NEW RELEASE GUIDE September 17 September 24 ORDERS DUE AUGUST 13 ORDERS DUE AUGUST 20

Total Page:16

File Type:pdf, Size:1020Kb

NEW RELEASE GUIDE September 17 September 24 ORDERS DUE AUGUST 13 ORDERS DUE AUGUST 20 ada–music.com @ada_music NEW RELEASE GUIDE September 17 September 24 ORDERS DUE AUGUST 13 ORDERS DUE AUGUST 20 2021 ISSUE 20 September 17 ORDERS DUE AUGUST 13 Daughtry, one of the most visible and best selling rock bands of the 21st Century, has sold out concerts across the globe. Their debut album, the self-titled Daughtry, was the top-selling album of 2007, and was the fastest-selling rock debut album in Soundscan history. It was also nominated for 4 Grammy Awards and won 4 American Music Awards and 7 Billboard Music Awards, including Album of the Year. The subsequent albums, Leave This Town (2009), Break The Spell (2011), and Baptized (2013) have all gone Platinum, with Cage To Rattle (2018) certified Gold. In 2020, Daughtry released their first single from their forthcoming album, “World On Fire”, which marked a return to their rock roots and the top of the charts. Their current single, “Heavy is The Crown”, has been met with great enthusiasm, and is currently climbing the charts. ARTIST: DAUGHTRY T R A C K L I S T I N G TITLE: DEARLY BELOVED LABEL: DOGTREE RECORDS 1 - DESPERATION PRE-ORDER: JULY 16, 2021 2 - WORLD ON FIRE STREET DATE: SEPT. 17, 2021 3 - HEAVY IS THE CROWN LIST PRICE: $15.98 4 - CHANGES ARE COMING FORMATS: CD 5 - DEARLY BELOVED BOX LOT: 30 6 - CRY FOR HELP PACKAGING: JEWEL CASE 7 - EVIL UPC : 190296638299 8 - ASYLUM FILE UNDER: ROCK, ALTERNATIVE 9 - THE VICTIM FOR FANS OF: 3 DOORS DOWN, 10 - SOMEBODY NICKELBACK, SHINEDOWN, 11 - CALL YOU MINE BREAKING BENJAMIN, BON JOVI 12 - LIONESS PARENTAL ADVISORY: NO 13 - BREAK INTO MY HEART • Over 9M+ Albums and 32M+ Singles sold • Latest Hit Single “Heavy Is The Crown” #15 at Active Rock Radio • Fall U.S. Headline tour with Sevendust, Tremonti, Travis Bracht • Winner of 4 American Music Awards, 7 Billboard Music Awards, • FACEBOOK: 3.7M and nominated for 4 Grammy Awards • TWITTER: 538K • INSTAGRAM: 440K WWW.DAUGHTRYOFFICIAL.COM BUENA VISTA SOCIAL CLUB Buena Vista Social Club: 25th Anniversary Edition (2CD) Release Date: 09/17/21 Contents: H The original album, Remastered by Bernie Grundman H 12 bonus tracks taken from the original 1996 session tapes H 64 page booklet including new liner notes, photos, song notes & lyrics 2CD CD1 BUENA VISTA SOCIAL CLUB is both the name given 1. Chan Chan to this extraordinary group of musicians and the album, 2. De Camino a La Vereda recorded in just seven days in 1996 in Havana’s 1950s 3. El Cuarto de Tula vintage EGREM studios. It was clear from the atmosphere 4. Pueblo Nuevo of the recording sessions that something very special was 5. Dos Gardenias taking place. However, no one could have predicted that 6. ¿ Y Tú Qué Has Hecho? BUENA VISTA SOCIAL CLUB would become a worldwide 7. Veinte Años phenomenon—awarded a Grammy in 1997 and, at 8. El Carretero 8 million copies, outselling any other record in the 9. Candela same genre. 10. Amor de Loca Juventud The acclaim of the original album has elevated the 11. Orgullecida artists (including Ibrahim Ferrer, Rubén González & Omara 12. Murmullo Portuondo) to superstar status, inspired an award-winning 13. Buena Vista Social Club film by Wim Wenders, and has contributed to popularising 14. La Bayamesa Cuba’s rich musical heritage. Produced by Ry Cooder for CD2 World Circuit, the timeless quality of the music and the 1. Chan Chan (Monitor Mix) * sheer verve of the veteran performers have ensured that 2. Vicenta * this will go down as one of the landmark recordings of the 3. La Pluma * 20th century. 4. Dos Gardenias (alternate take) * To celebrate the 25th Anniversary of the album’s 5. Mandinga * recording, producer Ry Cooder and World Circuit’s Nick 6. Siboney * Gold have gone back to the original tapes and into the 7. A Tus Pies * archive to produce these Deluxe Remaster packages, 8. El Carretero (alternate take) * featuring previously unheard tracks from the original 1996 9. Ensayo * recording sessions, previously unseen photos, and new 10. La Cleptómana * liner notes. 11. Descarga Rubén * 12. Orgullecida (alternate trio take) * * Previously unreleased tracks and alternate takes from the 2CD | List Price: $19.98 | Release Date: 09/17/21 original 1996 studio session tapes Packaging: 2CD Casebook UPC: 4050538672206 | Returnable: NO Box Lot: TBD | Units Per Set: 2 | File Under: Latin/Jazz/World BUENA VISTA SOCIAL CLUB Buena Vista Social Club: 25th Anniversary Edition (2LP) Release Date: 09/17/21 Contents: H The original album, Remastered by Bernie Grundman H 5 bonus tracks taken from the original 1996 session tapes H 20 page booklet including new liner notes, photos, song notes & lyrics 2LP SIDE A BUENA VISTA SOCIAL CLUB is both the name given 1. Chan Chan to this extraordinary group of musicians and the album, 2. De Camino a La Vereda recorded in just seven days in 1996 in Havana’s 1950s 3. El Cuarto de Tula vintage EGREM studios. It was clear from the atmosphere 4. Pueblo Nuevo of the recording sessions that something very special was SIDE B taking place. However, no one could have predicted that 1. Dos Gardenias BUENA VISTA SOCIAL CLUB would become a worldwide 2. ¿ Y Tú Qué Has Hecho? phenomenon—awarded a Grammy in 1997 and, at 3 . Veinte Años 8 million copies, outselling any other record in the 4. El Carretero same genre. 5. Candela The acclaim of the original album has elevated the SIDE C artists (including Ibrahim Ferrer, Rubén González & Omara 1. Amor de Loca Juventud Portuondo) to superstar status, inspired an award-winning 2. Orgullecida film by Wim Wenders, and has contributed to popularising 3. Murmullo Cuba’s rich musical heritage. Produced by Ry Cooder for 4. Buena Vista Social Club World Circuit, the timeless quality of the music and the 5. La Bayamesa sheer verve of the veteran performers have ensured that SIDE D this will go down as one of the landmark recordings of the 1. Vicenta * 20th century. 2. La Pluma * To celebrate the 25th Anniversary of the album’s 3. A Tus Pies * recording, producer Ry Cooder and World Circuit’s Nick 4. La Cleptómana * Gold have gone back to the original tapes and into the 5. Orgullecida (alternate trio take) * archive to produce these Deluxe Remaster packages, featuring previously unheard tracks from the original 1996 * Previously unreleased tracks and alternate takes from recording sessions, previously unseen photos, and new the original 1996 studio session tapes liner notes. 2LP | List Price: $31.98 | Release Date: 09/17/21 Packaging: 2LP Gatefold UPC: 4050538629996 | Returnable: NO Box Lot: TBD | Units Per Set: 2 | File Under: Latin/Jazz/World BUENA VISTA SOCIAL CLUB Buena Vista Social Club: 25th Anniversary Edition Deluxe Bookpack (2CD/2LP) Release Date: 09/17/21 Contents: H The original album, Remastered by Bernie Grundman, on CD & 180g 2LP H CD of previously unheard bonus tracks 2LP 2CD taken from the original 1996 session tapes SIDE A CD1 H 40 page book featuring new liner notes, 1. Chan Chan 1. Chan Chan photos, song notes, lyrics, biographies 2. De Camino a La Vereda 2. De Camino a La Vereda 3. El Cuarto de Tula 3. El Cuarto de Tula and a history of the original club 4. Pueblo Nuevo 4. Pueblo Nuevo H 2 x 12x12” Art Prints SIDE B 5. Dos Gardenias 1. Dos Gardenias 6. ¿ Y Tú Qué Has Hecho? 2. ¿ Y Tú Qué Has Hecho? 7. Veinte Años BUENA VISTA SOCIAL CLUB is both the name given to this 3. Veinte Años 8. El Carretero extraordinary group of musicians and the album, recorded in just 4. El Carretero 9. Candela seven days in 1996 in Havana’s 1950s vintage EGREM studios. It was 5 . Candela 10. Amor de Loca Juventud clear from the atmosphere of the recording sessions that some- SIDE C 11. Orgullecida 1. Amor de Loca Juventud 12. Murmullo thing very special was taking place. However, no one could have 2. Orgullecida 13. Buena Vista Social Club predicted that BUENA VISTA SOCIAL CLUB would become a 3. Murmullo 14. La Bayamesa worldwide phenomenon—awarded a Grammy in 1997 and, at 8 4. Buena Vista Social Club CD2 million copies, outselling any other record in the same genre. 5. La Bayamesa 1. Chan Chan (Monitor Mix) * The acclaim of the original album has elevated the artists SIDE D 2. Vicenta * (including Ibrahim Ferrer, Rubén González & Omara Portuondo) to 1. Vicenta * 3. La Pluma * superstar status, inspired an award-winning film by Wim Wenders, 2. La Pluma * 4. Dos Gardenias and has contributed to popularising Cuba’s rich musical heritage. 3. A Tus Pies * (alternate take) * Produced by Ry Cooder for World Circuit, the timeless quality of the 4. La Cleptómana * 5. Mandinga * 5. Orgullecida music and the sheer verve of the veteran performers have ensured 6. Siboney * (alternate trio take) * that this will go down as one of the landmark recordings of the 7. A Tus Pies * 20th century. 8. El Carretero (alternate take) * To celebrate the 25th Anniversary of the album’s recording, 9. Ensayo * producer Ry Cooder and World Circuit’s Nick Gold have gone 10. El Diablo Suelto * back to the original tapes and into the archive to produce this 11. Saludo Compay * Deluxe Remaster package, featuring previously unheard tracks 12. Descripción De Un Sueño * from the original 1996 recording sessions, previously unseen 13. Pueblo Nuevo photos, and new liner notes. (alternate take) * 14. La Cleptómana * 15. ¿ Y Tú Qué Has Hecho? (alternate take) * 16. Orgullecida (alternate take) * 17. Descarga Rubén * DELUXE BOX | List Price: $109.98 | Release Date: 09/17/21 18.
Recommended publications
  • “Grunge Killed Glam Metal” Narrative by Holly Johnson
    The Interplay of Authority, Masculinity, and Signification in the “Grunge Killed Glam Metal” Narrative by Holly Johnson A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Music and Culture Carleton University Ottawa, Ontario © 2014, Holly Johnson ii Abstract This thesis will deconstruct the "grunge killed '80s metal” narrative, to reveal the idealization by certain critics and musicians of that which is deemed to be authentic, honest, and natural subculture. The central theme is an analysis of the conflicting masculinities of glam metal and grunge music, and how these gender roles are developed and reproduced. I will also demonstrate how, although the idealized authentic subculture is positioned in opposition to the mainstream, it does not in actuality exist outside of the system of commercialism. The problematic nature of this idealization will be examined with regard to the layers of complexity involved in popular rock music genre evolution, involving the inevitable progression from a subculture to the mainstream that occurred with both glam metal and grunge. I will illustrate the ways in which the process of signification functions within rock music to construct masculinities and within subcultures to negotiate authenticity. iii Acknowledgements I would like to thank firstly my academic advisor Dr. William Echard for his continued patience with me during the thesis writing process and for his invaluable guidance. I also would like to send a big thank you to Dr. James Deaville, the head of Music and Culture program, who has given me much assistance along the way.
    [Show full text]
  • PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
    PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized.
    [Show full text]
  • TREMONTI Product Text Ex
    TREMONTI Marching In Time Product Text EN PRODUCT TEXT: Renowned songwriter, Grammy Award winner and three-time Guitar World “Guitarist of the Year”/recent “Guitarist of the Decade” title recipient Mark Tremonti is no stranger to storytelling. Throughout his time with massive Bands like Alter Bridge and Creed – and most-recently his solo band, TREMONTI – he has never strayed from his love of writing memorable songs with strong inspiration at their core. With their upcoming fifth album, Marching In Time, the Band looks to Build upon this trend while exploring their love for searing heavy music, drawing from current events throughout the last year to form the basis of each colossal track. While TREMONTI’s previous album – the critically acclaimed, worldwide-charting A Dying Machine (2018) – was an overall concept album with darker sentiments and story, Marching In Time carries a different vibe altogether. Featuring his signature execution of blistering, laser-precision guitar work and a reverberating, rhythmic metallic attack, the alBum emerges as an upBeat offering inviting the listener on 12 individual journeys. From the driving drum Beat of opener “A World Away” to the epic closer “Marching In Time,” the new alBum is a reflective look at the world around us today. The Band’s unmatched musicianship permeates through the album – showcased on tracks like “Thrown Further,” “In One Piece” and the thought-provoking “Would You Kill” – while the Band displays their softer side on the pensive tracks “The Last One Of Us” and “Not Afraid to Lose.” The title track, “Marching In Time,” hits a personal note, telling the story of a father having a child during a global pandemic and how he prepares for life during that time – something Mark Tremonti recently experienced in his own life.
    [Show full text]
  • Breaking the Spell: Religion As a Natural Phenomenon
    Additional Praise for Breaking the Spell: Religion as a Natural Phenomenon "Breaking the Spell continues to spark controversy with its Darwinian take on the all-too-human urge to believe.. .. Dawkins, Dennett, and Harris argue that religious beliefs, particularly those derived literally and selectively from religious texts, can lead to behavior that is dubi­ ously moral according to more universal principles of right and wrong. The killing of innocents in the name of holy war is only the most obvious instance. Dennett extends a conciliatory hand to believers so long as they are willing to subject any purportedly God- given moral edict 'to the full light of reason, using all the evidence at our command.'" — U.S. News & World Report "Rich and rewarding.. .the main business of the book is to give a sci­ entific account of how religion may have developed among creatures such as us... Dennett here does an admirable job of dismantling the common (yet almost never argued for) prejudice that those who be­ lieve in the supernatural have some sort of moral superiority." —San Francisco Chronicle "In Breaking the Spell, the blasting rhetoric of Dawkins and Harris is absent, replaced by provocative, often humorous examples and thought experiments." —Wired "Mr. Dennett's main argument is that religious belief—especially in the United States—is often sheltered from the cut and thrust of intel­ lectual argument and scientific scrutiny, and it should not be." —The Economist "Dennett describes the various stages of the long historical evolution of religion, beginning with primitive tribal myths and rituals, and ending with the market driven evangelical megachurches of modern America.
    [Show full text]
  • For Immediate Release Contact
    FOR IMMEDIATE RELEASE CONTACT: Tracey Shavers or Jacci Woods 313.309.4610 [email protected] or [email protected] MotorCity Casino Hotel Proudly Welcomes Daughtry wsg. Brent James & The Vintage Youth Sound Board November 20, 2014 (Detroit – November 18, 2014) MotorCity Casino Hotel welcomes Daughtry to Sound Board on Thursday, November 20, 2014 at 8 p.m. Fronted by singer, songwriter, and musician Chris Daughtry, the American rock band includes: Josh Paul, Brian Craddock, Josh Steely and Elivio Fernados. Daughtry has scored four No. 1 hits, garnered four Grammy nominations, won four American Music Awards, sold over 8 million albums, 18 million singles worldwide and sold out concerts around the world. Daughtry’s self-titled debut was the fastest selling rock debut in Soundscan history and its follow up Leave This Town marked the quintet’s second consecutive No. 1 album and Daughtry’s third album Break The Spell was certified gold in four weeks of its release. Daughtry's single "Waiting For Superman" broke into the top 15 and new single "Battleships'” is racing up the charts. Its latest album Baptized was released in November 2013. For more information on Daughtry, please visit: www.daughtryofficial.com. Brent James and The Vintage Youth consist of Brent James, Ricky Veeneman, Matt Gandenberger, and Nick Baverman. The band released EP In the Way I Bleed October 2014. For more information please visit: www.brentjamesmusic.com. Tickets are ($65, $50 and $45 [GA Standing]) are on sale now via Ticketmaster. To purchase tickets, please call Ticketmaster at (800) 745-3000 or visit online at www.ticketmaster.com.
    [Show full text]
  • Daughtry's New Album Cage to Rattle out Now
    DAUGHTRY’S NEW ALBUM CAGE TO RATTLE OUT NOW RELEASES LIVE PERFORMANCE VIDEO OF CURRENT SINGLE “DEEP END” – WATCH HERE HEADLINE TOUR UNDERWAY! “The band fronted by the American Idol alum still stomps and swaggers on this fifth LP, which is loaded with still more no-frills, down-and-dirty area rock. And, of course, there’s the guy behind the mike: He easily upstages most other contemporary rockers”- People Magazine (July 27- New York, NY)— Today, GRAMMY® Award-nominated chart-topping rock band Daughtry unveil their anxiously awaited fifth full-length album, Cage To Rattle [19 Recordings/RCA Records], in stores and at all digital retailers. Additionally, the group releases a performance video of their current single, “Deep End” (watch here). Get the album HERE. The record is currently #2 on the iTunes Top Rock Albums Chart and #5 on the iTunes Overall Top Albums Chart. Cage To Rattle sees Daughtry once again firing on all cylinders. Produced by Jacquire King [Kings Of Leon, Tom Waits, Norah Jones] in Nashville, the album echoes the relentless energy and uncontainable spirit of the group’s most definitive anthems, while advancing boldly into new territory. Whether it’s the bluesy stomp and snap of “Backbone” or the sweeping piano of latest single “Deep End,” the album evinces evolution across the board for the musicians. About the album, Chris Daughtry said, “This is a really special time for us. We feel like we bottled the spirit and energy from our early days and refined it over the last decade together on the road and making records.
    [Show full text]
  • Bakalářská Práce
    UNIVERZITA PALACKÉHO V OLOMOUCI PEDAGOGICKÁ FAKULTA Katedra hudební výchovy Bakalářská práce Martina Lakomá Vývoj Heavy metalu se zaměřením na ženské interprety Olomouc 2018 Vedoucí práce: Mgr. Filip T. Krejčí, Ph.D. Prohlašuji, že jsem bakalářskou práci na téma „Vývoj Heavy metalu se zaměřením na ženské interprety“ vypracovala samostatně, s použitím uvedené literatury a zdrojů. V Prosenicích dne 11. 4. 2018 ………………………… Podpis autora práce Poděkování Ráda bych touto cestou poděkovala všem, kteří mi pomáhali s realizací mé bakalářské práce. Především mému vedoucímu práce Mgr. Filipu T. Krejčímu, Ph.D. za jeho ochotu a cenné rady. Velký dík také patří mé rodině a přátelům, kteří mě podporovali a inspirovali jak po dobu psaní práce, tak po celý čas mého studia. Anotace Bakalářská práce se zabývá vývojem hudebního žánru zvaného heavy metal. Celkově je rozdělena do čtyř částí, jejíž první část osvětluje pojem metal a metalovou subkulturu. Následující text zpracovává nejen jeho první projevy, ale i důležité milníky v čele s Black Sabbath, které metal formovaly. Chronologicky sestavuje obraz jeho zrodu a postupného rozvoje v další nekonečné množství subžánrů. Tyto odnože jsou nastíněny jak jejich charakteristikami, tak nejvýznamnějšími zástupci. Práce je do určité míry zaměřena i na vliv žen v tomto stylu. Proto se snaží nalézt stopy hudebnic či čistě ženských hudebních skupin v daných subžánrech, a na konci pátrání shrnout zjištěné poznatky. Klíčová slova pojem heavy metal, subkultura, vývoj, Black Sabbath, metalové subžánry, ženy v metalu Abstract The bachelor thesis is concerned with the development of the musical genre called “heavy metal“. It comprises four parts. The first chapter defines the terms – metal and metal subculture.
    [Show full text]
  • University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication
    [Show full text]
  • Sound Archives
    Sound Archives This directory lists sound collections held in the Department of Special and Area Studies Collections that have been digitally reformatted. Detailed information on each collection is linked to each directory entry. The Sound Archives includes sound recordings from the University of Florida Archives, the P. K. Yonge Library of Florida History, and the General Manuscript collections. All of the recordings are available for listening in the Special Collections Research Room and, unless otherwise noted, can be reproduced in the Research Room. To request recordings, send an email to the Curator of Manuscripts, Carl Van Ness, at [email protected] Angela Davis speech, 1973. A speech given by activist Angela Davis for Accent '74. Claude Murphree, University Organist, 1957. Concert performed on Anderson Memorial Organ. Claude Pepper Campaign Speech, 1950. Senator Pepper discusses his position on the issues in the 1950 election. College Authors Forum with William G. Carleton, 1964. Professor William Carleton discusses American foreign policy. Cowboys in Central Florida, n.d. Louis Capron talks about Florida cattlemen. Dean Lester Hale reads the Christmas Carol, 1970. Read in the University Auditorium. Dedication '72, 1972. Dedicatory performance for the University of Florida Music Building. Dedication of an addition to the University of Florida Library, 1950. Speeches made at the 1950 dedication of additions made to the University Library. "Electric Man and the End of the Neolithic" - Marshall McLuhan. McCluhan talks about information and media. Erskine Caldwell Lecture, 1965. Caldwell talks about writing. Faculty Concert: Elwyn Adams, 1972. Violinist performs. Faculty Concert: Willis Bodine at the Organ, 1961. Performance on the Anderson Memorial Organ.
    [Show full text]
  • 2018/2019 Annual Report
    1 CONTENTS Message from General Manager ................................... 3 Message from Cultural Affairs Department .................. 5 Organizational Chart ...................................................... 6 Statement of Purpose ..................................................... 8 Facility Overview ............................................................. 9 Partners .......................................................................... 10 2018/2019 Great Performance Series ......................... 12 Residents ....................................................................... 14 Self-Promoted Events ................................................... 15 Volunteers ..................................................................... 20 Concession .................................................................... 22 Art Gallery ..................................................................... 22 Marketing ...................................................................... 23 YNot Every Event .......................................................... 24 Ticket Sales .................................................................... 25 Foundation .................................................................... 26 Capital Improvement ................................................... 28 Outlook .......................................................................... 29 1 A Message from Spectra Venue Managed SANDLER CENTER FOR THE PERFORMING ARTS GENERAL MANAGER, DAVID SEMON 2 2 Dear Colleagues,
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Carlton Barrett
    ! 2/,!.$ 4$ + 6 02/3%2)%3 f $25-+)4 7 6!,5%$!4 x]Ó -* Ê " /",½-Ê--1 t 4HE7ORLDS$RUM-AGAZINE !UGUST , -Ê Ê," -/ 9 ,""6 - "*Ê/ Ê /-]Ê /Ê/ Ê-"1 -] Ê , Ê "1/Ê/ Ê - "Ê Ê ,1 i>ÌÕÀ} " Ê, 9½-#!2,4/."!22%44 / Ê-// -½,,/9$+.)"" 7 Ê /-½'),3(!2/.% - " ½-Ê0(),,)0h&)3(v&)3(%2 "Ê "1 /½-!$2)!.9/5.' *ÕÃ -ODERN$RUMMERCOM -9Ê 1 , - /Ê 6- 9Ê `ÊÕV ÊÀit Volume 36, Number 8 • Cover photo by Adrian Boot © Fifty-Six Hope Road Music, Ltd CONTENTS 30 CARLTON BARRETT 54 WILLIE STEWART The songs of Bob Marley and the Wailers spoke a passionate mes- He spent decades turning global audiences on to the sage of political and social justice in a world of grinding inequality. magic of Third World’s reggae rhythms. These days his But it took a powerful engine to deliver the message, to help peo- focus is decidedly more grassroots. But his passion is as ple to believe and find hope. That engine was the beat of the infectious as ever. drummer known to his many admirers as “Field Marshal.” 56 STEVE NISBETT 36 JAMAICAN DRUMMING He barely knew what to do with a reggae groove when he THE EVOLUTION OF A STYLE started his climb to the top of the pops with Steel Pulse. He must have been a fast learner, though, because it wouldn’t Jamaican drumming expert and 2012 MD Pro Panelist Gil be long before the man known as Grizzly would become one Sharone schools us on the history and techniques of the of British reggae’s most identifiable figures.
    [Show full text]