Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 1

CECIL WOOLF PUBLISHERS

1 Mornington Place, London NW1 7RP, England Tel: 020 7387 2394 [email protected]

Monographs General Editor: Jean Moorcroft Wilson

Thoughts of the Common Reader

‘I recently discovered the Bloomsbury Heritage Series, which is a series of short books about all things Bloomsbury and the people that were part of this group. It was set up by Leonard Woolf’s nephew Cecil Woolf and it is a really delightful collection of books. The series is published very much in the spirit of the Hogarth Press, each book is bound in card and the front cover has a design similar to those that Vanessa Bell designed for the Hogarth Press. ‘The idea of the series is to bring together pieces of writing about and around the Bloomsbury group. It explores all aspects of their lives and has many contributors. There is something very charming about them and I love that you send them by post. It is a real pleasure to wait for its arrival through the letter box, the anticipation, something we have lost in the age of the internet, download it now, next day delivery… I had ordered a catalogue by e-mail and was pleasantly surprised when I had a reply from Cecil Woolf to say that it was in the post. When I placed my first order for the first book in the series A Cockney’s Farming Experiences . [I received from Cecil Woolf] by far the best customer service I have received in a long time.’ &c – thoughtsofthecommonreader.blogspot.co.uk Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 2

JUST PUBLISHED Bonnie Kime Scott Natural Connections: Virginia Woolf and Katherine Mansfield

Virginia Woolf and Katherine Mansfield made striking representations of the natural world that bear comparison, particularly in registering details, rendering character and perception, and serving a concern for the politics of gender and sexuality. These qualities, together with their challenge to traditional divisions between nature and culture, make their work highly suitable for the eco-feminist approach employed here. This study compares the natural and intellectual connections available to them at various stages of their lives, starting from the contrasting sites of Wellington, New Zealand, and London, and intersecting briefly as contributors to the making of modernism. This monograph identifies differences in the relation Mansfield and Woolf strike with their natural subject matter that are consistent with their modernist criticism of other writers, including one another. Dr Scott’s study of the natural aspect of Woolf’s and Mansfield’s writing makes a substantial contribution to the greening of modernist studies that has emerged in the last decade. Bloomsbury Heritage series No. 71, card wrappers, 48pp., ISBN 978-1-907286-34-6, price £7.50

Hilary Newman ‘Eternally in yr Debt’: the Personal and Professional Relationship Between Virginia Woolf & Elizabeth Robins

Elizabeth Robins (1862-1952) was an expatriate American actress turned author, who lived with Octavia Wilberforce. Her outstanding achievement was the bringing of Henrik Ibsen’s plays to the London stage and playing his leading female roles. She became President of the Women Writers Suffrage League and was a close adviser to Mrs Pankhurst. Woolf inherited Elizabeth Robins’s friendship from her parents, but it did not initially endure. Robins described Woolf as ‘probably the greatest living writer of English prose’ and attended the function at which Woolf received the Femina Vie Heureuse Prize for To the Lighthouse in 1928. Here their friendship was renewed and intermittently continued until Woolf’s death, though they never became intimate. Woolf was not so complimentary about Robins’s work, finding her novels and short stories conventional and ‘pre-war’. However, she admired Robins’s autobiographical writings, two of which were published by the Hogarth Press. In this study, which incidentally casts new light on Woolf’s half-brother, Gerald Duckworth, Hilary Newman also argues that Robins’s two feminist treatises throw a new light on Woolf’s A Room of One’s Own and Three Guineas . Bloomsbury Heritage series No. 72, card wrappers, 28pp., ISBN 978-1-907286-38-4, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 3

Todd Avery Saxon Sydney-Turner: the Ghost of Bloomsbury

Who was Saxon Arnold Sydney-Turner (1880-1962), what manner of man was he and what was his place in Bloomsbury? Variously characterized as silent, vague, obscure, shadowy, and spectral, Sydney-Turner nevertheless occupied a central place in Bloomsbury, especially during its Cambridge and early London years. He was, for example, one of the few guests at the Stephen siblings’ first Gordon Square at-homes in 1905, and later he starred in Carrington’s 1929 short film, ‘Dr Turner’s Mental Home’. This fascinating portrait study approaches Sydney-Turner in the spirit of the imaginary reader who, in Virginia Woolf’s ‘Lives of the Obscure’, searches out ‘some stranded ghost … waiting, appealing, forgotten, in the growing gloom’, a ghost who yearns to speak ‘old secrets’ and to experience ‘the divine relief of communication’. Drawing on dozens of published accounts, as well as on scores of unpublished letters and photographs from major English and American archives, and on the twenty or so poems that he contributed to Euphrosyne (1905), the ‘first book of Bloomsbury’, Saxon Sydney-Turner : the Ghost of Bloomsbury draws this ghost out of a surrounding obscurity and gives flesh to the man whom Lytton Strachey once called (in their 38 th year!) ‘a withered old man – ce veillard ratatiné .’ Bloomsbury Heritage series No. 73, card wrappers, 32pp., ISBN 978-1-907286-39-1, price £6.00

Alice Lowe Virginia Woolf as Memoirist: ‘I am Made and Remade Continually’

Hermione Lee referred to Virginia Woolf as ‘an autobiographer who never published an autobiography’, at the same time acknowledging Woolf’s considerable body of self-writing. ‘A Sketch of the Past’ is said to be incomplete in that, unlike her husband, Woolf never completed a full-length volume of formal autobiography, yet it is notable for her insights and reflections not just about her life, past and present, but about the memoir form itself. Using ‘A Sketch of the Past’ as a primary text, along with the personal essays accompanying it in Moments of Being and relevant illustrations from Woolf’s diaries, letters, essays, stories and novels, this absorbing monograph explores in depth Woolf’s contribution to memoir as a unique genre, distinct from autobiography. This study recapitulates the form, from its history to Woolf’s work and that of her contemporaries, to the legacy evident today. Bloomsbury Heritage series No. 74, card wrappers, 32pp., ISBN 978-1-907286-40-7, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 4

Suellen Cox Mistress of the Brush and Madonna of Bloomsbury, The Art of Vanessa Bell: a Biographical Sketch and Comprehensive Annotated Bibliography of Writings on Vanessa Bell

Vanessa Bell occupied a central place in the Bloomsbury group and has been described as ‘the pivot on which every important development’ in the group turned. Over the years, exhibitions celebrating Bell’s work and the other Bloomsbury artists have been numerous, well attended and positively received in critical circles. As to the place and importance of her work within the context of 20th century and British post-impressionism, however, there continues to be a lively debate. Due to the plethora of published material – books, monographs, articles, exhibition catalogues and reviews – historians, critics, researchers and students have had a difficult and time- consuming task in discovering all that exists. This book brings together in one source, a comprehensive listing and description of the formidable body of material relating to Vanessa Bell. Bloomsbury Heritage series No. 75, perfectbound paperback, 80pp., ISBN 978-1-907286-42-1, price £13.50

Vara S. Neverow Septimus Smith, Modernist and War Poet: a Closer Reading

Septimus Warren Smith, the shell-shocked war veteran in Mrs Dalloway , has been viewed by scholars more as a victim suffering from post-traumatic stress disorder after the Great War than as an unpublished modernist or war poet. Woolf, in her notes for drafting of the novel, considers the possibility of ‘S’s character … founded on me?’, partly because of his mental illness, but the parallel also suggests that Woolf may have intended for his ruminations to be read as sophisticated acts of creativity. Septimus’s poetic rhapsodies have not hitherto been directly linked to the daring experimental literary expression of such modernist poets as T.S. Eliot and Ezra Pound or of war poets Wilfred Owen and Siegfried Sassoon, nor have his drawings been aligned with the work of post-impressionist artists whose works were shown at the 1910 Grafton Galleries Exhibition. Bloomsbury Heritage series No. 76, card wrappers, 32pp., ISBN 978-1-907286-43-8, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 5

RECENT SUCCESSES Paula Maggio The Best of Blogging Woolf, Five Years On

The plethora of interest in and commentary on Virginia Woolf available on the internet continues to grow. New references to Woolf and her work appear online every day. Blogging Woolf, which began publishing in July 2007, is an invaluable online resource that melds the personal and academic approach to Woolf, while providing documentation of her growing iconic popularity. This work collects some of the site’s most popular and enduring essays, as well as those that introduce new research or focus on Woolf’s relevance to the twenty-first century. The collected pieces in this volume emphasize the fact that Woolf scholars, general readers and fans can enter the common ground of the virtual public square to engage in conversation as equals while applying Woolf’s philosophy of democratic inclusiveness to the online world. Bloomsbury Heritage series No. 64, card wrappers, 36pp., ISBN 978-1-907286-27-8, £7.00

Virginia Woolf’s Likes & Dislikes Collected and Edited with an Introduction and Notes by Paula Maggio

Readers of Virginia Woolf’s letters and diaries are familiar with the notion that she had pronounced feelings and opinions about many of the people, places and things she encountered in daily life. They also know that she not infrequently contradicted herself about who or what she loved or loathed. Woolf’s likes and dislikes, with all their inherent consistencies and contradictions, are collected here after a thorough search of her letters and diaries. This collection of quotations from her personal writings opens a fascinating window on a a wide range – sometimes serious, sometimes entertaining – of Woolf’s predilections. It also identifies the people, places and things she readily criticized, while revealing some of her quirks and vulnerabilities. Bloomsbury Heritage series No. 65, perfectbound paperback, 56pp., ISBN 978-1-907286-26-1, price £9.00

Lolly Ockerstrom Virginia Woolf, Three Guineas , and the Spanish Civil War: Texts, Contexts and Women’s Narratives

When Virginia Woolf’s Three Guineas appeared in 1938 during the Spanish Civil War, it was met with both scepticism and high enthusiasm. More than seventy years on, her essay continues to provoke response and analysis. In this monograph, Dr Ockerstrom provides a context of writing and engagement by Anglo- American women on the War that shows the impact of the conflict upon them, and helps to position Woolf’s essay within its immediate historical context. Writers discussed include journalists Josephine Herbst and Martha Gellhorn, poets Nancy Cunard, Sylvia Townsend Warmer (who was also a novelist), Genevieve Taggard, Muriel Rukeyser, memoirists Gamel Woolsey and Kate O’Brien, and activists Felicia Brown and Nan Green. Bloomsbury Heritage series No. 66, card wrappers, 36pp., ISBN 978-1-907286-25-4 , price £7.50 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 6

Hilary Newman Bella Woolf, Leonard Woolf and Ceylon With an Introduction by Cecil Woolf

It is intriguing to consider whether Leonard Woolf’s decision to forge a career in the Colonial Service in Ceylon (now Sri Lanka) from 1904-11 had a bigger impact on his life or on that of his sister Bella. She visited her brother in Ceylon and there met both her husbands (she was widowed twice). Bella Woolf was already an established childern’s writer. Among her best remembered books are The Twins in Ceylon and Further Adventures of the Twins in Ceylon. She also wrote two volumes of essays on Ceylon for adults, as well as the first guide book in English on that country. This monograph examines the largely unexplored relationship between Leonard and Bella Woolf, focusing on their connections with Ceylon. An illuminating appendix discusses Bella’s relationship with her sister-in- law Virginia Woolf. The work has been enhanced by access to Bella Woolf's unpublished papers, made available by Leonard and Bella’s nephew Cecil Woolf, who has also contributed an introduction. Bloomsbury Heritage series No. 67, perfectbound paperback, 52pp. incl. portrait frontisp., ISBN 978-1- 907286-28-5, price £8.00

Sarah Latham Phillips Virginia Woolf as a ‘Cubist Writer’

Virginia Woolf’s work has frequently been linked to Post-Impressionbism, but rarely to Cubism. This monograph demonstrates the striking similarities between the experimental and Modernist style of Woolf’s writing and the designs and ideas of the avant-garde Cubist movement, founded in Paris in 1907 by Picasso and Braque. Woolf’s highly innovative writing style, post-1917, implies ‘literary Cubism’. As the Cubist painters played with perspective and space and displayed simultaneously all aspects of the object or subject, so Woolf suggests, hints, curves and cloaks the real nature of her subject. Jacob’s Room and Mrs Dalloway and her early short stories are beautiful mosaics constructed by fragments from countless descriptions of moments. This highly original, well-illustrated and well-researched monograph looks too at London, street scenes, cafés, interior rooms and domestic objects and reflects on the parallels between Woolf’s observations of ordinary life and the work of Picasso and Braque in public and private spaces. Bloomsbury Heritage series No. 68, card wrappers, 44pp. & 4pp.of coloured illus., ISBN 978-1-907286- 29-2, price £9.00

Kristin Czarnecki Virginia Woolf, Authorship, and Legacy: Unravelling Nurse Lugton’s Curtain

‘Nurse Lugton was asleep. She had given one great snore’. This monograph explores the origins, development and audience reception of Virginia Woolf’s children’s story, Nurse Lugton’s Curtain , as a means of understanding Woolf’s concept of authorship together with contemporary attitudes towards the author herself. Initially published posthumously as Nurse Lugton’s Golden Thimble in 1946 by the Hogarth Press, with drawings by Duncan Grant, and later as Nurse Lugton’s Curtain in a Harcourt picture book Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 7

illustrated by Julie Vivas, the tale offers children a wonderfully imaginative escapade while at the same time yielding insights into Woolf’s writing practice. Discussing an array of Woolf’s essays, letters and diary entries, in addition to the story along with the Grant and Vivas illustrations, this book finds Woolf highly attuned to children in the writing and revising of Nurse Lugton’s Curtain and mindful of the need for authors to subordinate their ego when writing their texts. Bloomsbury Heritage series No. 69, card wrappers, 28pp., incl. 4pp. of illus in colour & b. & w., reproducing Grant’s and Vivas’s drawings, ISBN 978-1-907286-32-2, price £7.50

Jane Goldman ‘With You in the Hebrides’: Virginia Woolf and Scotland

Virginia Woolf was in England when she was writing To the Lighthouse, her only novel set in Scotland. ‘Here I’m sitting’, she wrote in 1926, ‘from the heart of London’ to her lover Vita Sackville-West, ‘thinking how to manage the passage of ten years, up in the Hebrides: then the telephone rings; then a charming bony pink cheeked Don called Lucas comes to tea: well, am I here … or in a bedroom up in the Hebrides? I know which I like best – the Hebrides. I should like to be with you in the Hebrides at this moment’. The earliest critics of this novel were quick to query or discount the Skye setting, and little attention has been paid to it since. Although Woolf did not reach the Hebrides in person until 1938, well after the publication of her Hebridean novel, she had much earlier, in 1913, travelled physically as far north into Scotland as Oban; and she was all her reading life a mental traveller north of the border courtesy of her voracious appetite for writers such as Walter Scott, Daniel Defoe, Robert Burns, James Boswell and anonymous Scottish balladeers whose works loomed large in her father’s library. This highly absorbing monograph charts Woolf’s physical and mental forays into Scotland, examining her first visit on a political tour with Leonard Woolf in 1913 and their later Hebridean tour in the footsteps of Dr Johnson and James Boswell and the Young Pretender before them, as well as her rich record of reading and writing on and her many fictional allusions to Scotland and Scottish culture. Bloomsbury Heritage series No. 70, perfectbound paperback, 84pp. including coloured frontisp. & 4pp. of b. & w. Illus., ISBN 978-1-907286-33-9, price £10.00

Judith Allen Virginia Woolf: Walking in the Footsteps of Michel de Montaigne

Following Virginia Woolf’s first visit to Michel de Montaigne’s Tower in the Dordogne region of France in 1931, she wrote to Ethel Smyth, Vita Sackville-West and her sister Vanessa Bello to express her absolute joy at being in the very room where Montaigne had created his Essays . To Ethel, Woolf wrote of ‘the very door he opened’, and importantly of her walking in the footsteps, ‘worn in deep waves up to the tower’. This monograph reflects on the significance of Woolf’s pilgrimage, walking in Montaigne’s footsteps, both literally and metaphorically, and explores her lifelong dialogue with Montaigne, and their shared focus on the complex processes of writing and reading. During her lifetime, Woolf’s letters, diaries, essays and reading notes referred to Montaigne, his essays, and his world view, expressing her deep respect for his talent, his ideas, and his humanity. His creation, the ‘essay’ – defined by its indefiniteness – was a mode of expression especially suitable for Woolf both to Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 8

express and enact her cultural critique. Woolf’s cultural critique echoes, in multiple ways, Montaigne’s motto, ‘ Que scais-je ?’, with which she closes her essay ‘Montaigne’. Montaigne’s defining question – ‘What do I know?’ – pervades Woolf’s writings, and expresses her acceptance of the mystery and complexity of texts, selves, and most significantly, the words from which they are constructed. Bloomsbury Heritage series No. 63, card wrappers, 24pp. & 8 full-colour illus., ISBN 978-1-907286-24-7, price £7.50

Drew Patrick Shannon How Should One Read a Marriage? Private Writings, Public Readings, Leonard and Virginia Woolf

Virginia and Leonard Woolf’s marriage is perhaps one of the most scrutinized, debated and analyzed unions of the early twentieth century, with Leonard depicted alternately as the tyrannical jailer who rationed Virginia’s writing time and insisted on rest and quiet in an attempt to alleviate the symptoms of her mental illness, or as the devoted caretaker for precisely the same reasons. Indeed, nearly every Virginia Woolf scholar takes a position on Leonard Woolf as husband, and can turn to much supplemental evidence for support. How Should One Read a Marriage? examines in fascinating detail the evolution of the Woolfs’ marriage in the public consciousness, through the gradual publication of the Woolfs’ own accounts of the marriage in diaries and autobiographies, and the biographical and critical works based upon these sources. It traces the changing perception of Virginia as victim to Virginia as victor, of Leonard as saint to Leonard as sinner, and demonstrates the effect of the cultural climate on the reading of this unique union. Bloomsbury Heritage series No. 55, card wrappers, 52pp., ISBN 978-1-907286-16-2, price £9.00

A Complete List of Monographs in the Series

1. Virginia Woolf, A COCKNEY’S FARMING EXPERIENCES , £6.00 2. Virginia Woolf, ROGER FRY; A SERIES OF IMPRESSIONS , £6.00 3. Jean Moorcroft Wilson, LEONARD WOOLF: PIVOT OR OUTSIDER OF BLOOMSBURY , £6.00 4. Mary Ann Caws, BLOOMSBURY IN CASSIS , £6.00 5. Jean Moorcroft Wilson , VIRGINIA WOOLF’S WAR TRILOGY: ANTICIPATING THREE GUINEAS , £6.00 6. Mary Ann Caws , CARRINGTON AND LYTTON: ALONE TOGETHER, £6.00 7. Abigail Willis , BLOOMSBURY CERAMICS , £6.00 8. Jean Moorcroft Wilson, VIRGINIA WOOLF AND ANTI-SEMITISM , £6.00 9. Sarah Bird Wright , STAYING AT MONKS HOUSE: ECHOES OF THE WOOLFS , £6.00 10. Patricia Laurence , VIRGINIA WOOLF AND THE EAST , £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 9

11. Jane Marcus , VIRGINIA WOOLF, CAMBRIDGE AND A ROOM OF ONE’S OWN : ‘THE PROPER UPKEEP OF NAMES’ , £8.50 12. Elizabeth Steele, VIRGINIA WOOLF AND COMPANIONS – A FEMINIST DOCUMENT – A PLAY , £6.50 13. Peter Stansky , WILLIAM MORRIS AND BLOOMSBURY , £6.50 14. Clive Bell , ROGER FRY: ANECDOTES, FOR THE USE OF A FUTURE BIGRAPHER, ILLUSTRATING CERTAIN PECULIARITIES OF THE LATE ROGER FRY , Edited by Diane Gillespie, £7.00 15. LEONARD AND VIRGINIA WOOLF WORKING TOGETHER; AND THE HITHERTO UNPUBLISHED MANUSCRIPT ‘INL RENS’ , Edited by Wayne K. Chapman and Janet Manson, £6.50 16. Laila Miletic-Vejzovic , A LIBRARY OF ONE’S OWN: THE LIBRARY OF LEONARD AND VIRGINIA WOOLF , £6.50 17. Gwen Anderson , ETHEL SMYTH: THE BURNING ROSE: A BRIEF BIOGRAPHY , £6.50 18. Kathryn N. Benzel , CHARLESTON: A VOICE IN THE HOUSE , £7.50 19. Nicola Luckhurst, BLOOMSBURY IN VOGUE , £6.50 20. Michael Yoss , RAYMOND MORTIMER: A BLOOMSBURY VOICE , £6.50 21. Rachel Tranter , VANESSA BELL, A LIFE OF PAINTING , £7.50 22. Leonard Woolf , MONARCHY: AN HITHERTO UNPUBLISHED MS , £7.50 23. Marion Dell , PEERING THROUGH THE ESCALLONIA : VIRGINIA WOOLF, TALLAND HOUSE AND ST IVES , £7.50 24. Chistopher Reed , ROGER FRY’S DURBINS: A HOUSE AND ITS MEANINGS , £7.50 25. Susan Richardson , VIRGINIA WOOLF AND SYLVIA PLATH – TWO OF ME NOW : A POETIC DRAMA , £6.50 26. Carol Hansen , THE LIFE AND DEATH OF ASHAM: LEONARD AND VIRGINIA’S HAUNTED HOUSE , £7.50 27. Alan Isaac , VIRGINIA WOOLF, THE UNCOMMON BOOKBINDER , £7.50 28. E.M. Forster , THE FEMININE NOTE IN LITERATURE – AN HITHERTO UNPUBLISHED MS , Edited by George Piggford £7.50 29. John Lello , THE BLOOMSBURY GROUP IN VENICE , Illustrated by Sandra Lello, £7.50 30. Vanessa Curtis, STELLA AND VIRGINIA: AN UNFINISHED SISTERHOOD, £7.50 31. Nicola Luckhurst and Martine Ravache , VIRGINIA WOOLF IN CAMERA , £7.50 32. Hilary Newman , DEATH IN THE LIFE & NOVELS OF VIRGINIA WOOLF , £6.00 33. Alister Raby , VIRGINIA WOOLF’S WISE AND WITTY QUAKER AUNT: A BIOGRAPHICAL SKETCH OF CAROLINE EMILIA STEPHEN , £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 10

34. David H. Porter , VIRGINIA WOOLF AND LOGAN PEARSALL SMITH: ‘AN EXQUISITELY FLATTERING DUET’ , £6.50 35. Hilary Newman , VIRGINIA WOOLF AND KATHERINE MANSFIELD, A CREATIVE RIVALRY , £6.50 36. Michael Tatham , DORA CARRINGTON, FACT INTO FICTION , £6.50 37. David H. Porter , VIRGINIA WOOLF AND THE HOGARTH PRESS: ‘RIDING A GREAT HORSE’ , £6.50 38. Philip Neale , HAM SPRAY: LYTTON & CARRINGTON’S COUNTRY RETREAT , £7.00 39. Lytton Strachey , A SON OF HEAVEN: A TRAGIC MELODRAMA , Edited by George Simson, £10.00 40. Roberta Rubenstein , REMINISCENCES OF LEONARD WOOLF , £7.00 41. Nuala Hancock , GARDENS IN THE WORK OF VIRGINIA WOOLF , £7.50 42. Gill Lowe , VERSIONS OF JULIA: FIVE BIOGRAPHICAL CONSTRUCTIONS OF JULIA STEPHEN , £8.00 43. S.P. Rosenbaum , CONVERSATION WITH JULIAN FRY , £6.50 44. John Lello , ROGER FRY, APOSTLE OF GOOD TASTE AND VENICE , Illustrated by Sandra Lello, £6.50 45. Hilary Newman , LAURA STEPHEN, A MEMOIR , £7.00 46. Patricia Laurence , JULIAN BELL, THE VIOLENT PACIFIST , £7.50 47. Hilary Newman , JAMES KENNETH STEPHEN: VIRGINIA WOOLF’S TRAGIC COUSIN , £7.50 48. John Shaw , THE QUEST FOR LURIANA: THE STORY OF A BLOOMSBURY POEM , £7.50 49. Hilary Newman, ANNE THACKERAY RITCHIE: HER INFLUENCE ON THE WORK OF VIRGINIA WOOLF , £7.50 50. Emilie Crapoulet , VIRGINIA WOOLF: A MUSICAL LIFE , £7.50 51. Julie Singleton , A HISTORY OF MONKS HOUSE AND VILLAGE OF RODMELL, SUSSEX HOME OF LEONARD AND VIRGINIA WOOLF , £7.50 52. Diana Gardner , THE RODMELL PAPERS: REMINISCENCES OF VIRGINIA AND LEONARD WOOLF BY A SUSSEX NEIGHBOUR , £7.50 53. David H. Porter , THE OMEGA WORKSHOPS AND THE HOGARTH PRESS: AN ARTFUL FUGUE , £7.50 54. Paula Maggio , READING THE SKIES IN VIRGINIA WOOLF: WOOLF ON WEATHER IN HER ESSAYS, DIARIES, AND THREE OF HER NOVELS , £7.50 55. Drew Patrick Shannon, HOW SHOULD ONE READ A MARRIAGE? PRIVATE WRITINGS, PUBLIC READINGS, AND LEONARD AND VIRGINIA WOOLF , £9.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 11

56. Catherine Hollis, LESLIE STEPHEN AS MOUNTAINEER , £10.00 57. Catherine Gregg, VIRGINIA WOOLF AND ‘DRESS MANIA’ , £10.00 58. Alice Lowe, BEYOND THE ICON: VIRGINIA WOOLF IN CONTEMPORARY FICTION , £6.00 59. Todd Avery, DESMOND AND MOLLY MacCARTHY: BLOOMSBERRIES, £6.50 60. Emily Kopley, VIRGINIA WOOLF AND THE THIRTIES POETS, £10.50 61. Mary Ann Caws, HOW VITA MATTERS, £6.50 62. Mark Hussey, ‘I’D MAKE IT PENAL’: THE RURAL PRESERVATION MOVEMENT IN VIRGINIA WOOLF’S BETWEEN THE ACTS , £6.50 63. Judith Allen, VIRGINIA WOOLF: WALKING IN THE FOOTSTEPS OF MICHEL DE MONTAIGNE, £8.00 64. Paula Maggio, THE BEST OF BLOGGING WOOLF, FIVE YEARS ON, £7.00 65. Paula Maggio (Ed.), VIRGINIA WOOLF’S LIKES & DISLIKES, £9.00 66. Lolly Ockerstrom, VIRGINIA WOOLF AND THE SPANISH CIVIL WAR, £7.50 67. Hilary Newman, BELLA WOOLF, LEONARD WOOLF AND CEYLON, £7.50 68. Sarah Phillips, VIRGINIA WOOLF AS A ‘CUBIST WRITER’, £9.00 69. Kristin Czarnecki, VIRGINIA WOOLF, AUTHORSHIP, AND LEGACY, £7.50 70. Jane Goldman, ‘WITH YOU IN THE HEBRIDES; VIRGINIA WOOLF & SCOTLAND, £9.00 71. Bonnie Kime Scott, NATURAL CONNECTIONS: VIRGINIA WOOLF & KATHERINE MANSFIELD, £7.50 72. Hilary Newman, ‘ETERNALLY IN YR DEBT’; THE PERSONAL AND PROFESSIONAL RELATIONSHIP BETWEEN VIRGINIA WOOLF & ELIZABETH ROBINS, £6.00 73. Todd Avery, SAXON SYDNEY-TURNER: THE GHOST OF BLOOMSBURY, £6.00 74. Alice Lowe, VIRGINIA WOOLF AS MEMOIRIST: ‘I AM MADE AND REMADE CONTINUALLY’, £6.00 75. Suellen Cox, MISTRESS OF THE BRUSH & MADONNA OF BLOOMSBURY: THE ART AND LIFE OF VANESSA BELL: A BIOGRAPHICAL SKETCH & COMPREHENSIVE BIBLIOGRAPHY OF WRITINGS ON VANESSA BELL, £13.50 76. Vara S. Neverow, SEPTIMUS SMITH: MODERNIST AND WAR POET: A CLOSER READING, £6.00 Cecil Woolf Publishers appreciate proposals for future monographs and welcome submissions. Full catalogue of this series sent on request.

Catalogue May2015_SonofHeaven.qxd20/05/201517:51Page12 P o s t a g e

c h a r g e d

e x t r a

a t

c o s t : £ s t g

U S $

€

— — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — — —