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Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like -
Feature • the Worst Movie Ever!
------------------------------------------Feature • The Worst Movie Ever! ----------------------------------------- Glenn Berggoetz: A Man With a Plan By Greg Locke with the film showing in L.A., with the name of the film up line between being so bad that something’s humorous and so on a marquee, at least a few dozen people would stop in each bad it’s just stupid. [We shot] The Worst Movie Ever! over The idea of the midnight movie dates back to the 1930s night to see the film. As it turned out, the theater never put the course of two days – a weekend. I love trying to do com- when independent roadshows would screen exploitation the title of the film up on the marquee, so passers-by were pletely bizarre, inane things in my films but have the charac- films at midnight for the sauced, the horny and the lonely. not made aware of the film screening there. As it turned out, ters act as if those things are the most natural, normal things The word-of-mouth phenomenon really began to hit its only one man happened to wander into the theater looking to in the world.” stride in the 50s when local television stations would screen see a movie at midnight who decided that a film titled The Outside of describing the weird world of Glenn Berg- low-budget genre films long after all the “normal” people Worst Movie Ever! was worth his $11. goetz, the movie in question is hard to give an impression of were tucked neatly into bed. By the 1970s theaters around “When I received the box office number on Monday, I with mere words. -
Negotiating Gender and Spirituality in Literary Representations of Rastafari
Negotiating Gender and Spirituality in Literary Representations of Rastafari Annika McPherson Abstract: While the male focus of early literary representations of Rastafari tends to emphasize the movement’s emergence, goals or specific religious practices, more recent depictions of Rasta women in narrative fiction raise important questions not only regarding the discussion of gender relations in Rastafari, but also regarding the functions of literary representations of the movement. This article outlines a dialogical ‘reasoning’ between the different negotiations of gender in novels with Rastafarian protagonists and suggests that the characters’ individual spiritual journeys are key to understanding these negotiations within the gender framework of Rastafarian decolonial practices. Male-centred Literary Representations of Rastafari Since the 1970s, especially, ‘roots’ reggae and ‘dub’ or performance poetry have frequently been discussed as to their relations to the Rastafari movement – not only based on their lyrical content, but often by reference to the artists or poets themselves. Compared to these genres, the representation of Rastafari in narrative fiction has received less attention to date. Furthermore, such references often appear to serve rather descriptive functions, e.g. as to the movement’s philosophy or linguistic practices. The early depiction of Rastafari in Roger Mais’s “morality play” Brother Man (1954), for example, has been noted for its favourable representation of the movement in comparison to the press coverage of -
Wavelength (April 1981)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 4-1981 Wavelength (April 1981) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (April 1981) 6 https://scholarworks.uno.edu/wavelength/6 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. APRIL 1 981 VOLUME 1 NUMBE'J8. OLE MAN THE RIVER'S LAKE THEATRE APRIL New Orleans Mandeville, La. 6 7 8 9 10 11 T,HE THE THIRD PALACE SUCK'S DIMENSION SOUTH PAW SALOON ROCK N' ROLL Baton Rouge, La. Shreveport. La. New Orleans Lalaye"e, La. 13 14 15 16 17 18 THE OLE MAN SPECTRUM RIVER'S ThibOdaux, La. New Orleans 20 21 22 23 24 25 THE LAST CLUB THIRD HAMMOND PERFORMANCE SAINT DIMENSION SOCIAL CLUB OLE MAN CRt STOPHER'S Baton Rouge, La. Hammond, La. RIVER'S New Orleans New Orleans 27 29 30 1 2 WEST COAST TOUR BEGINS Barry Mendelson presents Features Whalls Success? __________________6 In Concert Jimmy Cliff ____________________., Kid Thomas 12 Deacon John 15 ~ Disc Wars 18 Fri. April 3 Jazz Fest Schedule ---------------~3 6 Pe~er, Paul Departments April "Mary 4 ....-~- ~ 2 Rock 5 Rhylhm & Blues ___________________ 7 Rare Records 8 ~~ 9 ~k~ 1 Las/ Page _ 8 Cover illustration by Rick Spain ......,, Polrick Berry. Edllor, Connie Atkinson. -
Classic Caribbean Stage & 2006 Screen Series
March Classic Caribbean Stage & 2006 Screen Series Trevor Rhone Festival :: Trevor Rhone - Film Fest :: Bellas Gate Boy - A Performance of a Lifetime :: When Writers Speak - Trevor Rhone, Collin Channer; Glenville Lovell :: Info & Tickets Greetings An expanded Classic Caribbean Stage and Screen Series pays homage to the groundbreaking work of Jamaican writer, producer, director, and actor Trevor D. Rhone. Best know in the United States for co- writing the internationally acclaimed film The Harder They Come, his 40+ year career in cultural arts has been the backbone of Jamaica’s indigenous film and theatre industry. To properly appreciate the facets of this multi- disciplinary writer, the series kicks off with a look at his film work, moves on to a session Caribbean writing for the ear and eye with acclaimed Caribbean-American writers Collin Channer and Glenville Lovell, and ends with Mr. Rhone performing in his witty yet poignant look at his life as county boy making good! Trevor Rhone - Film Fest Bellas Gate Boy - A Saturday, March Performance of a Lifetime 18, 2005 Wednesday, March 22, 2006 - 7pm Spike Lee Screening St. Johns University Room Marillac Auditorium Long Island 8000 Utopia Pkwy, Jamaica, NY University, Brooklyn Campus Trevor Rhone weaves a compelling, witty, and One University Plaza, poignant tale in this autobiographical account of his Brooklyn, NY (corner path from a rural community to the heights of fame Dekalb Ave & Flatbush Ave Ext) as the preeminent Jamaican dramatist of his generation. 12:30pm Opening “Beach Party” Reception – Sponsored St. John’s University Office of the Provost, the by Grace Kennedy Foods (USA) Multicultural Advisory Committee, Committee on Latin American and Caribbean Studies, and various 1:00pm Smile Orange (1974) student organizations host this community Written and Directed by: Trevor Rhone. -
Carlton Barrett
! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures. -
Tourism and Place in Treasure Beach, Jamaica: Imagining Paradise and the Alternative. Michael J
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 Tourism and Place in Treasure Beach, Jamaica: Imagining Paradise and the Alternative. Michael J. Hawkins Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hawkins, Michael J., "Tourism and Place in Treasure Beach, Jamaica: Imagining Paradise and the Alternative." (1999). LSU Historical Dissertations and Theses. 7044. https://digitalcommons.lsu.edu/gradschool_disstheses/7044 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bteedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Wavelength (March 1984)
University of New Orleans ScholarWorks@UNO Wavelength Midlo Center for New Orleans Studies 3-1984 Wavelength (March 1984) Connie Atkinson University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/wavelength Recommended Citation Wavelength (March 1984) 41 https://scholarworks.uno.edu/wavelength/41 This Book is brought to you for free and open access by the Midlo Center for New Orleans Studies at ScholarWorks@UNO. It has been accepted for inclusion in Wavelength by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. YOI of nine songs that for have been saved in the ''The Louisiana Hayride'' IT ALL BEGAN. Elvis' fame started when he began performing on the Louisiana Hayride radio nrftnrftiM Now for the first time ever performances are being made available to Elvis fans in a length album entitled ' postmarked on or before May 15. 1984 will automatically be tlitible tor a special drawing (you need not order to be elialbll to enter the drawing-see RULES below) . The lucky flraf prize winner receives a free trip lor two to Nashville. by air. The winner and guest will stay lor two nights in luxury Hear and see hotel accommodations and will tour .. Music Row" with O.J . Fontana as their host (Ask D.J. everything you always wanted to know about Elvis) . In addition. the grand prize winner Elvis was called receives the same tour lor two plus one of the most important gilts ever made to an Elvis tan : a movie projector owned and used by ELVIS . -
From the Harder They Come to Yardie the Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E
UvA-DARE (Digital Academic Repository) From The Harder They Come to Yardie The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Martens, E. DOI 10.1080/1369801X.2019.1659160 Publication date 2020 Document Version Final published version Published in Interventions : International Journal of Postcolonial Studies License CC BY-NC-ND Link to publication Citation for published version (APA): Martens, E. (2020). From The Harder They Come to Yardie: The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film. Interventions : International Journal of Postcolonial Studies, 20(1), 71-92. https://doi.org/10.1080/1369801X.2019.1659160 General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:24 Sep 2021 FROM THE HARDER THEY COME TO YARDIE The Reggae-Ghetto Aesthetics of the Jamaican Urban Crime Film Emiel Martensa,b aDepartment of Arts and Culture Studies, Erasmus University Rotterdam, Netherlands; bDepartment of Media Studies, University of Amsterdam, Netherlands ................. -
Midnight Movies
MIDNIGHT MOVIES Un film de Stuart SAMUELS Avec Alejandro Jodorowsky, George A. Romero, John Waters, David Lynch, Richard O’Brien, Perry Henzel. Canada, documentaire, 86 min. FESTIVAL DE CANNES 2005 Sélection Officielle – Hors Compétition FESTIVAL FANTASTIC’ARTS DE GERARDMER 2006 SORTIE LE 21 JUIN 2006 www.prettypictures.fr Les photos et le dossier de presse du film sont téléchargeables sur www.prettypictures.fr Synopsis MIDNIGHT MOVIES: FROM THE MARGIN TO THE MAINSTREAM est un documentaire qui explore le parcours méconnu de six grands films cultes des années soixante- dix : El Topo, Night of the Living Dead (La Nuit des morts vivants), The Harder They Come (Tout, tout de suite) , Pink Flamingos, The Rocky Horror Picture Show et Eraserhead. Entre 1970 et 1977, ces six films à petit budget, montrés aux séances de minuit, ont influencé la manière de faire et voir les films, ils ont réinventé le medium en dépassant les frontières du mauvais goût et des tabous sociaux. Assister aux « films de minuit » est devenu un marqueur social, intellectuel, cinéphilique et culturel, un rite de passage pour toute une jeune génération en crise. Avec les interviews originales des réalisateurs John Waters (Pink Flamingos), David Lynch (Eraserhead), George Romero (Night of the Living Dead), Alejandro Jodorowsky (El Topo), Perry Henzell (The Harder They Come) et Richard O'Brien (le créateur et rôle-titre du Rocky Horror Picture Show). Stuart Samuels Le film est tiré du livre de Stuart Samuels, Midnight Movies, publié en 1983. Stuart Samuels a été professeur de cinéma et de culture populaire à l’Université de Pennsylvannie (1973-1980). -
Karaoke Catalog Updated On: 11/01/2019 Sing Online on in English Karaoke Songs
Karaoke catalog Updated on: 11/01/2019 Sing online on www.karafun.com In English Karaoke Songs 'Til Tuesday What Can I Say After I Say I'm Sorry The Old Lamplighter Voices Carry When You're Smiling (The Whole World Smiles With Someday You'll Want Me To Want You (H?D) Planet Earth 1930s Standards That Old Black Magic (Woman Voice) Blackout Heartaches That Old Black Magic (Man Voice) Other Side Cheek to Cheek I Know Why (And So Do You) DUET 10 Years My Romance Aren't You Glad You're You Through The Iris It's Time To Say Aloha (I've Got A Gal In) Kalamazoo 10,000 Maniacs We Gather Together No Love No Nothin' Because The Night Kumbaya Personality 10CC The Last Time I Saw Paris Sunday, Monday Or Always Dreadlock Holiday All The Things You Are This Heart Of Mine I'm Not In Love Smoke Gets In Your Eyes Mister Meadowlark The Things We Do For Love Begin The Beguine 1950s Standards Rubber Bullets I Love A Parade Get Me To The Church On Time Life Is A Minestrone I Love A Parade (short version) Fly Me To The Moon 112 I'm Gonna Sit Right Down And Write Myself A Letter It's Beginning To Look A Lot Like Christmas Cupid Body And Soul Crawdad Song Peaches And Cream Man On The Flying Trapeze Christmas In Killarney 12 Gauge Pennies From Heaven That's Amore Dunkie Butt When My Ship Comes In My Own True Love (Tara's Theme) 12 Stones Yes Sir, That's My Baby Organ Grinder's Swing Far Away About A Quarter To Nine Lullaby Of Birdland Crash Did You Ever See A Dream Walking? Rags To Riches 1800s Standards I Thought About You Something's Gotta Give Home Sweet Home -
Reggaemusik 53 Titel, 3,2 Std., 266,3 MB
Seite 1 von 2 -ReggaeMusik 53 Titel, 3,2 Std., 266,3 MB Name Dauer Album Künstler 1 Uptown top ranking 3:56 16 Reggae Greatest - Comp 1994 (CD-1… Althia & Donna 2 Don't Turn Around 3:39 MCC 016 - Reggae - Comp ???? (RS) Aswad 3 Shine 3:39 MCC 016 - Reggae - Comp ???? (RS) Aswad 4 Baby come back 3:52 MCC 016 - Reggae - Comp ???? (RS) Banton Pato 5 Baby, i love your ways 4:23 Sommerhits - Comp 2009 (CD) Big Mountain 6 Love come down 3:59 Golden Love Songs 10 - Rock Me Slow (… Biggs Barry 7 Everything i own 3:20 MCC 016 - Reggae - Comp ???? (RS) Boothe Ken 8 Everything i own 3:54 80's Night - The Ultimate DJ Collection - … Boy George 9 Reggae night 4:04 The Best Reggae Hist Ever! (CD 2) Cliff Jimmy 10 You can get it if you really want 2:39 Harder They Come, The- Soundtrack Cliff Jimmy 11 Vietnam 4:46 Jimmy Cliff Cliff Jimmy 12 The harder they come 3:40 Jimmy Cliff - The Harder They Come Cliff Jimmy 13 Many rivers to cross 3:01 The Rolling Stone Magazines 500 Greate… Cliff Jimmy 14 Do you really want to hurt me 4:24 1000 Original Hits 1982 - Comp 2001 (C… Culture Club 15 Abends an der Brücke 4:20 Notausgang - Georg Danzer - 1979 (PA-… Danzer Georg 16 You can get it if you really want 2:38 Mega Party Tracks 03 CD1 - 2001 Dekker Desmond 17 Israelites 2:34 Dekker Desmond 18 Reggae Strut 3:52 Serenade - Neil Diamond - 1974 (RS) Diamond Neil 19 Your song (I Hopa Radio Version) 3:51 Vintage Café 1 - Lounge & Jazz Blends - … Dr.