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The Charleston Bulletin Supplements, by Virginia Woolf and Quentin Bell, the British Library, London (ISBN 978 0 7123 5891), 2013
The Charleston Bulletin Supplements, by Virginia Woolf and Quentin Bell, The British Library, London (ISBN 978 0 7123 5891), 2013. In 2003 the British Library purchased the manuscripts of The Charleston Bulletin and, a decade later, it launched this attractive edition of a selection of special issues or supplements to the daily Bulletin. Ninety years ago Vanessa and Clive Bell’s sons, Julian, aged fifteen, and Quentin Bell, thirteen, began to create their family newspaper. Quentin took the lead in the enterprise as he explains in the Afterword to his aunt Virginia Woolf’s The Widow and the Parrot: ‘I made all the illustrations and most of the other matter. From time to time my brother got bored and stopped work. I carried on reporting and inventing the news as best I could until he, exasperated by my spelling, my handwriting, my grammar etc, would take over again. Thus it happened that I asked for a contribution from my aunt Virginia’ (1). The enthusiastic participation of his aunt, who was by now a celebrated writer, explains why this book is now being published. The book is over 130 pages long, clearly printed on good quality paper and it is reasonably priced at £12.99. It includes eight black and white photographs and forty illustrations that have been carefully reproduced in authentic colour. The original collection at the British Library comprises many variously-sized pages with lots of white space on each. Inevitably compromise had to be made to compress irregular manuscripts into a neat, conventional, uniform book. The manuscript of The Dunciad edition, for instance, is 415 x 263 mm but here the images of that edition are reproduced as 140 x 110 mm on pages that are 210 x 130 mm. -
The Importance of the Ordinary. Moments of Being in Virginia Woolf’S Mrs
Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 25/09/2021 11:49:07 New Horizons in English Studies 1/2016 LITERATURE • Emilia Flis UNIVERSITY OF WARSAW [email protected] The Importance of the Ordinary. Moments of Being in Virginia Woolf’s Mrs. Dalloway Abstract. “A Sketch of the Past” is an essay in which Virginia Woolf recollects her childhood memo- ries and reflects upon certain events, while trying to understand why she remembers them and forgets others. She mentions the concept “moments of being”, though without providing the reader with a clear definition. The idea refers to the bits of our lives in which we experience something beyond the ordinary daily routine – the intense feeling of being alive. The author describes it as “a sudden violent shock; something happened so violently that I have remembered it all my life” (Woolf, A Sketch of the Past 71) and contrasts such intenseUMCS revelatory moments with “the cotton wool” (70) of non-being that defines most of our living. The concept “moments of being” is of great importance to the writer, as she herself states: ”And so I go on to suppose that the shock-receiving capacity is what makes me a writer” (72). The present article discusses the concept “moments of being” and attempts to capture its meaning by analysing selected passages from one of Virginia Woolf’s most famous novels, Mrs Dalloway. Keywords: modernism, time, the ordinary, stream of consciousness, identity, sexuality One of the characteristics of literary modernism is the focus on the ordinary. -
John Halperin Bloomsbury and Virginia W
John Halperin ., I Bloomsbury and Virginia WooH: Another VIew . i· "It had seemed to me ever since I was very young," Adrian Stephen wrote in The Dreadnought Hoax in 1936, "that anyone who took up an attitude of authority over anyone else was necessarily also someone who offered a leg to pull." 1 In 1910 Adrian and his sister Virginia and Duncan Grant and some of their friends dressed up as the Emperor of Abyssinia and his suite and perpetrated a hoax upon the Royal Navy. They wished to inspect the Navy's most modern vessel, they said; and the Naval officers on hand, completely fooled, took them on an elaborate tour of some top secret facilities aboard the HMS Dreadnought. When the "Dread nought Hoax," as it came to be called, was discovered, there were furious denunciations of the group in the press and even within the family, since some Stephen relations were Naval officers. One of them wrote to Adrian: "His Majesty's ships are not suitable objects for practical jokes." Adrian replied: "If everyone shared my feelings toward the great armed forces of the world, the world [might] be a happier place to live in . .. armies and suchlike bodies [present] legs that [are] almost irresistible." Earlier a similarly sartorial practical joke had been perpetrated by the same group upon the mayor of Cam bridge, but since he was a grocer rather than a Naval officer the Stephen family seemed unperturbed by this-which was not really a thumbing·of-the-nose at the Establishment. The Dreadnought Hoax was harder to forget. -
The Posthumanistic Theater of the Bloomsbury Group
Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky. -
Journal of the Short Story in English, 50 | Spring 2008 “In the Circle of the Lens”: Woolf’S “Telescope” Story, Scene-Making and Memory 2
Journal of the Short Story in English Les Cahiers de la nouvelle 50 | Spring 2008 Special issue: Virginia Woolf “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus Édition électronique URL : http://journals.openedition.org/jsse/702 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 juin 2008 ISSN : 0294-04442 Référence électronique Laura Marcus, « “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory », Journal of the Short Story in English [En ligne], 50 | Spring 2008, mis en ligne le 01 juin 2011, consulté le 10 décembre 2020. URL : http://journals.openedition.org/jsse/702 Ce document a été généré automatiquement le 10 décembre 2020. © All rights reserved “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory 1 “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus 1 Virginia Woolf noted in her diary for 31st January 1939: “I wrote the old Henry Taylor telescope story that has been humming in my head these 10 years” (Woolf 1984: 204). The short story to which she was referring was published as “The Searchlight”, in the posthumous A Haunted House and Other Stories.The “humming” had, however, already been transferred to the page ten years previously, when Woolf wrote a story which she entitled “What the Telescope Discovered”, followed a year later by the incomplete “Incongruous/Inaccurate Memories”. In all, Woolf produced some fourteen different drafts of “the telescope story”, with fragments of other drafts. -
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A Bloomsbury Chronology 1866 Roger Fry born 1877 Desmond Maccarthy born 1879 E.M. Forster born Vanessa Stephen born 1880 Lytton Strachey born Thoby Stephen born Saxon Sydney-Turner born Leonard Woolf born 1881 Clive Bell born 1882 Virginia Stephen born Mary Warre-Cornish born 1883 J.M. Keynes born Adrian Stephen born 1885 Duncan Grant born Roger Fry enters King's College, Cambridge 1888 Roger Fry obtains a First Class honours in natural sciences and decides to study painting xx A Bloomsbury Chronology 1892 Roger Fry studies painting in Paris David Garnett born 1893 Dora Carrington born 1894 Roger Fry gives university extension lectures at Cambridge mainly on Italian art Desmond Maccarthy enters Trinity College, Cambridge 1895 Death of Mrs Leslie Stephen Virginia Stephen's first breakdown 1896 Roger Fry and Helen Coombe married 1897 E.M. Forster enters King's College, Cambridge Desmond MacCarthy leaves Trinity College Virginia Stephen attends Greek and history classes at King's College, London 1899 Roger Fry: Giovanni Bellini Clive Bell, Thoby Stephen, Lytton Strachey, Saxon Sydney-Turner, Leonard Woolf all enter Trinity College, Cambridge The Midnight Society - a 'reading society' - founded at Trinity by Bell, Sydney-Turner, Stephen, and Woolf 1900 Roger Fry gives university extension lectures on art at Cambridge 1go1 Roger Fry becomes art critic for the Athenaeum Vanessa Stephen enters the Royal Academy Schools E.M. Forster leaves Cambridge, travels in Italy and Greece, begins A Room with a View 1902 Duncan Grant attends the Westminster Art School Leonard Woolf, Saxon Sydney-Turner, and Lytton Strachey elected to 'The A Bloomsbury Chronology XXI Apostles' (older members include Roger Fry, Desmond MacCarthy, E.M. -
Virginia Woolf
THE CAMBRIDGE COMPANION TO VIRGINIA WOOLF EDITED BY SUE ROE AND SUSAN SELLERS published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco n 13, 28014 Madrid, Spain # Cambridge University Press, 2000 This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/13 pt. [ce] A catalogue record for this book is available from the British Library Library of Congress cataloging in publication data The Cambridge companion to Virginia Woolf / edited by Sue Roe and Susan Sellers. p. cm. ± (Cambridge companions to literature) Includes bibliographical references and index. isbn 0 521 62393 6 (hardback). ± isbn 0 521 62548 3 (paperback) 1. Woolf, Virginia, 1882±1941 ± Criticism and interpretation. 2. Women and literature ± England ± History ± 20th century. i. Roe, Sue. ii. Sellers, Susan. iii. Series. pr6045.072z5655 2000 823'.912 ± dc21 99±38435 cip isbn 0 521 62393 6 hardback isbn 0 521 62548 3 paperback CONTENTS List of contributors page xi Preface xiii Acknowledgements -
Unveiling the Contemporary in Virginia Woolf
DOI: http://dx.doi.org/10.5007/ 2175-8026.2021.e74632 UNVEILING THE CONTEMPORARY IN VIRGINIA WOOLF Patricia Marouvo1* 1Universidade Federal do Acre, Rio Branco, AC, Brasil Abstract This article aims to discuss Virginia Woolf’s critical appraisal of the contemporariness of her contemporaries’ production while also probing the very idea of what constitutes “the contemporary”. “The Modern Essay (1921) serves as the frame for what Woolf dubbed “the contemporary dilemma”, which this article then traces in “How it Strikes a Contemporary” (1923). Resorting to other major essays, this article contextualizes Woolf’s publication of The Common Reader – First Series (1925) so as to explore its conversational quality as a philosophical principle inherent to Woolf’s oeuvre (Pinho 2020). The philosophically inclined methodology of Woolf’s essays finds fertile ground in Giorgio Agamben’s “What Is the Contemporary?” (2009). Ultimately, by reading Woolf alongside Agamben, this article sheds light on the intersections between contemporary philosophy and the philosophical questions we continue to find in Woolf’s writing. Keywords: Virginia Woolf; essay; contemporary; philosophy * Professor of English at Universidade Federal do Acre (UFAC). She holds a PhD in Comparative Literature (Universidade Federal do Rio de Janeiro, 2019). She is the author of the forthcoming book Uma poética hídrica em The Waves, de Virginia Woolf (Appris). She has published articles and book chapters on Virginia Woolf, developing a philosophical reading of the writer’s oeuvre. E-mail -
“Art” by Clive Bell Table of Contents Ideas of Interest from Art
“Art” by Clive Bell Table of Contents Ideas of Interest from Art..............................................................................2 The Reading Selection from Art...................................................................3 Related Ideas............................................................................................... 16 Topics Worth Investigating.......................................................................... 17 Index............................................................................................................ 22 Clive Bell, 1908, adapted from Henry Lamb About the author . Clive Bell (1881-1964) studied history at Trinity College, Cambridge where he and many other undergraduates were influenced by G.E. Moore’s method of analysis exemplified in Principia Ethica. Bell writes that the students who met as a “reading group” in his rooms at Cambridge, together with the artist Vanessa Stephen (later his wife) and her sister, the writer and future Vir- ginia Woolf, initiated the circle of friends known as the “Bloomsberries.” The Bloomsbury Group, as it came to be known, was a literary and cultural circle including, among others, the critic and historian Lytton Strachey, the novelist E. M. Forster, the artist Roger Fry, and the economist John May- nard Keynes. Bell’s shaping of a formalistic æsthetic theory along the lines of Moore’s analysis of good strongly influenced early twentieth century art criticism. Quentin Bell writes that his father’s Art, although “more quoted 1 “Art” by Clive Bell than read . is one of the seminal books of its time.”1 About the work . In Art,2 Bell outlines a formalist theory based on his definition of art as “significant form.” True art, he believes, exhibits combinations of lines and colors which engender intellectual recognition and æsthetic experience in persons of taste. The resultant æsthetic emotion, he believes, is unique, morally transcendent, and independent of other kinds of human emotion. -
Virginia Woolf Miscellany, Issue 62, Spring 2003
NUMBER 62 SPRING 2003 Letter to the Readers: Reader” as well as reviews of books by Jessica Berman, Donald J. Childs, Katherine Dalsimer, and David Ellison. “Never has there been such a time. Last week end we were at Charleston and very gloomy. Gloom increased on Monday. In London it was hectic and gloomy and at the same time This issue of the Virginia Woolf Miscellany represents a new phase in the history of despairing and yet cynical and calm. The streets were crowded. People were everywhere talking this publication. The Miscellany has moved across the country from sunny Sonoma loudly about war. There were heaps of sandbags in the streets, also men digging trenches, lorries to snowy New Haven, from a California State University to a Connecticut State delivering planks, loud speakers slowly driving and solemnly exhorting the citizens of Westminster Go and fit your gas masks. There was a long queue of people waiting outside the Mary Ward University. After nearly 30 years of publishing this small but vital periodical, J.J. settlement to be fitted. [W]e sat and discussed the inevitable end of civilization. [Kingsley Wilson has handed the torch to a new editorial board. The publication itself has a Martin] said the war would last our life time[.] . Anyhow, Hitler meant to bombard London, new future as a soon-to-be subscription periodical with a web presence. Members of probably with no warning; the plan was to drop bombs on London with twenty minute intervals the International Virginia Woolf Society will continue to receive the Miscellany as a for forty eight hours. -
Virginia Woolf and Her World
City University of New York (CUNY) CUNY Academic Works Open Educational Resources City College of New York 2021 Virginia Woolf and her World Václav Paris CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_oers/352 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ENGL 36508 - 48167 Instructor: Václav Lucien Paris MoWe 2:00PM - 3:15PM Email: [email protected] Online Course Office Hours: Zoom meetings by appointment Virginia Woolf and her World All writers create their own world, but few are as rich, as strange, and as influential as that of Virginia Woolf. Woolf’s world is not easy to enter. Her novels, ranging from her early Voyage Out to her late Between the Acts are complex psychological structures that make few concessions to lazy readers. Her networks were often private. Orlando, a fantasy about (among other things) transsexuality and living through centuries, is also a love letter to her friend, Vita Sackville-West. But once you get into Woolf, you’ll find that it’s even harder to get out. Woolf changes the way you see things. She gives you a vocabulary for what is going on under the surface, for understanding pervasive features of everyday life that you didn’t even suspect before. Reading most of Woolf’s major novels, a range of her essays and short fiction, and some of the works of those in her circle, 1 this course offers a way into her world, which is also—as we will come to see—increasingly our world. -
·Nia Woof /\Isce An
·nia Woof /\isce an NUMBER57 SPRING 2001 TO THE READERS: By the standard of those that In February we attended the wonderful world premiere of the San precede it , this third moment J.J. Wilson will edit the next Francisco Ballet's "Death of a Moth ," inspired chiefly by Virginia involving as it does a confrontation issue of the Miscellany. Woolfs essay. Choreographer Val Caniparoli describes in the program with discontinuity and demise-is The due date is notes his experience of seeing a moth beat its wings against a window abjectly negative . Woolfs broadest September 7, 200 I. and his words reminded me of our first night of residence in Monk 's term for such negativity is non House in the upstairs sitting room. And it was fun to see Freshwater being , which , among other things, Her address is: appear so centrally in the new Amanda Cross mystery, Hon est Dou_bt. presents the writer with a daunting Sonoma State University , Editing the play was my first task when we lJVed there . My only advice problem of representation : for, if 1801 East Cotati Avenue, to Kate Fansler is muzzle your big dog when you come to California . people are, as she suggest s, so very Rohnert Park, CA 94928. Or did our local news story not reach the East Coast? The next editor hard to describe , how much harder of VWM will be J.J. Wilson, so send all material to her at Sonoma State it must be to describe, for lack of a University by September 7. better term, "what-is-not." Lucio Ruotolo As there exists no _pre-ordained language in which to express the Stanford University latter, Woolf returns to the realm of recollection , registering a series of moments in which being and non-being are powerfully experienced: a walk along Mount Misery and the river , the colors of the countryside , the look of willow trees, the pleasure of reading Chaucer and the CEREMO NY IS TO BEING AS INTERRUPTION IS TO NON-BEI NG interest evoked by a memoir of Madame de la Fayette.