The Evolution of Rug Retailing in America
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The Swedish Presence in 20Th-Century American Weaving
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2006 The Swedish Presence in 20th-Century American Weaving Marion T. Marzolf University of Michigan, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Marzolf, Marion T., "The Swedish Presence in 20th-Century American Weaving" (2006). Textile Society of America Symposium Proceedings. 314. https://digitalcommons.unl.edu/tsaconf/314 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Swedish Presence in 20th-Century American Weaving Marion T. Marzolf Professor Emerita [email protected] Swedish weavers who arrived in the United States in the early 20th century before World War I found handweaving a dying art in the United States, but their own skills were valued. American textile mills produced inexpensive and vast quantities of fabrics, but there was also growing interest in reviving the lost arts and crafts of the Colonial and pioneer eras. Influence from the European Arts and Crafts movement and the Bauhaus design philosophy was growing in modern America. These factors created new opportunities for a revival of handweaving. Sweden, by contrast, had retained its strong craft tradition in the face of late-arriving industrialization. A system of preservation societies and craft training in the folk (free public) schools and in arts and crafts schools in Sweden meant that such skills were widely known and valued. -
G97-1317 Rug Selection and Use
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Historical Materials from University of Nebraska-Lincoln Extension Extension 1997 G97-1317 Rug Selection and Use Shirley Niemeyer University of Nebraska--Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/extensionhist Part of the Agriculture Commons, and the Curriculum and Instruction Commons Niemeyer, Shirley, "G97-1317 Rug Selection and Use" (1997). Historical Materials from University of Nebraska-Lincoln Extension. 937. https://digitalcommons.unl.edu/extensionhist/937 This Article is brought to you for free and open access by the Extension at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Historical Materials from University of Nebraska-Lincoln Extension by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. G97-1317-A (Revised July 1997) Rug Selection and Use Rug types and styles, as well as cost and consumer considerations, are covered here. Adapted by Shirley M. Niemeyer, Extension Specialist, Environment of Home/Housing Unlike carpeting, which is a wall-to-wall, permanent installation, rugs can be relocated. Rug Types Rugs come in three main types. Each has a specific purpose. Some common sizes are suggested, but the size of the rug in relation to the size of the space (room) and the way the rug is used are more apt to determine the rug type. Room-size rugs or room-fit rugs are available in prefinished, standard sizes such as 9 feet × 12 feet, 12 feet × 15 feet, or cut to a desired size from a roll of carpet and finished on the cut edges. -
Vol. XI, No. 4 April, 2004
View from the Fringe Newsletter of the New England Rug Society Vol. XI, No. 4 April 1, 2004 www.ne-rugsociety.org April Meeting: Jim Adelson and Yon Bard on the Turkmen and Their Pile Weavings At our next meeting, two of our resident Next Meeting Details Turkomaniacs will share their enthusiasm for the uniquely beautiful weavings produced by the Date: Friday, April 16 Turkmen tribeswomen in their arid Central Asian Time: 7:30PM surroundings. The presentation will start with a brief Place: Armenian Library and Museum, historical and geographical introduction. The “ma- 65 Main Street, Watertown trix,” i.e., the two-way classification of Turkmen weavings by tribe and by function will be discussed, Directions: followed by comments on the origin, evolution, and Go to Watertown Square (out-of-towners, get off application of design elements, as well as general the Mass Pike at exit 17 and follow the signs.) remarks on design creativity, collecting and other Take Main Street (Rte. 20) westbound (left turn if topics. Accompanying the talk, Jim and Yon will coming from the Pike). The first light is Church show selected pieces from their collections—cho- Street, and the Museum is on the righthand corner. sen for their beauty and rarity— to illustrate points Parking: made in the lecture. Finally, pieces brought by at- Go right on Church Street and into the municipal tendees (limit of two per person, please!) will be lot on the right. Most meters are free after 6PM, examined and commented upon. but check to make sure! Both Jim and Yon are long-standing members of NERS and have been serving on its Steering Com- other pieces along the way. -
View from the Fringe Newsletter of the New England Rug Society
View from the Fringe Newsletter of the New England Rug Society Vol. 24 No. 2 November 2016 www.ne-rugsociety.org November 11 Meeting: Mitch Rudnick on the Making of the Rudnick Collection Nov. 11 Meeting Details Time: 7 p.m. Place: Grogan & Company, 20 Charles Street Boston, MA 02115 Directions and parking: http://groganco.com/contact/directions/ Reception: hosted by Grogan & Company preceding the presentation. NOTE: Everyone who plans to attend this meeting is asked to reply to Joel Greifinger ([email protected]) by Monday, November 7. Rosalie and Mitch at the MFA in 2013 Mitch’s Ottoman coat On November 11, at Grogan & Company, Boston, collector In 1983 the couple “discovered” Caucasian rugs and and longtime NERS member Mitch Rudnick will present embarked on a collecting quest that would last until 2015. “The Making of the Rudnick Collection.” Opening with an 1 In 1988, Rosalie’s interest led her to join Judy Smith and update on and salute to Rosalie, his wife and collecting Kate Van Sciver in founding the New Boston Rug Society (later partner, Mitch will explain how their passion for Caucasian NERS), of which Rosalie was president for twelve years. She rugs began, how their tastes evolved, and how they funded and Mitch were instrumental in fundraising for, and lending their acquisitions. His talk will include many “tales of the to, the NBRS exhibition Through the Collector’s Eye, which chase” as well as excerpts from Rosalie’s essay, “Ode to Rug debuted at the RISD Museum, Providence, in 1991 (as part Collecting.” He will illustrate his presentation with actual rugs of the first ACOR, in Boston) and traveled to the Textile Museum from the walls of Michael Grogan’s Charles Street gallery, the next year. -
Vol. XXVIII, No. 3 March, 2021 Newsletter
View from the Fringe Newsletter of the New England Rug Society Vol. 28 No. 3 March 2021 www.ne-rugsociety.org March Meeting (Online): Stefano Ionescu, “Tracing the Ottoman Rugs in Transylvania” Meeting Details Date and Time: 11 AM (EST), on Saturday, March 13 Venue: Your desktop, laptop, or tablet! Directions: Jim Sampson 1 will email invitation links to members; to receive the Stefano Ionescu, examples, including Ushaks, Holbeins, Lottos, Selendis, and Zoom login, you must register and a view of Lotto a wealth of “Transylvanian” rugs. The presentation will draw before the meeting by clicking and small-pattern on his new ideas and latest findings about these carpets— on the link in Jim’s email. Holbein rugs including the nature of their “intentional imperfections.” He Non-members should email in Saint Margaret’s will conclude by showing some unpublished examples of the [email protected] Church, Mediaş, Bistritza collection held in the Germanisches Nationalmuseum to get an invitation link. Transylvania in Nuremberg, and will briefly report on a project of weaving high-quality Anatolian copies of these rugs, to be displayed Transylvania is the repository of the richest and best- in the Bistritza Parish. preserved group of small-format Anatolian rugs outside the Born in 1951 in Transylvania, Stefano has lived in Rome Islamic world—almost four hundred examples (including since 1975. An independent scholar, he is the major expert on the fragments) attributable to the golden age of Ottoman corpus of Anatolian rugs surviving in his homeland. His first rug weaving. On March 13, Stefano Ionescu will tell NERS book, Antique Ottoman Rugs in Transylvania (2005), was attendees and guests how these rugs arrived in Transylvania, awarded the Romanian Academy Prize in Art History. -
Cum : Scandinavian Handweaving And
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Massimo Catalogue 2021 .Pdf
1 LET’S BUILD GREAT INTERIORS – ONE RUG AT A TIME! We believe that any interior can be elevated with uplifting colours and pleasant textures. At massimo we do it one rug at a time and with the greatest of attention to design, quality, sustainability – and you. Because all great results start with dialogue, quality and empathy. For more than 20 years massimo has focused on creating handmade rugs for both private homes, public spaces as well as developers. We approach every inquiry with the same attention and curiosity, whether the best solution is one of our signature quality rugs always on stock or a one-of-a kind bespoke rug designed and made especially for the occasion. We cannot and we will not deny our Scandinavian origin. We have a passion for subtle, natural colour schemes and long-lasting functional design – but are not afraid to challenge and tempt with a bolder, more colourful alternative. Afterall, a rug is the soul of a room – and some souls are simply more hot-spirited. massimocopenhagen 2 EARTH BAMBOO EARTH BAMBOO EARTH Massimo EARTH-BAMBOO rug is made of best quality New Zealand wool mixed with Bamboo fibres. The combination of New Zealand wool and Bamboo gives a very durable rug with a light shine which is easy to maintain. The quality of the fibres I minimizes peeling to almost nothing. camel The production of Bamboo is sustainable as it thrives without any pesticides, New Zealand wool is made with animal friendly practices and both fibres are sustainable, natural and biodegradable and thus very eco-friendly materials. -
Green Remodeling... Exclusive! Business Management
spring 2008 desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER GREENGREEN REMODELING...REMODELING... WherWheree toto StarStart?t? EXCLUSIVE!EXCLUSIVE! InteriorsInteriors ‘08‘08 BUSINESSBUSINESS MANAGEMENT:MANAGEMENT: AA TTaxingaxing MatterMatter CONTENTS Spring of 2008 desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER FEATURES 10 Green Remodeling – Where to Start? 16 Interiors 08 29 Sample Sale 34 Jubilation 08, ASID Foundation 42 Business Management: A Taxing Matter 44 ASID Membership Incentives 46 Ethics Checklist 48 ASID Home Tour 49 2007 ASID College of Fellows 10 DEPARTMENTS 8 President’s Message 18 Student Buzz 24 Industry Partner Profile 26 Design Center News 28 Calendar of Events 29 Welcome New Members 30 January Membership Meeting at David E. Adler 20 50 ASID On The Go 52 Industry Partners Directory | 6 Desert Design | SPRING 2008 ISSUE PRESIDENTS COLUMN desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER t was the privilege of being chapter president which ASID ARIZONA NORTH CHAPTER OFFICE took me to the national ASID conference, Interiors 08, 4035 East Fanfol Drive, Phoenix, Arizona 85028 Iheld in New Orleans in mid March. Admittedly, 602-569-8916 I was not looking forward to visiting New Orleans again www.asidaznorth.org and wished for a different venue, but once there I realized the critical need to contribute to their EDITORIAL STAFF monumental struggle to rebuild after the ravages of Katrina. BRENDA STRUNK Editor and ASID Communications Director Interiors 08 was the last national conference – instead, ASID will return to the practice of holding regional PAULINE WAMPLER conferences. If you have the opportunity to attend, Katherine Thornhill, Administrator please do – the information is tremendously inspiring. -
Online Timed Auction of Carpets, Rugs & Textiles
Online Timed Auction of Carpets, Rugs & Textiles Opening Wednesday 14th July 2021– Closing Wednesday 21st July 2021 EXTRA IMAGES OF ALL LOTS CAN BE FOUND ON THE AUCTIONMARTS WEBSITE. TERMS OF SALE – TO BE READ IN CONJUNCTION WITH THE CONDITIONS OF SALE ON THE BACK OF THIS CATALOGUE. BIDDING Bidding will be online through the online sales tab on our website www.salisburyauctioncentre.co.uk . Buyers including existing customers, will need to register into the sale and verify their email address if you have not done so previously. For those people who have viewed and are unable to access the internet we will accept Absentee Bids, which we will place online for you, however by bidding in this way you will not receive updates as to whether your bid is winning or not. The sale is run on the Auctionmarts Platform. BUYERS PREMIUM Each lot is subject to a buyer’s premium of 17.5% Plus VAT (21% including VAT). This fee includes online bidding fees. VAT Lots marked with an asterisk (*) are subject to VAT at 20% on the hammer price. PAYMENT & CLEARANCE Payment should be made as soon as possible after the end of the sale, and no later than one week later. All lots should be cleared within two weeks of the end of sale or storage charges may apply. Buyers unknown to us should furnish us with their bank details. Payments can be made by Bank Transfer (preferred) Debit Cards, Cash or Cheque by prior arrangement. NB: We no longer accept payment by Credit Card. Debit Card payments where the card holder is not present will only be accepted for transactions up to £200. -
The Weaving Handbook by Copyright Holder the Ins and Outs of Hand-Weaving
DUPLICATION PROHIBITED The Weaving Handbook Weaving The by copyright holder The Ins and Outs of Hand-Weaving Weaving by hand is an ancient and fascinating art, encompassing hundreds of variations, techniques, and approaches to creating textiles of all shapes and sizes. Here, designer and weaving expert Åsa Pärson and pro- fessional textile curator Amica Sundström have compiled a modern reference guide to the fundamental principles and practice of weaving for the novice and the experienced weaver alike. Focusing on foot treadle looms with coun- termarch or pulley tie-up systems, Pärson and Sundström cover everything you need to know about the arrangement and preparation of the loom, weaving tools and materials, reading drafts, and the three basic foundational weaves, plus the multitude of variations that derive from each, in the Swedish hand-weaving tradition. A selection of sample projects, themed around filling a home with handmade décor, demonstrates the breadth of the possibilities and provides a starting point to explore the astonishing creative potential of weaving. Åsa Pärson & Amica Sundström — Instructions and full-color photos of projects, covering a wide variety of weaves and textures — — Discussion of fibers and fabric types, including look, feel, visual effects, and optimal care and treatment — — Tips for all stages of weaving, from warping and tie-on to finishing, felting, and fringe techniques — The Weaving Handbook — Explanations of how to read and understand weaving drafts — Pärson — Drafts and sample swatches for hundreds -
VERBAL MORPHOLOGY of AMDO TIBETAN by ZOE TRIBUR a DISSERTATION Presented to the Linguistics Department and the Graduate School O
VERBAL MORPHOLOGY OF AMDO TIBETAN by ZOE TRIBUR A DISSERTATION Presented to the LinguistiCs Department and the Graduate SChool of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2019 DISSERTATION APPROVAL PAGE Student: Zoe Tribur Title: Verbal Morphology in Amdo Tibetan This dissertation has been aCCepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the LinguistiCs Department by: SCott DeLancey Chairperson Spike Gildea Core Member EriC Pederson Core Member Zhuo Jing-SChmidt Institutional Representative and Janet Woodruff-Borden ViCe Provost and Dean of the Graduate SChool Original approval signatures are on file with the University of Oregon Graduate SChool. Degree awarded September, 2019 ii © 2019 Zoe Tribur iii DISSERTATION ABSTRACT Zoe Tribur Doctor of Philosophy Department of Linguistics September 2019 Title: Verbal Morphology of Amdo Tibetan This dissertation describes the functional and structural properties of the Amdo Tibetan verb system. Amdo Tibetan (Tibetic, Trans-Himalayan) is a verb-final language, characterized by an elaborate system of post-verbal morphology that are limited to finite clauses and which encode information about the nature of the assertion. Aside from imperative mood, which is expressed by a different series of constructions, the finite verb constructions of Amdo Tibetan form a morphological paradigm expressing functions associated with the semantic domains of tense, aspect, (epistemic) modality, evidentiality and egophoricity. The data included in this study comes from three kinds of sources. The majority of examples are from my own field recordings, which include elicitations as well as spontaneous speech. -
FOR the FLOOR for the Floor an International Exhibition of Co Ntemporary Handmade Rugs
FOR THE FLOOR FOR THE flOOR An International Exhibition of Co ntemporary Handmade Rugs January 25, 1985-May 11 , 1985 American Craft Museum II International Paper Pl aza 77 West 45th Street New York , New York 10036 American Craft Museum II is sponsored by International Paper Company and International Paper Company Foundation , New York --------------------------------------------------~ Although handmade rugs have had a long histo ri cal tradition, the fi ber arts emerging after World War II in Am eri ca moved away from the floor, focusing primarilyo n two-dim ensional wall pi eces, sculpture, and such specialized areas as perso nal adornment. FOR THE FLOOR draws renewed attention to the art of rugmaking, through present- ing the most innovative co ntemporary rug designs from Ameri ca and abroad. It is the purpose of this exhibi tion to reexamine the world at our feet and to reassess the creati vity and the wealth of deco rat ive tradi tions found in pieces made for the fl oor. The exhibition was assembled by soli citing slides nationall y for the American rugs, and by inv iting foreign artists recommended by cura tors and scholars in each country. Criteria used for the selection of the rugs included that they be handmade and constructed to endure wear on the fl oor. It was also essential that the pieces be designed for the fl oor. While many of these rugs wo uld be effective as wall hang ings, it was im po rtant that their design convey a spatial progression that wo rked when viewed horizontall y.