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MEDIA RELEASE 29 July 2020 The past isn’t done with us yet… Catherine Văn-Davies leads the ensemble cast of new Australian drama series Hungry Ghosts Four-night special event on SBS Monday 24 August – Thursday 27 August at 9:30pm • INTERVIEWS AVAILABLE • IMAGES AND SCREENERS: HERE • FIRST LOOK TRAILER: HERE Chilling, captivating and utterly compelling, Hungry Ghosts follows four families that find themselves haunted by ghosts from the past. Filmed and set in Melbourne during the month of the Hungry Ghost Festival, when the Vietnamese community venerate their dead, this four-part drama series event from Matchbox Pictures premieres over four consecutive nights, Monday 24 August – Thursday 27 August at 9:30pm on SBS. When a tomb in Vietnam is accidentally opened on the eve of the Hungry Ghost Festival, a vengeful spirit is unleashed, bringing the dead with him. As these spirits wreak havoc across the Vietnamese-Australian community in Melbourne, reclaiming lost loves and exacting revenge, young woman May Le (Văn-Davies) must rediscover her true heritage and accept her destiny to help bring balance to a community still traumatised by war. Hungry Ghosts reflects the extraordinary lived and spiritual stories of the Vietnamese community and explores the inherent trauma passed down from one generation to the next, and how notions of displacement impact human identity – long after the events themselves. With one of the most diverse casts featured in an Australian drama series, Hungry Ghosts comprises more than 30 Asian-Australian actors and 325 -
2-12 APRIL 2007 Ifi Aus Film Fest 07 23/03/2007 17:13 Page 2
ifi_aus_film_fest_07 23/03/2007 17:13 Page 1 2-12 APRIL 2007 ifi_aus_film_fest_07 23/03/2007 17:13 Page 2 WELCOME FESTIVAL SPONSOR It is my great pleasure to welcome you to the 2007 Rosemount Dublin Australian Film Festival. The Australian Embassy in Dublin is proud to be involved with an event that showcases the diversity of contemporary Australian cinema. The film industry in Australia is continuing to produce many high quality feature and documentary films. These films reflect, question and FESTIVAL PARTNER challenge how we see ourselves, while simultaneously offering the world a glimpse of contemporary Australia. Their quality showcases Australia as a vibrant, diverse, creative, talented and highly competitive player in every aspect of film production. FESTIVAL SUPPORTERS Australian actors such as Nicole Kidman, Geoffrey Rush, Cate Blanchett, Russell Crowe, Naomi Watts, Heath Ledger, Toni Collette and Eric Bana have amassed a body of work that has won critical acclaim and commercial success around the world. Australia’s directors, producers, costume designers, writers, cinematographers and animators are attracting growing international attention and many overseas film producers come to Australia to take advantage of the world-class studio facilities, highly-skilled local FESTIVAL PATRON technical crews and the stunning diversity of the landscape. Jane Scott, film producer The selection of films featured in this year’s Festival provides audiences with the opportunity to sample an interesting and broad cross section of ACKNOWLEDGEMENTS recent Australian cinema. Our thanks to those involved in assisting the IFI in producing this festival each year, I would like to thank all those who contributed their time and effort in most notably the good work of Trish bringing the collection to Dublin as well as the sponsors for supporting Crerar, who each year gives tremendous such a wonderful event. -
Production Notes Greg Haddrick, Greg Mclean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS
A Stan Original Series presents A Screentime, a Banijay Group company, production, in association with Emu Creek Pictures financed with the assistance of Screen Australia and the South Australian Film Corporation Based on the feature films WOLF CREEK written, directed and produced by Greg McLean Adapted for television by Peter Gawler, Greg McLean & Felicity Packard Production Notes Greg Haddrick, Greg McLean Nick Forward, Rob Gibson, Jo Rooney, Andy Ryan EXECUTIVE PRODUCERS Peter Gawler & Elisa Argenzio PRODUCERS Peter Gawler & Felicity Packard SERIES WRITERS Tony Tilse & Greg McLean SERIES DIRECTORS As at 2.3.16 As at 2.3.16 TABLE OF CONTENTS Key Cast Page 3 Production Information Page 4 About Stan. and About Screentime Page 5 Series Synopsis Page 6 Episode Synopses Pages 7 to 12 Select Cast Biographies & Character Descriptors Pages 15 to 33 Key Crew Biographies Pages 36 to 44 Select Production Interviews Pages 46 to 62 2 KEY CAST JOHN JARRATT Mick Taylor LUCY FRY Eve Thorogood DUSTIN CLARE Detective Sergeant Sullivan Hill and in Alphabetical Order EDDIE BAROO Ginger Jurkewitz CAMERON CAULFIELD Ross Thorogood RICHARD CAWTHORNE Kane Jurkewitz JACK CHARLES Uncle Paddy LIANA CORNELL Ann-Marie RHONDDA FINDELTON Deborah ALICIA GARDINER Senior Constable Janine Howard RACHEL HOUSE Ruth FLETCHER HUMPHRYS Jesus (Ben Mitchell) MATT LEVETT Kevin DEBORAH MAILMAN Bernadette JAKE RYAN Johnny the Convict MAYA STANGE Ingrid Thorogood GARY SWEET Jason MIRANDA TAPSELL Constable Fatima Johnson ROBERT TAYLOR Roland Thorogood JESSICA TOVEY Kirsty Hill 3 PRODUCTION INFORMATION Title: WOLF CREEK Format: 6 X 1 Hour Drama Series Logline: Mick Taylor returns to wreak havoc in WOLF CREEK. -
Download the Report
Oregon Cultural Trust fy2011 annual report fy2011 annual report 1 Contents Oregon Cultural Trust fy2011 annual report 4 Funds: fy2011 permanent fund, revenue and expenditures Cover photos, 6–7 A network of cultural coalitions fosters cultural participation clockwise from top left: Dancer Jonathan Krebs of BodyVox Dance; Vital collaborators – five statewide cultural agencies artist Scott Wayne 8–9 Indiana’s Horse Project on the streets of Portland; the Museum of 10–16 Cultural Development Grants Contemporary Craft, Portland; the historic Astoria Column. Oregonians drive culture Photographs by 19 Tatiana Wills. 20–39 Over 11,000 individuals contributed to the Trust in fy2011 oregon cultural trust board of directors Norm Smith, Chair, Roseburg Lyn Hennion, Vice Chair, Jacksonville Walter Frankel, Secretary/Treasurer, Corvallis Pamela Hulse Andrews, Bend Kathy Deggendorfer, Sisters Nick Fish, Portland Jon Kruse, Portland Heidi McBride, Portland Bob Speltz, Portland John Tess, Portland Lee Weinstein, The Dalles Rep. Margaret Doherty, House District 35, Tigard Senator Jackie Dingfelder, Senate District 23, Portland special advisors Howard Lavine, Portland Charlie Walker, Neskowin Virginia Willard, Portland 2 oregon cultural trust December 2011 To the supporters and partners of the Oregon Cultural Trust: Culture continues to make a difference in Oregon – activating communities, simulating the economy and inspiring us. The Cultural Trust is an important statewide partner to Oregon’s cultural groups, artists and scholars, and cultural coalitions in every county of our vast state. We are pleased to share a summary of our Fiscal Year 2011 (July 1, 2010 – June 30, 2011) activity – full of accomplishment. The Cultural Trust’s work is possible only with your support and we are pleased to report on your investments in Oregon culture. -
The Nightingale
SCREEN AUSTRALIA SCREEN TASMANIA AND SOUTH AUSTRALIAN FILM CORPORATION present in association with ADELAIDE FILM FESTIVAL BRON CREATIVE And FILMNATION ENTERTAINMENT a CAUSEWAY FILMS and MADE UP STORIES production THE NIGHTINGALE PRODUCTION NOTES Running Time: 136 mins AUSTRALIAN PUBLICITY REQUESTS: Amy Burgess / National Publicity Manager, Transmission Films 02 8333 9000, [email protected] Images: High res images and poster available to download via the DOWNLOAD MEDIA tab at: https://www.transmissionfilms.com.au/films/the-nightingale Starring Aisling Franciosi, Sam Claflin and Baykali Ganambarr Writer and Director: Jennifer Kent Producers: Kristina Ceyton p.g.a., Bruna Papandrea p.g.a., Steve Hutensky p.g.a. and Jennifer Kent p.g.a. Executive Producers: Brenda Gilbert, Jason Cloth, Andrew Pollack, Aaron L. Gilbert, Ben Browning and Alison Cohen Associate Producer: Jim Everett Director of Photography: Radek Ladczuk Editor: Simon Njoo Production Designer: Alex Holmes Costume Designer: Margot Wilson APDG Hair and Makeup Designer: Nikki Gooley Sound Designer: Robert Mackenzie Composer: Jed Kurzel Visual Effects Supervisor: Marty Pepper Casting Director: Nikki Barrett CSA Distributed in Australia and New Zealand by Transmission Films International Sales: FilmNation Entertainment, US Sales: Endeavor Content The Nightingale Production Notes 2 INDEX SYNOPSES 3 DIRECTOR’S STATEMENT 4 CAST AND CHARACTER LIST 4 GENESIS OF THE FILM 5 CASTING AND CHARACTERS Clare – Portrayed by Aisling Franciosi 8 Hawkins – Portrayed by Sam Claflin 10 Billy -
The Premiere Fund Slate for MIFF 2021 Comprises the Following
The MIFF Premiere Fund provides minority co-financing to new Australian quality narrative-drama and documentary feature films that then premiere at the Melbourne International Film Festival (MIFF). Seeking out Stories That Need Telling, the the Premiere Fund deepens MIFF’s relationship with filmmaking talent and builds a pipeline of quality Australian content for MIFF. Launched at MIFF 2007, the Premiere Fund has committed to more than 70 projects. Under the charge of MIFF Chair Claire Dobbin, the Premiere Fund Executive Producer is Mark Woods, former CEO of Screen Ireland and Ausfilm and Showtime Australia Head of Content Investment & International Acquisitions. Woods has co-invested in and Executive Produced many quality films, including Rabbit Proof Fence, Japanese Story, Somersault, Breakfast on Pluto, Cannes Palme d’Or winner Wind that Shakes the Barley, and Oscar-winning Six Shooter. ➢ The Premiere Fund slate for MIFF 2021 comprises the following: • ABLAZE: A meditation on family, culture and memory, indigenous Melbourne opera singer Tiriki Onus investigates whether a 70- year old silent film was in fact made by his grandfather – civil rights leader Bill Onus. From director Alex Morgan (Hunt Angels) and producer Tom Zubrycki (Exile in Sarajevo). (Distributor: Umbrella) • ANONYMOUS CLUB: An intimate – often first-person – exploration of the successful, yet shy and introverted, 33-year-old queer Australian musician Courtney Barnett. From producers Pip Campey (Bastardy), Samantha Dinning (No Time For Quiet) & director Danny Cohen. (Dist: Film Art Media) • CHEF ANTONIO’S RECIPES FOR REVOLUTION: Continuing their series of food-related social-issue feature documentaries, director Trevor Graham (Make Hummus Not War) and producer Lisa Wang (Monsieur Mayonnaise) find a very inclusive Italian restaurant/hotel run predominately by young disabled people. -
Twenty-First Sunday in Ordinary Time August 27, 2017 Save the Servant Who Trusts in You, Lord!
A community of Faith hope and love Twenty-first Sunday in Ordinary Time August 27, 2017 Save the servant who trusts in you, Lord! T.BERNARD’S S CATHOLIC CHURCH 516-731-4220 Phone/516-731-4355 Fax Email: [email protected] Website: www.StBernardChurch.org MISSION STATEMENT PASTORAL TEAM With faith, hope, and love the people of Father Ralph Sommer, Pastor St. Bernard's parish family are on a mission to [email protected] ext. 130 bring the gospel of Jesus Father Joe Nohs, Associate Pastor [email protected] to the Levittown Community and beyond. ext. 128 Father Innocent Mbaegbu [email protected] Spiritual Life Father Innocent Duru, Chaplain In Residence Schedule of Masses: [email protected] Saturday: 8:00 am and 5:00 pm Deacon John Blakeney Sunday: 7:30 am, 9:00 am (Family Mass), 10:30 am, [email protected] 516-731-4220 12 Noon, 5:30 pm (Youth Mass) Deacon James Flannery Weekday s: 8:00 am [email protected] Holy Days: see website: www.StBernardChurch.org 516-731-4220 Mrs. Susan Martin, Director of Religious Education Confessions: [email protected] 516-731-8511 Phone/516-731-7860 Fax Saturday: 4:00 - 5:00 pm. Weekdays: After the 8:00 am Mass The Religious Education Center is closed on Fridays. Our Lady of the Miraculous Medal Novena and Sr. Christine Sammons, O.P., Benediction: Coordinator of Parish Social Ministry Monday: Check schedule on page 4. [email protected] 516-731-6074 Morning Prayer: Ms. Sarah Kropac, Coordinator of Youth Ministry Monday through Saturday, 8:30 am, Prayer Room. -
Right Next Door Free
FREE RIGHT NEXT DOOR PDF Debbie Macomber | 408 pages | 26 May 2009 | Mira Books | 9780778327004 | English | United States Right Next Door | CSI | Fandom While CSI investigates a Right Next Door in Stella's apartment building, Stella comes to the revelation an abducted child may have been staying with the woman who lived next door to her. When a crime scene is determined to be a sad accident, Mac sends Stella home since Right Next Door pulled 3 overtime shifts. On her way to her apartment, she passes neighbor Bonnie Dillard arguing with a little girl. Bonnie says she's looking after her niece whilst her sister is out of town. Hours later, Stella awakes to find her apartment filled with smoke, and the building on fire. She manages to rescue Bonnie's son Jason from their apartment, and reunites them outside. During the investigation, Stella finds Right Next Door pieces of paper in the ruins of her apartment reading 'Help Me. But Mac has doubts, since the arsonist profile suggests they like to watch from elsewhere, and he had plenty of time to leave. The investigation reveals the body is of a young girl that Sean Nolan, who is discovered alive, asked to keep an eye on his pet goldfish. After Right Next Door the ignition point wasn't Sean Nolan's apartment, and the fumes had traveled through the air vents to his open window, they uncover a lighter in Bonnie's apartment. Prints on the lighter reveal that Bailey Right Next Door, an 8 year old girl kidnapped over a week before, was the arsonist. -
Anney Perrine
ANNEY PERRINE Costume Designer www.anneyperrine .com YOUTH IN OREGON • Sundial Pictures • 2015 • Director: Joel David Moore • Producers: Joey Carey, Stefan Nowicki Cast: Frank Langella, Billy Crudup, Christina Applegate CUSTODY • Lucky Monkey Pictures • 2015 • Director: James Lapine • Producers: Katie Mustard, Lauren Versel Cast: Viola Davis, Ellen Burstyn, Hayden Panettiere, Catalina Moreno, Tony Shaloub, Dan Fogler THE PHENOM • Elephant Eye Films • 2014 • Director: Noah Buschel • Producers: Jeff Rice, Kim Jose, Aaron L. Gilbert Cast: Ethan Hawke, Paul Giamatti, Johnny Simmons, Sophie Kennedy Clark, Marin Ireland THE OUTSKIRTS • BCDF Pictures • 2014 • Director: Peter Hutchings • Producers: Brice Del Farra, Claude Del Farra Cast: Eden Sher, Victoria Justice, Peyton List, Ashley Rickards AD INEXPLORATA • Loveless • 2014 • Director: Mark Rosenberg • Producers: Josh Penn, Matthew Parker, Jason Berman Cast: Mark Strong, Sanaa Lathan, Luke Wilson BEFORE WE GO • G4 Productions • 2013 • Director: Chris Evans • Producers: McG, Mark Kassen, Mary Viola Cast: Chris Evans, Alice Eve, Emma Fitzpatrick *Special Presentation: Toronto International Film Festival 2014 ABOUT ALEX • Bedford Falls Co. • 2013 • Dir: Jesse Zwick • Prod: Edward Zwick, Marshall Herskovitz, Robyn Bennett, Adam Saunders Cast: Aubrey Plaza, Max Minghella, Nate Parker, Jason Ritter, Maggie Grace, Max Greenfield *Official Selection: Tribeca Film Festival 2014 MAHJONG AND THE WEST • BCDF Pictures & Apres Visuals • 2013 • Dir: Joseph Muszynski • Prod: Claude Dal Farra, Adam Piotrowicz Cast: Dominic Bogart, Tom Guiry, Louanne Stephens MEDAL OF VICTORY • Warehouse District Productions • 2013 • Director: Joshua Moise • Producer: Jason Schumacher Cast: Richard Riehle, Will Blomker COLD COMES THE NIGHT • Syncopated Films • 2012 • Dir: Tze Chun • Producers: Terry Leonard, Mynette Louie, Rick Rosenthal Cast: Bryan Cranston, Alice Eve, Logan Marshall-Green, Ursula Parker, Leo Fitzpatrick A BIRDER’S GUIDE TO EVERYTHING • Dreamfly Prod. -
CHLA 2017 Annual Report
Children’s Hospital Los Angeles Annual Report 2017 About Us The mission of Children’s Hospital Los Angeles is to create hope and build healthier futures. Founded in 1901, CHLA is the top-ranked children’s hospital in California and among the top 10 in the nation, according to the prestigious U.S. News & World Report Honor Roll of children’s hospitals for 2017-18. The hospital is home to The Saban Research Institute and is one of the few freestanding pediatric hospitals where scientific inquiry is combined with clinical care devoted exclusively to children. Children’s Hospital Los Angeles is a premier teaching hospital and has been affiliated with the Keck School of Medicine of the University of Southern California since 1932. Table of Contents 2 4 6 8 A Message From the Year in Review Patient Care: Education: President and CEO ‘Unprecedented’ The Next Generation 10 12 14 16 Research: Legislative Action: Innovation: The Jimmy Figures of Speech Protecting the The CHLA Kimmel Effect Vulnerable Health Network 18 20 21 81 Donors Transforming Children’s Miracle CHLA Honor Roll Financial Summary Care: The Steven & Network Hospitals of Donors Alexandra Cohen Honor Roll of Friends Foundation 82 83 84 85 Statistical Report Community Board of Trustees Hospital Leadership Benefit Impact Annual Report 2017 | 1 This year, we continued to shine. 2 | A Message From the President and CEO A Message From the President and CEO Every year at Children’s Hospital Los Angeles is by turning attention to the hospital’s patients, and characterized by extraordinary enthusiasm directed leveraging our skills in the arena of national advocacy. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
The Cw Arrowverse and Myth-Making, Or the Commodification of Transmedia Franchising
PRODUCTIONS / MARKETS / STRATEGIES THE CW ARROWVERSE AND MYTH-MAKING, OR THE COMMODIFICATION OF TRANSMEDIA FRANCHISING CHARLES JOSEPH Name Charles Joseph Arrowverse, a shared narrative space based on DC-inspired Academic centre University of Rennes 2 original series which provided the network with a fertile E-mail address [email protected] groundwork to build upon. The CW did not hesitate to capitalize on its not-so-newfound superhero brand to KEYWORDS induce a circulation of myth, relying on these larger-than- The CW; DC comics; Arrowverse; transmedia; convergence; life characters at the heart of American pop culture to superhero; myth. fortify its cultural and historical bedrock and earn its seat along the rest of the Big 4. This paper aims to decipher how The CW pioneered new technology-based tools ABSTRACT which ultimately changed the American media-industrial The CW’s influence over the American network television landscape of the early 2010s, putting these tools to the landscape has never ceased to grow since its creation test with the network’s superhero series. It will thus also in 2006. The network’s audience composition reflects address how the Arrowverse set of characters has triggered The CW’s strategies to improve its original content as cross-media and transmedia experimentations, how The well as diversifying it, moving away from its image as a CW stimulated rapport with its strong fan base, as well network for teenage girls. One of the key elements which as how the network has been able to capitalize on the has supported this shift was the development of the superhero genre’s evocative capacities.