DOCSLIB.ORG

Types of Rugs

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Types of Rugs Timeless Design for the Modern Age In 1980, we founded Nourison with the vision of creating a wholesale business based on wide selection and timely delivery for our dealers and resellers. Since that time, the company has grown into a leading global floor covering company that produces extensive collections of area rugs, broadloom carpet, and home accessories at multiple price points from low to mid-market to luxury. Our emphasis on creating value for our network of dealers is combined with a desire to merge the best traditional craftsmanship with state-of-the-art production techniques in order to provide beautiful products to a wide range of customers while staying at the forefront of interior design trends. That focus has allowed us to build an impressive inventory of quality rugs, carpets, and interior accessories. As a result, we have become a valuable partner in the home furnishing and hospitality industries. Today, our quality carpets and rugs grace boutique and grand-scale properties as well as thousands of residences across the globe. Our product assortment includes licensed collections from well- known brands such as Calvin Klein, Kathy Ireland, Waverly, Barclay Butera, Peanuts, and more. Through all this, we remain a family business that values and cultivates relationships with our partners and customers. We haven’t forgotten that much of our success is due to the large network of dealers and resellers who have promoted our products to an ever-growing customer base. It is this extended family that helps drive our business and challenge us to continually improve and innovate. So thank you for all your support. We invite you to browse our catalog, and know that these beautiful collections wouldn’t have been possible without your support. The Peykar Family NEW INTRODUCTIONS ALL COLLECTIONS ALDORA 1 - 8 13 29 37 CAPELLE 9 - 12 CHROMA 13 - 20 DIVINE 21 - 28 ELAN 29 - 36 ELLORA 37 - 44 GEMSTONE 45 - 54 CHROMA ELAN ELLORA JAIPUR 55 - 66 LUCENT 67 - 72 LUMINANCE 73 - 82 67 121 21 NEPAL 83 - 92 NOURISON 2000 93 - 108 NOURMAK 109 - 120 OCEAN 121- 128 OPALINE 129 - 136 PERSIAN EMPIRE 137 - 144 PRISMATIC 145 - 154 LUCENT OCEAN DIVINE RHAPSODY 155 - 166 RIVIERA 167 - 172 233 145 129 SILK ELEMENTS 173 - 184 COLLECTIVE SILK SHADOWS 185 - 194 STARLIGHT 195 - 200 CATALOG TAHOE 201 - 210 TAHOE MODERN 211 - 218 VOL. 1 TIMELESS 219 - 232 TWILIGHT 233 - 254 TWILIGHT PRISMATIC OPALINE BARCLAY BUTERA 255 - 290 NOURISON FAVORITES STYLE INDEX ALPHABETICALLY BY COLLECTION NAME ALL SIZES ARE APPROXIMATE. CHECK INDIVIDUAL COLLECTIONS IN THE CATALOG FOR EXACT SIZING. *LIMITED AVAILABILITY, ONLY AVAILABLE IN CERTAIN DESIGNS. TRADITIONAL TRANSITIONAL CONTEMPORARY Traditional designs are modern-day represen- This style is a blending of traditional and Contemporary rug designs are generally tations of time-honored European and Asian contemporary styles. Quite often, the blend characterized by stark contrasts, bold uses patterns. In some cases, a traditional rug’s provides the elegance and timelessness of a of color, and geometric or free-form style dora Al Divine Elan Gemstone Jaipur Lucent Luminance Nepal Nourison 2000 Nourmak Ocean Persian Empire Rhapsody Riviera Silk Elements Silk Shadows Starlight Tahoe Tahoe Modern Timeless Capelle Chroma Ellora Opaline Prismatic Twilight Barclay Butera design may be a pattern that has been used traditional pattern with a little less formality. elements. They are normally architectural and for generations. Traditional rugs are normally For example, a transitional rug may feature modern in their look. Contemporary rugs can 2 ft. x 3 ft. 3 3 3 3 3 X 3 3 3 3 3 X XX considered formal, but they can also be used a classic floral pattern but not a border. Or, also feature retro patterns. Typically these Rugs in casual living spaces. Traditional rugs nor- the rug’s design may feature a border and an designs are inspired by art deco and arts and Accent 3 ft. x 4 ft. 3 mally contain specific elements like oral and intricate pattern but with little color contrast crafts periods. 4 ft. x 6 ft. 3 3333333 333 3 3333 other intricate patterns, borders and central between the two elements. medallions. 5 ft. x 8 ft. – 6 ft. x 9 ft. 33333333333333333333333333 8 ft. x 10 ft. 333333333 3333 33 33 3333 Rectangle Area Rugs 8 ft. x 11 ft. - 9 ft. x 12 ft. 3 333333333333333333333333 Aldora Traditional 1 - 8 Ocean Transitional 121 - 128 9 ft. x 13 ft. 3 3 Capelle Contemporary 9 - 12 Opaline Transitional 129 - 136 8 ft. Runner 33333 33 3 3333 Chroma Contemporary 13 - 20 Persian Empire Traditional 137 - 144 10 ft. Runner 3 3 Runners 12 ft. Runner 3 Divine Transitional 21 - 28 Prismatic Contemporary 145 - 154 4 ft. Round 3 Elan Traditional 29 - 36 Rhapsody Contemporary 155 - 166 6 ft. Round 3 3 Ellora Transitional 37 - 44 Riviera Transitional 167 - 172 6 ft. Freeform Gemstone Transitional 45 - 54 Silk Elements Transitional 173 - 184 8 ft. Round 3 3 3 3 Shapes 8 ft. Freeform Jaipur Traditional 55 - 66 Silk Shadows Transitional 185 - 194 See individual collection pages for available sizes. 8 ft. x 10 ft. Oval 3 Lucent Transitional 67 - 72 Starlight Transitional 195 - 200 9 ft. Round Luminance Transitional 73 - 82 Tahoe Traditional 201 - 210 10 ft. Octagon X 10 ft. x 13 ft. - 10 ft. x 14 ft. 3 3333333333333333333 3333 Nepal Transitional 83 - 92 Tahoe Modern Contemporary 211 - 218 12 ft. x 15 ft. X 3 3 3 3 3 Oversized Nourison 2000 Traditional 93 - 108 Timeless Traditional 219 - 232 Area Rugs 12 ft. x 18 ft. 3 Nourmak Traditional 109 - 120 Twilight Transitional 233 - 254 Custom Sizes 33333333333333333333333333 Stair Runners 3 LIVING ROOM DINING ROOM WHAT SIZE RUG DO I NEED? Providing dimensions of the room and furniture ensures that you get 5 ft x 8 ft – 6 ft x 9 ft 8 ft x 10 ft – 9 ft x 12 ft the right rug for the space. 8 ft x 10 ft – 9 ft x 12 ft 5 ft x 8 ft – 6 ft x 9 ft 8 ft x 10 ft 8 ft x 11 ft – 9 ft x 12 ft & Runners 4 ft x 6 ft – 5 ft x 8 ft keep in mind... & Runners 9 ft x 12 ft – 12 ft x 14 ft 9 ft x 12 ft – 10 ft x 14 ft DINING ROOM Leave 18-24 inches of rug on all sides so that chairs will stay on the rug when pushed back. BEDROOM Make sure to leave at least 18 inches on all sides. You should be able to get out of bed and still stand on the rug. 10 ft x 14 ft – 12 ft x 15 ft 10 ft x 14 ft – 12 ft x 15 ft 10 ft x 14 ft – 12 ft x 15 ft RUG INFORMATION that you should know Types of rugs HAND KNOTTING HAND WOVEN Hand-knotting is the most labor-intensive of rug constructions. In the hands of master weavers, this technique can produce A flat weave rug is constructed without a pile. Here, works of art unparalleled in detail and beauty. In a knotted rug, tiny threads are tied onto the warp, creating the pattern colored weft yarns are woven through the warps to or design. The weft threads anchor and align the rows of knots. When the knots are later cut, they stand away from the create the pattern. There are numerous varieties of NOURISON flatweaves: kilims, dhurries, and soumaks, to name warp/weft backing to create the velvety pile of the finished piece. The density of the pile is determined by how tightly the knots are packed together. There are a variety of actual knot styles, among which are Persian, Turkish, and Tibetan knots. a few. In Tibet, native weavers developed a distinctive method long ago of weaving woven on a vertical loom. A Tibetan knot A split-weave kilim is constructed when colored weft CUSTOM RUGS yarns are woven through the warps to create the is made when a metal rod is inserted into to the cotton foundation (warp and weft threads) during the knotting process. The two warp threads are at different positions around the weaving rod, and the threads are knotted form left to right. pattern and the thread is pulled through the warp only as far as the pattern and color dictate. Then When the row of knotting is completed, the knots are cut off the metal rode. This creates a surface texture in the pile the thread is turned back on itself to go the direction Nourison offers a variety of custom services for area rugs and with the signature horizontal striations that identify “Tibetan weave” to connoisseurs the world over. The most common in which it came, finishing the same side on which broadloom carpet. Our talented design team will work with you Tibetan knotted rugs are in 60, 80, or 100 knots per square inch. The higher the knot count, the thinner the carpet. This it started. Different colored threads meet but do not type of weaving is indicative of tribal and modern designs. join, creating the design. to create a unique rug, or you can choose from our extensive Nourison’s patented Nourmak technique uses a library of colors and textures. Nourison can weave your rug from warp-wrapping process, in which a weft thread HAND TUFTING LOOM WOVEN is drawn over two to four warps, then back under 100% wool, silk, or a combination of both. Various construction half of them, repeatedly. The technique produces a herringbone-like effect across the back of the rug. Hand tufted rugs and hand hooked rugs are Nourison’s loom woven rugs are made on the best quality The face of the rug is knotted to replicate worn, techniques are available, including hand knotted and loom woven.
Load more

Recommended publications
  • Vol. XI, No. 4 April, 2004
    View from the Fringe Newsletter of the New England Rug Society Vol. XI, No. 4 April 1, 2004 www.ne-rugsociety.org April Meeting: Jim Adelson and Yon Bard on the Turkmen and Their Pile Weavings At our next meeting, two of our resident Next Meeting Details Turkomaniacs will share their enthusiasm for the uniquely beautiful weavings produced by the Date: Friday, April 16 Turkmen tribeswomen in their arid Central Asian Time: 7:30PM surroundings. The presentation will start with a brief Place: Armenian Library and Museum, historical and geographical introduction. The “ma- 65 Main Street, Watertown trix,” i.e., the two-way classification of Turkmen weavings by tribe and by function will be discussed, Directions: followed by comments on the origin, evolution, and Go to Watertown Square (out-of-towners, get off application of design elements, as well as general the Mass Pike at exit 17 and follow the signs.) remarks on design creativity, collecting and other Take Main Street (Rte. 20) westbound (left turn if topics. Accompanying the talk, Jim and Yon will coming from the Pike). The first light is Church show selected pieces from their collections—cho- Street, and the Museum is on the righthand corner. sen for their beauty and rarity— to illustrate points Parking: made in the lecture. Finally, pieces brought by at- Go right on Church Street and into the municipal tendees (limit of two per person, please!) will be lot on the right. Most meters are free after 6PM, examined and commented upon. but check to make sure! Both Jim and Yon are long-standing members of NERS and have been serving on its Steering Com- other pieces along the way.
    [Show full text]
  • Vol. XXVIII, No. 3 March, 2021 Newsletter
    View from the Fringe Newsletter of the New England Rug Society Vol. 28 No. 3 March 2021 www.ne-rugsociety.org March Meeting (Online): Stefano Ionescu, “Tracing the Ottoman Rugs in Transylvania” Meeting Details Date and Time: 11 AM (EST), on Saturday, March 13 Venue: Your desktop, laptop, or tablet! Directions: Jim Sampson 1 will email invitation links to members; to receive the Stefano Ionescu, examples, including Ushaks, Holbeins, Lottos, Selendis, and Zoom login, you must register and a view of Lotto a wealth of “Transylvanian” rugs. The presentation will draw before the meeting by clicking and small-pattern on his new ideas and latest findings about these carpets— on the link in Jim’s email. Holbein rugs including the nature of their “intentional imperfections.” He Non-members should email in Saint Margaret’s will conclude by showing some unpublished examples of the [email protected] Church, Mediaş, Bistritza collection held in the Germanisches Nationalmuseum to get an invitation link. Transylvania in Nuremberg, and will briefly report on a project of weaving high-quality Anatolian copies of these rugs, to be displayed Transylvania is the repository of the richest and best- in the Bistritza Parish. preserved group of small-format Anatolian rugs outside the Born in 1951 in Transylvania, Stefano has lived in Rome Islamic world—almost four hundred examples (including since 1975. An independent scholar, he is the major expert on the fragments) attributable to the golden age of Ottoman corpus of Anatolian rugs surviving in his homeland. His first rug weaving. On March 13, Stefano Ionescu will tell NERS book, Antique Ottoman Rugs in Transylvania (2005), was attendees and guests how these rugs arrived in Transylvania, awarded the Romanian Academy Prize in Art History.
    [Show full text]
  • Green Remodeling... Exclusive! Business Management
    spring 2008 desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER GREENGREEN REMODELING...REMODELING... WherWheree toto StarStart?t? EXCLUSIVE!EXCLUSIVE! InteriorsInteriors ‘08‘08 BUSINESSBUSINESS MANAGEMENT:MANAGEMENT: AA TTaxingaxing MatterMatter CONTENTS Spring of 2008 desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER FEATURES 10 Green Remodeling – Where to Start? 16 Interiors 08 29 Sample Sale 34 Jubilation 08, ASID Foundation 42 Business Management: A Taxing Matter 44 ASID Membership Incentives 46 Ethics Checklist 48 ASID Home Tour 49 2007 ASID College of Fellows 10 DEPARTMENTS 8 President’s Message 18 Student Buzz 24 Industry Partner Profile 26 Design Center News 28 Calendar of Events 29 Welcome New Members 30 January Membership Meeting at David E. Adler 20 50 ASID On The Go 52 Industry Partners Directory | 6 Desert Design | SPRING 2008 ISSUE PRESIDENTS COLUMN desertVOICE OF THE ASID ARIZONA NORTHdesign CHAPTER t was the privilege of being chapter president which ASID ARIZONA NORTH CHAPTER OFFICE took me to the national ASID conference, Interiors 08, 4035 East Fanfol Drive, Phoenix, Arizona 85028 Iheld in New Orleans in mid March. Admittedly, 602-569-8916 I was not looking forward to visiting New Orleans again www.asidaznorth.org and wished for a different venue, but once there I realized the critical need to contribute to their EDITORIAL STAFF monumental struggle to rebuild after the ravages of Katrina. BRENDA STRUNK Editor and ASID Communications Director Interiors 08 was the last national conference – instead, ASID will return to the practice of holding regional PAULINE WAMPLER conferences. If you have the opportunity to attend, Katherine Thornhill, Administrator please do – the information is tremendously inspiring.
    [Show full text]
  • Online Timed Auction of Carpets, Rugs & Textiles
    Online Timed Auction of Carpets, Rugs & Textiles Opening Wednesday 14th July 2021– Closing Wednesday 21st July 2021 EXTRA IMAGES OF ALL LOTS CAN BE FOUND ON THE AUCTIONMARTS WEBSITE. TERMS OF SALE – TO BE READ IN CONJUNCTION WITH THE CONDITIONS OF SALE ON THE BACK OF THIS CATALOGUE. BIDDING Bidding will be online through the online sales tab on our website www.salisburyauctioncentre.co.uk . Buyers including existing customers, will need to register into the sale and verify their email address if you have not done so previously. For those people who have viewed and are unable to access the internet we will accept Absentee Bids, which we will place online for you, however by bidding in this way you will not receive updates as to whether your bid is winning or not. The sale is run on the Auctionmarts Platform. BUYERS PREMIUM Each lot is subject to a buyer’s premium of 17.5% Plus VAT (21% including VAT). This fee includes online bidding fees. VAT Lots marked with an asterisk (*) are subject to VAT at 20% on the hammer price. PAYMENT & CLEARANCE Payment should be made as soon as possible after the end of the sale, and no later than one week later. All lots should be cleared within two weeks of the end of sale or storage charges may apply. Buyers unknown to us should furnish us with their bank details. Payments can be made by Bank Transfer (preferred) Debit Cards, Cash or Cheque by prior arrangement. NB: We no longer accept payment by Credit Card. Debit Card payments where the card holder is not present will only be accepted for transactions up to £200.
    [Show full text]
  • VERBAL MORPHOLOGY of AMDO TIBETAN by ZOE TRIBUR a DISSERTATION Presented to the Linguistics Department and the Graduate School O
    VERBAL MORPHOLOGY OF AMDO TIBETAN by ZOE TRIBUR A DISSERTATION Presented to the LinguistiCs Department and the Graduate SChool of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2019 DISSERTATION APPROVAL PAGE Student: Zoe Tribur Title: Verbal Morphology in Amdo Tibetan This dissertation has been aCCepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the LinguistiCs Department by: SCott DeLancey Chairperson Spike Gildea Core Member EriC Pederson Core Member Zhuo Jing-SChmidt Institutional Representative and Janet Woodruff-Borden ViCe Provost and Dean of the Graduate SChool Original approval signatures are on file with the University of Oregon Graduate SChool. Degree awarded September, 2019 ii © 2019 Zoe Tribur iii DISSERTATION ABSTRACT Zoe Tribur Doctor of Philosophy Department of Linguistics September 2019 Title: Verbal Morphology of Amdo Tibetan This dissertation describes the functional and structural properties of the Amdo Tibetan verb system. Amdo Tibetan (Tibetic, Trans-Himalayan) is a verb-final language, characterized by an elaborate system of post-verbal morphology that are limited to finite clauses and which encode information about the nature of the assertion. Aside from imperative mood, which is expressed by a different series of constructions, the finite verb constructions of Amdo Tibetan form a morphological paradigm expressing functions associated with the semantic domains of tense, aspect, (epistemic) modality, evidentiality and egophoricity. The data included in this study comes from three kinds of sources. The majority of examples are from my own field recordings, which include elicitations as well as spontaneous speech.
    [Show full text]
  • The Evolution of Rug Retailing in America
    The Evolution of Rug Retailing in America (edited 04Apr17) Istanbul Carpet Week <> 6-9 October 2016 Rob Leahy Preface Unpacking the subject: From the beginning of civilization rugs have been a trade item. In fact, the reasons why people buy a rug has changed very little since the trading of goods began in prehistoric times. Over my 45 years around this business I have observed an almost primal way that consumers look at their rugs. It’s as if the camp isn’t set up until the rugs have been laid down and the furniture set around the center of the room. Comfortable, cozy even sumptuous are words that we use to describe the feeling that carpets can engender. From when first created, the softness and warmth of woolen weavings have helped create an environment that makes people happy. After learning to domesticate sheep and goats and then to shear the hair from the animal, humans began to simulate the furry hides that they had been using to protect themselves from the elements. Items that replaced animal hides, whether for clothing or furnishings, would have immediately become important trade goods. In primitive non- monetized exchanges between our ancestors the basis for trade was the acquisition of things that you could not yet make yourself, but needed or wanted. The relative luxury of a pile surface commanded princely sums in trade. We know this because fragments of the earliest known pile rugs have been found in tombs of tribal rulers dating to 1,500 BCE. No doubt, even then, there were tribes that specialized in textiles and rugs so we can date the first appearance rug sellers to the 2rd Millennium BCE.
    [Show full text]
  • Download the Print Catalog (PDF)
    THE COLLECTOR’S EYE : Art, Antique Carpets, Decorative & Ethnographic Arts, including property from GlaxoSmithKline LLC AUCTION February 24, 2013 | 11AM EXHIBITION February 21 - 23 | 10AM-5PM Daily 4700 Wissahickon Avenue | Philadelphia, PA 19144 | 215-438-4700 | www.materialculture.com Property from the Collection of GlaxoSmithKline LLC One of the exceptional pieces brought detractors of American craft by winning to auction by GlaxoSmithKline is a the First Prize Gold Medal at the Rookwood Vase from 1900, decorated Paris Exposition Universelle in 1889. by Kitaro Shirayamandi with gorgeous Japanese artist Kitaro Shiryamandi was chrysanthemums for Rookwood invited to come to Ohio to create for the Pottery. Maria Longworth founded company in 1887, and the vase up at the Rookwood Pottery Company in auction on February 24 is a spectacular 1880 in Cincinnati, Ohio, inspired example of his artistry. In excellent by Japanese ceramics and under- condition and gleaming with golden glaze French pottery. Rookwood was and cream chrysanthemums against the first American company to gain a dark background, the hand-painted international admiration for ceramics earthenware piece–produced in 1900– from the United States, surprising measures a massive 18 by 9.5 inches. LOT 18 for designing the Diamond and Bird As is seen on some but not all of Bertoia’s chairs for the Knoll furniture company, sounding sculptures, the rods are capped which became icons of modernist with metal cylinders to accentuate the furniture, and for his “Sonambient” movement initiated by a hand or puff of sound sculpture. When he began air. Bertoia had renovated an old barn exploring tonal sculpture in 1960, he was on his estate in Bally, Pennsylvania and already well-known for his sculptures assembled 100 sounding sculptures into and installations, but his innovation in the acoustically-perfected space, where creating sculptures that generate their he recorded eleven albums featuring the own otherworldly music has come to be sonorous, sometimes haunting, tones his hallmark.
    [Show full text]
  • Prices Realized
    Clars Auction Sale 505 Prices Realized February 5 and 6, 2011 Lot Description Price Balinese hardwood bust portrait, the elegant beauty carved with an elaborate floral‐accented head 1 dress and large earrings framing her serene face, 15.75''h $ 200 Southeast Asian repousse silver circular covered container, the lid decorated with small floral blossoms encircling a stylized floral roundel to the center, the body hammered with a petal pattern 2 and raised on a tall base, 2''h $ 30 Himalayan copper‐alloy figural group, depicting a Hindu deity, probably Shiva, seated on a bull with 3 his consort, all framed by an openwork mandorla and raised on a lotus pedestal, 8.75''h $ 80 East Indian gilt copper‐alloy metal plaque with inlay of silver (oxidized) and copper, Colonial period, the circular tray‐like plaque centered by a portrait of Queen Victoria holding a fan and standing next to a tall cabinet supporting an inscribed vase, all on a patterned ground within a petal‐edged 4 border, the wide rim with six silver raised reserves with Persian inscriptions, 15.75''diam $ 2,250 (lot of 2) Chinese jade carvings, each of cylindrical form with four columns of archaistic cong‐like triagrams carved in relief on the exterior, the semi‐translucent sea‐green matrix with occasional 5 dark inclusions, 2.75''h $ 110 Chinese jade handling piece/ornament, carved as a double gourd with a chilong climbing up one 6 side, the opposite with lingzhi and scrolling tendrils, the yellow ochre stone shading to white, 3''h $ 120 Chinese tinted bamboo figural carving, depicting
    [Show full text]
  • The Bill Liske Collection of Antique Tibetan Textiles, Carpets and A
    Lot 42. Yuan Silk Embroidered Thangka (detail) Antique Textiles, Carpets and Ethnographic Arts Featuring : The Bill Liske Collection of Antique Tibetan Textiles, Carpets and Artifacts Auction : Saturday, May 26, 2012 at 11 am Preview : May 19 - May 25, 10 am-6 pm 4700 Wissahickon Avenue, Philadelphia, PA 19144 215-849-8030 | Open everyday 10-6pm www.materialculture.com Lot 14. Dharmapala (Wrathful Deity) Coral Dance Mask Lot 1. Three Makonde Helmet Masks 1. Three Makonde Helmet Masks; Tanzania, mid 20th c, carved wood, hair, patina and scars. Prov: Philadelphia estate, purchased in the 1950’s-1960’s; 10” tall x 7 “ wide; $800-1,200 2. Finely Carved Lobi Stool; West Africa, mid 20th c, old patina on dense, heavy wood; 28” wide x 7” tall x 7” deep; $300-500 1 2 3. Finely Carved Lobi Stool; West Africa, mid 20th c, old patina on dense wood; 7.5” tall x 20” wide x 4” deep (19cm x 51cm x 10cm); $300-500 4. Songye Statue; Congo, mid 20th c, Carved wood, pigments, cloth, hide, metal, organic horn. Prov: Philadelphia estate, purchased in the 1950’s-1960’s; 34” tall (86cm); $200-300 3 4 5. African Anthropomorphic Earthenware Vessel; Burkina Faso, early to mid 20th c, bulbous body with undulating surface, lid; 30” tall x 17” diameter; $400-600 6. Chimu Blackware Stirrup Vessel; Peru, 900- 1100 ce, h: 11” (28cm); 11” tall (28cm); $200-300 5 6 7. Mochica Mask; Peru, 200-500 ce; h: 4” (10cm), silver, red pigment; $200-300 8. Felt and Goat Hide Shaman/Story-Tellers Mask; Tibet, late 19th-early 20th c.
    [Show full text]
  • Kathryn Scott WINTER 2016
    AREATHE OFFICAL PUBLICATION OF THE ORIENTAL RUG IMPORTERS ASSOCIATION, INC. DESIGN FOCUS Kathryn Scott WINTER 2016 NORS’16 Special Issue Visit us in Atlanta January 13-16, 2016 jamison 53304 jamison 53308 maddox 56503 Invite your customers to experience island-inspired living at its fi nest through the refi ned yet casual Tommy Bahama area rug collection. SEE US IN ATLANTA 3-A-2 & LAS VEGAS B-580 OWRUGS.COM/Tommy AreaMag_OW_FULL_TOMMY_Nov2015.indd 1 11/30/15 3:54 PM THE GISELLE COLLECTION TRULY ORIGINAL RUGS AND PILLOWS Atlanta-Showroom 4-D-2 | Las Vegas-Showroom B-480 LOLOIRUGS.CO M/GISELLE Visit us in Atlanta January 13-16, 2016 winter 2016 final.qxp_001 FALL 2006.qxd 11/30/15 3:53 PM Page 6 From the President’s Desk Dear Colleagues and Friends, who migrated to the US after the 1979 revolution in As 2015 draws to a close and we prepare for a Iran. They were followed by Afghanis and most recent- new year, one cannot ignore the turmoil created by ly by fine Indian families including one good example, recent terrorist attacks and should consider its potential our own newest member Surya. consequences. Amidst legitimate concerns regarding The US is the strongest and most prosperous the safety of our country, there is a very real danger nation on earth. Do we need—and is it in our best inter- that we, as a nation, will forget our humanity and the est—to slam the door on families in need (and who very openness that made us great by closing our gates could have the next Steve Jobs among them)? to immigrants and refugees.
    [Show full text]
  • Winter 2019 Cover.Qxp 001 FALL 2006.Qxd 11/23/18 2:39 PM Page 1
    winter 2019 cover.qxp_001 FALL 2006.qxd 11/23/18 2:39 PM Page 1 AREA Winter 2019 HARLOW COLLECTION THE ART OF COLOR ATLANTA LAS VEGAS NEW YORK HIGH POINT WWW.KALATY.COM ATLANTA JANUARY 9-13* LAS VEGAS JANUARY 27-31 AMERICASMART 4-G14 WORLD MARKET CENTER B455 *CLOSED SATURDAY 1/12 view the entire collection las vegas market SHOWROOM B-425 January 27-31, 2019 www.momeni.com Experience island-inspired living at it’s finest through the refined yet casual Tommy Bahama collection of rugs. ATLANTA 3-A-2 | LAS VEGAS C395 | OWRUGS.COM/TOMMY amici ad winter 2016.qxp_Layout 1 11/27/16 11:37 AM Page 1 INTRODUCING THE CLUSONE COLLECTION AN EXCLUSIVE FINE WOOL CARPET PRODUCTION N e w J e r s e y D e l h i S h a n g h a i D u b a i M e l b o u r n e The Amara Collection. Available in 8 designs. DALLAS, WTC 500 | ATLANTA, BLDG #1, 4-D-2 | LAS VEGAS, B-480 winter 20193.qxp_001 FALL 2006.qxd 11/27/18 10:45 AM Page 6 FROM THE PRESIDENT’S DESK Dear colleagues, “Hand knotted oriental rugs.” These four words— exclusively for rugs, carpets and other floor cover- dating back hundreds, if not thousands, of years—are ings. But today our industry is considered only part the base and foundation of our industry. But in the of a broader mix of home furnishings—as opposed to past decade or so, it appears that these words are a stand-alone product category—and we now exhibit increasingly meaningless—or at least irrelevant—as among furniture and other accessories.
    [Show full text]
  • January 2017 Issue Ihib's 10Th Carpet Design Contest Muhammed Türk, Destruction 1St Prize Award Dear Rug Lovers
    İHİB’s magazine of Anatolian rugs and kilims January 2017 issue ihib's 10th carpet design contest muhammed türk, destruction 1st prize award Dear Rug Lovers, Anatolia is one of the most important rugs and kilims centres, thus of weaving. We, living in this land, are lucky to be part of this heritage. We all know that rugs are not only used in daily life but also are works of art. These characteristics render rugs an important historical source. While shaping the future of Turkish rugs, we do not forget the past. İHİB (Istanbul Carpet Exporters’ Association), the most important representative of the Turkish rug and kilim industry, is dedicated to taking this heritage one step further by making design and designers an inseparable part of our life and our society. Having celebrated the 10th National Carpet Design Awards, our aim is to discover talented young designers and to channel them towards the carpet industry by emphasizing cooperation between universities and the rug sector. İHİB supports projects to revive weaving in different regions of Anatolia as well as projects to produce rugs in schools for the handicapped in order to help their reintegration into society. These projects and our dynamism will allow us to maintain the top position as manufacturers and exporters of machine woven rugs and also to become the top exporter of handwoven design rugs. While maintaining our worldwide known “Turkish Carpet” brand, our main goal is to create a new worldwide known brand, the “Turkish Design”. As well as our many projects to attract attention to our heritage and to the designing potential in Turkey, we held the 1st Istanbul Carpet Week that included the 1st Istanbul International Carpet Conference with an audience of 300 guests and B2B meetings with 100 foreign buyers.
    [Show full text]