DOCSLIB.ORG

Cultural Revival and Political Rebellion in Ireland An

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cultural Revival and Political Rebellion in Ireland An A Terrible Beauty: Cultural Revival and Political Rebellion in Ireland An MLA Pro-seminar (LIT 200) Charles Junkerman Stanford Continuing Studies In the last decades of the 19th century, Ireland experienced a dramatic cultural renaissance, that saw the revival of the Gaelic language, the reinvention of Irish sports, the establishment of a national theater, the recovery of thousands of folksong and tales, and the emergence of some of the greatest poets and playwrights of modern times. Alongside this cultural activity, political associations like the Irish Republican Brotherhood and Sinn Fein gained momentum. Together, they gave definition to Ireland’s smoldering opposition to British colonialism that culminated in the Easter Rising of 1916, followed by the War of Independence and the Irish Civil War that ended only in 1923. In this seminar, we will read the work of poets and playwrights of the “Irish Renaissance” and study the historical events that made the names of political actors as celebrated in Irish memory as the poets. We will also find time to watch Neil Jordan’s great film, Michael Collins. Syllabus (tentative): Week 1: Introduction and Overview Kiberd, pp. 1-32 Kee, as much of pp. 1-151 as you can manage Week 2: The Celtic Revival, Lady Gregory, and Early Yeats Lady Gregory, “Cathleen Ni Houlihan” in Harrington Lady Gregory, “Our Irish Theatre” in Harrington, 377-386 Critical Essays in Harrington, 398-423 and 433-446 Yeats: Early Poems “The Stolen Child,” “Down by the Salley Gardens, ” “To the Rose Upon the Rood of Time,” “Fergus and the Druid,” “The Rose of the World,” “The Lake Isle of Innisfree,” "Who Goes with Fergus?" “To Ireland in the Coming Times,” “The Hosting of the Sidhe,” “The Song of Wandering Aengus” Kiberd, 136-165 2 Week 3: Oscar Wilde Wilde, “The Importance of Being Earnest” Camille Paglia, “Oscar Wilde and the English Epicene” pp. 116-136 in Norton Kiberd, pp. 33-50 Excerpts from “The Truth of Masks,” “The Decay of Lying,” and “The Soul of Man under Socialism” (handout) Week 4: Synge on the Aran Islands Synge, The Aran Islands, including excellent introduction: “Place/Person/Book” Critical essays in Harrington, pp. 447-450 Tim Robinson (handout) Week 5: Synge on The Abbey Stage Synge, “Riders to the Sea” in Harrington Synge, “The Playboy of the Western World” in Harrington Critical essays in Harrington, pp. 454-470 Kiberd, pp. 166-188 Rene Girard, from Violence and the Sacred (handout) Week 6: Joyce’s Dubliners Dubliners Critical essays in Norton, TBD Kiberd, pp. 327-355 Week 7: Yeats: Love, Hate, and Restraint through Gracious Forms "In the Seven Woods," “Upon a House Shaken by the Land Agitation,” "Introductory Rhymes," "To a Wealthy Man," “A Coat,” "The Wild Swans at Coole," “In Memory of Major Robert Gregory,” "An Irish Airman Foresees his Death," “Lines Written in Dejection,” “The Fisherman,” “A Prayer for my Daughter,” "To be Carved on a Stone . ," “Coole Park, 1929,” “When You are Old,” "The Lover Mourns for the Loss of Love," "He wishes his Beloved were Dead," "He wishes for the Cloths of Heaven," “The Folly of Being Comforted,” “ Never Give All the Heart,” “Adam's Curse,” “O, Do Not Love Too Long,” “No Second Troy,” “Reconciliation,” “A Drinking 3 Song,” "Fallen Majesty," “Men Improve with Years,” “A Song,” “Broken Dreams,” “To a Wealthy Man . .,” “September, 1913,” "Paudeen," "To a Friend Whose Work Has Come to Nothing," “The People” Week 8: The Easter Rising Patrick Pearse and James Connolly political writings (handouts) Yeats poems: "Easter 1916," "On a Political Prisoner," “The Second Coming,” “To be Carved on a Stone at Thoor Ballylee,” “The Tower,” “Meditations in Time of Civil War,” “Nineteen Hundred and Nineteen,” "In Memory of Eva Gore-Booth and Con Markiewicz" Kiberd, 191-217 Kee, 153-207 Week 9: Michael Collins: Rising, Independence, and Civil War Potluck dinner and film screening “Michael Collins” by Neil Jordan Week 10: Yeats, “Their Ancient Glittering Eyes are Gay” "A Dialogue of Self and Soul," "Byzantium," "Vacillation," “Sailing to Byzantium,” “Leda and the Swan,” “Among School Children,” “Lapis Lazuli,” “Beautiful Lofty Things,” “The Municipal Gallery Revisited,” “The Circus Animals' Desertion,” “Long Legged Fly,” “Politics” Pethica, Essays TBD __________________________________________________ Seminar paper: A 12-15 page seminar paper on a topic of the student’s choosing in consultation with Charles Junkerman, will be due on Monday, June 17. 4 Books: Required: Please buy the editions I’ve requested. They are the most authoritative, have good critical essays included (and we’ll all be on the same page in our discussions). All the books are available in paperback at good prices, new and used, at amazon.com and abebooks.com. Robert Kee, Ireland, A History (Little Brown, 2003, ISBN: 978-0-349-11676- 1) Declan Kiberd, Inventing Ireland (Harvard University Press, 1997, ISBN: 0- 674-46364-1) John P. Harrington, ed., Modern Irish Drama (Norton Critical Edition, 1991, ISBN: 0-393-96063-3) Oscar Wilde, The Importance of Being Earnest (Norton Critical Edition, 2006, ISBN: 978-0-393-92753-5) James Pethica, ed., Yeats’s Poetry, Drama, and Prose (Norton Critical Edition, 2000, ISBN: 0393974979) John Millington Synge, The Aran Islands (Penguin Classics, 1992, ISBN: 0140184325) James Joyce, Dubliners (Norton Critical Edition, 2006, ISBN: 978-0-393- 97851-3) Recommended Helen Litton, Irish Rebellions, 1798-1916, (Wolfhound Press, Dublin, 1998, ISBN: 0-86327-634-2) Micheal Mac Liammoir and Eavan Boland, W.B. Yeats (Thames and Hudson, 1971, ISBN: 0-500-26022-2 Roddy Doyle, A Star Called Henry (Penguin, 2004, ISBN: 978-0143034612) .
Load more

Recommended publications
  • For the Harmony of the Race, Each Individual Should Be
    http://www.englishworld2011.info/ WILLIAM BUTLER YEATS / 2019 For the harmony of the race, each individual should be the expression of an easy & ample interpenetration of the male & female temperaments—free of stress Woman must become more responsible for the child than man— Women must destroy in themselves, the desire to be loved— The feeling that it is a personal insult when a man transfers his attentions from her to another woman The desire for comfortable protection instead of an intelligent curiosity & courage in meeting & resisting the pressure of life sex or so called love must be reduced to its initial element, honour, grief, sentimentality, pride & consequently jealousy must be detached from it. Woman for her happiness must retain her deceptive fragility of appearance, combined with indomitable will, irreducible courage, & abundant health the outcome of sound nerves— Another great illusion that woman must use all her introspective clear-sightedness & unbiassed bravery to destroy—for the sake of her self respect is the impurity of sex the realisation in defiance of superstition that there is nothing impure in sex—except in the mental attitude to it—will constitute an incalculable & wider social regeneration than it is possible for our generation to imagine. 1914 1982 WILLIAM BUTLER YEATS 1865-1939 William Butler Yeats was born to an Anglo-Irish family in Dublin. His father, J. B. Yeats, had abandoned law to take up painting, at which he made a somewhat precar- ious living. His mother came from the Pollexfen family that lived near Sligo, in the west of Ireland, where Yeats spent much of his childhood.
    [Show full text]
  • Download the Yeats 2015 Report to Learn More About The
    Activities by the Department of Foreign Affairs and Trade in support of Yeats 2015 Introduction 2015 marked the 150th anniversary of the birth of WB Yeats, the Nobel Prize-winning poet. A Yeats 2015 steering committee oversaw the presentation of an impressive programme of events to celebrate Yeats’ life and legacy. While most events took place in Ireland, a great number of events also took place overseas and the Department of Foreign Affairs and Trade was very pleased to provide its support to the delivery of an engaging programme in a diverse range of locations. The Department, through the Embassy network, worked closely with the Yeats 2015 steering committee and with overseas partners, to organise or support over 100 international events and activities that celebrated the range and depth of Yeats’ work and brought Yeats’ legacy to the attention of audiences new and old across the globe. Among the events that took place were recitals and musical performances, exhibitions, lectures, international academic conferences and symposia, the publication of new translations of Yeats’ poetry, and prominent poetry displays on the London and Shanghai underground transport networks, in each case lasting for a period of many weeks. The Department’s travelling exhibition “The Life and Works of WB Yeats”, based on an exhibition curated by the National Library of Ireland, also proved particularly popular throughout 2015, as the 11 separate language versions were exhibited in five continents throughout the year. The programme culminated in December’s worldwide recitation of ‘The Lake Isle of Innisfree’, in which Minister Flanagan also participated. The programme of events attracted extensive coverage in overseas media over the course of the year, reinforced through interviews with visiting Irish Ministers and local Ambassadors.
    [Show full text]
  • Durham E-Theses
    Durham E-Theses 'A forest of intertextuality' : the poetry of Derek Mahon Burton, Brian How to cite: Burton, Brian (2004) 'A forest of intertextuality' : the poetry of Derek Mahon, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1271/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk "A Forest of Intertextuality": The Poetry of Derek Mahon Brian Burton A copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. Submitted as a thesis for the Degree of Doctor of Philosophy University of Durham Department of English Studies 2004 1 1 JAN 2u05 I Contents Contents I Declaration 111 Note on the Text IV List of Abbreviations V Introduction 1 1. 'Death and the Sun': Mahon and Camus 1.1 'Death and the Sun' 29 1.2 Silence and Ethics 43 1.3 'Preface to a Love Poem' 51 1.4 The Terminal Democracy 59 1.5 The Mediterranean 67 1.6 'As God is my Judge' 83 2.
    [Show full text]
  • W. B. Yeats Selected Poems
    W. B. Yeats Selected Poems Compiled by Emma Laybourn 2018 This is a free ebook from www.englishliteratureebooks.com It may be shared or copied for any non-commercial purpose. It may not be sold. Cover picture shows Ben Bulben, County Sligo, Ireland. Contents To return to the Contents list at any time, click on the arrow ↑ before each poem. Introduction From The Wanderings of Oisin and other poems (1889) The Song of the Happy Shepherd The Indian upon God The Indian to his Love The Stolen Child Down by the Salley Gardens The Ballad of Moll Magee The Wanderings of Oisin (extracts) From The Rose (1893) To the Rose upon the Rood of Time Fergus and the Druid The Rose of the World The Rose of Battle A Faery Song The Lake Isle of Innisfree The Sorrow of Love When You are Old Who goes with Fergus? The Man who dreamed of Faeryland The Ballad of Father Gilligan The Two Trees From The Wind Among the Reeds (1899) The Lover tells of the Rose in his Heart The Host of the Air The Unappeasable Host The Song of Wandering Aengus The Lover mourns for the Loss of Love He mourns for the Change that has come upon Him and his Beloved, and longs for the End of the World He remembers Forgotten Beauty The Cap and Bells The Valley of the Black Pig The Secret Rose The Travail of Passion The Poet pleads with the Elemental Powers He wishes his Beloved were Dead He wishes for the Cloths of Heaven From In the Seven Woods (1904) In the Seven Woods The Folly of being Comforted Never Give All the Heart The Withering of the Boughs Adam’s Curse Red Hanrahan’s Song about Ireland
    [Show full text]
  • YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares Beside the Edmund Dulac Memorial Stone to W
    To access digital resources including: blog posts videos online appendices and to purchase copies of this book in: hardback paperback ebook editions Go to: https://www.openbookpublishers.com/product/194 Open Book Publishers is a non-profit independent initiative. We rely on sales and donations to continue publishing high-quality academic works. In the same series YEATS ANNUALS Nos. 1, 2 Edited by Richard J. Finneran YEATS ANNUALS Nos. 3-8, 10-11, 13 Edited by Warwick Gould YEATS AND WOMEN: YEATS ANNUAL No. 9: A Special Number Edited by Deirdre Toomey THAT ACCUSING EYE: YEATS AND HIS IRISH READERS YEATS ANNUAL No. 12: A Special Number Edited by Warwick Gould and Edna Longley YEATS AND THE NINETIES YEATS ANNUAL No. 14: A Special Number Edited by Warwick Gould YEATS’S COLLABORATIONS YEATS ANNUAL No. 15: A Special Number Edited by Wayne K. Chapman and Warwick Gould POEMS AND CONTEXTS YEATS ANNUAL No. 16: A Special Number Edited by Warwick Gould INFLUENCE AND CONFLUENCE: YEATS ANNUAL No. 17: A Special Number Edited by Warwick Gould YEATS ANNUAL No. 18 Frontispiece: Derry Jeffares beside the Edmund Dulac memorial stone to W. B. Yeats. Roquebrune Cemetery, France, 1986. Private Collection. THE LIVING STREAM ESSAYS IN MEMORY OF A. NORMAN JEFFARES YEATS ANNUAL No. 18 A Special Issue Edited by Warwick Gould http://www.openbookpublishers.com © 2013 Gould, et al. (contributors retain copyright of their work). The text of this book is licensed under a Creative Commons Attribution 3.0 Unported Licence. This licence allows you to share, copy, distribute and transmit the text; to adapt the text and to make commercial use of the text.
    [Show full text]
  • Untitled.Pdf
    STRUCTURE IN THE COLLECTED POEMS OF W. B. YEATS A Thesis Presented to the School of Graduate Studies Drake University In Partial Fulfil£ment of the Requirements for the Degree Master of Arts in English by Barbara L. Croft August 1970 l- ----'- _ u /970 (~ ~ 7cS"'­ STRUCTURE IN THE COLLECTED POEMS OF w. B. YEATS by Barbara L. Croft Approved by CGJmmittee: J4 .2fn., k ~~1""-'--- 7~~~ tI It t ,'" '-! -~ " -i L <_ j t , }\\ ) '~'l.p---------"'----------"?­ - TABLE OF CONTENTS Chapter Page 1. INTRODUCTION ••••• . 1 2. COMPLETE OBJECTIVITY . • • . 23 3. THE DISCOVERY OF STRENGTH •••••••• 41 4. C~1PLETE SUBJECTIVITY •• • • • ••• 55 5. THE BREAKING OF STRENGTH ••••••••• 79 BIBLIOGRAPHY • • • • • • • • • • • • • • • • • • • 90 i1 CHAPTER I INTRODUCTION There is, needless to say, an abundance of criticism on W. B. Yeats. Obsessed with the peet's occultism, critics have pursued it to a depth which Yeats, a notedly poor scholar, could never have equalled; nor could he have matched their zeal for his politics. While it is not the purpose here to evaluate or even extensively to examine this criticism, two critics in particular, Richard Ellmann and John Unterecker, will preve especially valuable in this discussion. Ellmann's Yeats: ----The Man and The Masks is essentially a critical biography, Unterecker's ! Reader's Guide l! William Butler Yeats, while it uses biographical material, attempts to fecus upon critical interpretations of particular poems and groups of poems from the Collected Poems. In combination, the work of Ellmann and Unterecker synthesize the poet and his poetry and support the thesis here that the pattern which Yeats saw emerging in his life and which he incorporated in his work is, structurally, the same pattern of a death and rebirth cycle which he explicated in his philosophical book, A Vision.
    [Show full text]
  • Yeats's Reception of Apollo and Daphne in “A Prayer for My Daughter”
    Yeats’s Reception of Apollo and Daphne in “A Prayer for my Daughter” By Will LaMarra Yeats incorporates the Apollo and Daphne story from Ovid’s Metamorphoses as a pretext for his “A Prayer for my Daughter,” and while it is clear from the poem that Yeats’s daughter, whom he likens to a laurel tree, serves as a stand-in for Daphne, there is debate as to what this source text reveals about Yeats himself. While Daniel Harris, in his book Yeats: Coole Park & Ballylee, claims that Yeats, in this poem, assumes the role of Apollo in pursuit of Anne as his Daphne (142), Elizabeth Butler Cullingford, in her chapter, “Yeats and Women: Michael Robertes and the Dancer,” refutes this claim, stating that Yeats stands in for Peneus, Daphne’s father (250). The Apollo-Peneus dichotomy, however, is a false one. In his poem, Yeats sees himself taking up aspects of both figures and, indeed, collapses each of their roles into one. This collapse not only reveals Yeats’s conflicted desire to simultaneously preserve his daughter’s innocent and achieve romantic satisfaction vicariously through her, but it also provides us an insight into Yeats’s artistic impulse, one which leads to Anne Yeats’s lignification and transformation into a monument of “custom and ceremony” from which beauty emerges. Yeats’s most apparent role in his “A Prayer for my Daughter” is that of a father, and so, given his incorporation of Ovid as a source-text, one might first think to conflate him with the river god, Peneus. Yet beyond the obvious connection to Peneus’s paternal role (the fact that Yeats is addressing his daughter), Yeats weaves Peneus’s two main actions in the Apollo and Daphne story into the fabric of his poem: his wish to sequester his daughter into married life and his transformation of his daughter into a tree.
    [Show full text]
  • The Poems of W. B. Yeats a Sourcebook
    The Poems of W. B. Yeats A Sourcebook Edited by Michael O'Neill Routledge Taylor & Francis Croup LONDON AND NEW YORK Contents Annotation and Footnotes XIII Acknowledgements xiv Introduction I: Contexts Contextual Overview 7 Chronology 16 Contemporary Documents 22 From W. B. Yeats, 'The Celtic Element in Literature' (1898) 22 From W. B. Yeats, 'Magic' (1901) 23 From W. B. Yeats, 'Anima Hominis', section V (1918) 24 From W. B. Yeats, 'Anima Hominis', section VI (1918) 26 From W. B. Yeats, A Vision (1926, 1937) 27 From W. B. Yeats, Introduction to The Oxford Book of Modern Verse, section IX (1936) 28 From W. B. Yeats, Introduction to The Oxford Book of Modern Verse, section X (1936) 29 From W. B. Yeats, 'A General Introduction for My Work' (1937) 30 From W. B. Yeats, Autobiographies: Reveries over Childhood and Youth (1916) 32 From W. B. Yeats, from Autobiographies: Four Years, 1887-1891 (1921) 33 From letter from Maud Gonne to W. B. Yeats (8 November, 1916) 34 x CONTENTS 2: Interpretations Critical History 39 Yeats and the Occult 40 Development, Ireland, Poetic and Cultural Legacy 41 Fascism, Right-Wing Politics, Post-Colonialism, Feminism 43 Close Reading, Formalism, Deconstruction, Intertextuality 45 Early Critical Reception 47 From Lionel Johnson's review of The Countess Kathleen and Various Legends and Lyrics (1892) 47 From Arthur Symons's review of The Wind among the Reeds (1899) 47 From Austin Clarke's review of The Tower (1928) 48 From Louise Bogan's article on Yeats in the Atlantic Monthly (1938) 48 From F. R. Leavis's review of Last Poems and Plays (1940) 49 Modern Criticism 50 Louis MacNeice on character and style in Yeats (1941) 50 Richard Ellmann on Yeats's 'affirmative capability' (1954) 51 John Bayley on Yeats and the Mask (1957) 54 Jon Stallworthy on 'The Second Coming' (1963) 55 C.K.
    [Show full text]
  • “A Prayer for My Daughter” Critical Appreciation B.A.FINAL YEAR
    “A prayer for my daughter” Critical appreciation B.A.FINAL YEAR ENGLISH LITERATURE “A prayer of my daughter” is one of the most significant poems of William Butler Yeats. This poem was composed by the poet soon after the birth of his first daughter on 26 February, 1919. This poem was composed by Yeats soon after the composition of another significant poem ‘The second coming’. In that poem the poet said that the “ceremony of innocence is drowned”. But in this poem he speaks about innocence as the chief laurel of his daughter: How but in custom and its ceremony Are innocence and beauty born. Yeats begin the poem with the image of his newly-beauty daughter sleeping calmly and peacefully in her cradle while a fierce storm rages outside. The intensity of the storm brings into the mind the idea that the world is about to come to an end: Imagining in excited reverie That the future years had come; Dancing to a frenzied drum, Out of the murderous innocence of the sea. Then the poet speaks about what qualities he wants his daughter to possess. He wants that his daughter should be beautiful. But he hastens to add that he does not want her to be beautiful to the extent of making others distraught: May she be granted beauty and yet not Beauty to make a stranger’s eye distraught Then he wants that his daughter should learn courtesy: Hearts are not as gift but hearts are earned By those that are not entirely beautiful. Then the poet gives examples of beautiful women of the world who have become foolish contemplating of their unearthly and divine beauty.
    [Show full text]
  • The Longman Anthology of British Literature Third Edition
    The Longman Anthology of British Literature Third Edition David Damrosch and Kevin J. H. Dettmar General Editors VOLUME TWO THE ROMANTICS AND THEIR CONTEMPORARIES Susan Wolfson and Peter Manning THE VICTORIAN AGE Heather Henderson and William Sharpe THE TWENTIETH CENTURY Kevin J. H. Dettmar and Jennifer Wicke New York San Francisco Boston London Toronto Sydney Tokyo Singapore Madrid Mexico City Munich Paris Cape Town Hong Kong Montreal CONTENTS List of Illustrations xxxix Additional Audio and Online Resources xlv Preface xlvii Acknowledgments Iv The Romantics and Their Contemporaries 3 PERSPECTIVES -£^ ' The Sublime, the Beautiful, and the Picturesque 30 EDMUND BURKE 33 from A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful 33 WILLIAM GILPIN 40 from Three Essays on Picturesque Beauty, on Picturesque Travel, and on Sketching Landscape 41 MARY WOLLSTONECRAFT 46 from A Vindication of the Rights of Men 47 JANE AUSTEN 48 from Pride and Prejudice 48 from Northanger Abbey 49 MARIA JANE JEWSBURY 51 A Rural Excursion 51 IMMANUEL KANT 56 from The Critique of Judgement 56 JOHN RUSKIN 59 from Modern Painters 59 ANNA LETITIA BARBAULD 63 The Mouse's Petition to Dr. Priestley 63 On a Lady's Writing 65 Inscription for an Ice-House 65 To a Little Invisible Being Who Is Expected Soon to Become Visible 66 To the Poor 61 Contents Washing-Day 61 Eighteen Hundred and Eleven 69 RESPONSE John Wilson Croker: from A Review of Eighteen Hundred and Eleven 78 The First Fire 79 On the Death of the Princess Charlotte 81 CHARLOTTE SMITH 82 ELEGIAC SONNETS AND OTHER POEMS 83 To the Moon 83 "Sighing I see yon little troop at play" 83 • To melancholy.
    [Show full text]
  • Yeats, William Butler” Includes References to His Works and Nothing More
    Cambridge University Press 978-0-521-83855-9 - The Cambridge Introduction to W. B. Yeats David Holdeman Index More information Index The entry for “Yeats, William Butler” includes references to his works and nothing more. Entries concerning his attitudes or experiences – such as the ones for “afterlife” or “illnesses” – are interspersed throughout the main body of this index. Achebe, Chinua, 77 Allt, Peter, 116 Adams, Hazard, 120, 124, 132 n. 16 Alspach, Russell K., 116 Adams, Steve L., 130 n. 3 Anglo-Irish War, see War of AE, see Russell, George Independence afterlife, reincarnation, or lunar Anglo-Irish, see Catholics or phases: in “Shepherd and Catholicism, Protestants or Goatherd” and “The Phases of Protestantism the Moon,” 68–70; and dancer Archibald, Douglas, 125, 131 n. 4 symbolism, 76; and The Tower, aristocracy: and The Countess 81; and “Nineteen Hundred and Cathleen, 15; and Lady Gregory, Nineteen,” 88; and “Among 38–39; and On Baile’s Strand, School Children,” 91; and The Cat 43–44; and The King’s Threshold, and the Moon, 94; and “A 44–45; and masks, 53; and The Dialogue of Self and Soul,” 94–96; Green Helmet, 55; and The Green and “Blood and the Moon,” 96; Helmet and Other Poems, 57; and and “Byzantium,” 97–98; and “To a Wealthy Man …,” 60; and “Crazy Jane and Jack the Noh drama, 72, 73; and the Journeyman,” 99; and “In Gore-Booth sisters, 74–75; and Memory of Eva Gore-Booth and “The Second Coming,” 77; and Con Markievicz,” 100; and On the “The Tower,” 85; and “Ancestral Boiler, 103; and Yeats’s late Houses,” 85; and the Blueshirts, aggressiveness, 105; and “Under 102; and Purgatory, 112–13; Ben Bulben,” 109; and discussed by Yeats’s critics, 122, “Cuchulain Comforted,” 111; and 123; see also Catholics or Purgatory, 112–13 Catholicism, Protestants or aisling, 31, 41 Protestantism and eugenics Albright, Daniel, 132 n.
    [Show full text]
  • A Prayer for My Daughter”- an Assertion of Even-Tempered Graciousness
    Volume : 4 | Issue : 7 | July2015 ISSN - 2250-1991 Research Paper Education ‘The Soul Recovers Radical Innocence’- W.B.Yeats’ “A Prayer for My Daughter”- An Assertion of Even-Tempered Graciousness. Supriya Mitra The University of Burdwan W.B.Yeats’s love for Maud Gonne was unsuccessful. His constant effort to win her heart went in vain. Yeats realized that his love could never be reciprocated by Gonne because she is guided by ‘intellectual hatred’. Now as his daughter is sleeping under ‘cradle-hood and coverlid’, he wants her to become a lady with moderate beauty, kind and artistic. From his own experience he realized that a beautiful heart is more important than a beautiful face to become happy in life. In this paper ABSTRACT my inclination is to show how Yeats shaped his philosophy of life and accepted his lot with sheer resignation. KEYWORDS Prayer, Innocence, Hatred, Anxiety, Frustration Anne Yeats- the daughter of W.B.Yeats was born on February it is fraught with destructive power and on the other hand it 26, 1919 and by April Yeats had begun the poem “A Prayer has no grudge against anyone. Daniel Albright rightly com- for My Daughter”. Though apparently the poem celebrates ments on the phrase ‘the murderous innocence of the sea’: the birth of the daughter and expresses her father’s wishes for her, it is more concerned with Yeats’ attitude towards femi- Perhaps the sea- the force of historical process - is innocent ninity and the regret that ranges from his unrequited love for because it is impersonal, not petty, spiteful, or divided against Maud Gonne.
    [Show full text]