The Black Dwarf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Proquest Dissertations
RICE UNIVERSITY Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Haseli A THESIS SUBMITTED EM PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy AppRavæD, THESIS CPMMITTEE: Robert L. Patten, Lynette S. Autrey Professor in the Humanities, Director Helena Michie, Agnes Cullen Arnold Professor in the Humanities, Professor of and Chair, English Martin Wiener, Mary Gibbs Jones Professor, History HOUSTON, TEXAS JANUARY 2009 UMI Number: 3362239 Copyright 2009 by Hasell, Duncan Ingraham INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362239 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 Copyright Duncan Ingraham Hasell 2009 ABSTRACT Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Hasell I argue in the first chapter that the British novel's material textuality, that is the physical features of the texts that carry semantic weight and the multiple forms in which texts are created and distributed, often challenges and subverts present conceptions of the cultural roles of the novel in the nineteenth century. -
Walter Scott: a Legend of Montrose ======A Machine-Readable Edition
Walter Scott: A Legend of Montrose ================================== a machine-readable edition version 1.1: 1995-09-14 ------------------------------------------------------------ <titlepage> A LEGEND OF MONTROSE BY SIR WALTER SCOTT, BART <series title> THE TALES OF MY LANDLORD A LEGEND OF MONTROSE <series epigraph> Hear, Land o' Cakes and brither Scots, From Maidenkirk to Johnny Groats, If there's a hole in a' your coats, I rede ye tent it; A chiel's amang you takin' notes, An' faith he'll prent it!---Burns Ahora bien, dijo el Cura; traedme, senor hu<e'>sped, aquesos libros, que los quiero ver. Que me place, respondi<o'> el; y entrando en su aposent, sac<o'> d<e'>l una maletilla vieja cerrada con una cadenilla, y abri<e'>ndola, hall<o'> en ella tres libros grandes y unos papeles de muy buena letra escritos de mano.---=Don Quixote,= Parte I. capitulo 32. <text> INTRODUCTION TO THE FIRST EDITION. Sergeant More M`Alpin was, during his residence among us, one of the most honoured inhabitants of Gandercleugh. No one thought of disputing his title to the great leathern chair on the ``cosiest side of the chimney,'' in the common room of the Wallace Arms, on a Saturday evening. No less would our sexton, John Duirward, have held it an unlicensed intrusion, to suffer any one to induct himself into the corner of the left-hand pew nearest to the pulpit, which the Sergeant regularly occupied on Sundays. There he sat, his blue invalid uniform brushed with the most scrupulous accuracy. Two medals of merit displayed at his buttonhole, as well as the empty sleeve which should have been occupied by his right arm, bore evidence of his hard and honourable service. -
The Counterfactual History Novel in Nineteenth-Century British Literature
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations January 2015 The ounC terfactual History Novel in Nineteenth- Century British Literature Elizabeth Moline Cuddy Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Cuddy, Elizabeth Moline, "The ounC terfactual History Novel in Nineteenth-Century British Literature" (2015). Open Access Dissertations. 1107. https://docs.lib.purdue.edu/open_access_dissertations/1107 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. i THE COUNTERFACTUAL HISTORY NOVEL IN NINETEENTH-CENTURY BRITISH LITERATURE A Dissertation Submitted to the Faculty of Purdue University by Elizabeth M. Cuddy In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy i December 2015 Purdue University West Lafayette, Indiana ii This work is lovingly dedicated to my family. ii iii ACKNOWLEDGEMENTS I would not have been able to complete this journey without my committee’s guidance, Purdue University faculty and staff’s assistance, friends’ support, and my family’s unflagging encouragement. Special thanks to Dr. Manushag Powell for her invaluable advice and encouragement during the writing and revision process. If there are alternative universes out there, I can only hope that my counterparts are so fortunate as to have her as an advisor. Warm thanks are also owed to the rest of my committee: Dr. Emily Allen, Dr. Dino Felluga, and Dr. Kristina Bross for their insightful commentary and suggestions. I must also recognize members of Purdue University’s faculty and staff whose aid and expertise made navigating the perilous mazes of paperwork and the seas of library research possible. -
The Black Dwarf ======A Machine-Readable Transcription
Walter Scott: The Black Dwarf ================================ a machine-readable transcription Version 1.0: 1995-09-14 For a description of the text and the markup used, see the notes at the end of this text file ------------------------------------------------------------ <titlepage> THE BLACK DWARF BY WALTER SCOTT, BART <series title> THE TALES OF MY LANDLORD THE BLACK DWARF <series epigraph> Hear, Land o' Cakes and brither Scots, From Maidenkirk to Johnny Groats, If there's a hole in a' your coats, I rede ye tent it; A chiel's amang you takin' notes, An' faith he'll prent it!---Burns Ahora bien, dijo el Cura; traedme, senor hu<e'>sped, aquesos libros, que los quiero ver. Que me place, respondi<o'> el; y entrando en su aposent, sac<o'> d<e'>l una maletilla vieja cerrada con una cadenilla, y abri<e'>ndola, hall<o'> en ella tres libros grandes y unos papeles de muy buena letra escritos de mano.---=Don Quixote,= Parte I. capitulo 32. <text> INTRODUCTION TO THE BLACK DWARF (1830). [NOTE.---The Black Dwarf, as originally published, formed the first of the Tales of my Landlord, but has been removed to this place for the sake of convenience.] The ideal being who is here presented as residing in solitude, and haunted by a consciousness of his own deformity, and a suspicion of his being generally subjected to the scorn of his fellow-men, is not altogether imaginary. An individual existed many years since, under the author's observation, which suggested such a character. This poor unfortunate man's name was David Ritchie, a native of Tweeddale. -
Villainy in Scott╎s Fiction
Studies in English Volume 13 Article 7 1972 Villainy in Scott’s Fiction George W. Boswell University of Mississipi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the Literature in English, British Isles Commons Recommended Citation Boswell, George W. (1972) "Villainy in Scott’s Fiction," Studies in English: Vol. 13 , Article 7. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol13/iss1/7 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Boswell: Villainy in Scott’s Fiction Villainy in Scott’s Fiction by George W. Boswell The natural disposition and career of Sir Walter Scott were so generally sunny that only a small handful of his many critics have seriously faulted any aspects of his character. Occasional objections have been adduced to the mystification and possible harshness of his business dealings with the Ballantynes, the maintenance of his incog nito with respect to authorship of the Waverley novels long beyond any credible reason for it, his jealousy of Robert Burns (though if existent this is certainly not very noticeable), and some of his Chester- fieldian letters to his son and heir; but these have seemed to pale into insignificance when set alongside his moral virtues. The latter in clude his industry, his openhandedness, his capacity for extensive friendships, his civil services, the generous praise of the literary pro ductions of his contemporaries, and above all the heroic stoicism with which “in his fifty-sixth year, already in uncertain health, he assumed a mountain of debt and sentenced himself to a lifetime of servi tude”1 in order to avoid bankruptcy and its stigma. -
Medicine and the Body in the Romantic Periodical Press
MEDICINE AND THE BODY IN THE ROMANTIC PERIODICAL PRESS Jessica ROBERTS School of Arts and Media University of Salford, Salford, UK Thesis Submitted for the Consideration for the Degree of Doctor of Philosophy, June 2014 Contents Introduction 1 Chapter Outline 4 Methodology 6 The Body Politic 19 The Body in the Romantic Period 24 Chapter One: The Public Nature of Health and the Politics of Sickness in Leigh Hunt’s Examiner and Reflector 29 1.1 The Public in the Romantic Period 33 1.2 Public Health 37 1.3 Leigh Hunt and Medicine 45 1.4 Public Health at Home and Abroad in the Examiner 54 Chapter Two: Bodily Monstrosity in Thomas Wooler’s Black Dwarf 78 2.1 The Black Dwarf 87 2.2 Monstrous Political Bodies in the Black Dwarf 100 2.3 Monstrous Creatures in the Black Dwarf 117 Chapter Three: William Lawrence, Richard Carlile, and the Physiology of Free Speech 126 3.1 William Lawrence’s Lectures 129 3.2 Richard Carlile and the Republican 145 3.3 The Physiology of Free Speech 153 Chapter Four: Blood and Money in William Cobbett’s Weekly Political Register 169 4.1 Blood in the Romantic Period 173 4.2 The Economy in the Romantic Period 183 4.3 Blood Metaphors in the Romantic Period 188 4.4 Periodical Circulation 205 Chapter Five: Radical Contagion in Blackwood’s Edinburgh Magazine 210 5.1 Contagion in the Romantic Period 216 5.2 Colonial, Poor, and Radical Disease 225 5.3 Blackwood’s against Radical Contagion 232 5.4 Circulation and Contagion 248 Conclusion 250 List of Works Cited 255 List of Illustrations Fig 1. -
Walter Scott and Short Fiction
PERFORMING ROBERT BURNS ‘This book is a reminder that experiencing Burns has always been as much a voice or an event as pages in a book. In our time, as in his own, Burns is encountered as recitation, on stage and screen, in speeches, preeminently as song, and in the drama and debates surrounding new discoveries and new editions. Contributors to this imaginative new interdisciplinary collection bridge the divide between performers and scholars, with readable but authoritative short essays that will spark interest in all Burnsians and open up new directions for Burns research.’ Patrick Scott, University of South Carolina Examines representations of Robert Burns and his work in a wide range of performance modes This book opens up fresh aspects of performance and performativity and their impact on our perception of Robert Burns and his work. Bringing together leading experts on music, song, drama, public ceremonial and literature, it studies Burns as a performed and performative construct. It explores ways in which he is encountered as a living author, setting the popularity of his poetry and songs in the context of his representation in popular and Gerard Carruthers Edited by Ian Brown culture. Ian Brown is Honorary Senior Research Fellow in Scottish Literature at Glasgow University and Professor Emeritus in Drama at Kingston University. WALTER SCOTT Gerard Carruthers FRSE is Francis Hutcheson Professor of Scottish Literature at the University of Glasgow. AND SHORT Cover image: www.iangeorgesonphotography.co.uk ISBN 978-1-4744-5714-9 Cover design: www.hayesdesign.co.uk FICTION edinburghuniversitypress.com Daniel Cook Walter Scott and Short Fiction ‘I begged to have a specimen of his talent as we went along.’ Walter Scott, Redgauntlet Walter Scott and Short Fiction Daniel Cook Edinburgh University Press is one of the leading university presses in the UK. -
Reconsidering the Highland Roots of Adam Ferguson
‘A Bastard Gaelic Man’: Reconsidering the Highland Roots of Adam Ferguson Denise Ann Testa College of Arts University of Western Sydney Submitted in fulfillment of the requirements of the degree of Doctor of Philosophy in the School of Humanities and Languages September 2007 Supervisor: Dr David Burchell © Denise Testa 2007 DEDICATION In memory of Anna Sutherland Acknowledgements A postgraduate student cannot successfully complete their task without the aid of numerous people. Dr David Burchell, my supervisor has been unwavering in his support and generosity. His patience has been exceptional. I also must commend the University of Western Sydney for the patience and support I received within the institution. Three months of research in Edinburgh and London, would not have been possible without the generous financial support of the Centre for Cultural Research at UWS and a grant from the Australian Bicentennial Scholarship Committee. The staff of the University of Western Sydney’s branch libraries supplied the all too numerous document delivery requests I placed. A special thank-you must go to Judy Egan, Cheryl Harris and the staff of Blacktown and Ward libraries. Thanks must also go to the staff of Fisher Library at the University of Sydney, the National Library of Australia, the National Archives of Scotland, the National Library of Scotland and the British Library. The staff at the Special or Rare books Collections at Fisher Library, the University of Canberra, the University of Edinburgh and the University of Stirling also came to my aid. A special thank-you must go to Associate Professor Brian Taylor for his encouragement over the years and also the help of his son, Alasdair Taylor, who supplied moral support and introduced me to some contacts in Edinburgh. -
SWD – a Chronic Case in Muscovy? Reading Walter Scott in Other Unions
SWD – A Chronic Case in Muscovy? Reading Walter Scott in other Unions 52 ISSUE 59 THE DROUTH AUTUMN/WINTER 2017 Johnny Rodger It may be that it is the adventurous pitch of the The charges and accusations brought down narrative in the novels of Sir Walter Scott that on Walter Scott’s head by Mark Twain have an results in their being viewed in many parts of overwrought air, can seem, in their obsessively the world nowadays as a literature suitable for narrow focus, to consist somewhat in hyperbole children. Is it indeed only in Scotland that his of partisanship and professional jealousy. ‘The work is taken seriously now by adults and Sir Walter disease’ (SWD), Twain alleges, with believed by many to have had serious its ‘pernicious… silliness’ its ‘inflated speech implications for and effects on society at large? and jejeune romanticism of an absurd past’ not Not quite, though the number of serious readers only undermined the good work of Cervantes in of Scott beyond these shores may be decreasing clearing out the muddle headed admiration of by the day. Evidence of how seriously Scott has sham medievalism, but ‘re-enslaved’ minds been taken across the world at certain times are set free by the Enlightenment and the French examined here, and the range from Twain’s Revolution, such that Scott did ‘more real and accusation of a pathological payload in his work, lasting harm than any other individual that ever to a suggestion of therapeutic social effect for wrote’ and ultimately, through his effect on the post-Soviet Russia certainly seems to indicate Southern character, was himself the cause of the there has been no slacking in cosmopolitan American Civil War. -
The Force of a Frame: Narrative Boundaries and the Gothic Novel
THE FORCE OF A FRAME: NARRATIVE BOUNDARIES AND THE GOTHIC NOVEL by CLAYTON CARLYLE TARR (Under the Direction of Richard Menke) ABSTRACT This study examines frame narratives from the late eighteenth century through the late Victorian period. Studies of the Gothic have either neglected framing devices or dismissed them as conventions that establish structures of narrative. This project, however, reads them as formally destabilizing. While frame narratives appear to provide structure—limits, boundaries, borders— they far more frequently disturb narrative cohesiveness. Starting with Ann Radcliffe’s revolutionary approach, which situated the frame narrative within the fiction itself rather than outside as paratext, novelists used form to intensify the Gothic effect. In Mary Shelley’s Frankenstein, for example, Walton’s letters enclose Victor’s central narrative, but when the creature authoritatively appears in both sections of the frame, the comforting narrative boundary between character and reader ruptures. The study proceeds with chapters on Walter Scott, Mary Shelley, Charles Robert Maturin, and James Hogg. In addition, it interrogates how several nineteenth-century writers reimagine the Gothic frame, first through chapters on the Brontës and Dickens, and finally through Joseph Conrad and Henry James. “The Force of a Frame” excavates, for the first time, the rich relations between frame and form to develop a new understanding of the narrative dynamics and aesthetic vibrancy of the Gothic novel. Far from tangential, the Gothic novel in fact provides a foundation for aesthetic realism. Perhaps it is not the comfortable realism we expect, that which directs us towards claims of objectivity, but it is a realism based on human experience, the often disturbing, sometimes horrifying reality of perspective, untruth, and doubt.