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The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad
The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad. Margo Shohl Rosen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Margo Shohl Rosen All rights reserved ABSTRACT The Independent Turn in Soviet-Era Russian Poetry: How Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman and Evgeny Rein Became the ‘Avvakumites’ of Leningrad Margo Shohl Rosen The first post-World War II generation of Soviet Russian writers was faced with a crisis of language even more pervasive and serious than the “Crisis of Symbolism” at the beginning of the 20th century: the level of abstraction and formulaic speech used in public venues had become such that words and phrases could only gesture helplessly in the direction of mysterious meaning. Due to the traditional status of poetry in Russian culture and to various other factors explored in this dissertation, the generation of poets coming of age in the mid-1950s was in a unique position to spearhead a renewal of language. Among those who took up the challenge was a group of four friends in Leningrad: Dmitry Bobyshev, Joseph Brodsky, Anatoly Naiman, and Evgeny Rein. Because of the extreme position this group adopted regarding the use of language, I refer to them in this work not as “Akhmatova’s Orphans”—a term commonly applied to the quartet—but as literary “Avvakumites,” a name Anna Akhmatova suggested that invokes the history of Archpriest Avvakum, who by rejecting reforms in church ritual founded the Orthodox sect now known as Old Believers. -
PTD Template
INHERITED DISCOURSE: STALINIST TROPES IN THAW CULTURE by Alexander Prokhorov BA, Moscow State University, 1987 MA, University of Pittsburgh , 1994 Submitted to the Graduate Faculty of The Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2002 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Alexander Prokhorov It was defended on April 26, 2002 and approved by Lucy Fischer Mark Altshuller Nancy Condee Vladimir Padunov Helena Goscilo Dissertation Director © Copyright by Alexander Prokhorov 2002 All Rights Reserved iii INHERITED DISCOURSE: STALINIST TROPES IN THAW CULTURE Alexander Prokhorov, PhD University of Pittsburgh, 2002 My dissertation argues that while Thaw cultural producers believed that they had abandoned Stalinist cultural practices, their works continued to generate, in revised form, the major tropes of Stalinist culture: the positive hero, and family and war tropes. Although the cultural Thaw of the 1950s and 60s embraced new values, it merely reworked Stalinist artistic practices. On the basis of literary and cinematic texts, I examine how these two media reinstantiated the fundamental tropes of Russo-Soviet culture. In the first two chapters, I discuss approaches to Thaw literature and film in Western and Soviet scholarship, and my methodology, which is best defined as cultural semiotics. Chapter Three discusses the instantiations of the positive hero in Thaw literature and film. As case studies I adduce Boris Pasternak's Doctor Zhivago (1957) and Grigorii Kozintsev's film adaptation of Hamlet (1964). Though both texts are considered “beyond” classical socialist realist aesthetics, I contend that they feed on major Stalinist tropes and dialogize and elaborate the Stalinist canon. -
The Export of Russian Cotton Fabrics and the Commercial Network of Asian Merchants in the First Half of the 19Th Century
РОССИЙСКАЯ ИСТОРИЯ 41 УДК 94 (47).072/073+339.1-054.6 DOI 10.25205/1818-7919-2019-18-1-41-55 The Export of Russian Cotton Fabrics and the Commercial Network of Asian Merchants in the First Half of the 19th Century. Part 2 M. Shiotani Tohoku University Sendai, Japan Abstract The paper is devoted to the study of how commercial networks of Bukharan and Chinese merchants were used for the export of Russian cotton fabrics in the first half of the 19th century. Bukharan merchants dominated the central core of Silk Road trade in Central Asia, and developed the trade with not only Russia, but also Eurasian countries including China and India. Shanxi merchants built close relations with the Chinese government and established the commercial and financial system in their own country. Asian trade was carried out in harmony with natural environments. Many re- gions in Eurasia belonged to the steppes, and this ecological system was suitable for livestock farming including camels, horses and mules, used as a means of transportation. However this trade system of one year cycles could not adapt to the subsequent periods of innovation when the steam engine and fossil fuels were introduced in the field of production, and when mass production was realized. Keywords Russia, 19th century, cotton industry, Asian merchants, commercial network For citation Shiotani M. The Export of Russian Cotton Fabrics and the Commerical Network of Asian Merchants in the First Half of the 19th Century. Part 2. Vestnik NSU. Series: History and Philology, 2019, vol. 18, no. 1: History, p. -
Soviet Journalism and the Journalists' Union, 1955-1966
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2014 Reporting Socialism: Soviet Journalism and the Journalists' Union, 1955-1966 Mary Catherine French University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History Commons Recommended Citation French, Mary Catherine, "Reporting Socialism: Soviet Journalism and the Journalists' Union, 1955-1966" (2014). Publicly Accessible Penn Dissertations. 1277. https://repository.upenn.edu/edissertations/1277 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/1277 For more information, please contact [email protected]. Reporting Socialism: Soviet Journalism and the Journalists' Union, 1955-1966 Abstract This dissertation is a historical investigation of the Journalists' Union of the Soviet Union, the first creative union for media professionals in the USSR, and the first study of a creative profession after the death of Stalin. While socialist journalism had existed since before the 1917 revolutions, journalists were not incorporated into a professional body until 1959, several decades after their counterparts in other creative professions. Using sources from Russian and American archives together with published documents, I investigated the reasons for the organization's formation and its domestic and creative work to "develop professional mastery" in its members at home while advancing the Soviet cause abroad. Chapter one explores the reasons for the Journalists' Union's formation, and the interrelationship between Soviet cultural diplomacy and domestic professionalization. Chapter two describes Journalists' efforts to make sense of the immediate aftermath of de-Stalinization, through a case study of the Communist Youth League's newspaper. The third chapter describes the creative union's formal establishment and the debates about journalism's value at its inaugural congress. -
Gateway to Siberia: the Architectural Heritage of Verkhoturye and Ekaterinburg
Journal of Siberian Federal University. Humanities & Social Sciences 5 (2017 10) 612-640 ~ ~ ~ УДК 72.035(571) Gateway to Siberia: the Architectural Heritage of Verkhoturye and Ekaterinburg William C. Brumfield* Tulane University New Orleans, Louisiana, USA Received 22.01.2017, received in revised form 14.03.2017, accepted 19.04.2017 The article consists of an analytical survey of the architectural monuments of Ekaterinburg, together with the historic towns of Verkhoturye and Nevyansk. In Vekhoturye the article focuses on the first half of the 18th century and the Trinity Cathedral in particular, but attention is also devoted to the Monastery of St. Nicholas and its Cathedral of the Elevation of the Cross, a major work of early 20th-century Russian church architecture. The main part of the article focuses primarily on the architecture of Ekaterinburg from the mid-18th century to the late Soviet period, with particular attention to the city’s important Constructivist buildings. A special feature of the article is its photographic documentation, done largely in 1999 before the building boom that has transformed much of the urban milieu. Keywords: Ekaterinburg, Verkhoturye, Nevyansk, Solikamsk, Tobolsk, Tsar Fedor Ioannovich, Boris Godunov, Aleksei Mikhailovich, Peter I, Catherine II, Nicholas II, Ipatyev House, Jonah the Poshekhonets, Blessed Simeon of Verkhoturye, Tura River, Iset River, Siberian Office, Naryshkin baroque, Alexander Turchevich, Nikita Demidov, Georg Wilhelm de Hennin, Moscow Highway, Lev Rastorguev, Mikhail Malakhov, Neoclassicism, -
Doctor Zhivago
BORIS PASTERNAK Doctor Zhivago A SIGNET BOOK Published by THE NEW AMERICAN LIBRARY The Celebrated Novel of the Century THE only truly great novel to come out of post-revolutionary Russia significantly appears first in translation, without the approval of the Russian Communist Party censors. But this sensational aspect should not obscure the fact that Doctor Zhivago is above all a stupendously rich and moving book. Like War and Peace, it evokes an historically crucial period in terms of a large variety of characters whose destinies are interwoven— railwaymen, farmers, intellectuals, merchants, lawyers, professors, students, soldiers, the well-to-do and the destitute. Zhivago, a physician and poet, is the central figure. Through his experiences the reader witnesses the outbreak and the consequences of the Revolution: army revolts, irrational killings, starvation, epidemics, Party inquisition. In an epic train ride from Moscow to the Ural Mountains—a journey that takes weeks—Zhivago transports his family to what he hopes is shelter in obscurity. Actually, he lands them all in the chaos and cruelty of strife between Whites and Reds. These are not times for a domestic idyll or emotional bliss, and Zhivago sees man’s simplest aspirations to a normal human life hopelessly frustrated. Pasternak’s superbly evocative style is equal to the grandeur of his theme. “Storm” is the recurring key word of his book—the storm of war, of revolution, of human passions, of nature. With awe and terror he recreates modern history’s most titanic effort to bring forth a new world from a deliberately created chaos. The book is crowded with scenes and people of unforgettable impact: the eeriness of partisan camps in the ice and snow of Siberia’s primeval forests; the trains crowded with deportees; apartment houses overrun by rats; cities starving and freezing; villages burned and depopulated. -
The Russian Conquest of the Kazakh Steppe by Janet Marie Kilian BA in History, May 1996, Columbia C
Allies & Adversaries: The Russian Conquest of the Kazakh Steppe by Janet Marie Kilian B.A. in History, May 1996, Columbia College, Columbia University M.A. in International Relations & Economics, May 2000, Paul H. Nitze School of Advanced International Studies, Johns Hopkins University M.Phil. in History, May 2007, The George Washington University Dissertation submitted to The Faculty of the Columbian College of Arts and Sciences of The George Washington University in Partial Satisfaction of the Requirements for the Degree of Doctor of Philosophy August 31, 2013 Dissertation Directed by Muriel Atkin Professor of History The Columbian College of Arts and Sciences of The George Washington University certifies that Janet Marie Kilian has passed the Final Examination for the degree of Doctor of Philosophy as of August 31, 2013. This is the final and approved form of the dissertation. Allies & Adversaries: The Russian Conquest of the Kazakh Steppe Janet Marie Kilian Dissertation Research Committee: Muriel A. Atkin, Professor of History, Dissertation Director Dane K.Kennedy, Professor of History, Committee Member Andrew Zimmerman, Professor of History, Committee Member ii ©Copyright 2013 by Janet Marie Kilian All rights reserved iii Acknowledgements It is a great pleasure to count my blessings and acknowledge the assistance I received from so many people and institutions. I would first like to express my deep gratitude and appreciation to my advisor, Muriel Atkin, for her support and guidance throughout this arduous process, and for her faith that I could actually do it. I would also like to thank the other members of my dissertation committee: Dane Kennedy, Andrew Zimmerman, Allen Frank and James Millward. -
Richard Karlovich Zommer
48 RICHARD KARLOVICH ZOMMER (Russian 1866 - 1939) Caravan in the Desert signed in Cyrillic (lower right) oil on canvas laid on board 27 x 47 cm (10¾ x 18½ in) S WITH HIS KIRGHIZ ON A CAMEL (CAT. NO. 47), IN and China to Europe and Russia along the Siberian Route covering 11,000 Caravan in the Desert Richard Karlovich Zommer again provides miles. The Siberian Route, which was also known as the Tea Road owing to us with an insight into the life of a solitary figure, this time a the great quantities of tea that were being transported, connected European caravaneer. Almost certainly a merchant, possibly even a Russia to Siberia and China. Construction of the route started in 1730 but Kirghiz caravaneer, the man is probably on his way to sell was not finished until the mid-nineteenth century. The route started in Aor exchange his merchandise at market. His goods are carefully balanced Moscow and camel caravans would travel from Kyakhta, a trade post on the across the backs of his three tireless camels. As well as providing a personal border with China, across Inner Mongolia to a Great Wall gate at Kalgan. reflection on this figure, in Caravan in the Desert, Zommer also reminds us The route was however eventually made redundant with the introduction of of the crucial role that camel caravans played in desert life. the Trans-Siberian Railway and Amur Cart Road. Caravans have been described since the beginning of recorded history, The trade of tea in Russia dates from 1618, when theC hinese presented and were a major factor in the growth of settlements along their routes, and a gift of tea to Tsar Alexis of Russia.