Bibliografia V3

BIBLIOGRAFIA RAGIONATA V 3.0 – AGGIORNAMENTO Inverno 2007 ______

UNIVERSITA’ DI ROMA – TOR VERGATA FACOLTA’ DI SCIENZE MATEMATICHE, FISICHE E NUMERICHE LAUREA TRIENNALE IN SCIENZA DEI MEDIA E DELLA COMUNICAZIONE

MUSICA ELETTRONICA Prof. ENRICO COSIMI

INDICAZIONI BIBLIOGRAFICHE

Organizzazione Acustica e Fisica

Storia della Musica Elettronica

Organologia e sviluppo degli strumenti musicali elettronici

Film Scoring e Sound Design

Sintesi Analogica e Virtual Analogica Trattatistica Generale Trattatistica Dedicata

Sintesi Digitale Trattatistica Generale Trattatistica Dedicata

Computer Music

Matematica e Musica

DSP Processing e Audio Digitale

Recording e Sound Editing

Tecnica

ACUSTICA E FISICA Anche se, all’interno del percorso didattico previsto dal Corso di Laurea non mancano ampi e più approfonditi approcci alle due discipline, si indicano in questa sede alcuni testi particolarmente importanti:

Helmholtz 1885 H. Helmholtz, On the Sensations of Tone, 2nd English Edition, Dover Publications, NY, 1954. Nicolao 1958 G. Nicolao, La tecnica dell’alta fedeltà, Il Rostro, Milano, 1958. Benade 1976 A. H. Benade, Fundamentals of Musical Acoustics, Second, Revised Edition, Dover Publication, NY, 1990. Righini 1970 P. Righini, L’acustica per il musicista. Fondamenti fisici della musica, Zanibon, Padova, 1970. Hartmann 1998 W. M. Hartmann, Signals, Sound, and Sensation, Springer, New York, NY, 1998. Pierce 1988 J.R. Pierce, La scienza del suono, Zanichelli, Bologna, 1988. Cook 1999 P. R. Cook (ed.), Music, Cognition, and Computerized Sound. An Introduction to Psychoacoustics, The MIT Press, Cambridge, MASS, 1999. Frova 1999 A. Frova, Fisica nella musica, Zanichelli, Bologna, 1999. Rossing 2002 T.D.Rossing, F.R.Moore, P.A. Wheeler, The Science of Sound. IIIrd Edition, Addison Wesley, San Francisco CA, 2002.

STORIA DELLA MUSICA ELETTRONICA Nell’immensa quantità di scritti relativi all’evoluzione degli strumenti musicali elettronici, si fornisce indicazione dei testi più funzionali per bilanciamento tra organologia, pensiero musicale ed approfondimento umano:

Prieberg 1963 F.K. Prieberg, Musica ex machina, Einaudi, Torino, 1963. Pousseur 1976 H. Pousseur (ed.), La musica elettronica. Testi scelti e commentati da Henri Pousseur, Feltrinelli, Milano, 1977. Hammond 1983 R. Hammond, The Musician And The Micro, Blandford Press, Poole, UK., 1983. Fabbri 1984 F. Fabbri, Elettronica e Musica. Gli strumenti i personaggi la storia, Fabbri Editori, Milano, 1984. Smith 1991 S. C. Smith, A Heart at Fire’s Center. The Life and Music of Bernard Herrmann, University of California Press, Berkeley, 1991. Xenakis 1992 I. Xenakis, Formalized Music. Thoughts and Mathematics in Music, Pendragon Press, Hillsdale, NY, 1992. Chadabe 1997 J. Chadabe, Electric Sound The Past and Promise of Electronic Music, Prentice Hall, New Jersey, 1997. Théberge 1997 P. Théberge, Any Sound You Can Imagine. Making Music/Consuming Technology, Wesleyan University Press, Hanover, NE, 1997. Nyman 1999 M. Nyman, Experimental Music. Cage and Beyond, Second Edition, Cambridge University Press, Cambridge, UK, 1999. Glinsky 2000 A. Glinsky, Theremin. Ether Music and Espionage, University of Illinois Press, Urbana and Chicago, 2000. Prendergast 2000 M. Prendergast, The Ambient Century. From Mahler to Trance- The Evolution of Sound in the Electronic Age., Bloomsbury Publishing, New York, NY, 2000. Shapiro 2000 P. Shapiro (ed.), Modulations. A history of electronic music: throbbing words on sounds. Caipirinha Productions, Inc. New York, NY, 2000. Taylor 2001 T. D. Taylor, Strange Sounds. Music, Technology & Culture, Routledge, NY, 2001. Braun 2002 H.J. Braun (ed.), Music and Technology in the Twentieth Century, The John Hopkins University Press, Baltimore MD, 2002. Holmes 2002 T. Holmes, Electronic and Experimental Music, II ed., Routledge, New York, NY, 2002. Kakehashi 2002 I. Kakehashi (w. R. Olsen), I Believe in Music, Hal Leonard, Milwaukee, WI., 2002. Kettlewell 2002 B. Kettlewell, Electronic Music Pioneers, ProMusic Press, Vallejo, CA., 2002. Pinch 2002 T. Pinch e F. Trocco, Analog Days. The Invention and Impact of the Moog Synthesizer, Harvard University Press, Cambridge, MASS, 2002. Warner 2003 T. Warner, Pop Music - Technology and Creativity. Trevor Horn and the Digital Revolution, Ashgate, Aldershot, 2003. Fiocchetta 2004 G. Fiocchetta (ed), Musica e tecnologia nella scuola italiana. Rete telematica e musica elettronica. Rapporto 2004, Ministero dell’Istruzione dell’Università e della Ricerca. 2004. Katz 2004 M. Katz, Capturing Sound. How Technology Has Changed Music, University of California Press, Berkeley, CA, 2004. Manning 2004 P. Manning. Electronic and Computer Music, Oxford University Press, New York, 2004. Cox 2006 C. Cox, D. Warner (eds), Audio Culture. Readings in Modern Music, Continuum, NY, 2006. LaBelle 2006 B. LaBelle, Background Noise. Perspectives On Sound Art, Continuum, NY, 2006.

ORGANOLOGIA E SVILUPPO DEGLI STRUMENTI MUSICALI ELETTRONICI

Bacon 1981 T. Bacon (ed.), Rock Hardware. The Instruments, Equipment and Technology of Rock, Blanford Press, Poole, Dorset. 1981, pp. 81-124, 141-204. Biennale 1986 A.A.V.V., Nuova Atlantide – il continente della musica elettronica 1900-1986, catalogo della mostra, Biennale di Venezia, Venezia 1986. Vail 1993 M. Vail, Vintage Synthesizers. Groundbreaking Instruments and Pioneering Designers of Electronic Music Synthesizers, GPI Books, Miller Freeman Books, San Francisco, CA., 1993. Forrest 1994 P. Forrest, The A-Z of Analogue Synthesizers. Part One: A-M, Susurreal, Devon, 1994. Forrest 1996 P. Forrest, The A-Z of Analogue Synthesizers. Part Two: N-Z, Susurreal, Devon, 1996. Obsolete 2002 Una interessante panoramica dello sviluppo organologico è disponibile anche su www.obsolete.com/120_years/ e pagine afferenti. Samagaio 2002 F. Samagaio, The Mellotron Book, ProMusic Press, Vallejo, CA., 2002.

FILM SCORING E SOUND DESIGN

Davis 1999 R. Davis, Complete Guide to Film Scoring. The Art and Business of Writing Music for Movies and TV, Berklee Press, Boston, MA, 1999. Sonnenschein 2001 D.Sonnenschein, Sound Design. The Expressive Power of Music, Voice, and Sound Effects in Cinema, Michael Wiese Production, Studio City, CA. 2001. Beauchamp 2005 R.Beauchamp, Designing Sound for Animation, Focal Press, Elsevier, Oxford, 2005. Gibbs 2007 T. Gibbs, The Fundamentals of Sonic Art & Sound Design, AVA Publishing, Lausanne, 2007.

SINTESI ANALOGICA Testi che si riferiscono alla produzione di timbriche secondo le tecniche tradizionalmente legate alla sintesi analogica; ovviamente, gli stessi argomenti sono applicabili nel campo della più recente sintesi virtual analog.

TRATTATISTICA GENERALE Branchi 1977 W. Branchi, Tecnologia della musica elettronica, Lerici, Cosenza, 1977. Appleton 1975 J.H.Appleton e R.C. Perera (ed), The Development and Practice of Electronic Music, Prentice-Hall, New Jersey, 1975. Strange 1972 A. Strange, Electronic Music. Systems, techniques, and controls, I ed., WM.C. Brown Company Publishers, Dubuque, I., 1972. Wells 1981 T. Wells, The Technique of Electronic Music, Schirmer Books, NY, 1981. Strange 1983 A. Strange, Electronic Music. Systems, techniques, and controls, II ed., WM.C.Brown Publishers, Dubuque, I., 1983. Basics 1984 AA.VV., Synthesizer Basics, The Keyboard Synthesizer Library. By the editors of Keyboard Magazine, Hal Leonard Publishing, Milwaukee, WI., 1984. Technique 1984 AA.VV., Synthesizer Technique. The Keyboard Synthesizer Library. By the editors of Keyboard Magazine, Hal Leonard Publishing, Milwaukee, WI., 1984. Bernardini 1984a N. Bernardini, Strumenti analogici e strumenti digitali nella musica elettronica: principi di funzionamento, AUDIO Review n.24, Roma, Gennaio 1984, pp. 78- 83. Bernardini 1984b N. Bernardini, Tecniche di sintesi: la sintesi additiva, AUDIO Review, n. 25, Roma, Febbraio 1984, pp. 96-101. Bernardini 1984c N. Bernardini, Le tecniche di sintesi: la sintesi sottrattiva, AUDIO Review, n. 27, Roma, Aprile 1984, pp. 102-109. Bernardini 1984d N. Bernardini, Tecniche di sintesi: la sintesi per predizione lineare, AUDIO Review, n. 28, Roma, Maggio 1984, pp. 118-121. Bernardini 1984e N. Bernardini, Tecniche di sintesi: la modulazione di frequenza, AUDIO Review, n. 33. Roma, Novembre 1984, pp. 109-111. Computers 1985 AA.VV., Synthesizers and Computers. The Keyboard Synthesizer Library. By the editors of Keyboard Magazine, Hal Leonard Publishing, Milwaukee, WI., 1985. Cosimi 1985 E. Cosimi, Manuale delle tastiere e del sintetizzatore, Anthropos, Roma, 1985. Doerschuck 1985 B. Doerschuck, Rock Keyboard (edited by), Quill, New York, NY., 1985. Naumann 1985 J. Naumann, D. Wagoner, Analog Electronic Music Techniques. In Tape, Electronic, and Voltage-Controlled Synthesizer Studios, Schirmer Books, NY, 1985. Milano 1986 D. Milano, ed.. Synthesizers ’86. The Fine Art of Programming Synthesizers, Volume 2, Number 3 of GPI Collectors’ Edition, GPI Books, Cupertino, CA., 1986. Schmitz 1999 R. Schmitz, Analog Synthesis, The Newbie Guide to Synthesizers and Sound- Design, WIZOO GmbH, Bremen, 1999. Scarr 2002 H. Scarr, Programming Analogue Synths. Virus Tutorial by Howard Scarr, Access Music GmbH, Recklinghausen, 2002. Versione .pdf reperibile su: www.access-music.de Cosimi 2003 E. Cosimi, Analog & Virtual Analog. Come funziona un sintetizzatore. Ed. Il Musichiere, Roma, 2003. Aikin 2004 J. Aikin, Power Tools for Synthesizer Programming, Backbeat Books, San Francisco, CA, 2004. Russ 2004 M. Russ, Sound Synthesis and Sampling, Focal Press, Elsevier, Oxford, 2004.

Jenkins 2007-12-22 M. Jenkins, Analog Synthesizers. Understanding, performing, buying, Focal Press, Elsevier, Oxford, 2007.

TRATTATISTICA DEDICATA ARP 1970 AA.VV., ARP 2500 Synthesizers Series Owner’s Manual, Tonus Inc., Newton, MA., 1970. Howe 1970 H. Howe., User’s Guide to te Buchla Modular Electronic Music System, CBS Musical Instr., Fullerton, CA., 1970. Moog 1970 AA.VV., Using the Moog Synthesizer, edizione html scaricabile su: http://arts.ucsc.edu/ems/music/equipment/synthesizers/analog/moog/Moog.ht ml Michmer 1971 J. Michmeruizen, ARP 2600 Synthesizers Series Owner’s Manual, Tonus Inc., Newton, MA., 1971. ARP 1972 AA.VV., ARP Odyssey Guide, ARP Instruments Inc., Newton, MA, 1972. Grogono 1972 P. Grogono, The Synthy Educational Handbook, Electronic Music Studios, London, 1972. EMS 1971 AA.VV., Handbook for Synthi 100, Electronic Music Studios, Putney Bridge, London, 1971. EMS 1972 AA.VV., Synthy User’s Manual, Electronic Music Studios, London, 1972. Rhea 1974 T.L. Rhea, Minimoog Model D Operation Manual, Moog Music, Inc., Buffalo, NY, 1973. Emu 1974 AA.VV., E-Mu Systems Modular Synthesizers Short-Form Catalog, Santa Clara, CA., 1974. ARP 1975 AA.VV., ARP Odyssey Service Manual, ARP Instruments, Inc., Newton, MA, 1975. ARP 1976 AA.VV., ARP Sequencer Owner’s Guide, ARP Instruments, Inc., Newton MA, 1976. Roland 1976 AA.VV., Roland System 700 SynthesizerInstruction Manual, Roland Corp., Japan, 1977. ARP 1977a AA.VV., ARP 2600 Synthesizer Service Manual, ARP Instrument, Lexington, MA., 1977. ARP 1977b., ARP Model 3620 Keyboard Service Manual, ARP Instruments, Inc.,, Lexington, MA., 1977. Emu 1978 AA.VV., E-Mu Systems Technical Catalog, Santa Cruz, CA., 1978. KORG 1978 AA.VV., KORG Programmable Polyphonic Synthesizer PS-3200 Owner’s Manual, KORG, Tokyo, Japan, 1978. Moog 1978 AA.VV., Technical Service Manual for Moog Modular System, Buffalo, NY, 1978. Wyman 1979 D., Wiman, Moog Modular Owner’s Manual, Moog Custom Engineering, Buffalo, NY., 1979. Gold 1981 R. Gold (et.al.), An Introduction to the Serge Modular Music System, SMMS, San Francisco, CA., 1981. Jungleib 1982 S. Jungleib, Prophet-5 SynthesizerOperation Manual, Sequential Circuits, Inc., San Jose, CA., 1982. Milano 1982 D. Milano, Owners and Service Manual for Moog Memorymoog, Moog Music, Inc., Buffalo, NY., 1982. Sofer 1984 D. Sofer, Oberheim Xpander Owner’s Manual, Oberheim Electronics, Inc., Los Angeles, CA., 1984. Sofer 1985 D. Sofer, Oberheim Matrix 12 Preliminary Operation Guide, Oberheim Electronics, Inc., Los Angeles, CA., 1985. Doepfer 1995 D. Doepfer, System A-100 Analog Modular Synthesizer Operating Manual, Doepfer Musikelektronik GmbH., Ditzingen, 1995. Versione .pdf reperibile su: www.doepfer.de

Doepfer 1996 D. Doepfer, MAQ 16/3 MIDI Analog Sequenzer User’s Guide (Version 3.0), Doepfer Musikelektronik GmbH., Ditzingen, 1996. Versione .pdf reperibile su: www.doepfer.de Roland 1996 AA.VV., JP-8000 Owner’s Manual, Roland Corp., JP., 1996. KORG 1997 AA.VV., KORG Z1 Multi Oscillator Synthesis System Owner’s Manual, KORG, Inc., JP.1997. Gorges 1998 P. Gorges, Nord Modular. Introduction. Modular Sound Design. Virtual Assembly Instructions, WIZOO GmbH, Bremen. 1998. Novation 1999 P. Macdonald., Nova Polyphonic Synthesizer Owner’s Manual, Novation, Maidenhead, 1999. Versione .pdf reperibile su: www.novationmusic.uk Analogue 2000 AA.VV., Analogue Systems RS-Integrator Spec Sheets, documenti .pdf reperibili su: www.analoguesystems.co.uk/ Clavia 2000 AA.VV. Nord ModularVirtual Synthesizer, Owner’s Manual, Version 3.0, Clavia DMI AB, Sweden, 2000. Decker 2000 T. Decker, Getting to know: The Nord Modular, Part 1 – 10, Creative Synt.com. Scaricabile da: www.creativesynth.com/indepth/001_NordMod/Mod_01.html e successivamente su Mod_02, Mod_03…. Mod_10.html. Ecoff 2000 S. Ecoff, Fundamentals Of Music Technology. Volume One: The ARP 2600 Synthesizer, Secret Society Productions, 2000. Emu 2000 D. Rossum, E-Mu Systems Modular Synthesizer Operation Manual – Retrospective, Edited by Riley Smith, versione .pdf su: www.emulatorarchive.com Novation 2000 P. Macdonald,, Supernova II Polyphonic Synthesizer Owner’s Manual, Novation, Maidenhead, 2000. Versione .pdf reperibile su: www.novationmusic.uk Alesis 2001 D. Bertovic, D., A6 Andromeda Reference Manual, Alesis Studio Electronics, Inc., Santa Monica, CA., 2001. Versione .pdf reperibile su: www.alesis.com Clavia 2001 AA.VV., Clavia Nord Lead 3 Owner’s Manual. Software Version 1.2x, Clavia DMI AB, Sweden, 2001. Versione .pdf reperibile su: www.clavia.se Hordijk Bas2001 R. Hordijk, Basics of sound synthesis on the Nord Modular, Clavia DMI AB, Sweden, 2001. Scaricabile da: www.clavia.com/nordmodular/Modularzone/Basics/BasicsWorkshop.htm Hordijk Del2001 R. Hordijk, The Delay module, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/DelayModule.html Hordijk Filter2001 R. Hordijk, Filter section, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Basics/FilterSection.htm Hordijk FM2001 R. Hordijk, FM synthesis on the Modular, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Fmsynthesis.html Hordijk Hard2001 R. Hordijk, Hardsync, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Hardsync.html Hordijk Hist2001 R. Hordijk, History and theory of oscillator sync, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Theory%20and%20history.html Hordijk Mon2001 R. Hordijk, Building a monosynth model, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Basics/BuildingASynthModel.htm Hordijk Log2001 R. Hordijk, Introduction to Logic, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/LogicIntro.html Hordijk Osc2001 R. Hordijk, Oscillator Section, Clavia DMI AB, Sweden, 2001 Scaricabile su: www.clavia.com/nordmodular/Modularzone/Basics/OscSection.htm

Hordijk Out2001 R. Hordijk, Logic and the outside world, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modualrzone/LogicWS.html Hordijk SH2001 R. Hordijk, Sample & Hold, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/SampleHold.html Hordijk Soft 2001 R. Hordijk, Softsync, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Softsync.html Hordijk Sync2001 R. Hordijk, A note on hardsync, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/Basics/NoteOnHardsync.htm Hordijk Vosim2001 R. Hordijk, VOSIM. An advanced application of oscillator sync, , Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/nordmodular/Modularzone/VOSIM.html Kuit RM2001 R. Kuit, Ring and Amplitude Modulation, Clavia DMI AB, Sweden, 2001. Scaricabile su: www.clavia.com/Modularzone/RingAndAmplitudeModulation/RingAndAmplit udeModulation.html Oberkorn 2001 T. Carpenter, Oberkorn Analog Sequencer User Manual, Analogue Solutions, Kingswinford, 2001. Vostok 2001 T. Carpenter, Vostok Analog Modular Synthesizer User Manual, Analogue Solutions, Kingswinford, 2001. Waldorf 2001 W. Steinbrick, W., Q Synthesizer User’s Manual, Waldorf, Waldorf, 2001. DotCom 2002 AA.VV., Synthesizers.com Spec Sheets, Tyler, Texas, 2002. Versioni html reperibili su: www.synthesizers.com Pro53 2002 AA.VV., Pro-53 Operation Manual, Native Instruments Software Synthesis GmbH, Berlin 2002. Moog 2002 AA.VV., Minimoog Voyager User’s Manual, Moog Music, Inc., Asheville, NC., 2002. Versione .pdf reperibile su: www.moogmusic.com Arturia 2002 AA.VV., Arturia Moog Modular V 2 User’s Manual, Arturia, S,Martin le Vinoux, 2004. Versione .pdf reperibile su: www.arturia.com Arturia 2003a AA.VV., Arturia Minimoog V User’s Manual, Arturia, S.Martin le Vinoux, 2004. Versione .pdf reperibile su: www.arturia.com Arturia 2003b AA.VV., Arturia CS-80V User’s Manual, Arturia, Saint Martin le Vinoux, 2003. Versione .pdf reperibile su: www.arturia.com Clark 2003 J. Clark (et.al.), Advanced Programming Techniques for Modular Synthesizers. Edited by James J. Clark,MCGill University, CA., 2003. Versione .pdf reperibile su: http://www.cim.mcgill.ca/~clark/nordmodularbook/nordmodularbook.pdf Arturia 2004 AA.VV., Arturia ARP 2600V User’s Manual, Arturia, Meylan, 2004. Versione .pdf reperibile su: www.arturia.com Clavia 2004 AA.VV., Clavia Nord Modular G2 Owner’s Manual. Software Versione 1.3x, Clavia DMI AB, Sweden, 2004. Versione .pdf reperibile su: www.clavia.se Michmer 2004 J. Michmeruizen, TimewARP 2600 Owner’s Manual, WayOutWare, CA, 2004. Versione .pdf reperibile su: www.wayoutware.com Cwejman 2005 W. Cwejman, S1 MK2 User’s Manual, Kungälv, Sweden, 2005. Versione .pdf reperibile su: www.cwejman.com Hordijk 2005 R. Hordijk, Introduction to the Clavia Nord Modular G2 Synthesizer, tutorial disponibile on line presso www.xs4all.nl/~rhordijk/G2Pages/Intro.htm#G2Intro_3143_999818 e seguenti. Scarr 2005 H. Scarr, Virus TI User Manual, Access, Kemper Digital GmbH, versione .pdf su: www.access-music.de

SINTESI DIGITALE Nessuna pretesa di completezza: vengono indicati esclusivamente i testi di più immediata reperibilità.

TRATTATISTICA GENERALE Pierce 1963 J. R. Pierce, La teoria dell’informazione, (VI ed, 1975), Mondadori, Milano, 1963. Chowning 1973 J. Chowning, The Synthesis of Complex Audio Spectra by Means of Frequency Modulation, in “Journal of the Audio Engineering Society”, Vol. XXI, No. 7, Sept. ’73, New York, NY, 1973. MIDI 1983 AA.VV., MIDI Specifications, International User’s Group, Los Altos. CA., 1983. De Poli 1991 G. De Poli, A. Piccialli, C. Roads (eds), Representations of Music Signals, The MIT Press, Cambridge, MASS, 1990. Tarabella 1992 L. Tarabella (ed.), Informatica e Musica, Jackson Libri, Milano, 1992. Smith J 1992 J.O. Smith, Physical Modeling using Digital Waveguides, Computer Music Journal, special issue on Physical Modeling of Musical Instruments, Part I, Volume 16, no.4, pp.74-91, Winter, 1992. Miranda 1998 E. Reck Miranda, Computer Sound Synthesis for the Electronic Musician, Focal Press, Elsevier, Oxford, 1998. Chowning 2000 J.Chowning, Digital Sound Synthesis, Acoustics, and Perception: A Rich Intersection, Proceedings of the COST G-6 Conference on Digital Audio Effects (FAFX- 00), Verona, Italy, December 7-9, 2000, The Center for Computer Research in Music and Acoustics (CCRMA), Stanford University, 2000. Giordani 2000 E. Giordani, Tecnologia applicata del suono, Conservatorio Statale di Musica G. Rossini, LEMS Laboratorio per la Musica Sperimentale, Dispense a cura di Eugenio Giordani, Pesaro, 2000. Rowe 2001 R. Rowe, Machine Musicianship, The MIT Press, Cambridge, MASS, 2001. Millward 2002 S. Millward, Sound Synthesis with VST Instruments, PC Publishing, Tonbridge, 2002. Smith J 2002 J. Smith, S. Serafin, J. Abel, D, Berners, Doppler Simulation and the Leslie, Proceedings of the 5th Int. Conference on Digital Audio Effects (DAFx-02), Hamburg, Germany, September 26-28, 2002. Roads 2005 C. Roads, Microsounds, The MIT Press, Cambridge, MASS, 2005. Singer 2005 C. Singer, Physical Modeling for Music Synthesis, Electro-Music 2005. Insieme ad altri tutorial dedicati, è possibile reperire una versione .pdf su http://chet.getchwood.com/G2-Tutorial/Index.htm

MANUALISTICA DEDICATA Emu 1985 C. Anderton, E-Mu Systems Emulator II Owners Manual, E-Mu Systems, Inc., Scotts Valley, CA., 1985. Versione .pdf reperibile su: www.emulatorarchive.com Emu 1986 P. Gotcher, Sound Designer II. Computer Music System for the Emulator II and Macintosh, Digidesign Inc., Palo Alto CA., 1986. Versione .pdf reperibile su: www.emulatorarchive.com Fukuda 1985 Y. Fukuda, Y., DX7 Explained, Amsco Publications, London, 1985. ISBN 0.7119.0653.X. Chowning 1986 J. Chowning, D. Bristow, FM Theory & Applications. By Musicians for Musicians. Yamaha Music Foundation, Tokyo, JP, 1986. Vercoe 1986 B. Vercoe (et.al.), The Canonical CSound Reference Manual, MIT Media Lab, Cambridge, MA., 1986. Versione .pdf reperibile su: www.csoundshop.com Yamaha 1986 AA.VV., DX7 II FD/D Digital Programmable Algorithm Synthesizer Owner’s Manual, Yamaha Corp., JP, 1986. Sani 1987 N. Sani, S. Tamburini, Programmare i sintetizzatori Yamaha DX, Muzzio, Padova, 1987. Motorola 1989 AA.VV., 96-Bit General-Purpose IEEE Floating-Point Digital Signal Processor (DSP), Motorola Literature Distribution; P.O. Box 20912; Phoenix, AR, 85036, 1989. Jungleib 1990 S. Jungleib, KORG Wavestation Reference Guide, Korg Inc, Tokio, JP, 1990. Yamaha 1991 AA.VV., SY99 Music Synthesizer Owner’s Manual, Yamaha Corp., Jp, 1991. Yamaha 1992 AA.VV., VL1 Virtual Acoustic Synthesyzer Owner’s Manual, Yamaha Corp., JP, 1992. Kurzweil 1996 AA.VV., Kurzweil K2500 Performance Guide, Kurzweil Co., Seoul, Corea, 2003. Versione .pdf reperibile su: www.kurzweilmusicsystems.com Kurzweil 1999 AA.VV., Kurzweil K2600 Musician’s Guide, Kurzweil Co., Seoul, Corea, 2003. Versione .pdf reperibile su: www.kurzweilmusicsystems.com KORG 1997 AA.VV., KORG Z1 Multi Oscillator Synthesis System Owner’s Manual, KORG, Tokyo, Japan, 1997. Vercoe 1997 B. Vercoe (et. al.), The CSound Manual (versione 3.48). A manual for the Audio Processing System and Supporting Programs with Tutorials, Edited by Jean Piché, Université de Montréal, 1997. Versione html scaricabile su: http://ecmc.rochester.edu/onlinedocs/Csound/Title.html e seguenti. Eastman 1998 A. Schindler, Eastman Csound Tutorial, 1998. Versione html scaricabile su: http://ecmc.rochester.edu/onlinedocs/allan.cs/ e seguenti. Bianchini 1998 R. Bianchini, A. Cipriani, Il Suono Virtuale. Sintesi ed Elaborazione del Suono. Teoria e Pratica con CSound, ConTempo. Roma, 1998. Sasso 1998 L. Sasso, The Wizoo Pro Guide to MetaSynth 2.5, WIZOO, GmbH, Bremen, 1998. Waldorf 1999 O. Rockstedt, Waldorf MicroWave XTK User’s Manual, Waldorf, Waldorf, 1999. Boulanger 2000 R. Boulanger, The Cssound Book. Perspectives in Software Synthesis, Sound Design, Signal Processing, and Programming, The MIT Press, Cambridge, MA., 2000. MAX 2000 D. Zicarelli (et.al.), MAX Reference Manual, Cycling ‘74/IRCAM Paris, 2000. Versione .pdf reperibile su: www.cycling74.com MSP 2000 D. Zicarelli (et.al.), MSP Reference Manual, ‘74/IRCAM Paris, 2000. Versione .pdf reperibile su: www.cycling74.com

Absynth 2001 AA.VV., Absynth Operation Manual, Native Instruments Software Synthesis GmbH, Berlin 2001. FM7 2001 AA.VV. FM7Operation Manual, Native Instruments Software Synthesis GmbH, Berlin, 2001. KORG 2001 AA.VV., KORG KARMA GE Guide, KORG, Tokyo, Japan, 2001. Hoenig 2001 U. Hoenig, Microwave in der praxis. So funktioniert die Wavetable-Synthese, PPV Presse Project Verlags GmbH, Bergkirchen, 2001. Reaktor3 2001 AA.VV., Reaktor Version 3 Operation Manual, Native Instruments Software Synthesis GmbH, Berlin, 2001. Winkler 2001 T. Winkler, Composing Interactive Music. Techniques and Ideas Using MAX, The MIT Press, Cambridge, MASS, 2001. Jitter 2002 J.Bernstein (et al.), Jitter Tutorial and Topics, Cycling ‘74/IRCAM Paris, 2002. Versione .pdf reperibile su: www.cycling74.com Roland 2002 AA.VV., Roland V-Synth Owner’s Manual, Roland Corp., Japan, 2002. Sasso 2002 L. Sasso, Native Instruments Reaktor 3, WIZOO, GmbH, Bremen, 2002. Absynth2 2003 B. Clevinger (et.al.), Absynth 2 Operation Manual, Native Instruments Software Synthesis GmbH, Berlin 2003. Gohs 2003 H. Gohs, VirSyn Cube 2.0 Owner Manual, revisione .pdf su: www.virsyn.com Kurzweil 2003 AA.VV., Kurzweil K2661 Musician’s Reference, Kurzweil Co., Seoul, Corea, 2003. Versione .pdf reperibile su: www.kurzweilmusicsystems.com Kurzweil 2003 AA.VV., Kurzweil K2661 Musician’s Guide, Kurzweil Co., Seoul, Corea, 2003. Versione .pdf reperibile su: www.kurzweilmusicsystems.com Tassman 2003 AA.VV., Tassman 4.0 User’s Manual, Applied Acoustics System Inc., Canada, 2003. Versione .pdf reperibile su: www.applied-acoustics.com Reaktor3a 2003 M. Wilhelmi (et. al.), Reaktor 4 Operation Manual, Native Instruments Software Synthesis GmbH, Berlin 2003. Reaktor3b 2003 B. Tester, Reaktor 3 Instrument Guide, Native Instruments Software Synthesis GmbH, Berlin 2003. Absynth3 2004 P. Sellars, Absynth 3 Operation Guide, Native Instruments Software Synthesis GmbH, Berlin 2004. Scaletti 2004 C.Scaletti, Kyma X Revealed! Secrets of tghe Kyma Sound Design Language, Symbolic Sound Corp., Champaing ILL. 2004. Gohs 2004 H. Gohs, CANTOR The vocal machine. Operation Manual, VirSyn Software Synthesizer, versione .pdf su: www.virsyn.com KORG 2004 AA.VV., KORG Triton Extreme Parameter Guide, KORG, Tokyo, Japan, 2004. Versione .pdf reperibile su: www.korg.com KORG 2005a AA.VV., KORG OASYS Open Architecture Synthesis Studio Operation Guide, KORG, Tokyo, Japan, 2005. Versione .pdf reperibile su: www.korg.com KORG 2005b AA.VV., KORG OASYS Open Architecture Syntesis Parameter Guide, KORG, Tokyo, Japan, 2005. Versione .pdf reperibile su: www.korg.com Reason 2005 A. Nordmark, Reason 3.0 Reference Manual, documento .pdf reperibile su: www.propellerhead.se Reaktor5a 2005 R. Scott (et. al.), Reaktor 5 Operation Guide, Native Instruments Software Synthesis GmbH, Berlin 2005. Reaktor5b 2005 L. Sasso (et. al.), Reaktor 5 Core Tutorial, Native Instruments Software Synthesis GmbH, Berlin 2005. Reaktor5c 2005 C. Lejieune (et. al.), Reaktor 5 Instrument Guide, Native Instruments Software Synthesis GmbH, Berlin 2005.

COMPUTER MUSIC

Mathews 1989 M.Mathews, J.Pierce (eds.), Current Directions in Computer Music Research, The MIT Press, Cambridge, MASS, London Eng. 1989. Roads 1989 C. Roads (ed), The Music Machine. Selected Readings from Computer Music Journal, The MIT Press, Cambridge, MASS, 1989. Moore 1990 F. R. Moore, Elements of Computer Music,. Prentice-Hall, NJ, 1990. Pierce 1995 J.Pierce (ed.), Computer Music Currents 13, CD con libretto WER 2033-2, 282 033-2, Schott Wergo Music Media GmbH. Mainz, Germany, 1995. Roads 1996 C. Roads (et.al.), The computer music tutorial, The MIT Press, Cambridge, MA., 1996. Dodge 1997 C.Dodge, T.A.Jerse, Computer Music. Synthesis, Composition, and Performance. II Edition, Schirmer Thomson Learning, 1997. Road 1998 C.Roads, J.Strawn (eds.), Foundations of Computer Music, The MIT Press, Cambridge MASS, London Eng. 1998. Miranda 2000 E. Reck Miranda, Computer Sound Design. Synthesis Techniques and Programming, II ed., Focal Press, Elsevier, Oxford, 2000. Miranda 2001 E. Reck Miranda, Composing Music with Computers, Focal Press, Elsevier, Oxford, 2001.

MATEMATICA E MUSICA

Benson 2002 D. Benson, Mathematics and Music, Dept. Of Mathematics, University of Georgia, Athens, GA., 2002. Versione .pdf reperibile su: http://www.maths.abdn.ac.uk/~bensondj/html/maths-music.html Fauvel 2006 J. Fauvel, R. Flood, R. Wilson (eds), Music and Mathematics. From Pythagoras to Fractals, IInd Edition, Oxford University Press, Oxford, 2006. Loy 2006 G. Loy, Musimathics. The matematical foundations of music. Volume I, The MIT Press, Cambridge, MASS. 2006. Loy 2007 G. Loy, Musimathics. The matematical foundations of music. Volume II, The MIT Press, Cambridge, MASS. 2007. Harkleroad 2006 L. Harkleroad, The Math Behind the Music, Cambridge University Press, Cambridge, NY, 2006.

DSP PROCESSING E AUDIO DIGITALE

Rabiner Gold1975 L. Rabiner, B. Gold, Theory and Applications of Digital Signal Processing, Prentice-Hall, NJ, 1975. Chamberlin 1985 H. Chamberlin, Musical Applications of Microprocessors, II ed., Hayden Book Company, Berkeley, CA, 1985. Strawn 1985 J.Strawn (ed.), Digital Audio Signal Processing. An Anthology. William Kaufmann Inc., Los Altos, CA. 1985. Smith SW 1999 S.W. Smith, The Scientist and Engineer’s Guide to Digital Signal Processing, Second Edition, California Technical Publishing, San Diego, CA., 1999. Versione .pdf reperibile su: www.DSPguide.com Pohlmann 2005 K. C. Pohlmann, Principles of Digital Audio, V ed., McGraw-Hill, NY, 2005.

RECORDING E SOUND EDITING

Misner 2001 T. Misner, Practical Studio Techniques. Third Edition, SAE Institute Publications, Amsterdam, 2001. Mangione 2002a F. Mangione, Costruire il suono. Manuale pratico per musicisti e sound engineers. Volume I, Dario Flaccovio Editore, Palermo, 2002. Mangione 2002b F. Mangione, Costruire il suono. Manuale pratico per musicisti e sound engineers. Volume II, Dario Flaccovio Editore, Palermo, 2002. Mangione 2002c F. Mangione, Costruire il suono. Manuale pratico per musicisti e sound engineers. Volume III, Dario Flaccovio Editore, Palermo, 2002. Valenzuela 2003 J. Valenzuela, The Complete Pro Tools Handbook, Backbeat Books, San Francisco, CA, 2003. Hawkins 2004 E. Hawkins, The Complete Guide to Remixing. Produce Professional Dance-Floor Hits on Your Home Computer, Berklee Press, Boston, MA, 2004. Huber 2005 D. Miles Huber, R. E. Runstein, Modern Recording Techniques. Sixth Edition, Focal Press, Elsevier, Oxford, 2005. Owsinski 2005 B. Owsinski, The Recording Engineer’s Handbook, Artist Pro Publishing, Thomson Course Technology PRT, Boston, MA, 2005. Cook 2006 F. D. Cook, 101 Pro Tools Official Courseware, Thomson Course Technology PRT, Boston, MA, 2006. Tonelli 2007 P. Tonelli, Audio Editing. Principi teorici ed esercitazioni pratiche, Rugginenti, Milano, 2007.

TECNICA Engels 1993 H. Engels, N. Schmidt, Misure con l’oscilloscopio dalla A alla Z, Editrice Il Rostro, Milano, 1993.