Old Mortality Volume II by Sir Walter Scott
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Debating Insurrection in Galt's Ringan Gilhaize
Studies in Scottish Literature Volume 46 Issue 1 Article 4 8-2020 Debating Insurrection in Galt's Ringan Gilhaize Padma Rangarajan University of California, Riverside Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the Literature in English, British Isles Commons Recommended Citation Rangarajan, Padma (2020) "Debating Insurrection in Galt's Ringan Gilhaize," Studies in Scottish Literature: Vol. 46: Iss. 1, 7–13. Available at: https://scholarcommons.sc.edu/ssl/vol46/iss1/4 This Symposium is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. DEBATING INSURRECTION IN GALT’S RINGAN GILHAIZE Padma Rangarajan Anarchists, federalists, cantonalists, covenanters, terrorists, all who are unanimous in a desire to sweep away the present order, are grouped under the ensign of nihil. The frenzy which thus moves a whole people to tear their hair and rend their garments is at bottom an element of passionate melancholy born of just and noble aspirations crushed by fatal circumstances. —E.P. Bazán, Russia, Its People and Its Literature1 Throughout Ringan Gilhaize (1823), John Galt’s fictional recounting of the history of the Presbyterian establishment in Scotland, the novel attempts to maintain a delicate dialectic that constantly threatens to collapse into itself. Its narratological innovation—three generations of filial and social -
Circulation, Monuments, and the Politics of Transmission in Sir Walter Scott’S Tales of My Landlord by Kyoko Takanashi
CirCUlaTion, MonUMenTs, and THe PoliTiCs of TransMission in sir WalTer sCoTT’s TaLEs of My LandLord by kyoko TakanasHi i n the opening passage of sir Walter scott’s The Heart of Midlothian, the narrator, Peter Pattieson, asserts that the “times have changed in nothing more . than in the rapid conveyance of intelligence and communication betwixt one part of scotland and another.”1 Here, Pattieson seems to confirm the crucial role that the speed of print distribution played in romantic print culture, particularly in relation to time-sensitive reading material such as periodical publications, po- litical pamphlets, and statements by various corresponding societies.2 indeed, the rapidity of the mail-coach that enabled up-to-date com- munication seems crucial to our understanding of the romantic period as an age that became particularly cognizant of history as an ongoing process, forming, as it were, what benedict anderson characterizes as a “historically clocked, imagined community.”3 and yet the first half of Pattieson’s sentence reveals ambivalence about such change; while he admits that there has been dramatic increase in the speed of com- munication, he also asserts that “nothing more” has changed. despite the presence of “the new coach, lately established on our road,” Pat- tieson considers the village of Gandercleugh as otherwise unchanged, since it still offers him the opportunity to collect local, historical tales that will eventually be published as Tales of My Landlord (H, 14). This representation of communication infrastructures in Tales of My Landlord series does not so much confirm the thorough penetration of a national print-based imagined community as it exposes how this national infrastructure existed uneasily alongside pockets of traditional, local communities. -
Rivalry and Desire in Scott's Rob Roy Ian Dennis
Studies in Scottish Literature Volume 31 | Issue 1 Article 19 1999 Rivalry and Desire in Scott's Rob Roy Ian Dennis Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Dennis, Ian (1999) "Rivalry and Desire in Scott's Rob Roy," Studies in Scottish Literature: Vol. 31: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol31/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Ian Dennis Rivalry and Desire in Scott's Rob Roy "Can you do this?" said the young lady, putting her horse to a canter. There was a sort of rude overgrown fence crossed the path before us, with a gate, composed of pieces of wood rough from the forest; I was about to move forward to open it, when Miss Vernon cleared the obstruction with a flying leap. I was bound, in point of honour, to follow, and was in a moment against at her side. "There are hopes of you yet," she said. I Walter Scott, long thought deficient in an understanding of strong emo tion,2 is in fact a penetrating interpreter of what Rene Girard, drawing on con tinental novelists later in this century, famously called triangular or "mimetic" desire. Indeed, it is very much through the processes of imitation, the danger ous complementarity of human desires at both the individual and national lev els, that the Author of Waverley understands, and fears, romantic "passion." A naIve young Englishman quarrels with his father in London and is sent north. -
The Author of Waverley, with His Various Personas, Is a Highly
Promoting Saint Ronans Well: Scotts Fiction and Scottish Community in Transition MATSUI Yuko The Author of Waverley, with his various personas, is a highly sociable and com- municative writer, as we observe in the frequent and lively exchanges between the author and his reader or characters in the conclusions of Old Mortality1816 and Redgauntlet1824 , or in the prefaces to The Abbot1820 and The Betrothed1825 , to give only a few examples. Walter Scott himself, after giving up his anonymity, seems to enjoy an intimate author-reader relationship in his prefaces and notes to the Magnum Opus edition. Meanwhile, Scott often adapts and combines more than one historical event or actual person, his sources or originals, in his attempt to recre- ate the life of a particular historical period and give historical sense to it, as books like W. S. Crocketts The Scott Originals1912 eloquently testify, and with the Porteous Riot and Helen Walker in The Heart of Midlothian1818 as one of the most obvious examples. Both of these characteristics often tend to encourage an active interaction between the real and the imagined, or their confluence, within and outwith Scott's historical fiction, perhaps most clearly shown in the development of tourism in 19th century Scotland1. In the case of Saint Ronan’s Well1824 [1823], Scotts only novel set in the 19th century, its contemporaneity seems to have allowed that kind of interaction and confluence to take its own vigorous form, sometimes involving an actual commu- nity or other authors of contemporary Scotland. Thus, we would like to examine here the ways in which Scott adapts his sources to explore his usual interest in historical change in this contemporary fiction and how it was received, particularly in terms of its effect on a local community in Scotland and in terms of its inspiration for his fellow authors, and thus reconsider the part played by Scotts fiction in imagining and pro- moting Scotland in several ways, in present and past Scotland. -
The Story of Bothwell Castle
DA 875 S46 RESTRICTED THE TORY OF BOTIIWELL CASTLE, TILLIETUDLEM, CROOKSTON, AND OTHER CASTLES. /ft K; ' N! JO Ube Storr of ©otbwell Castle TTillictuMem, CrSofeston ano otbcr Castles 1&V 1b. C. Sbelleg y 6X Q, Glasgow HClm. Collins, Sons & Co. Xio. THF. DBRARY UNIVERSITY OF GlFIPtf , CONTENTS. PAGE Preface, - • 11 Botuwell Castle, - - 15 TlLLIETUDLEM CASTLE, . 39 Crookston Castle, - . 49 Cadzow Castle, * 05 Cathcart - Castle, • 81 v Castle, - 8S Mains - Castle, - 94 M earns Castle, - 99 Barr Castle, - - 105 &ANFURLY . Castle, - 109 *tanely Castle, - 112 Iallbar - Tower, - 117 LIST OF ILLUSTRATIONS. PAGH Bothwell Castle from the Clyde. Frontispiece - Bothwell Castle : Courtyard, 23 tlllietudlem castle, ... 38 Crookston Castle, .... 48 Portcullis Gateway, Cadzow, . 64 Queen Mary's Stone, 84 Barr Castle, 104 Hallbar Tower, .... hq Preface. The present so persistently claims our attention that we are in constant danger of forgetting altogether that past in which it has its roots ; and our loss in so doing is by no means insignificant. Those students of antiquity who do not allow their interest in the past to blind them to the claims of the present are continually emphasising the continuity of all life, and protesting against the habit into which some scholars have fallen of dealing only with phases of life. This is a protest which cannot be too often repeated. The heroic days of old are as if they were not, and we deliberately blind ourselves to every vision which would make us prize more highly both our heritages and our privi- leges. There are many ways by which we may preserve our historical con- tinuity, but hardly any method is likely to be so effectual as purposeful visits to 12 $refaa. -
Christianity, Chivalry and Charity in Ivanhoe Lionel Lackey
Studies in Scottish Literature Volume 27 | Issue 1 Article 13 1992 Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe Lionel Lackey Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Lackey, Lionel (1992) "Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe," Studies in Scottish Literature: Vol. 27: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol27/iss1/13 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Lionel Lackey Vainly Expected Messiahs: Christianity, Chivalry and Charity in Ivanhoe Ivanhoe, Scott I s account of ethnic, political, and military conflict in England after the unsuccessful Third Crusade, is closer to being a religious novel than commentators have acknowledged. Its central struggle is between the forces of superstition, bigotry, and brutality and those of enlightened jus tice and mercy, with the varieties of religious experience in the novel serving as a medium to convey all these attitudes. No one claims that Scott was a theologian, his Religious Discourses by a Layman notwithstanding. l Yet the truth may be not so much that his treat- 1Scott's little-known Religious Discourses by a Layman (Philadelphia, 1828) comprises two sermons which he wrote for a clergyman friend, George Huntly Gordon. John Buchan speaks of their "irreproachable orthodoxy" (Buchan, p. 315), a characterization with which I concur: In his preface Scott acknowledges that "they contain no novelty of opinion" (Discourses VH). -
(2012) Hospitality, Nation and Empire in Walter Scott's Waverley Novels
Chiu, Kang-Yen (2012) Hospitality, nation and empire in Walter Scott’s Waverley novels. PhD thesis. http://theses.gla.ac.uk/3729/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Hospitality, Nation and Empire in Walter Scott’s Waverley Novels Kang-yen Chiu Submitted in fulfilment of the requirements for the Degree of Doctor of Philosophy Department of English Literature School of Critical Studies College of Arts University of Glasgow November 2012 2 Abstract This research is a study of the notion of hospitality in the novels of Sir Walter Scott from a postcolonial perspective. Through the analysis of various acts of hospitality in the Waverley Novels, this thesis intends to examine how the notion of hospitality is represented as one of the most significant, ancient Scottish traditions defended and performed by people who have less power in society, but is abused by those (often the ruling class) who intend to use it as a mechanism to increase their existing power. Therefore, through the analysis of power relations between various host and guest characters, this thesis attempts to demonstrate the ways in which those groups who are under the rule of hegemonic power are constructed as the subaltern, a postcolonial term derived from the Italian Marxist Antonio Gramsci’s usage in the Prison Notebooks. -
Covenanters and Conventicles in South West Scotland
Morton, David (2013) Covenanters and Conventicles in South West Scotland. MPhil(R) thesis. http://theses.gla.ac.uk/3767/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] University of Glasgow (Crichton Campus) Master of Philosophy Covenanters and Conventicles in South West Scotland David Morton This thesis is submitted in fulfilment of the requirements for the degree of Master of Philosophy in History at the University of Glasgow. May 2012 David Morton 0911393 Professor Ted Cowan 1 Contents Acknowledgements 2 Abstract 3 Introduction 4 Selected Literature Review 7 Who were the Covenanters ? 24 Worship in Covenanting Times 36 Conventicles 51 Some Covenanter Sermons and the Societies 73 Re-enactment and Memorialisation 83 Conclusion 116 Bibliography 121 Appendices 126 2 ACKNOWLEDGEMENTS The writer wishes to acknowledge the help, support, patience and encouragement given by Professor Ted Cowan, Dr. Lizanne Henderson, Dr. Valentina Bold and the Ethics Committee for their work in granting permission to conduct interviews, Dame. Barbara Kelly, Dr Stephen Morton, the staff of Glasgow University (Crichton Campus), the I.T staff of the Crichton campus, the library staff of the Crichton Campus, the staff of the Ewart and Castle Douglas Libraries, the staff of the National Library of Scotland, Mrs Alison Burgess of the Dumfries Library Archives Department who was especially helpful with information on memorials and conventicles, the Rev. -
The Process of History in Scott's Redgauntlet
Studies in Scottish Literature Volume 20 | Issue 1 Article 10 1985 Constancy and Change: The rP ocess of History in Scott's Redgauntlet Margaret M. Criscuola Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Criscuola, Margaret M. (1985) "Constancy and Change: The rP ocess of History in Scott's Redgauntlet," Studies in Scottish Literature: Vol. 20: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol20/iss1/10 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Margaret M. Criscuola Constancy and Change: The Process of History in Scott's Redgauntlet The historical novels of Sir Walter Scott embody a process of history; their in ven ted characters and incidents seem to partake of the logic of real history, or rather, to impart to historical events new order and intelligibility. This paper attempts to describe in detail this process of history as it may be seen in a single novel of Scott's, to see exactly what the pattern is behind its invented characters and incidents, and to define from this pattern some of the historical ideas that shaped Scott's fiction. Process of history can mean two different things: a trend or direction of history, that pattern which a long line of historical events reveals; or the method of history, that pattern visible within each separate event. -
Anti-Nationalism in Scott's Old Mortality
CLCWeb: Comparative Literature and Culture ISSN 1481-4374 Purdue University Press ©Purdue University Volume 12 (2010) Issue 1 Article 5 Anti-Nationalism in Scott's Old Mortality Montserrat Martínez García Complutense University Madrid Follow this and additional works at: https://docs.lib.purdue.edu/clcweb Part of the Comparative Literature Commons, and the Critical and Cultural Studies Commons Dedicated to the dissemination of scholarly and professional information, Purdue University Press selects, develops, and distributes quality resources in several key subject areas for which its parent university is famous, including business, technology, health, veterinary medicine, and other selected disciplines in the humanities and sciences. CLCWeb: Comparative Literature and Culture, the peer-reviewed, full-text, and open-access learned journal in the humanities and social sciences, publishes new scholarship following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the journal are indexed in the Annual Bibliography of English Language and Literature (Chadwyck-Healey), the Arts and Humanities Citation Index (Thomson Reuters ISI), the Humanities Index (Wilson), Humanities International Complete (EBSCO), the International Bibliography of the Modern Language Association of America, and Scopus (Elsevier). The journal is affiliated with the Purdue University Press monograph series of Books in Comparative Cultural Studies. Contact: <[email protected]> Recommended Citation Martínez García, Montserrat. "Anti-Nationalism in Scott's Old Mortality." CLCWeb: Comparative Literature and Culture 12.1 (2010): <https://doi.org/10.7771/1481-4374.1576> This text has been double-blind peer reviewed by 2+1 experts in the field. The above text, published by Purdue University Press ©Purdue University, has been downloaded 950 times as of 11/ 07/19. -
Riach, A. (2017) Masterly Studies of Divided Loyalties: Approaching Sir Walter Scott - Part Two
Riach, A. (2017) Masterly studies of divided loyalties: Approaching Sir Walter Scott - Part Two. National, 2017, 20 Jan. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/161545/ Deposited on: 30 April 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Approaching Walter Scott: Part Two Alan Riach Last week we began an approach to Walter Scott discussing how his first novel Waverley continues to ask pertinent questions about divided loyalties in a Scotland oppressed by Anglocentric authority. This week we’re going to take a look at some of his other novels, including his masterwork, The Heart of Midlothian. Waverley takes its time but Old Mortality (1816) is as fast, lean and violent as the best of modern thrillers, dealing in a series of battles, negotiations and further confrontations between fanatics of different extremes and moderates caught in the middle. In the immediate aftermath of the French Revolution, the American War of Independence and a violent rebellion in Ireland, Scott was writing in the period of peace following Waterloo, but the questions arising from extremes of religious beliefs finding expression in military conflict press upon him. The fear of revolution was in the air. The historian Angus Calder’s insightful introduction to the Penguin Books edition emphasises this. Scott sets the novel in 1679, when Scotland was divided into three parties: the Kirk Party of extreme Presbyterians (led by Argyll), absolute Loyalists (followers of Montrose), and moderate Presbyterians. -
St. Ronan's Well Online
aCP7m (Read now) St. Ronan's Well Online [aCP7m.ebook] St. Ronan's Well Pdf Free Walter Scott ebooks | Download PDF | *ePub | DOC | audiobook Download Now Free Download Here Download eBook Scott Walter 2015-10-18Original language:EnglishPDF # 1 9.21 x 1.44 x 6.14l, 2.48 #File Name: 1344863698684 pagesSt Ronan s Well | File size: 44.Mb Walter Scott : St. Ronan's Well before purchasing it in order to gage whether or not it would be worth my time, and all praised St. Ronan's Well: 0 of 0 people found the following review helpful. Enjoyable readBy Katie PrestwichThis was a good story, and I loved reading it, but didn't like the end, otherwise I would have given it 4 stars. Like The Bride of Lammermoor, in the end of this book Scott tends toward the melodramatic, which I'm not a fan of.0 of 1 people found the following review helpful. Could describe events in rural New York during the 1970By ExperienceScott aptly portrayed rural human nature in a manner that could have been set as fittingly in central,New York state of the 1970s. An interesting psychodrama.2 of 2 people found the following review helpful. Bigamy is bad enough for a bigamist. But Oh what it does to his sons!By T. Patrick KilloughNOTE: The "Saint" in SAINT RONAN'S WELL is usually, but not always, abbreviated to "St." in printed book titles. In searching .com ST. RONAN'S WELL produces many hits, SAINT RONAN'S WELL very few. END NOTE.Sir Walter Scott wrote a famous Introduction to his 1823 novel SAINT RONAN'S WELL.