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Debating Insurrection in Galt's Ringan Gilhaize
Studies in Scottish Literature Volume 46 Issue 1 Article 4 8-2020 Debating Insurrection in Galt's Ringan Gilhaize Padma Rangarajan University of California, Riverside Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Rangarajan, Padma (2020) "Debating Insurrection in Galt's Ringan Gilhaize," Studies in Scottish Literature: Vol. 46: Iss. 1, 7–13. Available at: https://scholarcommons.sc.edu/ssl/vol46/iss1/4 This Symposium is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. DEBATING INSURRECTION IN GALT’S RINGAN GILHAIZE Padma Rangarajan Anarchists, federalists, cantonalists, covenanters, terrorists, all who are unanimous in a desire to sweep away the present order, are grouped under the ensign of nihil. The frenzy which thus moves a whole people to tear their hair and rend their garments is at bottom an element of passionate melancholy born of just and noble aspirations crushed by fatal circumstances. —E.P. Bazán, Russia, Its People and Its Literature1 Throughout Ringan Gilhaize (1823), John Galt’s fictional recounting of the history of the Presbyterian establishment in Scotland, the novel attempts to maintain a delicate dialectic that constantly threatens to collapse into itself. Its narratological innovation—three generations of filial and social -
Eg Phd, Mphil, Dclinpsychol
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Digging up the Kirkyard: Death, Readership and Nation in the Writings of the Blackwood’s Group 1817-1839. Sarah Sharp PhD in English Literature The University of Edinburgh 2015 2 I certify that this thesis has been composed by me, that the work is entirely my own, and that the work has not been submitted for any other degree or professional qualification except as specified. Sarah Sharp 3 Acknowledgements I would like to thank my supervisor Penny Fielding for her continued support and encouragement throughout this project. I am also grateful for the advice of my secondary supervisor Bob Irvine. I would like to acknowledge the generous support of the Wolfson Foundation for this project. Special thanks are due to my parents, Andrew and Kirsty Sharp, and to my primary sanity–checkers Mohamad Jahanfar and Phoebe Linton. -
Disfigurement and Disability: Walter Scott's Bodies Fiona Robertson Were I Conscious of Any Thing Peculiar in My Own Moral
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Mary's University Open Research Archive Disfigurement and Disability: Walter Scott’s Bodies Fiona Robertson Were I conscious of any thing peculiar in my own moral character which could render such development [a moral lesson] necessary or useful, I would as readily consent to it as I would bequeath my body to dissection if the operation could tend to point out the nature and the means of curing any peculiar malady.1 This essay considers conflicts of corporeality in Walter Scott’s works, critical reception, and cultural status, drawing on recent scholarship on the physical in the Romantic Period and on considerations of disability in modern and contemporary poetics. Although Scott scholarship has said little about the significance of disability as something reconfigured – or ‘disfigured’ – in his writings, there is an increasing interest in the importance of the body in Scott’s work. This essay offers new directions in interpretation and scholarship by opening up several distinct, though interrelated, aspects of the corporeal in Scott. It seeks to demonstrate how many areas of Scott’s writing – in poetry and prose, and in autobiography – and of Scott’s critical and cultural standing, from Lockhart’s biography to the custodianship of his library at Abbotsford, bear testimony to a legacy of disfigurement and substitution. In the ‘Memoirs’ he began at Ashestiel in April 1808, Scott described himself as having been, in late adolescence, ‘rather disfigured than disabled’ by his lameness.2 Begun at his rented house near Galashiels when he was 36, in the year in which he published his recursive poem Marmion and extended his already considerable fame as a poet, the Ashestiel ‘Memoirs’ were continued in 1810-11 (that is, still before the move to Abbotsford), were revised and augmented in 1826, and ten years later were made public as the first chapter of John Gibson Lockhart’s Memoirs of the Life of Sir Walter Scott, Bart. -
Proquest Dissertations
RICE UNIVERSITY Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Haseli A THESIS SUBMITTED EM PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE Doctor of Philosophy AppRavæD, THESIS CPMMITTEE: Robert L. Patten, Lynette S. Autrey Professor in the Humanities, Director Helena Michie, Agnes Cullen Arnold Professor in the Humanities, Professor of and Chair, English Martin Wiener, Mary Gibbs Jones Professor, History HOUSTON, TEXAS JANUARY 2009 UMI Number: 3362239 Copyright 2009 by Hasell, Duncan Ingraham INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform 3362239 Copyright 2009 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 AnnArbor, Ml 48106-1346 Copyright Duncan Ingraham Hasell 2009 ABSTRACT Material Fictions: Readers and Textuality in the British Novel, 1814-1852 by Duncan Ingraham Hasell I argue in the first chapter that the British novel's material textuality, that is the physical features of the texts that carry semantic weight and the multiple forms in which texts are created and distributed, often challenges and subverts present conceptions of the cultural roles of the novel in the nineteenth century. -
Circulation, Monuments, and the Politics of Transmission in Sir Walter Scott’S Tales of My Landlord by Kyoko Takanashi
CirCUlaTion, MonUMenTs, and THe PoliTiCs of TransMission in sir WalTer sCoTT’s TaLEs of My LandLord by kyoko TakanasHi i n the opening passage of sir Walter scott’s The Heart of Midlothian, the narrator, Peter Pattieson, asserts that the “times have changed in nothing more . than in the rapid conveyance of intelligence and communication betwixt one part of scotland and another.”1 Here, Pattieson seems to confirm the crucial role that the speed of print distribution played in romantic print culture, particularly in relation to time-sensitive reading material such as periodical publications, po- litical pamphlets, and statements by various corresponding societies.2 indeed, the rapidity of the mail-coach that enabled up-to-date com- munication seems crucial to our understanding of the romantic period as an age that became particularly cognizant of history as an ongoing process, forming, as it were, what benedict anderson characterizes as a “historically clocked, imagined community.”3 and yet the first half of Pattieson’s sentence reveals ambivalence about such change; while he admits that there has been dramatic increase in the speed of com- munication, he also asserts that “nothing more” has changed. despite the presence of “the new coach, lately established on our road,” Pat- tieson considers the village of Gandercleugh as otherwise unchanged, since it still offers him the opportunity to collect local, historical tales that will eventually be published as Tales of My Landlord (H, 14). This representation of communication infrastructures in Tales of My Landlord series does not so much confirm the thorough penetration of a national print-based imagined community as it exposes how this national infrastructure existed uneasily alongside pockets of traditional, local communities. -
Walter Scott: a Legend of Montrose ======A Machine-Readable Edition
Walter Scott: A Legend of Montrose ================================== a machine-readable edition version 1.1: 1995-09-14 ------------------------------------------------------------ <titlepage> A LEGEND OF MONTROSE BY SIR WALTER SCOTT, BART <series title> THE TALES OF MY LANDLORD A LEGEND OF MONTROSE <series epigraph> Hear, Land o' Cakes and brither Scots, From Maidenkirk to Johnny Groats, If there's a hole in a' your coats, I rede ye tent it; A chiel's amang you takin' notes, An' faith he'll prent it!---Burns Ahora bien, dijo el Cura; traedme, senor hu<e'>sped, aquesos libros, que los quiero ver. Que me place, respondi<o'> el; y entrando en su aposent, sac<o'> d<e'>l una maletilla vieja cerrada con una cadenilla, y abri<e'>ndola, hall<o'> en ella tres libros grandes y unos papeles de muy buena letra escritos de mano.---=Don Quixote,= Parte I. capitulo 32. <text> INTRODUCTION TO THE FIRST EDITION. Sergeant More M`Alpin was, during his residence among us, one of the most honoured inhabitants of Gandercleugh. No one thought of disputing his title to the great leathern chair on the ``cosiest side of the chimney,'' in the common room of the Wallace Arms, on a Saturday evening. No less would our sexton, John Duirward, have held it an unlicensed intrusion, to suffer any one to induct himself into the corner of the left-hand pew nearest to the pulpit, which the Sergeant regularly occupied on Sundays. There he sat, his blue invalid uniform brushed with the most scrupulous accuracy. Two medals of merit displayed at his buttonhole, as well as the empty sleeve which should have been occupied by his right arm, bore evidence of his hard and honourable service. -
Rivalry and Desire in Scott's Rob Roy Ian Dennis
Studies in Scottish Literature Volume 31 | Issue 1 Article 19 1999 Rivalry and Desire in Scott's Rob Roy Ian Dennis Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dennis, Ian (1999) "Rivalry and Desire in Scott's Rob Roy," Studies in Scottish Literature: Vol. 31: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol31/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ian Dennis Rivalry and Desire in Scott's Rob Roy "Can you do this?" said the young lady, putting her horse to a canter. There was a sort of rude overgrown fence crossed the path before us, with a gate, composed of pieces of wood rough from the forest; I was about to move forward to open it, when Miss Vernon cleared the obstruction with a flying leap. I was bound, in point of honour, to follow, and was in a moment against at her side. "There are hopes of you yet," she said. I Walter Scott, long thought deficient in an understanding of strong emo tion,2 is in fact a penetrating interpreter of what Rene Girard, drawing on con tinental novelists later in this century, famously called triangular or "mimetic" desire. Indeed, it is very much through the processes of imitation, the danger ous complementarity of human desires at both the individual and national lev els, that the Author of Waverley understands, and fears, romantic "passion." A naIve young Englishman quarrels with his father in London and is sent north. -
The Author of Waverley, with His Various Personas, Is a Highly
Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott＇s historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland. -
The Story of Bothwell Castle
DA 875 S46 RESTRICTED THE TORY OF BOTIIWELL CASTLE, TILLIETUDLEM, CROOKSTON, AND OTHER CASTLES. /ft K; ' N! JO Ube Storr of ©otbwell Castle TTillictuMem, CrSofeston ano otbcr Castles 1&V 1b. C. Sbelleg y 6X Q, Glasgow HClm. Collins, Sons & Co. Xio. THF. DBRARY UNIVERSITY OF GlFIPtf , CONTENTS. PAGE Preface, - • 11 Botuwell Castle, - - 15 TlLLIETUDLEM CASTLE, . 39 Crookston Castle, - . 49 Cadzow Castle, * 05 Cathcart - Castle, • 81 v Castle, - 8S Mains - Castle, - 94 M earns Castle, - 99 Barr Castle, - - 105 &ANFURLY . Castle, - 109 *tanely Castle, - 112 Iallbar - Tower, - 117 LIST OF ILLUSTRATIONS. PAGH Bothwell Castle from the Clyde. Frontispiece - Bothwell Castle : Courtyard, 23 tlllietudlem castle, ... 38 Crookston Castle, .... 48 Portcullis Gateway, Cadzow, . 64 Queen Mary's Stone, 84 Barr Castle, 104 Hallbar Tower, .... hq Preface. The present so persistently claims our attention that we are in constant danger of forgetting altogether that past in which it has its roots ; and our loss in so doing is by no means insignificant. Those students of antiquity who do not allow their interest in the past to blind them to the claims of the present are continually emphasising the continuity of all life, and protesting against the habit into which some scholars have fallen of dealing only with phases of life. This is a protest which cannot be too often repeated. The heroic days of old are as if they were not, and we deliberately blind ourselves to every vision which would make us prize more highly both our heritages and our privi- leges. There are many ways by which we may preserve our historical con- tinuity, but hardly any method is likely to be so effectual as purposeful visits to 12 $refaa. -
The Counterfactual History Novel in Nineteenth-Century British Literature
Purdue University Purdue e-Pubs Open Access Dissertations Theses and Dissertations January 2015 The ounC terfactual History Novel in Nineteenth- Century British Literature Elizabeth Moline Cuddy Purdue University Follow this and additional works at: https://docs.lib.purdue.edu/open_access_dissertations Recommended Citation Cuddy, Elizabeth Moline, "The ounC terfactual History Novel in Nineteenth-Century British Literature" (2015). Open Access Dissertations. 1107. https://docs.lib.purdue.edu/open_access_dissertations/1107 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. i THE COUNTERFACTUAL HISTORY NOVEL IN NINETEENTH-CENTURY BRITISH LITERATURE A Dissertation Submitted to the Faculty of Purdue University by Elizabeth M. Cuddy In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy i December 2015 Purdue University West Lafayette, Indiana ii This work is lovingly dedicated to my family. ii iii ACKNOWLEDGEMENTS I would not have been able to complete this journey without my committee’s guidance, Purdue University faculty and staff’s assistance, friends’ support, and my family’s unflagging encouragement. Special thanks to Dr. Manushag Powell for her invaluable advice and encouragement during the writing and revision process. If there are alternative universes out there, I can only hope that my counterparts are so fortunate as to have her as an advisor. Warm thanks are also owed to the rest of my committee: Dr. Emily Allen, Dr. Dino Felluga, and Dr. Kristina Bross for their insightful commentary and suggestions. I must also recognize members of Purdue University’s faculty and staff whose aid and expertise made navigating the perilous mazes of paperwork and the seas of library research possible. -
The Black Dwarf ======A Machine-Readable Transcription
Walter Scott: The Black Dwarf ================================ a machine-readable transcription Version 1.0: 1995-09-14 For a description of the text and the markup used, see the notes at the end of this text file ------------------------------------------------------------ <titlepage> THE BLACK DWARF BY WALTER SCOTT, BART <series title> THE TALES OF MY LANDLORD THE BLACK DWARF <series epigraph> Hear, Land o' Cakes and brither Scots, From Maidenkirk to Johnny Groats, If there's a hole in a' your coats, I rede ye tent it; A chiel's amang you takin' notes, An' faith he'll prent it!---Burns Ahora bien, dijo el Cura; traedme, senor hu<e'>sped, aquesos libros, que los quiero ver. Que me place, respondi<o'> el; y entrando en su aposent, sac<o'> d<e'>l una maletilla vieja cerrada con una cadenilla, y abri<e'>ndola, hall<o'> en ella tres libros grandes y unos papeles de muy buena letra escritos de mano.---=Don Quixote,= Parte I. capitulo 32. <text> INTRODUCTION TO THE BLACK DWARF (1830). [NOTE.---The Black Dwarf, as originally published, formed the first of the Tales of my Landlord, but has been removed to this place for the sake of convenience.] The ideal being who is here presented as residing in solitude, and haunted by a consciousness of his own deformity, and a suspicion of his being generally subjected to the scorn of his fellow-men, is not altogether imaginary. An individual existed many years since, under the author's observation, which suggested such a character. This poor unfortunate man's name was David Ritchie, a native of Tweeddale. -
Christianity, Chivalry and Charity in Ivanhoe Lionel Lackey
Studies in Scottish Literature Volume 27 | Issue 1 Article 13 1992 Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe Lionel Lackey Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Lackey, Lionel (1992) "Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe," Studies in Scottish Literature: Vol. 27: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol27/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Lionel Lackey Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe Ivanhoe, Scott I s account of ethnic, political, and military conflict in England after the unsuccessful Third Crusade, is closer to being a religious novel than commentators have acknowledged. Its central struggle is between the forces of superstition, bigotry, and brutality and those of enlightened jus tice and mercy, with the varieties of religious experience in the novel serving as a medium to convey all these attitudes. No one claims that Scott was a theologian, his Religious Discourses by a Layman notwithstanding. l Yet the truth may be not so much that his treat- 1Scott's little-known Religious Discourses by a Layman (Philadelphia, 1828) comprises two sermons which he wrote for a clergyman friend, George Huntly Gordon. John Buchan speaks of their "irreproachable orthodoxy" (Buchan, p. 315), a characterization with which I concur: In his preface Scott acknowledges that "they contain no novelty of opinion" (Discourses VH).