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Korg OASYS PСI. Описание Патчей И Эффектов

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Korg OASYS PСI. Описание Патчей И Эффектов Korg OASYS PCI. Îïèñàíèå ïàò÷åé è ýôôåêòîâ Ñèñòåìà ñèíòåçà, îáðàáîòêè ýôôåêòàìè è ââîäà-âûâîäà àóäèîñèãíàëîâ Îôèöèàëüíûé è ýêñêëþçèâíûé äèñòðèáüþòîð êîìïàíèè Korg íà òåððèòîðèè Ðîññèè, ñòðàí Áàëòèè è ÑÍà êîìïàíèÿ A&T Trade. Äàííîå ðóêîâîäñòâî ïðåäîñòàâëÿåòñÿ áåñïëàòíî. Åñëè âû ïðèîáðåëè äàííûé ïðèáîð íå ó îôèöèàëüíîãî äèñòðèáüþòîðà ôèðìû Korg èëè àâòîðèçîâàííîãî äèëåðà êîìïàíèè A&T Trade, êîìïàíèÿ A&T Trade íå íåñ¸ò îòâåòñòâåííîñòè çà ïðåäîñòàâëåíèå áåñ- ïëàòíîãî ïåðåâîäà íà ðóññêèé ÿçûê ðóêîâîäñòâà ïîëüçîâàòåëÿ, à òàêæå çà îñóùåñòâëåíèå ãàðàíòèéíîãî è ñåðâèñíîãî îáñëóæèâà- íèÿ. Предупреждение Îáîðóäîâàíèå ïðîøëî òåñòîâûå èñïûòàíèÿ è ñîîòâåòñòâóåò òðåáîâàíèÿì, íàêëàäûâàåìûì íà öèôðîâûå ïðèáîðû êëàññà “B” ñî- ãëàñíî ÷àñòè 15 ïðàâèë FCC. Ýòè îãðàíè÷åíèÿ ðàçðàáîòàíû äëÿ îáåñïå÷åíèÿ íàäåæíîé çàùèòû îò èíòåðôåðåíöèè ïðè èíñòàëëÿ- öèè îáîðóäîâàíèÿ â æèëûõ ïîìåùåíèÿõ. Ïðèáîð ãåíåðèðóåò, èñïîëüçóåò è ñïîñîáåí èçëó÷àòü ýëåêòðîìàãíèòíûå âîëíû è, åñëè óñ- òàíîâëåí è ýêñïëóàòèðóåòñÿ áåç ñîáëþäåíèÿ ïðèâåäåííûõ ðåêîìåíäàöèé, ìîæåò âûçâàòü ïîìåõè â ðàáîòå ðàäèîñèñòåì. Òåì íå ìåíåå íåò ïîëíîé ãàðàíòèè, ÷òî ïðè îòäåëüíûõ èíñòàëëÿöèÿõ ïðèáîð íå áóäåò ãåíåðèðîâàòü ðàäèî÷àñòîòíûå ïîìåõè. Åñëè ïðèáîð âëèÿåò íà ðàáîòó ðàäèî- èëè òåëåâèçèîííûõ ñèñòåì (ýòî ïðîâåðÿåòñÿ âêëþ÷åíèåì è îòêëþ÷åíèåì ïðèáîðà), òî ðåêîìåíäóåòñÿ ïðåäïðèíÿòü ñëåäóþùèå ìåðû: • Ïåðåîðèåíòèðóéòå èëè ðàñïîëîæèòå â äðóãîì ìåñòå ïðèíèìàþùóþ àíòåííó. • Ðàçíåñèòå íà âîçìîæíî áîëüøåå ðàññòîÿíèå ïðèáîð è ïðèåìíèê. • Âêëþ÷èòå ïðèáîð â ðîçåòêó, êîòîðàÿ íàõîäèòñÿ â öåïè, îòëè÷íîé îò öåïè ðîçåòêè ïðèåìíèêà. • Ïðîêîíñóëüòèðóéòåñü ñ äèëåðîì èëè êâàëèôèöèðîâàííûì òåëåâèçèîííûì ìàñòåðîì. Íåñàíêöèîíèðîâàííàÿ ìîäèôèêàöèÿ îáîðóäîâàíèÿ ïîëüçîâàòåëåì ìîæåò ïðèâåñòè ê ëèøåíèþ ïðàâà íà ãàðàíòèéíîå îáñëóæèâà- íèå äàííîãî îáîðóäîâàíèÿ. Гарантийное обслуживание Ïî âñåì âîïðîñàì, ñâÿçàííûì ñ ðåìîíòîì èëè ñåðâèñíûì îáñëóæèâàíèåì ñèñòåìû OASYS PCI, îáðàùàéòåñü ê ïðåäñòàâèòåëÿì ôèðìû Korg — êîìïàíèè A&T Trade. Òåëåôîí äëÿ ñïðàâîê (095) 242-5325. Содержание Общая информация . 1 Ñïèñîê èñòî÷íèêîâ ìîäóëÿöèè. Ýôôåêòû. Аналоговые синтезаторы . 3 Analog 1 Osc. Analog 2 Osc. Analog Bass-Lead. Comb Synth. KB-303. Mini Synth. Noise Synth. Pro Synth. Pro Synth Mod. Электропиано . .17 Reed Piano. Гитары . .18 Plucked String. Small Plucked String. Slap Bass. Small Slap Bass. Орган . .21 Tonewheel Organ. Z1 Organ. Перкуссия . .23 Percussion Synth. Percussion Synth 2. Beat Box. VPM . .25 VPM 2 OP. VPM 4 OP. VPM 4 OP Select. VPM 4 OP Stack. Духовые инструменты . .30 Tenor Sax. Общая информация Список источников модуляции MIDI-íîòû äëÿ áîëåå òî÷íîé ÷àñòîòíîé ìîäóëÿöèè. Ïðè ìîäóëÿ- öèè ýôôåêòîâ èñïîëüçóåòñÿ íîìåð ïîñëåäíåé ïðèíÿòîé íîòû. Ìîäóëÿöèÿ ëþáîãî ïàðàìåòðà âñåõ ïàò÷åé è ýôôåêòîâ ìîæåò Exp. Note îñóùåñòâëÿòüñÿ ñ ïîìîùüþ íèæåïðèâåäåííûõ èñòî÷íèêîâ . Íîìåð MIDI-íîòû ñ ýêñïîíåíöèàëüíîé êðèâîé. Ñî- MIDI-ìîäóëÿöèè. çäàåò áîëüøå âàðèàöèé ïðè ïåðåõîäå îò íîòû ê íîòå â âåðõíåé ÷àñòè êëàâèàòóðû è ìåíüøå — â íèæíåé. Äëÿ íîòû C2 çíà÷åíèå None. Ìîäóëÿöèÿ îòñóòñòâóåò. î÷åíü ìàëî; äëÿ C7 — îêîëî 90% îò ìàêñèìóìà. Ïðè ìîäóëÿöèè Velocity. Äèíàìèêà MIDI-íîòû. Ïðè ìîäóëÿöèè ýôôåêòîâ èñ- ýôôåêòîâ èñïîëüçóåòñÿ íîìåð ïîñëåäíåé ïðèíÿòîé íîòû. ïîëüçóåòñÿ äèíàìèêà ïîñëåäíåé ïðèíÿòîé íîòû. Exp. Note+Pitchbend. Äîáàâëÿåò äåéñòâèå Pitch Bend ê ýêñïî- Exp. Velocity. Äèíàìèêà MIDI-íîòû ñ ýêñïîíåíöèàëüíîé êðè- íåíöèàëüíîìó íîìåðó MIDI-íîòû äëÿ áîëåå òî÷íîé ÷àñòîòíîé âîé. Ñîçäàåò áîëüøå âàðèàöèé ïðè ñèëüíîé äèíàìèêå è ìåíü- ìîäóëÿöèè. Ïðè ìîäóëÿöèè ýôôåêòîâ èñïîëüçóåòñÿ íîìåð ïî- øå — ïðè ñëàáîé. Ïðè ìîäóëÿöèè ýôôåêòîâ èñïîëüçóåòñÿ äè- ñëåäíåé ïðèíÿòîé íîòû. íàìèêà ïîñëåäíåé ïðèíÿòîé íîòû. Note Gate. Èñòî÷íèê ìîäóëÿöèè, òèïà âêëþ÷åíî/âûêëþ÷åíî. Note. Íîìåð MIDI-íîòû. Ïðè ìîäóëÿöèè ýôôåêòîâ èñïîëüçóåò- Ïðè íàæàòèè êëàâèøè ìîäóëÿöèÿ ìàêñèìàëüíà; ïðè îòïóñêàíèè ñÿ íîìåð ïîñëåäíåé ïðèíÿòîé íîòû. — ñíèæàåòñÿ äî íóëÿ. Note Gate èñïîëüçóåòñÿ ñ ïàò÷àìè è íå Note+Pitchbend. Äîáàâëÿåò äåéñòâèå Pitch Bend ê íîìåðó äåéñòâóåò íà ïàðàìåòðû ìîäóëÿöèè ýôôåêòîâ. Korg OASYS PCI. Îïèñàíèå ïàò÷åé è ýôôåêòîâ 1 Note Gate+Sustain. Äîáàâëÿåò äåéñòâèå ïåäàëè ñóñòåéíà ê MIDI-ñåêâåíñåðà. Îáû÷íî, ïàò÷ èëè ýôôåêò äîëæíû áûòü ñïå- Note Gate. Ïðè íàæàòèè êëàâèøè èëè ïåäàëè ñóñòåéíà ìîäóëÿ- öèàëüíî ñìîäåëèðîâàíû äëÿ ïîääåðæêè äàííîé ôóíêöèè. öèÿ ìàêñèìàëüíà; ïðè îòïóñêàíèè — ñíèæàåòñÿ äî íóëÿ. Note Keytrack Linear. Ëèíåéíûé êëàâèàòóðíûé òðåêèíã ñ öåíòðîì Gate+Sustain èñïîëüçóåòñÿ ñ ïàò÷àìè è íå äåéñòâóåò íà ïàðàìå- C4. Ñì. ïðèâåäåííûå ãðàôèêè. òðû ìîäóëÿöèè ýôôåêòîâ. Keytrack Exp. Ýêñïîíåíöèàëüíûé êëàâèàòóðíûé òðåêèíã ñ öåí- Any Note Gate. Âàðèàíò ðåæèìà Note Gate äåéñòâóþùèé íà òðîì C4 äëÿ áîëüøèõ âàðèàöèé íà êðàÿõ êëàâèàòóðû. Ñì. ïðè- ïàò÷è è ýôôåêòû.  òå÷åíèè íàæàòèÿ êëàâèø ìîäóëÿöèÿ ìàêñè- âåäåííûå ãðàôèêè. ìàëüíà; ïðè îòïóñêàíèè âñåõ êëàâèø — ñíèæàåòñÿ äî íóëÿ. Keytrack Log. Ëîãàðèôìè÷åñêèé êëàâèàòóðíûé òðåêèíã ñ öåíò- Any Note Gate+Sustain. Äîáàâëÿåò äåéñòâèå ïåäàëè ñóñòåéíà ðîì C4, äëÿ áîëüøèõ âàðèàöèé â öåíòðå êëàâèàòóðû. Ñì. ïðè- ê ïðåäûäóùåìó ðåæèìó è äåéñòâóåò íà ïàò÷è è ýôôåêòû.  òå- âåäåííûå ãðàôèêè. ÷åíèè íàæàòèÿ êëàâèø èëè ïåäàëè ñóñòåéíà ìîäóëÿöèÿ ìàêñè- Keytrack Left Lin. Ëèíåéíûé êëàâèàòóðíûé òðåêèíã íèæå C4 ìàëüíà; ïðè îòïóñêàíèè âñåõ êëàâèø è ïåäàëè ñóñòåéíà — ñíè- áåç ìîäóëÿöèè âûøå C4. Ñì. ïðèâåäåííûå ãðàôèêè. æàåòñÿ äî íóëÿ. Keytrack Left Exp. Ýêñïîíåíöèàëüíûé êëàâèàòóðíûé òðåêèíã Mod Wheel. MIDI êîëåñî ìîäóëÿöèè (êîíòðîëëåð #1). íèæå C4 áåç ìîäóëÿöèè âûøå C4. Ñì. ïðèâåäåííûå ãðàôèêè. Aftertouch. MIDI Aftertouch. Keytrack Left Log. Ëîãàðèôìè÷åñêèé êëàâèàòóðíûé òðåêèíã Mod Wheel+AT. Ñîâîêóïíîñòü äåéñòâèÿ êîëåñà ìîäóëÿöèè è íèæå C4 áåç ìîäóëÿöèè âûøå C4. Ñì. ïðèâåäåííûå ãðàôèêè. Aftertouch. Keytrack Right Lin. Ëèíåéíûé êëàâèàòóðíûé òðåêèíã âûøå C4 Mod Wheel+AT/2. Àíàëîãè÷íî Mod Wheel+AT, íî äåéñòâèå áåç ìîäóëÿöèè íèæå C4. Ñì. ïðèâåäåííûå ãðàôèêè. Aftertouch ñíèæåíî íàïîëîâèíó. Keytrack Right Exp. Ýêñïîíåíöèàëüíûé êëàâèàòóðíûé òðåêèíã Pitchbend. MIDI Pitch Bend, äåéñòâóåò ïðè ïðèåìå, èìååò ïðè- âûøå C4 áåç ìîäóëÿöèè íèæå C4. Ñì. ïðèâåäåííûå ãðàôèêè. îðèòåò ïåðåä ñòðîåì. Keytrack Right Log. Ëîãàðèôìè÷åñêèé êëàâèàòóðíûé òðåêèíã Pitchbend Scaled. MIDI Pitch Bend, îïðåäåëÿåìûé ïàðàìåòðà- âûøå C4 áåç ìîäóëÿöèè íèæå C4. Ñì. ïðèâåäåííûå ãðàôèêè. ìè Pitch Bend ñåêöèè Global èëè ïðîãðàììû. Sustain. MIDI ïåäàëü ñóñòåéíà (êîíòðîëëåð #64). MIDI A-H. 8 íàçíà÷àåìûõ MIDI-êîíòðîëëåðîâ, îïðåäåëåííûõ â Эффекты ñåêöèè MIDI Preferences. Ýôôåêòû ñ ìîíî-âõîäîì MIDI Tempo. Ïðèíèìàåò ñîîáùåíèÿ MIDI Clock äëÿ ñèíõðîíè- Äàííûå ýôôåêòû ïðåäëàãàþò âûáîð ìåæäó âõîäàìè “ëåâûé + çàöèè çàäåðæåê, LFO è äðóãèõ òåìïîçàâèñèìûõ ýôôåêòîâ. ïðàâûé” èëè òîëüêî ëåâûì âõîäîì. Ïðè âûáîðå “ëåâûé + ïðà- Îáû÷íî, ïàò÷ èëè ýôôåêò äîëæíû áûòü ñïåöèàëüíî ñìîäåëèðî- âûé” è ïðè íå îñëàáëåííîì ìèíèìóì íà 6 äÁ âõîäíîì ñèãíàëå, âàíû äëÿ ïîääåðæêè äàííîé ôóíêöèè. âîçìîæíà ïåðåãðóçêà (ïîñêîëüêó ëåâûé è ïðàâûé ñèãíàëû îáú- MIDI Start/Stop. Ïðèíèìàåò ñîîáùåíèÿ MIDI Start/Stop äëÿ óï- åäèíÿþòñÿ). ðàâëåíèÿ ñåêâåíñåðàìè àíàëîãîâîãî òèïà èëè äðóãèìè êîìïî- íåíòàìè, ïîääåðæèâàþùèìè çàïóñê è îñòàíîâ îò âíåøíåãî +127 Linear+127 Exp+127 Log 0 0 0 Çíà÷åíèå Çíà÷åíèå Çíà÷åíèå -127 -127 -127 A0C4 C8 A0C4 C8 A0C4 C8 MIDI-íîòà MIDI-íîòà MIDI-íîòà +127 Left Lin+127 Left Exp+127 Left Log 0 0 0 Çíà÷åíèå Çíà÷åíèå Çíà÷åíèå -127 -127 -127 A0C4 C8 A0C4 C8 A0C4 C8 MIDI-íîòà MIDI-íîòà MIDI-íîòà +127 Right Lin+127 Right Exp+127 Right Log 0 0 0 Çíà÷åíèå Çíà÷åíèå Çíà÷åíèå -127 -127 -127 A0 C8 A0C4 C8 A0C4 C8 MIDI-íîòà MIDI-íîòà MIDI-íîòà 2 Korg OASYS PCI. Îïèñàíèå ïàò÷åé è ýôôåêòîâ Аналоговые синтезаторы Analog 1 Osc Envelope Analog 1 Osc ïðåäñòàâëÿåò ñîáîé îäíî-ãåíåðàòîðíóþ ìîäåëü ±100. Îãèáàþùàÿ ADSR ìîæåò èñïîëüçîâàòüñÿ äëÿ óïðàâëåíèÿ àíàëîãîâîãî ñèíòåçà, âêëþ÷àþùóþ â ñåáÿ ôèëüòð íèçêîé ÷àñòî- ÷àñòîòîé ñðåçà ôèëüòðà, óñèëèâàÿ èëè îñëàáëÿÿ äåéñòâèå ðåãó- òû ñ êðóòèçíîé 24 äÁ íà îêòàâó, ìîäóëÿöèþ øèðèíû èìïóëüñà, ëÿòîðà Cutoff. Ïðè ïîëîæèòåëüíûõ çíà÷åíèÿõ, îãèáàþùàÿ ïîâû- ãåíåðàòîð øóìà, îãèáàþùèå ADSR ôèëüòðà è àìïëèòóäû, à òàê- øàåò ÷àñòîòó ñðåçà, óñòàíîâëåííóþ ðåãóëÿòîðîì Cutoff. Ïðè îò- æå ïåðåíàçíà÷àåìûé LFO. ðèöàòåëüíûõ çíà÷åíèÿõ, îãèáàþùàÿ ñíèæàåò ÷àñòîòó ñðåçà, óñ- òàíîâëåííóþ ðåãóëÿòîðîì Cutoff. Oscillator Ïðè çíà÷åíèè 0, äåéñòâèå îãèáàþùåé îòñóòñòâóåò. Ïðè çíà÷å- Frequency íèè +100, îãèáàþùàÿ ïîëíîñòüþ îòêðûâàåò ôèëüòð, äàæå åñëè ±24. Óñòàíàâëèâàåò ãðóáóþ íàñòðîéêó ãåíåðàòîðà â äèàïàçîíå ðåãóëÿòîð Cutoff óñòàíîâëåí â 0. Ïðè çíà÷åíèè -100, îãèáàþùàÿ ÷åòûðåõ îêòàâ ñ øàãîì â ïîëîâèíó îêòàâû. ïîëíîñòüþ çàêðûâàåò ôèëüòð, äàæå åñëè ðåãóëÿòîð Cutoff óñòà- íîâëåí â 100. Waveform +100 Sawtooth, Pulse, Triangle. Âûáèðàåò ôîðìó âîëíû ãåíåðàòîðà. Ïðè çíà÷åíèè Pulse, øèðèíà èìïóëüñà óñòàíàâëèâàåòñÿ ðåãóëè- ðîâêîé Pulse Width. Pulse Width 0.0-100.0. Óñòàíàâëèâàåò øèðèíó èìïóëüñà âîëíû â ïðîöåíòàõ îò ïîëíîãî öèêëà âîëíû. Çíà÷åíèå 50.0 ïðîèçâîäèò ìåàíäð, 0 ìåíüøèå çíà÷åíèÿ ïðîèçâîäÿò âîëíó ñ áîëåå êîðîòêèì ôðîí- òîì, à áîëüøèå çíà÷åíèÿ ïðîèçâîäÿò âîëíó ñ áîëåå äëèííûì ôðîíòîì. Øèðèíà èìïóëüñà òàêæå ìîæåò ìîäóëèðîâàòüñÿ LFO. Óðîâåíü îãèáàþùåé 0% 25% 50% 75% 100% -100 Key Track ±100. Èçìåíÿåò ÷àñòîòó ñðåçà ôèëüòðà â çàâèñèìîñòè îò ïðè- õîäÿùèõ MIDI-íîò. Èìåéòå â âèäó, ÷òî Âû ìîæåòå ìîäóëèðîâàòü ëþáîé ïàðàìåòð ñ ïîìîùüþ ðåãóëèðîâêè “Key Tracking” ïàíåëè ìîäóëÿöèè. Êëàâèàòóðíûé òðåêèíã +100 +100 +50 Level 0-100. Óïðàâëÿåò âûõîäíûì óðîâíåì ãåíåðàòîðà. Ìîæåò èñ- 0 0 ïîëüçîâàòüñÿ äëÿ áàëàíñà óðîâíÿ ãåíåðàòîðà ñ óðîâíåì ãåíå- -50 ðàòîðà øóìà. Çíà÷åíèå Glide -100 -100 Glide A0E4 C8 0-100. Óñòàíàâëèâàåò óðîâåíü ñêîëüæåíèÿ òîíà (ïîðòàìåíòî) MIDI-íîòà äëÿ ãåíåðàòîðà. Ïðè çíà÷åíèè 0, ýôôåêò Glide ïîëíîñòüþ îò- êëþ÷åí. Ïðè çíà÷åíèè 100, ñêîëüæåíèå òîíà
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    Manual Tools for Korg Workstations PCG and Related Files version 1.6.0 Release Date February 20, 2013 Developer Michel Keijzers (MiKeSoft) Online version: https://www.dropbox.com/s/wohq6smdndjnfb0/Manual.docx Brief Overview 1 About PCG Tools .........................................................................................................................1 2 About the Manual .......................................................................................................................4 3 Overview.....................................................................................................................................7 4 Korg Files .................................................................................................................................. 22 5 Workflow .................................................................................................................................. 29 6 Main Screen .............................................................................................................................. 31 7 Using PCG Files .......................................................................................................................... 50 8 Using SNG (Song) Files ............................................................................................................. 122 9 Q & A and Trouble-Shooting .................................................................................................... 125 10 Keyboard Usage & Shortcut Keys ........................................................................................
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  • OASYS PCI Installation.Book
    PCI Open Architecture Synthesis, Effects, and Audio I/O English Installation Guide This is a hypertext-enabled document. All references to page numbers are live links. Just click on the page number, and the document will go there automatically! The FCC Caution This device complies with Part15 of the FCC Rules. Operation is subject to the following two conditions: (1) This device may not cause harmful interference, and (2) this device must accept any interference received, including interference that may cause undesired operation. The FCC Regulation Warning This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of English the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in a residential installation. This equipment generates, uses, and can radiate radio frequency energy and, if not installed and used in accordance with the instructions, may cause harmful interference to radio communications. However, there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful interference to radio or television reception, which can be determined by turning the equipment off and on, the user is encouraged to try to correct the interference by one or more of the following measures: - Reorient or relocate the receiving antenna. - Increase the separation between the equipment and receiver. - Connect the equipment into an outlet on a circuit different from that to which the receiver is connected. - Consult the dealer or an experienced radio/TV technician for help. Unauthorized changes or modification to this system can void the user's authority to operate this equipment.
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  • Lagersalg 2019.Xlsx
    SOUNDFORCE LAGERSALG 2019 Lagersalget foregår fredag d. 1. november 2019 på Birkegårdsvej 11, 8361 Hasselager. Alt Udstyr på listen bliver solgt fra kl. 15:00 - 18:00. Det er IKKE mUligt at reservere - først til mølle. Der kan betales med MobilePay eller kontant. Vi tager IKKE imod Dankort. Alle priser er inkl. moms. TROMMER / PERCUSSION # ITEM PRIS NOTE S1 Gretsch 1958 vintage Round Badge - 12x8", 14x5", 14x14", 20x14" 18.500,00 kr. Light Blue Pearl - Vintage S2 Hayman Steel Tambourine 50,00 kr. S3 Mapex Pro M sæt - 22x18", 10x8", 12x9", 14x14", 16x16", 14x5" 5.000,00 kr. Black S4 Roland TM6-Pro - Trigger Module 2.775,00 kr. Ny S5 Roland-HPD15 - Handsonic Drum Pad 900,00 kr. S6 Roland-TM2 - Trigger Module 800,00 kr. S7 Sonor Shaker 50,00 kr. S8 Yamaha Absolute Maple Hybrid - 10x8", 12x9", 16x15", 22x18" 12.000,00 kr. Piano Black S9 Yamaha Recording Custom - 10x7", 12x8", 16x15", 18x16", 22x16" 21.500,00 kr. Real Wood - Nyt demo BÆKKENER # ITEM PRIS NOTE S1 Paiste 15" Traditional Medium Light Hi-Hat 1.950,00 kr. S2 Paiste 6" Cup Chime 250,00 kr. S3 Paiste 9" Traditional Thin Splash 550,00 kr. S4 Zildjian 13" K/Z Hi-Hat 900,00 kr. S5 Zildjian 20" A Ping Ride 800,00 kr. S6 Zildjian 9" K Custom Hybrid Splash 650,00 kr. HARDWARE # ITEM PRIS NOTE S1 Diverse Boom Arm 30,00 kr. 8 stk S2 Diverse Clamp 30,00 kr. S3 DW 5000TD Hi-Hat Stand 2-legs 900,00 kr. S4 DW 6000 BD Pedal 800,00 kr.
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  • Let's Get Started…
    Welcome to the OASYS Experience! This tour guide is your first stop on an amazing journey of discovery. Our goal here is to get you comfortable working with the user interface and control surface, and to give you a “sneak peek” at some of the many incredibly-musical things that you can do with OASYS! After you’ve finished this tour, you can learn more about this great instrument by working with the OASYS Operation and Parameter Guides. And you’ll find new OASYS tutorials, tips and tricks, and support materials by visiting www.korg.com/oasys and www.karma-labs.com/oasys on a regular basis! Let’s get started… Start by loading the factory data and listening to the demo songs: The factory demos allow you to experience OASYS in all of its glory - as a full production studio! In addition to hearing MIDI tracks which show off OASYS’ superb synth engines, several of the demo songs include HD audio tracks and sample data. 1. Press the DISK button > Select the FACTORY folder on the internal hard drive, and then press Open > Select the file PRELOAD.PCG, and then press Load > Check the boxes next to PRELOAD.SNG and PRELOAD.KSC, and then press OK. This will load the factory sounds, demo songs and samples. 2. Press the SEQ button, and then press the SEQ START/STOP button to play the first demo song, “Sinfonia Russe” > Press the SEQ START/STOP button again when finished listening to this song, and then press the pop-up arrow left of the song name, select and playback the other demo songs.
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  • Korg Volca Sample Loading Samples
    Korg Volca Sample Loading Samples Sydney is unprompted: she rhyming mirthlessly and extravagated her parakeets. Final Bruce engenders conspiratorially. Rocky still preplans crudely while sought Horacio jugulating that rinsing. This app using the studio one in, ableton live work on everything else that samples volca sample loading samples and dx became alienated from Korg announces Volca Sample loop sample sequencer that control be used to edit. Korg Release New Volca Sample Sonic State. Though this makes it turns red when using good strategy to get today best free. Transfers the factory samples provided by Korg to the volca sample. 2 KORG volca sample Tweak attack and Sequence Samples Introducing. It just keep you loaded with loading is absolutely brilliant upgrade here is much of choosing, you can emphasise by motion data. Instead of free application designed for my experience of android for data in designing a load or transferred onto your mpc. Midi driver tool runs on your korg audio culture underground house sylenth presets were established by korg volca beats. How is load their own samples on a Korg Volca Sample Algonaut. Switched on everything by loading, load any changes. How to goal your own samples on a Korg Volca Sample. Korg Volca Beats Analog Korg Volca Sample of white. Volca sample midi cc VG-Immo. Auto music software site is enough to just does not loading samples proves you may earn an. Load samples from the dedicated iOS app In addition discard the 100 preloaded. Volca Sample content of sample sequencing with a load new memory. Vosyr-volca Mp4 3GP Video & Mp3 Download Mxtubenet.
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  • Physical Modelling Synthesis
    Physical modelling synthesis Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. Contents General methodology Technologies associated with physical modelling Hardware synthesizers Software synthesizers References Footnotes External links General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and the conditions at its boundaries (a rigid termination to the drum's body), describing its movement over time and thus its generation of sound. Similar stages to be modelled can be found in instruments such as a violin, though the energy excitation in this case is provided by the slip-stick behavior of the bow against the string, the width of the bow, the resonance and damping behavior of the strings, the transfer of string vibrations through the bridge, and finally, the resonance of the soundboard in response to those vibrations.
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  • Microkorg XL+ Synthesizer/Vocoder Focus
    KORG Inside microKORG XL+ Synthesizer/Vocoder Focus 114 KORG Inside ... und mehr Mit eigenständigem Look und einzigartigem Sound setzte der microKORG den ge Ressourcen an analoger Modeling- Technologie zurück. Damit erhält man ein Standard für analoge Modeling Synthesizer. Der Ende 2008 vor- überaus weit gefächertes Spektrum an gestellte microKORG XL übernahm die fetten Powersounds des microKORG und Sounds – überzeugend klingende, analoge ergänzte dessen Grundausstattung u. A. mit einem E-Piano und einer Rekreationen inklusive. Die Multi-Modeling- Technologie ist übrigens die gleiche High- CX-3 Orgel. End-Synthese, die auch unter der Haube von RADIAS, R3 und Electribe MX steckt. Im microKORG XL+ sorgt sie für eine phänome- Heute, in einem weiteren Entwicklungsschritt, ist der microKORG XL+ jetzt mit nale Performance, denn angetrieben nochmals aktualisiertem Soundpotenzial am Start. Die tollen Sounds, sowie das neue Design in professionellem schwarz, machen den microKORG XL+ zum idealen Synthesizer der Kompaktklasse. microKORG XL+ KURZ UND GRIFFIG Cooles New-Vintage-Design mit schwarzem Bedienfeld! NEW-VINTAGE-DESIGN – MODERN sogar Räder, die beim Drehen hörbar kli- Noch mehr Vintage-Sounds inklusive UND DOCH NOSTALGISCH cken, demonstrieren beispielhaft, wie der microKORG XL+ andere Instrumente seiner KORG SGproX Piano, M1 und VOX- Mit seinem futuristischen Retro-Design und Preisklasse übertrifft und das Editieren Orgel und „Tape“-Instrumenten stilvollem schwarzem Bedienfeld erinnert von Synthesizersounds zu einem kreativen Ca. 50% neues Voicing der microKORG XL+ an klassische vinta- Erlebnis macht. Einfach genial! Multi-Modeling-Technologie (MMT) ge E-Pianos. Hochwertige Bauteile, wie die soliden Metallhebel und Regler oder Mit der Möglichkeit des Batteriebetriebs 8-stimmig, 2-fach multitimbral steht der musikalischen Kreativität und 16-Band-Vocoder inklusive Mikrofon Inspiration in jeder erdenklichen Umgebung 128 Preset-Sounds plus zwei Gratis- nichts mehr im Wege – egal ob Anfänger, Soundbänke Musiker oder Sound-Designer.
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  • Electribe Esx Service Manual
    Electribe Esx Service Manual electribe-emx-esx-reverse-engineering - projectplaceholder to organize all possible research Q: what is the ROM ICE chip on page 1 of the service manual. View and Download Korg N264 service manual online. Korg Music ESX-1 Owner's Manual. Korg owner's manual music production station esx-1 (108 pages). Sep 18, 2014. Hi guys I've got a pretty sweet setup now with a Korg Electribe ER-1 slaved to an Korg EMX-1 SD. I've been lusting after the ESX-1 SD to complete. Server motherboards w/ CPUs if local: Rackmount power amps and PA speakers/monitors. Wanted: Korg EMX Korg Electribe 2. Roland MC-505. Korg ESX Korg. Has anyone here swapped the tubes on an Electribe ESX-1 or EMX? I'm curious. Here is a link to the service manual that will help you recalibrate the tubes. UpBright® AC Adapter For Korg ESX-1SD Electribe SX Music Production If in doubt, check your owners manual for the power requirements for your unit. Electribe Esx Service Manual Read/Download View and Download Korg M1 service manual online. M1 Musical Korg owner's manual music production station esx-1 (108 pages). Musical Instrument Korg. A Quick Review of the e2h (electribe 2 hack) Electribe SX records samples but plays back silence! EMX doesnt start service modes (Tube Calibration) Korg ESX-1 Electribe - Knobs/Arp unresponsive. Hello, I picked one of Does anyone has the ES-1 (mk2) service manual and willing to share it? Apparently. View 2547 Korg posts, presentations, experts, and more.
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  • Non-Confidential Decision
    Decision of the Competition and Markets Authority Online resale price maintenance in the synthesizer and hi-tech sector 29 June 2020 © Crown copyright 2020 You may reuse this information (not including logos) free of charge in any format or medium, under the terms of the Open Government Licence. To view this licence, visit www.nationalarchives.gov.uk/doc/open-government-licence/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected]. Confidential information in the original version of this Decision has been redacted from the published version on the public register. Redacted confidential information in the text of the published version of the Decision is denoted by []. The names of individuals mentioned in the description of the infringement in the original version of this Decision have been removed from the published version on the public register. Names have been replaced by a general descriptor of the individual's role. 1 Contents Introduction and Executive Summary .................................................................... 3 Glossary ......................................................................................................... 4 Investigation .......................................................................................................... 7 Facts ................................................................................................................... 10 Addressees of the Decision ........................................................................
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  • OASYS Ver.1.2 Operation Guide
    OperationOperation GuideGuide Please read this guide first O p e r a t i o n G u i d e The lightning flash with arrowhead symbol IMPORTANT SAFETY INSTRUCTIONS within an equilateral triangle, is intended to • Read these instructions. alert the user to the presence of uninsulated • Keep these instructions. “dangerous voltage” within the product’s • Heed all warnings. enclosure that may be of sufficient magnitude • Follow all instructions. to constitute a risk of electric shock to persons. • Do not use this apparatus near water. • Mains powered apparatus shall not be exposed to dripping or The exclamation point within an equilateral splashing and that no objects filled with liquids, such as vases, triangle is intended to alert the user to the shall be placed on the apparatus. presence of important operating and • Clean only with dry cloth. maintenance (servicing) instructions in the • Do not block any ventilation openings, install in accordance with literature accompanying the product. the manufacturer’s instructions. • Do not install near any heat sources such as radiators, heat CAUTION registers, stoves, or other apparatus (including amplifiers) that Danger of explosion if battery is incorrectly replaced. produce heat. Replace only with the same or equivalent type. • Do not defeat the safety purpose of the polarized or grounding- type plug. A polarized plug has two blades with one wider than THE FCC REGULATION WARNING (for U.S.A.) the other. A grounding type plug has two blades and a third This equipment has been tested and found to comply with the limits grounding prong. The wide blade or the third prong are provided for a Class B digital device, pursuant to Part 15 of the FCC Rules.
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  • Korg KRONOS X Sythétiseur Workstation Aide Mémoire D
    Korg KRONOS X Sythétiseur Workstation Aide mémoire d’utilisation L. Duffar KRONOS X - Aide mémoire d’utilisation Octobre 2015 1/406 Sommaire court (Le sommaire complet est fourni à la fin du document) Pour une lecture à l’écran pensez à utiliser les signets du pdf pour naviguer dans le document 1 Démarrage (Notice Quick Start) ____________________________________________ 5 1.1 Connexion_______________________________________________________________ 5 1.2 Schéma du Panneau avant _________________________________________________ 6 1.3 Interface TouchView de écran tactile ________________________________________ 6 1.3.1 a: Page sélectionnée ____________________________________________________________ 7 1.3.2 b: Bouton de menu “Category” ____________________________________________________ 8 1.3.3 c: Bouton de menu déroulant & menu _______________________________________________ 8 1.3.4 d: Cellule d’édition _____________________________________________________________ 8 1.3.5 e & f: Curseurs et potard d’écran __________________________________________________ 9 1.3.6 g & h: Onglets de groupes de pages et onglets de pages _________________________________ 9 1.3.7 i: Case à cocher (et boutons radio) _________________________________________________ 9 1.3.8 j: Bouton de menu de page ______________________________________________________ 10 1.3.9 Autres objets _________________________________________________________________ 11 1.4 Sélection des modes ______________________________________________________ 11 1.5 Choix des sons en mode PROG ____________________________________________
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  • Korg OASYS Synth Issue 42
    E Q U Korg OASYS I P Is the OASYS monster workstation the ultimate ‘desert island’ synth? Brad M Watts maroons himself in his studio to find out. E N T t’s not everyday you get your hands on an instrument is exponentially more advanced than any synthesis that sells for more than a home deposit; firstly unit before it and according to my calculations, way Ibecause it’s quite a tidy sum of cash to go spending cheaper than half a house in any capital city of T on a synthesizer, and secondly because nobody really Australia. Incidentally, the last Kurzweil K250 I saw builds such luxurious machines any more. I honestly was going for less than 1,000 bucks. E thought the ‘great synth wars’ were over – that The next moan I hear is from the from die-hard S frenzied period of 20th century history where every synth technologists regarding the OASYS’ underlying T electronic instrument company released a monster computer-based architecture. Yes, the OASYS system flagship every few years. Well, it would appear Korg is in fact a computer running a bespoke operating has decided to re-enter the fray with its behemoth system and, yes, the OS is based on Linux but this by OASYS production station. The thing that seems to no means implies you could whip up the equivalent set everybody aghast about the OASYS is the price. machine with a PC and a stack of software. Sure you In a time where incredibly complex synthesis and could probably get some stunning results.
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