New and Evolving Air Quality Regulations Impacting Oil and Gas Development
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The Beatles), 80, 165, 357, 358, 389
Index of Titles Abbey Road (The Beatles), 80, 165, 357, 358, 389 “Abraham, Martin and John” (Dion), 40, 75, 115, 194, 321 Absolutely Free (The Mothers of Invention), 156, 310, 375, 388 “Absolutely Sweet Marie” (Bob Dylan), 207 “The Acid Queen” (The Who), 71 “Across the Universe” (The Beatles), 222, 309, 374 “Action” (Freddy Cannon), 69 “Adagio Per Archi e Organo” (Brian Auger and the Trinity), 72 After Bathing at Baxter’s (Jefferson Airplane), 358, 388 “After the Lights Go Down Low” (Al Hibbler), 337 “Afterglow” (The Small Faces), 357 Aftermath (The Rolling Stones), 292 “Ahab the Arab” (Ray Stevens), 25, 95, 366 “Aiko Biaye” (Ginger Baker’s Air Force), 374 “Ain’t It Funky Now” (James Brown), 212 “Ain’t No Mountain High Enough” (Marvin Gaye and Tammi Terrell), 77, 111–112, 128 “Ain’t That a Shame” (Pat Boone), 314; (Fats Domino), 321 “Ain’t That Peculiar” (Marvin Gaye), 168 “Ain’t Too Proud to Beg” (The Temptations), 105, 124, 226, 319 “The Air That I Breathe” (The Hollies), 196 “Al Di Lá” (Emilio Pericoli), 114–115 “Alabama Song (Whisky Bar)” (The Doors), 115, 366 “Albatross” (Fleetwood Mac), 16, 377 “Albert’s Shuffle” (Mike Bloomfield / Al Kooper / Steve Stills), 62 “Alfie” (Dionne Warwick), 174, 199, 206, 279–280, 386 “Alice’s Restaurant Massacree” (Arlo Guthrie), 141, 203, 270, 327, 364, 379 “Alice’s Rock & Roll Restaurant” (Arlo Guthrie), 31, 327 “All Alone Am I” (Brenda Lee), 182 “All Along the Watchtower” (Bob Dylan), 172, 260 “The All-American Boy” (Bill Parsons), 175 “All Around the World” (Little Willie John), 139 “All Day and -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Aaron Lee Tasjan Karma for Cheap Most People Know Aaron Lee Tasjan As One of the Wittiest, Most Offbeat, Brilliant, Weed- Smokin
Aaron Lee Tasjan Karma for Cheap Most people know Aaron Lee Tasjan as one of the wittiest, most offbeat, brilliant, weed- smokin’ & LSD microdosin’ Americana troubadours writing and singing songs today. And the New York Times, NPR and Rolling Stone will all gladly corroborate. But steel yourselves, folk fans, because he’s about to follow his restless muse straight out from under the weight of everyone’s expectations into the kind of glammy, jingle-jangle power-pop- and- psych-tinged sounds he hasn’t dabbled in since his younger days playing lead guitar for a late-period incarnation of The New York Dolls. Really, the roots of Tasjan’s new record, Karma for Cheap, stretch even deeper, drinking up the sounds of a Southern California childhood spent listening to The Beatles while riding around with his mom at the wheel of their navy blue Volvo station wagon— back to the very first pre-teen year he picked up a six-string and started figuring out all the pretty little chords in those Lennon-McCartney tunes. Back to the pure, blissful unfiltered innocence of falling in love with music for the first time. But more on that later. First, let’s ponder the brutish realities of the American Swamp. Aaron Lee Tasjan says he aims to use his music for good, but he’s no protest singer. And Karma for Cheap isn’t some heavy-handed, didactic political record cramming a set of talking points down anyone’s throat. It’s a finely tuned rock & roll seismograph measuring the dark and uncertain vibrations of the time in which it was created. -
Musical Images of the Vietnam War
DOCUMENT RESUME ED 325 431 SO 030 221 AUTHOR Chilcoat, George W.; Vocke, David E. TITLE MusicEl Images of the Vietnam War. PUB DATE Nov 86 NOTE 30p.; Paper presented at the Annual Meeting of the National Council for the Social Studies (Orlando, FL, November 19, 1988). PUB TYPE Speeches/Conference Papers (150) -- Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Class Activities; Creative Teaching; Creativity; Curriculum Enrichment; *Drama; *Educational Strategies; High Schools; *History Instrvr'tion; Instructional Materials; Modern History; *Music; Social History; Social Studies; Songs; *United States History; *Vietnam War ABSTRACT Teaciling the Vietnam War in high school history courses is a challenge to the instructor, and study that relies only on textbooks may neglect the controversy surrounding the War and the issues that faced the nation. This v.per discusses how to use songs about the Vietnam War as an instr,.ctional tool to investigate the role of songs during the War and to serve as a stimulus tc study the controversies surrounding the War. Students are challenged to investigate the various perspectives presented these songs and to examine devices utilized within lyrics to support the views they present. Titles and categories of songs that either censured the inhumanity of wars in general and the Vietnam War specifically, or portrayed support for the War in Indochina are included. (NL) *******************************************************************. ** Reproductions supplied by EDRS are the best that can te made from the original document. ******************************x**************************************** Musical Images of the Vietnam War U S DEPARTMENT OF EDUCATION O.f K e of Edvcahonal Research and Impro.ertent EDUCATIONAL RESOURCES INFORMATION CENTER IER ". -
Messenger Song List
Messenger Song List 4 Non Blondes What’s Up Adelle Rolling in the Deep America Sandman Bad Company Shooting Star Badfinger Baby Blue Badfinger No Matter What Blind Faith Can’t Find My Way Back Home Bob Dylan Knocking on Heavens Door Bon Jovi Dead Or Alive Bon Jovi & Jennifer Nettles Who Says You Can’t Go Home Brett Young In Case You Didn’t Know Brooks & Dunn Boot Scootin’ Boogie Cheap Trick I Want You To Want Me Chris Stapleton Tennessee Whiskey Cream White Room Crosby, Stills & Nash Love The One You’re With Darius Rucker Wagon Wheel Dave Mason Feelin Alright Traffic Dear Mr Fantasy Duffy Mercy Dwight Yoakam Fast As You Eagles Take It Easy Eddie Rabbit Driving My Life Away Elvis Can’t Help Falling In Love With You Elvis/Dwight Yoakam Little Sister Enrique Iglesias Hero Eric Clapton Wonderful Tonight Fleetwood Mac Dreams Fleetwood Mac Landslide Guns n Roses Used To Love Her Heart Crazy on You Janis Joplin Me & Bobby McGee John Mellencamp Pink Houses John Mellencamp Small Town Johnny Cash Folsum Prison Blues K.T. Tunstall Black Horse & Cherry Tree Kid Rock Born Free Linda Ronstadt Heatwave Lynyrd Skynyrd Call Me The Breeze Lynyrd Skynyrd Sweet Home Alabama Mamas & Papas California Dreaming Marshall Tucker Can’t You See Marshall Tucker Fire on the Mountain Melissa Etheridge Like The Way I Do Michelle Branch/Carlos Santana Game of Love Modern English Melt With You Neil Young Down by the River Neil Young Harvest Moon Neil Young Old Man Nick Gilder Hot Child in the City Pink Floyd Wish You Were Here Messenger Song List Poison Every Rose Has -
MCA Label, Part 3
MCA 300 Series by Dvaid Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA 300 Main Series: MCA 300 - Entertainer of the Year - Loretta Lynn [1973]. (3-73 #1CW) Rated “X”/’Til The Pain Outwears The Shame/Ruby, Madge And Mable/Legend In My Mind/Ain't It Funny/Yesterday Will Come Again Tonight//Hanky Panky Woman/I'm All He's Got (But He’s Got All Of Me)/I'm Paying For My Raising/Possessions/I Need Someone To Hold Me (When I Cry) MCA 301 - Do You Know What It’s LikeTo Be Lonesome - Jerry Wallace [1973] (2-73 #179 #6CW) Do You Know What It's Like To Be Lonesome?/Sound Of Goodbye/The Love Song Of The Year/Until You/A Standing Ovation//Hot Line/The Song That Nobody Sings/Even The Bad Times Are Good/Where Did He Come From?/The Greatest Feeling MCA 302 - Old Hat - Uncle Dog [1973] River Road/Movie Time/Old Hat/Boogie With Me/We’ve Got Time//Smoke/I’ll Be Your Baby Tonight/Mystery Train/Lose Me MCA 303 - She Needs Someone - Conway Twitty [1973] (3-73 #3CW) She Needs Someone to Hold Her (When She Cries)/Sweet Memories/I’ve Just Destroyed The World/Even The Bad Times Are Good/It’s Not Love (But It’s Not Bad)/Dim Lonely Places//Darlin’/I Don’t Believe I’ll Fall in Love Today/Each Season Changes You/Why Not Tonight/Don’t Cry Daddy MCA 304 - Hi Ho Silver - Kajanus Pickett [1973] Changes/Cold Harbour Morning/Hometown Girl/Tomorrow/Chosen Wings//Parachute/Nature Man/Flying Machine/Movin' On/Passing Time MCA 305 - Brenda - Brenda Lee [1973] (4-73 #206 #7CW) Nobody Wins/I Can See Clearly Now/Sweet Memories/Everybody’s Reaching Out for Someone/Here I Am Again/Run to Me//Something’s Wrong with Me/I’m a Memory/My Sweet Baby/We Had a Good Thing Going/Always on My Mind MCA 306 - Silverhead - Silverhead [1973] Reissue of Signpost SP 8407. -
Karaoke Song Book Karaoke Nights Frankfurt’S #1 Karaoke
KARAOKE SONG BOOK KARAOKE NIGHTS FRANKFURT’S #1 KARAOKE SONGS BY TITLE THERE’S NO PARTY LIKE AN WAXY’S PARTY! Want to sing? Simply find a song and give it to our DJ or host! If the song isn’t in the book, just ask we may have it! We do get busy, so we may only be able to take 1 song! Sing, dance and be merry, but please take care of your belongings! Are you celebrating something? Let us know! Enjoying the party? Fancy trying out hosting or KJ (karaoke jockey)? Then speak to a member of our karaoke team. Most importantly grab a drink, be yourself and have fun! Contact [email protected] for any other information... YYOUOU AARERE THETHE GINGIN TOTO MY MY TONICTONIC A I L C S E P - S F - I S S H B I & R C - H S I P D S A - L B IRISH PUB A U - S R G E R S o'reilly's Englische Titel / English Songs 10CC 30H!3 & Ke$ha A Perfect Circle Donna Blah Blah Blah A Stranger Dreadlock Holiday My First Kiss Pet I'm Mandy 311 The Noose I'm Not In Love Beyond The Gray Sky A Tribe Called Quest Rubber Bullets 3Oh!3 & Katy Perry Can I Kick It Things We Do For Love Starstrukk A1 Wall Street Shuffle 3OH!3 & Ke$ha Caught In Middle 1910 Fruitgum Factory My First Kiss Caught In The Middle Simon Says 3T Everytime 1975 Anything Like A Rose Girls 4 Non Blondes Make It Good Robbers What's Up No More Sex.... -
Karaoke with a Message – September 29, 2018 a Project of Angel Nevarez & Valerie Tevere at Interference Archive (314 7Th St
Another Protest Song: karaoke with a message – September 29, 2018 a project of Angel Nevarez & Valerie Tevere at Interference Archive (314 7th St. Brooklyn, NY 11215) karaoke provided by All American Karaoke, songbook edited by Angel Nevarez & Valerie Tevere ( ) 18840 (Ghost) Riders In The Sky Johnny Cash 10274 (I Am Not A) Robot Marina & Diamonds 00005 (I Can't Get No) Satisfaction Rolling Stones 17636 (I Hate) Everything About You Three Days Grace 15910 (I Want To) Thank You Freddie Jackson 05545 (I'm Not Your) Steppin' Stone Monkees 06305 (It's) A Beautiful Mornin' Rascals 19116 (Just Like) Starting Over John Lennon 15128 (Keep Feeling) Fascination Human League 04132 (Reach Up For The) Sunrise Duran Duran 05241 (Sittin' On) The Dock Of The Bay Otis Redding 17305 (Taking My) Life Away Default 15437 (Who Says) You Can't Have It All Alan Jackson # 07630 18 'til I Die Bryan Adams 20759 1994 Jason Aldean 03370 1999 Prince 07147 2 Legit 2 Quit MC Hammer 18961 21 Guns Green Day 004-m 21st Century Digital Boy Bad Religion 08057 21 Questions 50 Cent & Nate Dogg 00714 24 Hours At A Time Marshall Tucker Band 01379 25 Or 6 To 4 Chicago 14375 3 Strange Days School Of Fish 08711 4 Minutes Madonna 08867 4 Minutes Madonna & Justin Timberlake 09981 4 Minutes Avant 18883 5 Miles To Empty Brownstone 13317 500 Miles Peter Paul & Mary 00082 59th Street Bridge Song Simon & Garfunkel 00384 9 To 5 Dolly Parton 08937 99 Luftballons Nena 03637 99 Problems Jay-Z 03855 99 Red Balloons Nena 22405 1-800-273-8255 Logic/Alessia Cara/Khalid A 614 A Beautiful Life Ace -
Songs by Artist
Songs by Artist Title Title (Hed) Planet Earth 2 Live Crew Bartender We Want Some Pussy Blackout 2 Pistols Other Side She Got It +44 You Know Me When Your Heart Stops Beating 20 Fingers 10 Years Short Dick Man Beautiful 21 Demands Through The Iris Give Me A Minute Wasteland 3 Doors Down 10,000 Maniacs Away From The Sun Because The Night Be Like That Candy Everybody Wants Behind Those Eyes More Than This Better Life, The These Are The Days Citizen Soldier Trouble Me Duck & Run 100 Proof Aged In Soul Every Time You Go Somebody's Been Sleeping Here By Me 10CC Here Without You I'm Not In Love It's Not My Time Things We Do For Love, The Kryptonite 112 Landing In London Come See Me Let Me Be Myself Cupid Let Me Go Dance With Me Live For Today Hot & Wet Loser It's Over Now Road I'm On, The Na Na Na So I Need You Peaches & Cream Train Right Here For You When I'm Gone U Already Know When You're Young 12 Gauge 3 Of Hearts Dunkie Butt Arizona Rain 12 Stones Love Is Enough Far Away 30 Seconds To Mars Way I Fell, The Closer To The Edge We Are One Kill, The 1910 Fruitgum Co. Kings And Queens 1, 2, 3 Red Light This Is War Simon Says Up In The Air (Explicit) 2 Chainz Yesterday Birthday Song (Explicit) 311 I'm Different (Explicit) All Mixed Up Spend It Amber 2 Live Crew Beyond The Grey Sky Doo Wah Diddy Creatures (For A While) Me So Horny Don't Tread On Me Song List Generator® Printed 5/12/2021 Page 1 of 334 Licensed to Chris Avis Songs by Artist Title Title 311 4Him First Straw Sacred Hideaway Hey You Where There Is Faith I'll Be Here Awhile Who You Are Love Song 5 Stairsteps, The You Wouldn't Believe O-O-H Child 38 Special 50 Cent Back Where You Belong 21 Questions Caught Up In You Baby By Me Hold On Loosely Best Friend If I'd Been The One Candy Shop Rockin' Into The Night Disco Inferno Second Chance Hustler's Ambition Teacher, Teacher If I Can't Wild-Eyed Southern Boys In Da Club 3LW Just A Lil' Bit I Do (Wanna Get Close To You) Outlaw No More (Baby I'ma Do Right) Outta Control Playas Gon' Play Outta Control (Remix Version) 3OH!3 P.I.M.P. -
Heavy on the Air: Radio & Promotion in the Heavy
HEAVY ON THE AIR: RADIO & PROMOTION IN THE HEAVY METAL CAPITAL OF THE WORLD by Ted Jacob Dromgoole, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in History May 2021 Committee Members: Jason Mellard, Chair Shannon Duffy Thomas Alter COPYRIGHT by Ted Jacob Dromgoole 2021 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, Section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgment. Use of this material for financial gain without the author’s express permission is not allowed. Duplication Permission As the copyright holder of this work I, Ted Jacob Dromgoole, authorize duplication of this work, in whole or in part, for educational or scholarly purposes only. DEDICATION For Delleney and Emmylou. Thank you for being by my side through it all. ACKNOWLEDGEMENTS I would like to bestow the greatest of thanks to my partner Delleney. Every idea or thought I had, I shared with her first. She is my rock, my inspiration and my home. Thank you for believing in me as deeply as you have. I am so incredibly fortunate to have you in my life. To my mother and her partner, Papa Steve, thank you for your wisdom and support during this whole process. Mom, thank you for inspiring in me a lifelong love of history, beginning with the What Your 5th Grader Should Know books. -
Ve Got a Bomb’: Sounding Anti-Nuclearism in the Anarcho-Punk Movement in Britain, 1978–84
Rock Music Studies ISSN: 1940-1159 (Print) 1940-1167 (Online) Journal homepage: https://www.tandfonline.com/loi/rrms20 ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84 George McKay To cite this article: George McKay (2019): ‘They’ve got a bomb’: sounding anti- nuclearism in the anarcho-punk movement in Britain, 1978–84, Rock Music Studies, DOI: 10.1080/19401159.2019.1673076 To link to this article: https://doi.org/10.1080/19401159.2019.1673076 Published online: 03 Oct 2019. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rrms20 ROCK MUSIC STUDIES https://doi.org/10.1080/19401159.2019.1673076 ‘They’ve got a bomb’: sounding anti-nuclearism in the anarcho-punk movement in Britain, 1978–84 George McKay Film, Television & Media Studies, University of East Anglia, Norwich, UK ABSTRACT KEYWORDS This article explores the links and tensions in Britain between Anarcho-punk; anti-nuclear; a musical subculture at its height of creative energy – anarcho- punk rock; protest; sound; punk – and the anti-nuclear movement, including the Campaign for voice Nuclear Disarmament. It identifies and interrogates the anti- nuclear elements of anarcho-punk, looking at its leading band, Crass. At the center is an exploration of the sounds of Crass’ music and singing voices – termed Crassonics – in the context of anti-nuclearism: if the bomb changed music and art, what did the new music sound like? Who can say how much [the Bomb] changed all of us . -
The Starchild Trilogy
The Starchild Trilogy Frederik Pohl The Reefs of Space(1964) Starchild(1965) Rogue Star(1969) Baen (March 1, 1986) ISBN-10: 0671655582 ISBN-13: 978-0671655587 THE REEFS OF SPACE The major snapped: "Check in, you Risks! What's the matter with you?" His radar horns made him look like Satan—a sleepy young Satan with an underslung jaw, but dangerous. "Yes, sir," said Steve Ryeland, peering around. This was Reykjavik—a new world to Ryeland, who had just come from a maximum-security labor camp inside the rim of the Arctic Circle. Ryeland blinked at the buildings, a thousand feet high, and at the jets and rockets scattered 'across the air field. The little man next to Ryeland sneezed and nudged him. "All right," Ryeland said, and went into the bare little Security lounge. On the teletype that stood in the corner of the room—hi the corner of every room— he tapped out: Information. Steven Ryeland, Risk, AWC-38440, and O. B. Oporto, Risk, XYZ- 99942, arrived at— He took the code letters from the identification plate on the machine 1—Station 3-Radius 4-261, Reykjavik, Iceland. Query. What are personal orders? In a moment the answer came from the Planning Machine, a single typed letter "R." The Machine had received and understood the message and adjusted its records. The orders would follow. A Togetherness-girl glanced into the lounge, saw the collars on Ryeland and the little man. Her lips had started to curve in the smile of her trade, but they clamped into a thin line.