, Alcohol, and the Image of the Journalist 9. Robin, Romance, and the Image of the Female Journalist 10. Conclusion 11. How I Met Your Mother Episode Index 12. Episode Index 13. Bibliography 14. Endnotes RIZWAN 3 Abstract The female broadcaster provides one of the most stereotypical images of contemporary journalist in popular culture. Often, female journalists are portrayed as vivacious, ruthless, and driven individuals who must compete fiercely to survive in a man’s profession. Robin Scherbatsky (played by Cobie Smulders) of How I Met Your Mother is depicted as an attractive Canadian journalist with a tomboy past on the highly popular television series. Scherbatsky struggles to break free from covering stereotypical “fluff” stories, a genre that is common to female broadcast journalists. While she maintains a rugged and unemotional facade, she is still very womanly and vulnerable in both her career and personal life. This study will examine Scherbatsky’s dichotomous character, compare her image on the series to that of other female journalists in popular culture, and analyze her influence on the current stereotype of female broadcasters.
    [Show full text]
  • Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom
    Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom Book or Report Section Published Version Knox, S. and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671 Available at http://centaur.reading.ac.uk/56220/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom (Knox, Simone & Derhy Kurtz, Benjamin W.L.) Contemporary US sitcom is at an interesting crossroads: it has received an increasing amount of scholarly attention (e.g. Mills 2009; Butler 2010; Newman and Levine 2012; Vermeulen and Whitfield 2013), which largely understands it as shifting towards the aesthetically and narratively complex. At the same time, in the post-broadcasting era, US networks are particularly struggling for their audience share. With the days of blockbuster successes like Must See TV’s Friends (NBC 1994-2004) a distant dream, recent US sitcoms are instead turning towards smaller, engaged audiences.
    [Show full text]
  • RENNETT-DISSERTATION-2017.Pdf
    Copyright by Michael David Rennett 2017 The Dissertation Committee for Michael David Rennett certifies that this is the approved version of the following dissertation: HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION Committee: Thomas Schatz, Co-Supervisor Janet Staiger, Co-Supervisor Mary Celeste Kearney Mary Beltran Julia Mickenberg HOW GROWN-UPS ARE BORN: THE EMERGING-ADULT GENRE AND AMERICAN FILM AND TELEVISION by Michael David Rennett Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2017 Acknowledgements The idea for my dissertation started to coalesce in 2006 and developed bit-by-bit over the last eleven years. I am truly thankful for all the personal and professional support I received throughout this time to pursue my project. First, I would like to thank the members of my dissertation committee – Janet Staiger, Tom Schatz, Mary Kearney, Mary Beltrán, and Julia Mickenberg – for their hard work and insightful feedback. Janet Staiger has been instrumental in developing this project since I arrived at the University of Texas in 2011. Like any great mentor, Janet would know when I needed to meet and talk through my idea, and would know when I needed my space to write and work through each part on my own. In our meetings, Janet would facilitate deep conversations about the core issues surrounding my project and keep me focused on the media’s representations of emerging-adults.
    [Show full text]
  • Video Reviews 10-5-07.Qxp
    New On Video & DVD The Unit Season 2 Splitting time between the home front and the battlefront, this innovative drama series (from collaborators David Mamet and Shawn Ryan) chronicles the trials of Special Forces sol- diers and their families. In the show's sophomore season, the squad travels to Pakistan to help an undercover operative who's on a mission to thwart terrorists. The cast includes Dennis Haysbert, Scott Foley and Robert Patrick. Disc 1 includes the following episodes: "Change of Station," "Extreme Rendition," "The Kill Zone" and "Manhunt." Additional Actors: Rebecca Pidgeon, Sammi Hanratty, Daston Kalili, Bryan Clark, James Sharpe, Matt Malloy, Joanne Rubino, Bahar Soomekh, Summer Glau, Mark Ivanir, Michele Greene, Ilia Volok, Matt Gerald, Lee Tergesen, Guy Ale, Robin Weigert, Todd Cattell, Jan Devereaux, Ned Schmidtke, Alex Castillo, Isabella Hofmann, Matt Bushell, Jim Beaver, Phil Hendrie. Disc 2 includes the following episodes: "Force Majeure," "Old Home Week," "Off the Meter" and "Natural Selection." Additional Actors: Summer Glau, Shannon Holt, Demetrius Grosse, Kim Estes, Joel Polis, Eve Brenner, Mike Genovese, Michele Greene, Karina Logue, Isaach De Bankolé, Rebecca Pidgeon, Jon Hamm, Vincent Guastaferro, Damon Herriman, Paul Butler, Meshach Taylor, Julianna McCarthy, Jonathan Adams, Jonathan Higgins, Michael O'Neill, Brent Jennings, Marlene Forte, Laz Alonso, Ivana Milicevic, Chris Tardio, Sean McGowan. Disc 3 includes the following episodes: "Report by Exception," "Bait," "Silver Star" and "The Broom Cupboard." Additional Actors: Summer Glau, Tia Texada, Chris Ellis, Daniel Betances, Carlos Lacamara, Robert Covarrubias, Lillian Hurst, Lisa Darr, Dominic Hoffman, Rebecca Pidgeon, Jon Hamm, Patti Yasutake, Franklin Dennis Jones, James Sutorius, Chance Kelly, Emily Yancy, Willie C.
    [Show full text]
  • É®'Å‹Ƒâ·È–©Æ ¼ Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    é®‘å‹ƒÂ·è–©æ ¼ 电影 串行 (大全) Belly Full of Turkey https://zh.listvote.com/lists/film/movies/belly-full-of-turkey-4884249/actors ç¦å​ ˆ© https://zh.listvote.com/lists/film/movies/%E7%A6%8F%E5%88%A9-4887462/actors 自然历å²​ https://zh.listvote.com/lists/film/movies/%E8%87%AA%E7%84%B6%E5%8E%86%E5%8F%B2-6980510/actors Slap Bet https://zh.listvote.com/lists/film/movies/slap-bet-7538689/actors No Tomorrow https://zh.listvote.com/lists/film/movies/no-tomorrow-7045118/actors 女伴 对 西æœ​ https://zh.listvote.com/lists/film/movies/%E5%A5%B3%E4%BC%B4-%E5%AF%B9-%E8%A5%BF%E6%9C%8D-740754/actors The Limo https://zh.listvote.com/lists/film/movies/the-limo-7747382/actors The Duel https://zh.listvote.com/lists/film/movies/the-duel-7731151/actors Where Were We? https://zh.listvote.com/lists/film/movies/where-were-we%3F-7993362/actors Game Night https://zh.listvote.com/lists/film/movies/game-night-4809956/actors 枫浆玉液 https://zh.listvote.com/lists/film/movies/%E6%9E%AB%E6%B5%86%E7%8E%89%E6%B6%B2-7084332/actors Matchmaker https://zh.listvote.com/lists/film/movies/matchmaker-9030442/actors æˆ‘äº†è§£ä½ å—​ ？ https://zh.listvote.com/lists/film/movies/%E6%88%91%E4%BA%86%E8%A7%A3%E4%BD%A0%E5%90%97%EF%BC%9F-5286037/actors Milk https://zh.listvote.com/lists/film/movies/milk-6857975/actors Best Prom Ever https://zh.listvote.com/lists/film/movies/best-prom-ever-8247171/actors Everything Must Go https://zh.listvote.com/lists/film/movies/everything-must-go-5418077/actors 建ç‘​ æ¯ç​ å​ ¸ˆ https://zh.listvote.com/lists/film/movies/%E5%BB%BA%E7%AD%91%E6%AF%81%E7%81%AD%E5%B8%88-4786988/actors 家å›ç​ ´åè​ €… https://zh.listvote.com/lists/film/movies/%E5%AE%B6%E5%9B%AD%E7%A0%B4%E5%9D%8F%E8%80%85-5888848/actors Nothing Good Happens After 2 https://zh.listvote.com/lists/film/movies/nothing-good-happens-after-2-a.m.-11696021/actors A.M.
    [Show full text]
  • Exploring the Intersection of Transtexts and the Contemporary Sitcom
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Central Archive at the University of Reading Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom Book or Report Section Published Version Knox, S. and Derhy Kurtz, B. W. L. (2017) Texture, realism, performance: exploring the intersection of transtexts and the contemporary sitcom. In: Derhy Kurtz, B. W. L. and Bourdaa, M. (eds.) The Rise of Transtexts: Challenges and Opportunities. Routledge Research in Cultural and Media Studies. Routledge, pp. 49-67. ISBN 9781138944671 Available at http://centaur.reading.ac.uk/56220/ It is advisable to refer to the publisher's version if you intend to cite from the work. Publisher: Routledge All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading's research outputs online Texture, Realism, Performance: Exploring the Intersection of Transtexts and the Contemporary Sitcom (Knox, Simone & Derhy Kurtz, Benjamin W.L.) Contemporary US sitcom is at an interesting crossroads: it has received an increasing amount of scholarly attention (e.g. Mills 2009; Butler 2010; Newman and Levine 2012; Vermeulen and Whitfield 2013), which largely understands it as shifting towards the aesthetically and narratively complex. At the same time, in the post-broadcasting era, US networks are particularly struggling for their audience share.
    [Show full text]
  • Questioning the Purpose and Success of Occasionalisms As a Source of Humour in How I Met Your Mother
    Lexis Journal in English Lexicology 17 | 2021 Humor, creativity and lexical creation Questioning the purpose and success of occasionalisms as a source of humour in How I Met your Mother Adeline Terry Electronic version URL: https://journals.openedition.org/lexis/5399 DOI: 10.4000/lexis.5399 ISSN: 1951-6215 Publisher Université Jean Moulin - Lyon 3 Electronic reference Adeline Terry, “Questioning the purpose and success of occasionalisms as a source of humour in How I Met your Mother”, Lexis [Online], 17 | 2021, Online since 15 August 2021, connection on 20 August 2021. URL: http://journals.openedition.org/lexis/5399 ; DOI: https://doi.org/10.4000/lexis.5399 This text was automatically generated on 20 August 2021. Lexis is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. Questioning the purpose and success of occasionalisms as a source of humour i... 1 Questioning the purpose and success of occasionalisms as a source of humour in How I Met your Mother Adeline Terry Introduction 1 How I Met Your Mother (HIMYM henceforth) is an American sitcom created by Carter Bays and Craig Thomas, broadcast from 2005 to 2014 on CBS. It has been said to be different from other popular sitcoms (such as Friends) for two main reasons: its complex narrative construction (Cornillon [2006], Mittell [2015]) and its lexical creativity (Sams [2016]). This paper will mostly focus on lexical creativity, and more specifically on the links between lexical creativity and humour in the sitcom. Although the main reason for the creation of a new word is to fill in a lexical or conceptual gap or to fine-tune an existing notion, a new lexical creation can also fulfil different functions at a pragmatic level, for instance for euphemistic or humorous effects, among others.
    [Show full text]
  • Tuition Increase Possible for Fall SPORTS Officials Say Per Three-Credit-Hour Class
    OKLAHOMA CITY COMMUNITY COLLEGE INSIDE PIONEER ONLINE To comment on stories or to access the latest news, features, multimedia, online exclusives and MAYIONEER 9, 2014 PIONEER.OCCC.EDU COVERING OCCC SINCE 1978 updates, visit www. occc.edu/pioneer. P Finals concentration EDITORIAL HOBBY LOBBY SHOULD TAKE STRONG STAND Editor Lauren Daniel says Hobby Lobby should be allowed to disallow their employees certain forms of birth control. Read her thoughts. OPINION, p. 2 NEWS GRADUATES TO WALK THE STAGE MAY 16 Turn inside to find out where graduates should meet, where visitors should park JOHN HUYNH/PIONEER and who will deliver Nursing majors Sherry McHargue and Savannah Waters study in an area outside the biology lab May 2 for their upcoming the keynote speech finals. The second floor of the Main Building provides numerous desks where students can study. at commencement ceremonies. NEWS, p. 6 & 7 Tuition increase possible for fall SPORTS Officials say per three-credit-hour class. ing, any tuition increase is proposed cut in higher educa- TRIATHLON students may pay OCCC officials will not know dependent on the final amount tion funds would have other CANCELED 5 percent more until late June if there will be allocated to higher education by direct effects on OCCC. AFTER 20 YEARS a tuition increase, said OCCC the Oklahoma Legislature and He said the college’s budget OCCC officials say President Paul Sechrist. the governor,” he said. would suffer because the amount the SuperSprint BRYCE MCELHANEY “The increases, if there are “If there is a cut to higher of funding the college receives triathlon has been Staff Writer any, will go into effect for the education or insufficient funds from the state determines tu- canceled because of [email protected] fall semester … ,” he said.
    [Show full text]
  • UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická Fakulta Katedra Anglického Jazyka
    UNIVERZITA PALACKÉHO V OLOMOUCI Pedagogická fakulta Katedra anglického jazyka JAN GREGAR III. ročník, prezenční studium Obor: Anglický jazyk se zaměřením na vzdělávání - Základy technických věd a informačních technologií pro vzdělávání HUMOR OF THE AMERICAN SITCOM HOW I MET YOUR MOTHER, ITS TRANSLATION AND ACCEPTANCE BY THE CZECH AUDIENCE Bakalářská práce Vedoucí závěrečné písemné práce: Mgr. Josef Nevařil, Ph.D. OLOMOUC 2013 Prohlašuji, že jsem závěrečnou práci vypracoval samostatně a použil jsem jen uvedených pramenů a literatury. V Olomouci 17.4.2013 ….............................................................. vlastnoruční podpis I would like to thank Mgr. Josef Nevařil, Ph.D. for his support, comments and guidance of my final project. I would also like to thank Mr Michal Grepl for his permission of the usage of the subtitles from his internet site. Abstract This thesis compares American and Czech humor, it describes the possibility of translating humor and the practical part presents the attitude of the audience to the translation. In the practical part of the thesis was proved that the subtitled translation of the How I Met Your Mother series is more popular than the dubbed translation of the series as the majority of the respondents of the poll claimed to favor it. Furthermore, the research discovered the lack of cultural knowledge of the translators translating the series. In addition, the poll of the present thesis proved that the character Barney Stinson, whose protagonist, Neil Patrick Harris, has won an Emmy Award for this role, is also the most popular figure from this sitcom in the Czech Republic. List of contents: Introduction ................................................................................................................................... 5 Theoretical part ............................................................................................................................. 6 1.1 Humor .................................................................................................................................
    [Show full text]