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Final Evaluation Report
Final Evaluation Report Aceh Youth Radio Project A project implemented by Search for Common Ground Indonesia Funded by DFID and administered by the World Bank From April 2008 to February 2009 Contact Information: Stefano D’Errico Search for Common Ground Nepal Dir: (+977) 9849052815 [email protected] Evaluators: Stefano D’Errico – Representative, SFCG Nepal Alif Imam – Local Consultant Supported by SFCGI Staff: Dylan Fagan, Dede Riyadi, Alfin Iskandar, Andre Taufan, Evy Meryzawanti, Yunita Mardiani, Alexandra Stuart, Martini Morris, Bahrul Wijaksana, Brian Hanley 1 Executive Summary In February 2009, Search for Common Ground (SFCG) Indonesia concluded the implementation of a pilot project entitled Aceh Youth Radio for Peacebuilding. The project, funded by DFID and administered by the World Bank, had the overall objective of ―transforming the way in which Acehnese youth deal with conflict, away from adversarial approaches towards cooperative solutions‖. It lasted 10 months and included four main activity components: trainings on media production and conflict management; outreach events in each of nine working districts; Aceh Youth View Report presenting youth issues to local decision makers, and; production and broadcasting of two youth radio programs (see Annex III, for more details). Some of the positive impacts of the AYRP pilot include: All participants and radio presenters acquired knowledge in media production and conflict resolution; most of the participants now use expertise learned from AYRP for other jobs; AYRP enhanced -
Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD by Steve Sternberg
April 2021 #105 ________________________________________________________________________________________ _______ Pre-Upfront Thoughts on Broadcast TV, Promotions, Nielsen, and AVOD By Steve Sternberg Last year’s upfront season was different from any I’ve been involved in during my 40 years in the business. Because of the COVID-19 pandemic, there were no live network presentations to the industry, and for the first time since I’ve been evaluating television programming, I did not watch any of the fall pilots before the shows aired. Many new and returning series experienced production delays, resulting in staggered premieres, shortened seasons, and unexpected cancellations. The big San Diego and New York comic-cons were canceled. There was virtually no pre-season buzz for new broadcast or cable series. Stuck at home with fewer new episodes of scripted series than ever to watch on ad-supported TV, people turned to streaming services in large numbers. Netflix, which had plenty of shows in the pipeline, surged in terms of both viewers and new subscribers. Disney+, boosted by season 2 of The Mandalorian and new Marvel series, WandaVision and Falcon and the Winter Soldier, was able to experience tremendous growth. A Sternberg Report Sponsored Message The Sternberg Report ©2021 ________________________________________________________________________________________ _______ Amazon Prime Video, and Hulu also managed to substantially grow their subscriber bases. Warner Bros. announcing it would release all of its movies in 2021 simultaneously in theaters and on HBO Max (led by Wonder Woman 1984 and Godzilla vs. Kong), helped add subscribers to that streaming platform as well – as did its successful original series, The Flight Attendant. CBS All Access, rebranded as Paramount+, also enjoyed growth. -
The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
A Producer's Handbook
DEVELOPMENT AND OTHER CHALLENGES A PRODUCER’S HANDBOOK by Kathy Avrich-Johnson Edited by Daphne Park Rehdner Summer 2002 Introduction and Disclaimer This handbook addresses business issues and considerations related to certain aspects of the production process, namely development and the acquisition of rights, producer relationships and low budget production. There is no neat title that encompasses these topics but what ties them together is that they are all areas that present particular challenges to emerging producers. In the course of researching this book, the issues that came up repeatedly are those that arise at the earlier stages of the production process or at the earlier stages of the producer’s career. If not properly addressed these will be certain to bite you in the end. There is more discussion of various considerations than in Canadian Production Finance: A Producer’s Handbook due to the nature of the topics. I have sought not to replicate any of the material covered in that book. What I have sought to provide is practical guidance through some tricky territory. There are often as many different agreements and approaches to many of the topics discussed as there are producers and no two productions are the same. The content of this handbook is designed for informational purposes only. It is by no means a comprehensive statement of available options, information, resources or alternatives related to Canadian development and production. The content does not purport to provide legal or accounting advice and must not be construed as doing so. The information contained in this handbook is not intended to substitute for informed, specific professional advice. -
From Broadcast to Broadband: the Effects of Legal Digital Distribution
From Broadcast to Broadband: The Effects of Legal Digital Distribution on a TV Show’s Viewership by Steven D. Rosenberg An honors thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Science Undergraduate College Leonard N. Stern School of Business New York University May 2007 Professor Marti G. Subrahmanyam Professor Jarl G. Kallberg Faculty Adviser Thesis Advisor 1. Introduction ................................................................................................................... 3 2. Legal Digital Distribution............................................................................................. 6 2.1 iTunes ....................................................................................................................... 7 2.2 Streaming ................................................................................................................. 8 2.3 Current thoughts ...................................................................................................... 9 2.4 Financial importance ............................................................................................. 12 3. Data Collection ............................................................................................................ 13 3.1 Ratings data ............................................................................................................ 13 3.2 Repeat data ............................................................................................................ -
Bob Sarles Resume
Bob Sarles [email protected] (415) 305-5757 Documentary I Got A Monster Editor. True crime feature documentary. Directed by Kevin Abrams. Alpine Labs. The Nine Lives of Ozzy Osbourne Producer, editor. An A&E documentary special. Osbourne Media. Born In Chicago Co-director, Editor. Feature documentary. Shout! Factory/Out The Box Records. Mata Hari The Naked Spy Editor. Post Production Producer. Feature documentary. Red Spoke Films. BANG! The Bert Berns Story Co-director (with Brett Berns), editor. Theatrically released feature documentary. Sweet Blues: A Film About Mike Bloomfield Director, Editor. Produced by Ravin’ Films for Sony Legacy. Moon Shot Editor. Documentary series produced for Turner Original Productions and aired on TBS. Peabody Award recipient. Two Primetime Emmy nominations: editing and outstanding documentary. The Story of Fathers & Sons Editor. ABC documentary produced by Luna Productions. Unsung Editor. Documentary television series produced by A.Smith & Company for TV One. Behind The Music Producer and Editor. Documentary television series produced by VH1. Digital Divide Series Editor. PBS documentary series produced by Studio Miramar. The True Adventures of The Real Beverly Hillbillies Editor. Feature documentary. Ruckus Films. Wrestling With Satan Co-Producer, editor. Feature documentary. Wandering Eye Productions. Feed Your Head Director, editor. Documentary film produced for the Rock and Roll Hall of Fame, Cleveland. Yo Cip! Director, Editor. Documentary short. A Ravin’ Film for Cipricious Productions. Produced by Joel Peskin. Coldplay Live! At The Fillmore Director, editor. Television series episode produced by BGP/SFX. Take Joy! The Magical World of Tasha Tudor Editor. Documentary. Aired on PBS. Spellbound Prods. Teen People Presents 21 Stars Under 21 Editor. -
Media Ownership Rules
05-Sadler.qxd 2/3/2005 12:47 PM Page 101 5 MEDIA OWNERSHIP RULES It is the purpose of this Act, among other things, to maintain control of the United States over all the channels of interstate and foreign radio transmission, and to provide for the use of such channels, but not the ownership thereof, by persons for limited periods of time, under licenses granted by Federal author- ity, and no such license shall be construed to create any right, beyond the terms, conditions, and periods of the license. —Section 301, Communications Act of 1934 he Communications Act of 1934 reestablished the point that the public airwaves were “scarce.” They were considered a limited and precious resource and T therefore would be subject to government rules and regulations. As the Supreme Court would state in 1943,“The radio spectrum simply is not large enough to accommodate everybody. There is a fixed natural limitation upon the number of stations that can operate without interfering with one another.”1 In reality, the airwaves are infinite, but the govern- ment has made a limited number of positions available for use. In the 1930s, the broadcast industry grew steadily, and the FCC had to grapple with the issue of broadcast station ownership. The FCC felt that a diversity of viewpoints on the airwaves served the public interest and was best achieved through diversity in station ownership. Therefore, to prevent individuals or companies from controlling too many broadcast stations in one area or across the country, the FCC eventually instituted ownership rules. These rules limit how many broadcast stations a person can own in a single market or nationwide. -
Ceremony Opens Plaza Art Exhibit Committee to Pick Grad Speaker
Volume 3, Number IS College At Lincoln Center, Fordham University, New York November 16-December 6,1983 CLC Blood Drive Nets SSA IS .«, » i irw" ^;:-:- 100 Pints By Marie Reres More than 100 pints of blood were collected in the CLC Blood Drive, held on November 7, 8 and 9 in the Pope Auditorium, according to Registered Nurse and Unit Manager of the Blood Drive, Alex- •^? : *i. *. ' • Win ander Mamon. The Blood Drive was sponsored by members of The Greater New York Blood Program. Studen! clubs Circle K and Res Ipsa Loquitur organized the event. "I was surprised to see such a good turnout, con- sidering the lack of student involvement in other events," said Bill Finneran, Vice President of Circle K. As donors came into the auditorium, they were greeted by a member of the Greater New York Blood Program who filled out an information sheet for each person. Next, a registered nurse took a Judith Brown's "Steel Images" will remain on exhibit for one year Photo Bv Doris Suen short medical history from each donor which in- cluded questions concerning hepatitis, malaria and general health. A blood sample was taken from the donor's finger to test for iron. Temperature and Ceremony Opens Plaza Art Exhibit blood pressure were taken, as well. Donors each gave one pint of blood and were then led to the can- By Doris Suen teen, where they were able to relax and have Judith Brown's metallic and menacing sculpture exhibition on the CLJC Plaza has been the talk refreshments. ' The official opening of artist Judith Brown's of the school lately. -
Research on the Safe Broadcasting of Television Program
MATEC Web of Conferences 63, 04002 (2016) DOI: 10.1051/matecconf/20166304002 MMME 2016 Research on the Safe Broadcasting of Television Program Jin Bao SONG1,a, Jin Hong SONG2 and Jian Ping CHAI1 1Information Engineering School, Communication University of China, Beijing, China 2Shandong Gold Mining Jiaojia Gold Mine (Laizhou) co.,LTD Abstract. The existing way of broadcasting and television monitoring has a lot of problems in China. On the basis of the signal technical indicators monitoring in the present broadcasting and television monitoring system, this paper further extends the function of the monitoring network in order to broaden the services of monitoring business and improve the effect and efficiency of monitoring work. The problem of identifying video content and channel in television and related electronic media is conquered at a low cost implementation way and the flexible technology mechanism. The coverage for video content and identification of the channel is expanded. The informative broadcast entries are generated after a series of video processing. The value of the numerous broadcast data is deeply excavated by using big data processing in order to realize a comprehensive, objective and accurate information monitoring for the safe broadcasting of television program. 1 Introduction paper is the development of cheap monitoring hardware devices which can be widely deployed to the village, so The existing way of broadcasting and television the actual situation of the user terminal broadcasting can monitoring has a lot of problems in China. Firstly, the be monitored by the administration of radio, film and existing way of monitoring is the front-end monitoring television. -
Benbella Spring 2020 Titles
Letter from the publisher HELLO THERE! DEAR READER, 1 We’ve all heard the same advice when it comes to dieting: no late-night food. It’s one of the few pieces of con- ventional wisdom that most diets have in common. But as it turns out, science doesn’t actually support that claim. In Always Eat After 7 PM, nutritionist and bestselling author Joel Marion comes bearing good news for nighttime indulgers: eating big in the evening when we’re naturally hungriest can actually help us lose weight and keep it off for good. He’s one of the most divisive figures in journalism today, hailed as “the Walter Cronkite of his era” by some and deemed “the country’s reigning mischief-maker” by others, credited with everything from Bill Clinton’s impeachment to the election of Donald Trump. But beyond the splashy headlines, little is known about Matt Drudge, the notoriously reclusive journalist behind The Drudge Report, nor has anyone really stopped to analyze the outlet’s far-reaching influence on society and mainstream journalism—until now. In The Drudge Revolution, investigative journalist Matthew Lysiak offers never-reported insights in this definitive portrait of one of the most powerful men in media. We know that worldwide, we are sick. And we’re largely sick with ailments once considered rare, including cancer, diabetes, and Alzheimer’s disease. What we’re just beginning to understand is that one common root cause links all of these issues: insulin resistance. Over half of all adults in the United States are insulin resistant, with other countries either worse or not far behind. -
Federal Communications Commission FCC 99-327 Before the Federal
Federal Communications Commission FCC 99-327 Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Digital Audio Broadcasting Systems ) And Their Impact On the Terrestrial Radio ) MM Docket No. 99-325 Broadcast Service. ) NOTICE OF PROPOSED RULE MAKING Adopted: November 1, 1999 Released: November 1, 1999 Comment Date: [75 days from the date of publication in the Federal Register] Reply Date: [105 days from the date of publication in the Federal Register] By the Commission: Table of Contents: Paragraph I. Introduction 1 II. Background A. The Current Radio Broadcast Service and the Commission’s Commitment to Enabling Broadcasters to Convert to Digital Transmissions. 4 B. The Present Development of In-Band On-Channel (“IBOC”) and Other Digital Audio Broadcasting (“DAB”) Systems. 7 C. The USA Digital Radio Petition and Comments. 12 III. Discussion A. DAB Policy Goals. 15 B. Tentative Selection Criteria for a DAB System. 20 C. IBOC DAB Model. 36 D. DAB Model Utilizing New Spectrum. 40 E. Standards and Testing. 1. DAB Transmission Standard. 50 2. Decision-Making Models for DAB System Testing, Evaluation and Transmission Standard Selection. 54 IV. Administrative Matters 59 Appendix A: Initial Regulatory Flexibility Analysis Federal Communications Commission FCC 99-327 I. INTRODUCTION 1. Digital audio broadcasting (“DAB”) technology is in various stages of development and implementation throughout the world. Its proponents claim that it has the capacity to move the American radio broadcast service “to the next plateau of audio performance by providing listeners with enhanced sound quality more closely resembling original source material and digital recordings.”1 DAB technology utilizes new and efficient audio compression techniques that reduce the amount of bandwidth required to transmit a high-quality audio signal. -
Spring Spring
what to do • where to go • what to see May 22–June 4, 2006 The Officficialial GuGuideide to BOSBOSTONTON THE Spring Issue PLUS: Where to see Ben Affleck, Bruce Springsteen and live music under the stars wwwwww.panoramamagazine.com.panoramamagazine.com contents DEPARTMENTS 6 around the hub 6 NEWS & NOTES 10 STYLE COCOVERVER STORY 12 ON EXHIBIT 14 NIGHTLIFE 18 Spring is in the Air 15 DINING 16 KIDS CORNER From riding the Swan Boats to 17 ON STAGE shopping on Newbury Street, Panorama gives its best bets 23 the hub directory for fun springtime activities 26 CURRENT EVENTS in the Hub 36 CLUBS & BARS in the Hub 39 MUSEUMS & GALLERIES 44 MAPS 50 SIGHTSEEING 54 EXCURSIONS 56 FREEDOM TRAIL 58 SHOPPING 64 RESTAURANTS 80 NEIGHBORHOODS 94 5 questions with… Author JODI PICOULT on the cocover:ver: Samantha of Maggie Inc. enjoys some splendor in the grass at Boston’s Public Garden. Photo: Bob Perachio. IN BLOOM: TulipsTulips blossom in Hair and Make-up: the Public Garden, the nation’s Rachael Berkowitz. first public botanical garden. Refer to story,story, page 18. PrProducedoduced by Heather Burke. PHOTO BY B OB PERACHIO ___ MAY 22–JUNE 4, 2006 3 The Official Guide to BOSTON www.panoramamagazine.com May 22–June 4, 2006 Volume 55 • Number 26 Jerome Rosenfeld • CHAIRMAN Tim Montgomery • PRESIDENT/PUBLISHER Christine Celli • EDITOR Scott Roberto • ART/PRODUCTION DIRECTOR Josh B. Wardrop • ASSOCIATE EDITOR Sharon Hudak Miller • ASSOCIATE ART DIRECTOR Heather S. Burke • PHOTO EDITOR Marketa Hulpachova • EDITORIAL ASSISTANT Della Huff, Matt Kalinowski, Bob Perachio, Juliann Rubijono, John Savone • CONTRIBUTING PHOTOGRAPHERS Alex Harris, Jinnie Lee, LaTanya McQueen, Kamie Richard • EDITORIAL INTERNS Jacolyn Ann Firestone • VICE PRESIDENT, ADVERTISING Rita A.