The Starchild Trilogy
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Schedule " " Content Protection
SCHEDULE " " CONTENT PROTECTION REQUIREMENTS (FOR AVOD TO OTT Devices) In addition to any security and content protection requirements set forth elsewhere in the Media Distribution Agreement, Licensee shall comply, and shall cause require the Authorized Third Parties to comply, with each of the requirements set forth in this Schedule. [Note to Crackle: The Authorized Third Parties will likely be your CDN unless there are others who are delivering content to the user for you. Because we don’t have privity with the CDN, we need you to push the requirements down to the CDN and be responsible for their compliance. In terms of the grace period, we are willing to give a grace period on the migration from RTMPe at least for this content. We were a bit surprised that you asked for a grace period on all the CP requirements – we have limited the grace period to the migration from RTMPe.] [Sony: We need to discuss further.] Capitalized terms used herein but not otherwise defined in this Schedule shall have the meanings, if any, given to them in the Media Distribution Agreement. The term “Licensed Program” as used herein shall mean any Episode of the Series. [Note to Crackle: Our intention is to use the definition of Distribution Channels in this CP Schedule and to conform the Media Distribution Agreement by deleting the “any device” definition in the Media Distribution Agreement. Per our last CP discussion, the Distribution Channels are the distribution that we are licensing for the Fox content and this distribution is defined by types of devices as defined in this CP Schedule. -
Aaron Lee Tasjan Karma for Cheap Most People Know Aaron Lee Tasjan As One of the Wittiest, Most Offbeat, Brilliant, Weed- Smokin
Aaron Lee Tasjan Karma for Cheap Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed- smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls. Really, the roots of Tasjan’s new record, Karma for Cheap, stretch even deeper, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon— back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. But more on that later. First, let’s ponder the brutish realities of the American Swamp. Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. -
2021VTDPB.Pdf
2021 DIESEL MOTOR COACH VENTANA Catch of a Lifetime The Ventana keeps getting better. With thirteen floor plans, available on an optional Spartan® chassis or a Freightliner® chassis for all model lengths, there’s definitely a layout for you. Comfort Drive™ steering comes standard for smooth handling. The industry-exclusive full-paint Masterpiece™ finish always stands out. It’s the perfect coach to come home to after a day on a secluded brook—or anywhere else your travels take you. A Leader in Luxury 2021 Ventana The 2021 Ventana puts safety first with convex exterior mirrors to clearly see your surroundings—and also features a remote control, turn signal indicators, and defrost. An integrated Girard® power side awning and Carefree entrance door awning keep things cool outside. Models come in 34', 37', 40', and 43', all complete with a wide variety of floor plans including rear master and two-bedroom options. Belmont full-paint Masterpiece™ finish Float with Confidence The safety continues into the cockpit. The digital instrument panel keeps you informed, and side-view cameras come standard. Optional upgrades include a Rand McNally navigation system, in-coach Wi-Fi, and universal toll module. For comfort and entertainment, the Ventana captain’s chairs offer six-way power with lumbar support and a footrest and a workstation in the passenger seat. A JBL sound system with a subwoofer is ready to surround you with music or your favorite podcast. *The furniture in your coach will Floor plan 4037 with Belmont décor and differ slightly from the images. Carmel Glazed Maple cabinetry Wade into the Journey The cabin of the 2021 Ventana is made to make the journey easy. -
2018 Newmar Bay Star Sport Brochure 1
BAY STAR / NEWMAR | 2018 BAY STAR SPORT AND BAY STAR GAS MOTOR COACHES MOTOR GAS STAR BAY AND SPORT STAR BAY 2018 | NEWMAR SPORT 50 YEARS HAVE TAUGHT US... QUALITY RESULTS TAKE QUALITY TIME. LEADING THE WAY FORWARD At Newmar, our first 50 years have taught us that the brightest futures are realized by those willing to blaze a new trail. Lead rather than follow. And reject cookie-cutter imitation in favor of cutting-edge innovation. That’s why we are committed to spending the next half century creating handcrafted motor coaches that go above and beyond their batch-built competition. Coaches designed and engineered to help you live the RV lifestyle to the absolute fullest. Join us, and discover the Newmar difference for yourself. Matt Miller, President THE OPEN ROAD IS C A L L I NG Redesigned for 2018, Bay Star Sport combines unexpected extras with unmatched Newmar quality, the result of a 10-day assembly, paint, and inspection process. Inside, an all-new instrument panel houses a USB outlet, JBL® cockpit audio, and a rearview monitor with sound. There’s even an available Rand McNally® navigation system and a stowable passenger workstation. The industry’s best Mustang full-paint Masterpiece™ finish, frameless windows Tried and true Ford® F-53 chassis with a 320-HP V10 engine Full-paint Masterpiece™ Finish | Mustang Exterior | Floor Plan 3307 WHERE EVERYONE BELONGS From a Vizio® LED TV to the pair of optional Wi-Fi solutions, family-friendly accommodations are everywhere inside the Bay Star Sport. Select floor plans can be had with a dropdown bunk bed and either a Hide-A-Bed or Fold-N-Tumble sofa, while floor plan 3307 is available with both a dinette booth and a Flexsteel® couch that transforms into a set of bunk beds in seconds. -
Selected Scifi 201102.Xlsx
Selected Used SciFi Books- Subject to availability - Call/email store to receive purchasing link ([email protected] 540206-2505) StorePri AuthorsLast Title EAN Publisher ce Cross-Currents: Storm Season, The Face of Chaos, Abbey, Robert Lynn Asprin and Lynn B000GPXLOQ Nelson Doubleday,. $8.00 and Wings of Omen Adams, Douglas Life, The Universe and Everything 9780517548745 Harmony Books $8.00 Adams, Douglas Mostly Harmless 9781127539635 BALLANTINE BOOKS $15.00 Adams, Douglas So Long, and Thanks for All the Fish 9780795326516 HARMONY BOOKS $6.00 Adams, Douglas The Restaurant at the End of the Universe 9780517545355 Harmony $8.00 Adams, Richard MAIA 9780394528571 Knopf $8.00 Alan, Foster Dean Midworld B001975ZFI Ballentine $8.00 Aldiss, Brian W. Helliconia Summer (Helliconia Trilogy, Book Two) 9781111805173 Atheneum / $8.00 Aldiss, Brian W. Non-Stop B0057JRIV8 Carroll & Graf $10.00 Aldiss, Brian Wilson Helliconia Winter (Helliconia, 3) 9780689115417 Atheneum $7.00 Allen, Roger E. Isaac Asimov's Inferno 9780441000234 Ace Trade $6.00 Allen, Roger Macbride Isaac Asimov's Utopia 9781857982800 Orion Publishing Co $8.00 Allston, Aaron Enemy lines (Star wars, The new Jedi order) 9780739427774 Science Fiction $15.00 Anderson, Kevin J and Rebecca The Rise of the Shadow Academy 9781568652115 Guild America $15.00 Moesta Anderson, Kevin J,Herbert, Brian Hunters of Dune 9780765312921 Tor Books $10.00 Anderson, Kevin J. A Forest of Stars: The Saga of Seven Suns Book 2 9780446528719 Aspect $8.00 Anderson, Kevin J. Darksaber (Star Wars) 9780553099744 Spectra $10.00 Anderson, Kevin J. Hidden Empire: The Saga of Seven Suns - Book 1 9780446528627 Aspect $8.00 Anderson, Kevin J. -
Musical Images of the Vietnam War
DOCUMENT RESUME ED 325 431 SO 030 221 AUTHOR Chilcoat, George W.; Vocke, David E. TITLE MusicEl Images of the Vietnam War. PUB DATE Nov 86 NOTE 30p.; Paper presented at the Annual Meeting of the National Council for the Social Studies (Orlando, FL, November 19, 1988). PUB TYPE Speeches/Conference Papers (150) -- Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Class Activities; Creative Teaching; Creativity; Curriculum Enrichment; *Drama; *Educational Strategies; High Schools; *History Instrvr'tion; Instructional Materials; Modern History; *Music; Social History; Social Studies; Songs; *United States History; *Vietnam War ABSTRACT Teaciling the Vietnam War in high school history courses is a challenge to the instructor, and study that relies only on textbooks may neglect the controversy surrounding the War and the issues that faced the nation. This v.per discusses how to use songs about the Vietnam War as an instr,.ctional tool to investigate the role of songs during the War and to serve as a stimulus tc study the controversies surrounding the War. Students are challenged to investigate the various perspectives presented these songs and to examine devices utilized within lyrics to support the views they present. Titles and categories of songs that either censured the inhumanity of wars in general and the Vietnam War specifically, or portrayed support for the War in Indochina are included. (NL) *******************************************************************. ** Reproductions supplied by EDRS are the best that can te made from the original document. ******************************x**************************************** Musical Images of the Vietnam War U S DEPARTMENT OF EDUCATION O.f K e of Edvcahonal Research and Impro.ertent EDUCATIONAL RESOURCES INFORMATION CENTER IER ". -
Digital Audio
Digital Audio Prior to the advent of computers, sound recordings were made using exclusively analog systems, where the instantaneous signal amplitude was continuously conveyed by a voltage we could measure at any time. With computers using binary arithmetic, signals must be encoded from continuous analog representations into discrete digital measurements that can be stored as binary number streams, describing the signal amplitude at specific times. We therefore know the amplitude only at the times we make the conversion to digital measurements, referred to as samples. If we sample frequently enough, the information we store is fully adequate to describe the signal accurately even though we have periods of time in which the signal is not sampled. Motion pictures work similarly: we perceive continuous movement even though the displayed frames are only occurring 24 times a second. There are numerous potential shortcomings in the process of converting continuous analog voltages to sampled discrete binary measurements and these will determine the quality of sound reproduction we are able to deliver with digital audio technologies. The initial and potentially most important aspect of digital audio is the conversion from analog to digital signal representation. Any error created at this stage will persist throughout the recording and playback process. Early analog-to-digital (A/D) converters had serious limitations that reduced the quality of the sound reproduced, giving digital audio a bad reputation among audiophiles. In the intervening years, most of the limitations have been corrected and modern digital recorders are greatly improved. We will investigate the improvements from the simplest digital audio systems to the newest digital technologies. -
Messenger Song List
Messenger Song List 4 Non Blondes What’s Up Adelle Rolling in the Deep America Sandman Bad Company Shooting Star Badfinger Baby Blue Badfinger No Matter What Blind Faith Can’t Find My Way Back Home Bob Dylan Knocking on Heavens Door Bon Jovi Dead Or Alive Bon Jovi & Jennifer Nettles Who Says You Can’t Go Home Brett Young In Case You Didn’t Know Brooks & Dunn Boot Scootin’ Boogie Cheap Trick I Want You To Want Me Chris Stapleton Tennessee Whiskey Cream White Room Crosby, Stills & Nash Love The One You’re With Darius Rucker Wagon Wheel Dave Mason Feelin Alright Traffic Dear Mr Fantasy Duffy Mercy Dwight Yoakam Fast As You Eagles Take It Easy Eddie Rabbit Driving My Life Away Elvis Can’t Help Falling In Love With You Elvis/Dwight Yoakam Little Sister Enrique Iglesias Hero Eric Clapton Wonderful Tonight Fleetwood Mac Dreams Fleetwood Mac Landslide Guns n Roses Used To Love Her Heart Crazy on You Janis Joplin Me & Bobby McGee John Mellencamp Pink Houses John Mellencamp Small Town Johnny Cash Folsum Prison Blues K.T. Tunstall Black Horse & Cherry Tree Kid Rock Born Free Linda Ronstadt Heatwave Lynyrd Skynyrd Call Me The Breeze Lynyrd Skynyrd Sweet Home Alabama Mamas & Papas California Dreaming Marshall Tucker Can’t You See Marshall Tucker Fire on the Mountain Melissa Etheridge Like The Way I Do Michelle Branch/Carlos Santana Game of Love Modern English Melt With You Neil Young Down by the River Neil Young Harvest Moon Neil Young Old Man Nick Gilder Hot Child in the City Pink Floyd Wish You Were Here Messenger Song List Poison Every Rose Has -
MCA Label, Part 3
MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407. -
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka
Historical Development of Magnetic Recording and Tape Recorder 3 Masanori Kimizuka ■ Abstract The history of sound recording started with the "Phonograph," the machine invented by Thomas Edison in the USA in 1877. Following that invention, Oberlin Smith, an American engineer, announced his idea for magnetic recording in 1888. Ten years later, Valdemar Poulsen, a Danish telephone engineer, invented the world's frst magnetic recorder, called the "Telegraphone," in 1898. The Telegraphone used thin metal wire as the recording material. Though wire recorders like the Telegraphone did not become popular, research on magnetic recording continued all over the world, and a new type of recorder that used tape coated with magnetic powder instead of metal wire as the recording material was invented in the 1920's. The real archetype of the modern tape recorder, the "Magnetophone," which was developed in Germany in the mid-1930's, was based on this recorder.After World War II, the USA conducted extensive research on the technology of the requisitioned Magnetophone and subsequently developed a modern professional tape recorder. Since the functionality of this tape recorder was superior to that of the conventional disc recorder, several broadcast stations immediately introduced new machines to their radio broadcasting operations. The tape recorder was soon introduced to the consumer market also, which led to a very rapid increase in the number of machines produced. In Japan, Tokyo Tsushin Kogyo, which eventually changed its name to Sony, started investigating magnetic recording technology after the end of the war and soon developed their original magnetic tape and recorder. In 1950 they released the frst Japanese tape recorder.