DOCSLIB.ORG

Cecil Woolf Publishers: 2015 Bloomsbury

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cecil Woolf Publishers: 2015 Bloomsbury Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 1 CECIL WOOLF PUBLISHERS 1 Mornington Place, London NW1 7RP, England Tel: 020 7387 2394 [email protected] Monographs General Editor: Jean Moorcroft Wilson Thoughts of the Common Reader ‘I recently discovered the Bloomsbury Heritage Series, which is a series of short books about all things Bloomsbury and the people that were part of this group. It was set up by Leonard Woolf’s nephew Cecil Woolf and it is a really delightful collection of books. The series is published very much in the spirit of the Hogarth Press, each book is bound in card and the front cover has a design similar to those that Vanessa Bell designed for the Hogarth Press. ‘The idea of the series is to bring together pieces of writing about and around the Bloomsbury group. It explores all aspects of their lives and has many contributors. There is something very charming about them and I love that you send them by post. It is a real pleasure to wait for its arrival through the letter box, the anticipation, something we have lost in the age of the internet, download it now, next day delivery… I had ordered a catalogue by e-mail and was pleasantly surprised when I had a reply from Cecil Woolf to say that it was in the post. When I placed my first order for the first book in the series A Cockney’s Farming Experiences . [I received from Cecil Woolf] by far the best customer service I have received in a long time.’ &c – thoughtsofthecommonreader.blogspot.co.uk Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 2 JUST PUBLISHED Bonnie Kime Scott Natural Connections: Virginia Woolf and Katherine Mansfield Virginia Woolf and Katherine Mansfield made striking representations of the natural world that bear comparison, particularly in registering details, rendering character and perception, and serving a concern for the politics of gender and sexuality. These qualities, together with their challenge to traditional divisions between nature and culture, make their work highly suitable for the eco-feminist approach employed here. This study compares the natural and intellectual connections available to them at various stages of their lives, starting from the contrasting sites of Wellington, New Zealand, and London, and intersecting briefly as contributors to the making of modernism. This monograph identifies differences in the relation Mansfield and Woolf strike with their natural subject matter that are consistent with their modernist criticism of other writers, including one another. Dr Scott’s study of the natural aspect of Woolf’s and Mansfield’s writing makes a substantial contribution to the greening of modernist studies that has emerged in the last decade. Bloomsbury Heritage series No. 71, card wrappers, 48pp., ISBN 978-1-907286-34-6, price £7.50 Hilary Newman ‘Eternally in yr Debt’: the Personal and Professional Relationship Between Virginia Woolf & Elizabeth Robins Elizabeth Robins (1862-1952) was an expatriate American actress turned author, who lived with Octavia Wilberforce. Her outstanding achievement was the bringing of Henrik Ibsen’s plays to the London stage and playing his leading female roles. She became President of the Women Writers Suffrage League and was a close adviser to Mrs Pankhurst. Woolf inherited Elizabeth Robins’s friendship from her parents, but it did not initially endure. Robins described Woolf as ‘probably the greatest living writer of English prose’ and attended the function at which Woolf received the Femina Vie Heureuse Prize for To the Lighthouse in 1928. Here their friendship was renewed and intermittently continued until Woolf’s death, though they never became intimate. Woolf was not so complimentary about Robins’s work, finding her novels and short stories conventional and ‘pre-war’. However, she admired Robins’s autobiographical writings, two of which were published by the Hogarth Press. In this study, which incidentally casts new light on Woolf’s half-brother, Gerald Duckworth, Hilary Newman also argues that Robins’s two feminist treatises throw a new light on Woolf’s A Room of One’s Own and Three Guineas . Bloomsbury Heritage series No. 72, card wrappers, 28pp., ISBN 978-1-907286-38-4, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:50 Page 3 Todd Avery Saxon Sydney-Turner: the Ghost of Bloomsbury Who was Saxon Arnold Sydney-Turner (1880-1962), what manner of man was he and what was his place in Bloomsbury? Variously characterized as silent, vague, obscure, shadowy, and spectral, Sydney-Turner nevertheless occupied a central place in Bloomsbury, especially during its Cambridge and early London years. He was, for example, one of the few guests at the Stephen siblings’ first Gordon Square at-homes in 1905, and later he starred in Carrington’s 1929 short film, ‘Dr Turner’s Mental Home’. This fascinating portrait study approaches Sydney-Turner in the spirit of the imaginary reader who, in Virginia Woolf’s ‘Lives of the Obscure’, searches out ‘some stranded ghost … waiting, appealing, forgotten, in the growing gloom’, a ghost who yearns to speak ‘old secrets’ and to experience ‘the divine relief of communication’. Drawing on dozens of published accounts, as well as on scores of unpublished letters and photographs from major English and American archives, and on the twenty or so poems that he contributed to Euphrosyne (1905), the ‘first book of Bloomsbury’, Saxon Sydney-Turner : the Ghost of Bloomsbury draws this ghost out of a surrounding obscurity and gives flesh to the man whom Lytton Strachey once called (in their 38 th year!) ‘a withered old man – ce veillard ratatiné .’ Bloomsbury Heritage series No. 73, card wrappers, 32pp., ISBN 978-1-907286-39-1, price £6.00 Alice Lowe Virginia Woolf as Memoirist: ‘I am Made and Remade Continually’ Hermione Lee referred to Virginia Woolf as ‘an autobiographer who never published an autobiography’, at the same time acknowledging Woolf’s considerable body of self-writing. ‘A Sketch of the Past’ is said to be incomplete in that, unlike her husband, Woolf never completed a full-length volume of formal autobiography, yet it is notable for her insights and reflections not just about her life, past and present, but about the memoir form itself. Using ‘A Sketch of the Past’ as a primary text, along with the personal essays accompanying it in Moments of Being and relevant illustrations from Woolf’s diaries, letters, essays, stories and novels, this absorbing monograph explores in depth Woolf’s contribution to memoir as a unique genre, distinct from autobiography. This study recapitulates the form, from its history to Woolf’s work and that of her contemporaries, to the legacy evident today. Bloomsbury Heritage series No. 74, card wrappers, 32pp., ISBN 978-1-907286-40-7, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 4 Suellen Cox Mistress of the Brush and Madonna of Bloomsbury, The Art of Vanessa Bell: a Biographical Sketch and Comprehensive Annotated Bibliography of Writings on Vanessa Bell Vanessa Bell occupied a central place in the Bloomsbury group and has been described as ‘the pivot on which every important development’ in the group turned. Over the years, exhibitions celebrating Bell’s work and the other Bloomsbury artists have been numerous, well attended and positively received in critical circles. As to the place and importance of her work within the context of 20th century and British post-impressionism, however, there continues to be a lively debate. Due to the plethora of published material – books, monographs, articles, exhibition catalogues and reviews – historians, critics, researchers and students have had a difficult and time- consuming task in discovering all that exists. This book brings together in one source, a comprehensive listing and description of the formidable body of material relating to Vanessa Bell. Bloomsbury Heritage series No. 75, perfectbound paperback, 80pp., ISBN 978-1-907286-42-1, price £13.50 Vara S. Neverow Septimus Smith, Modernist and War Poet: a Closer Reading Septimus Warren Smith, the shell-shocked war veteran in Mrs Dalloway , has been viewed by scholars more as a victim suffering from post-traumatic stress disorder after the Great War than as an unpublished modernist or war poet. Woolf, in her notes for drafting of the novel, considers the possibility of ‘S’s character … founded on me?’, partly because of his mental illness, but the parallel also suggests that Woolf may have intended for his ruminations to be read as sophisticated acts of creativity. Septimus’s poetic rhapsodies have not hitherto been directly linked to the daring experimental literary expression of such modernist poets as T.S. Eliot and Ezra Pound or of war poets Wilfred Owen and Siegfried Sassoon, nor have his drawings been aligned with the work of post-impressionist artists whose works were shown at the 1910 Grafton Galleries Exhibition. Bloomsbury Heritage series No. 76, card wrappers, 32pp., ISBN 978-1-907286-43-8, price £6.00 Catalogue May 2015_Son of Heaven.qxd 20/05/2015 17:51 Page 5 RECENT SUCCESSES Paula Maggio The Best of Blogging Woolf, Five Years On The plethora of interest in and commentary on Virginia Woolf available on the internet continues to grow. New references to Woolf and her work appear online every day. Blogging Woolf, which began publishing in July 2007, is an invaluable online resource that melds the personal and academic approach to Woolf, while providing documentation of her growing iconic popularity. This work collects some of the site’s most popular and enduring essays, as well as those that introduce new research or focus on Woolf’s relevance to the twenty-first century. The collected pieces in this volume emphasize the fact that Woolf scholars, general readers and fans can enter the common ground of the virtual public square to engage in conversation as equals while applying Woolf’s philosophy of democratic inclusiveness to the online world.
Load more

Recommended publications
  • The Importance of the Ordinary. Moments of Being in Virginia Woolf’S Mrs
    Pobrane z czasopisma New Horizons in English Studies http://newhorizons.umcs.pl Data: 25/09/2021 11:49:07 New Horizons in English Studies 1/2016 LITERATURE • Emilia Flis UNIVERSITY OF WARSAW [email protected] The Importance of the Ordinary. Moments of Being in Virginia Woolf’s Mrs. Dalloway Abstract. “A Sketch of the Past” is an essay in which Virginia Woolf recollects her childhood memo- ries and reflects upon certain events, while trying to understand why she remembers them and forgets others. She mentions the concept “moments of being”, though without providing the reader with a clear definition. The idea refers to the bits of our lives in which we experience something beyond the ordinary daily routine – the intense feeling of being alive. The author describes it as “a sudden violent shock; something happened so violently that I have remembered it all my life” (Woolf, A Sketch of the Past 71) and contrasts such intenseUMCS revelatory moments with “the cotton wool” (70) of non-being that defines most of our living. The concept “moments of being” is of great importance to the writer, as she herself states: ”And so I go on to suppose that the shock-receiving capacity is what makes me a writer” (72). The present article discusses the concept “moments of being” and attempts to capture its meaning by analysing selected passages from one of Virginia Woolf’s most famous novels, Mrs Dalloway. Keywords: modernism, time, the ordinary, stream of consciousness, identity, sexuality One of the characteristics of literary modernism is the focus on the ordinary.
    [Show full text]
  • The Cambridge Introduction to Virginia Woolf Pdf Free
    THE CAMBRIDGE INTRODUCTION TO VIRGINIA WOOLF PDF, EPUB, EBOOK Jane Goldman | 170 pages | 09 Oct 2006 | CAMBRIDGE UNIVERSITY PRESS | 9780521547567 | English | Cambridge, United Kingdom The Cambridge Introduction to Virginia Woolf PDF Book Later, she, Vanessa and Adrian would develop the tradition of inventing a serial about their next-door neighbours, every night in the nursery, or in the case of St. Hesperus Press. They rented a home in Sussex and moved there permanently in Julia, having presented her husband with a child, and now having five children to care for, had decided to limit her family to this. More filters. It was published in October, shortly after the two women spent a week travelling together in France, that September. Bennett and Mrs. The first quotation is from a diary entry of September and runs: "The fact is the lower classes are detestable. It has been suggested that these include genetic predisposition , for both trauma and family history have been implicated in bipolar disorder. And our marriage so complete. So I am doing what seems the best thing to do. The eldest, Vanessa —; later, Bell became an important avant-garde visual artist; the second, Thoby — died tragically young; and the youngest, Adrian — , became a psychoanalyst and prominent pacifist. It was there that Virginia had the first of her many nervous breakdowns , and Vanessa was forced to assume some of her mother's role in caring for Virginia's mental state. Leslie Stephen, who referred to it thus: "a pocket-paradise", [66] described it as "The pleasantest of my memories Reading Virginia Woolf.
    [Show full text]
  • The Posthumanistic Theater of the Bloomsbury Group
    Maine State Library Digital Maine Academic Research and Dissertations Maine State Library Special Collections 2019 In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group Christina A. Barber IDSVA Follow this and additional works at: https://digitalmaine.com/academic Recommended Citation Barber, Christina A., "In the Mouth of the Woolf: The Posthumanistic Theater of the Bloomsbury Group" (2019). Academic Research and Dissertations. 29. https://digitalmaine.com/academic/29 This Text is brought to you for free and open access by the Maine State Library Special Collections at Digital Maine. It has been accepted for inclusion in Academic Research and Dissertations by an authorized administrator of Digital Maine. For more information, please contact [email protected]. IN THE MOUTH OF THE WOOLF: THE POSTHUMANISTIC THEATER OF THE BLOOMSBURY GROUP Christina Anne Barber Submitted to the faculty of The Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the requirements for the degree Doctor of Philosophy August, 2019 ii Accepted by the faculty at the Institute for Doctoral Studies in the Visual Arts in partial fulfillment of the degree of Doctor of Philosophy. COMMITTEE MEMBERS Committee Chair: Simonetta Moro, PhD Director of School & Vice President for Academic Affairs Institute for Doctoral Studies in the Visual Arts Committee Member: George Smith, PhD Founder & President Institute for Doctoral Studies in the Visual Arts Committee Member: Conny Bogaard, PhD Executive Director Western Kansas Community Foundation iii © 2019 Christina Anne Barber ALL RIGHTS RESERVED iv Mother of Romans, joy of gods and men, Venus, life-giver, who under planet and star visits the ship-clad sea, the grain-clothed land always, for through you all that’s born and breathes is gotten, created, brought forth to see the sun, Lady, the storms and clouds of heaven shun you, You and your advent; Earth, sweet magic-maker, sends up her flowers for you, broad Ocean smiles, and peace glows in the light that fills the sky.
    [Show full text]
  • Journal of the Short Story in English, 50 | Spring 2008 “In the Circle of the Lens”: Woolf’S “Telescope” Story, Scene-Making and Memory 2
    Journal of the Short Story in English Les Cahiers de la nouvelle 50 | Spring 2008 Special issue: Virginia Woolf “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus Édition électronique URL : http://journals.openedition.org/jsse/702 ISSN : 1969-6108 Éditeur Presses universitaires de Rennes Édition imprimée Date de publication : 1 juin 2008 ISSN : 0294-04442 Référence électronique Laura Marcus, « “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory », Journal of the Short Story in English [En ligne], 50 | Spring 2008, mis en ligne le 01 juin 2011, consulté le 10 décembre 2020. URL : http://journals.openedition.org/jsse/702 Ce document a été généré automatiquement le 10 décembre 2020. © All rights reserved “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory 1 “In the Circle of the Lens”: Woolf’s “Telescope” Story, Scene-making and Memory Laura Marcus 1 Virginia Woolf noted in her diary for 31st January 1939: “I wrote the old Henry Taylor telescope story that has been humming in my head these 10 years” (Woolf 1984: 204). The short story to which she was referring was published as “The Searchlight”, in the posthumous A Haunted House and Other Stories.The “humming” had, however, already been transferred to the page ten years previously, when Woolf wrote a story which she entitled “What the Telescope Discovered”, followed a year later by the incomplete “Incongruous/Inaccurate Memories”. In all, Woolf produced some fourteen different drafts of “the telescope story”, with fragments of other drafts.
    [Show full text]
  • Virginia Woolf
    THE CAMBRIDGE COMPANION TO VIRGINIA WOOLF EDITED BY SUE ROE AND SUSAN SELLERS published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, United Kingdom http://www.cup.cam.ac.uk 40 West 20th Street, New York, ny 10011±4211, USA http://www.cup.org 10 Stamford Road, Oakleigh, Melbourne 3166, Australia Ruiz de Alarco n 13, 28014 Madrid, Spain # Cambridge University Press, 2000 This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2000 Printed in the United Kingdom at the University Press, Cambridge Typeset in Sabon 10/13 pt. [ce] A catalogue record for this book is available from the British Library Library of Congress cataloging in publication data The Cambridge companion to Virginia Woolf / edited by Sue Roe and Susan Sellers. p. cm. ± (Cambridge companions to literature) Includes bibliographical references and index. isbn 0 521 62393 6 (hardback). ± isbn 0 521 62548 3 (paperback) 1. Woolf, Virginia, 1882±1941 ± Criticism and interpretation. 2. Women and literature ± England ± History ± 20th century. i. Roe, Sue. ii. Sellers, Susan. iii. Series. pr6045.072z5655 2000 823'.912 ± dc21 99±38435 cip isbn 0 521 62393 6 hardback isbn 0 521 62548 3 paperback CONTENTS List of contributors page xi Preface xiii Acknowledgements
    [Show full text]
  • Unveiling the Contemporary in Virginia Woolf
    DOI: http://dx.doi.org/10.5007/ 2175-8026.2021.e74632 UNVEILING THE CONTEMPORARY IN VIRGINIA WOOLF Patricia Marouvo1* 1Universidade Federal do Acre, Rio Branco, AC, Brasil Abstract This article aims to discuss Virginia Woolf’s critical appraisal of the contemporariness of her contemporaries’ production while also probing the very idea of what constitutes “the contemporary”. “The Modern Essay (1921) serves as the frame for what Woolf dubbed “the contemporary dilemma”, which this article then traces in “How it Strikes a Contemporary” (1923). Resorting to other major essays, this article contextualizes Woolf’s publication of The Common Reader – First Series (1925) so as to explore its conversational quality as a philosophical principle inherent to Woolf’s oeuvre (Pinho 2020). The philosophically inclined methodology of Woolf’s essays finds fertile ground in Giorgio Agamben’s “What Is the Contemporary?” (2009). Ultimately, by reading Woolf alongside Agamben, this article sheds light on the intersections between contemporary philosophy and the philosophical questions we continue to find in Woolf’s writing. Keywords: Virginia Woolf; essay; contemporary; philosophy * Professor of English at Universidade Federal do Acre (UFAC). She holds a PhD in Comparative Literature (Universidade Federal do Rio de Janeiro, 2019). She is the author of the forthcoming book Uma poética hídrica em The Waves, de Virginia Woolf (Appris). She has published articles and book chapters on Virginia Woolf, developing a philosophical reading of the writer’s oeuvre. E-mail
    [Show full text]
  • Virginia Woolf Miscellany, Issue 62, Spring 2003
    NUMBER 62 SPRING 2003 Letter to the Readers: Reader” as well as reviews of books by Jessica Berman, Donald J. Childs, Katherine Dalsimer, and David Ellison. “Never has there been such a time. Last week end we were at Charleston and very gloomy. Gloom increased on Monday. In London it was hectic and gloomy and at the same time This issue of the Virginia Woolf Miscellany represents a new phase in the history of despairing and yet cynical and calm. The streets were crowded. People were everywhere talking this publication. The Miscellany has moved across the country from sunny Sonoma loudly about war. There were heaps of sandbags in the streets, also men digging trenches, lorries to snowy New Haven, from a California State University to a Connecticut State delivering planks, loud speakers slowly driving and solemnly exhorting the citizens of Westminster Go and fit your gas masks. There was a long queue of people waiting outside the Mary Ward University. After nearly 30 years of publishing this small but vital periodical, J.J. settlement to be fitted. [W]e sat and discussed the inevitable end of civilization. [Kingsley Wilson has handed the torch to a new editorial board. The publication itself has a Martin] said the war would last our life time[.] . Anyhow, Hitler meant to bombard London, new future as a soon-to-be subscription periodical with a web presence. Members of probably with no warning; the plan was to drop bombs on London with twenty minute intervals the International Virginia Woolf Society will continue to receive the Miscellany as a for forty eight hours.
    [Show full text]
  • Virginia Woolf and Her World
    City University of New York (CUNY) CUNY Academic Works Open Educational Resources City College of New York 2021 Virginia Woolf and her World Václav Paris CUNY City College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/cc_oers/352 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] ENGL 36508 - 48167 Instructor: Václav Lucien Paris MoWe 2:00PM - 3:15PM Email: [email protected] Online Course Office Hours: Zoom meetings by appointment Virginia Woolf and her World All writers create their own world, but few are as rich, as strange, and as influential as that of Virginia Woolf. Woolf’s world is not easy to enter. Her novels, ranging from her early Voyage Out to her late Between the Acts are complex psychological structures that make few concessions to lazy readers. Her networks were often private. Orlando, a fantasy about (among other things) transsexuality and living through centuries, is also a love letter to her friend, Vita Sackville-West. But once you get into Woolf, you’ll find that it’s even harder to get out. Woolf changes the way you see things. She gives you a vocabulary for what is going on under the surface, for understanding pervasive features of everyday life that you didn’t even suspect before. Reading most of Woolf’s major novels, a range of her essays and short fiction, and some of the works of those in her circle, 1 this course offers a way into her world, which is also—as we will come to see—increasingly our world.
    [Show full text]
  • ·Nia Woof /\Isce An
    ·nia Woof /\isce an NUMBER57 SPRING 2001 TO THE READERS: By the standard of those that In February we attended the wonderful world premiere of the San precede it , this third moment­ J.J. Wilson will edit the next Francisco Ballet's "Death of a Moth ," inspired chiefly by Virginia involving as it does a confrontation issue of the Miscellany. Woolfs essay. Choreographer Val Caniparoli describes in the program with discontinuity and demise-is The due date is notes his experience of seeing a moth beat its wings against a window abjectly negative . Woolfs broadest September 7, 200 I. and his words reminded me of our first night of residence in Monk 's term for such negativity is non­ House in the upstairs sitting room. And it was fun to see Freshwater being , which , among other things, Her address is: appear so centrally in the new Amanda Cross mystery, Hon est Dou_bt. presents the writer with a daunting Sonoma State University , Editing the play was my first task when we lJVed there . My only advice problem of representation : for, if 1801 East Cotati Avenue, to Kate Fansler is muzzle your big dog when you come to California . people are, as she suggest s, so very Rohnert Park, CA 94928. Or did our local news story not reach the East Coast? The next editor hard to describe , how much harder of VWM will be J.J. Wilson, so send all material to her at Sonoma State it must be to describe, for lack of a University by September 7. better term, "what-is-not." Lucio Ruotolo As there exists no _pre-ordained language in which to express the Stanford University latter, Woolf returns to the realm of recollection , registering a series of moments in which being and non-being are powerfully experienced: a walk along Mount Misery and the river , the colors of the countryside , the look of willow trees, the pleasure of reading Chaucer and the CEREMO NY IS TO BEING AS INTERRUPTION IS TO NON-BEI NG interest evoked by a memoir of Madame de la Fayette.
    [Show full text]
  • Emptiness About the Heart of Life": a Reformed Approach to Virginia Woolf's Mrs
    Volume 39 Number 3 Article 2 March 2011 "Emptiness About the Heart of Life": A Reformed Approach to Virginia Woolf's Mrs. Dalloway and Michael Cunningham's The Hours Mary Dengler Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/pro_rege Part of the Christianity Commons, and the Modern Literature Commons Recommended Citation Dengler, Mary (2011) ""Emptiness About the Heart of Life": A Reformed Approach to Virginia Woolf's Mrs. Dalloway and Michael Cunningham's The Hours," Pro Rege: Vol. 39: No. 3, 10 - 18. Available at: https://digitalcollections.dordt.edu/pro_rege/vol39/iss3/2 This Feature Article is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Pro Rege by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Editor’s Note: Dr. Mary Dengler presented this paper at the Calvinism for the 21st Century Conference, at Dordt College, April 2010. “An Emptiness About the Heart of Life”: A Reformed Approach to Virginia Woolf’s Mrs. Dalloway and Michael Cunningham’s The Hours answers that question. He tells us not to leave the arts and sciences “in the hands of unbelievers” but instead to consider it our task to know God in all his works,” to “fathom with all the energy of [our] intellect, things terrestrial as well as things celes- tial,” to “open to view both the order of creation and the ‘common grace’ of the God [we] adore” in “nature,” the “production of human industry,” and “the life [and history] of mankind” ( Calvinism and Science” 125).
    [Show full text]
  • Virginia Woolf's Orlando and Einar Wegener's Man
    Loyola University Chicago Loyola eCommons English: Faculty Publications and Other Works Faculty Publications Fall 2013 The Temporality of Modernist Life Writing in the Era of Transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s Man Into Woman Pamela L. Caughie Loyola University Chicago, [email protected] Follow this and additional works at: https://ecommons.luc.edu/english_facpubs Part of the English Language and Literature Commons Recommended Citation Caughie, PL. "The temporality of modernist life writing in the era of transsexualism: Virginia Woolf’s Orlando and Einar Wegener’s man into woman" in Modern Fiction Studies 59(3), 2013. This Article is brought to you for free and open access by the Faculty Publications at Loyola eCommons. It has been accepted for inclusion in English: Faculty Publications and Other Works by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. © Purdue Research Foundation by the Johns Hopkins University Press, 2013. Caughie 501 THE TEMPORALITY OF MODERNIST LIFE WRITING IN f THE ERA OF TRANSSEXUALISM: VIRGINIA WOOLF'S ORLANDO AND EINAR WEGENER'S MAN INTO WOMAN Pamela L. Caughie Consider what immense forces society brings to play upon each of us, how that society changes from decade to decade . ; well, if we cannot analyse these invisible presences, we know very little of the subject of the memoir; and again how futile life writing becomes. —Virginia Woolf, "A Sketch of the Past" In a conversation with Bruno Latour, historian and philosopher of science Michel Serres provides a metaphor that captures modernist life writing's temporality.
    [Show full text]
  • The Place of Language in the Waves and the Years
    Oberlin Digital Commons at Oberlin Honors Papers Student Work 2010 The Luminous Halo: The Place of Language in The Waves and The Years Rachel Luban Oberlin College Follow this and additional works at: https://digitalcommons.oberlin.edu/honors Part of the English Language and Literature Commons Repository Citation Luban, Rachel, "The Luminous Halo: The Place of Language in The Waves and The Years" (2010). Honors Papers. 385. https://digitalcommons.oberlin.edu/honors/385 This Thesis is brought to you for free and open access by the Student Work at Digital Commons at Oberlin. It has been accepted for inclusion in Honors Papers by an authorized administrator of Digital Commons at Oberlin. For more information, please contact [email protected]. The Luminous Halo: The Place of Language in The Waves and The Years Rachel Luban Honors Essay April 22, 2010 Advised by David Walker Virginia Woolf had an abiding interest in what she called “the thing itself.” The phrase appears across her fiction (To the Lighthouse, Orlando, “A Mark on the Wall”) and her essays (“On Not Knowing Greek,” “George Moore,” A Room of One’s Own, “A Sketch of the Past”). What is the thing itself? This concept seems straightforward enough: it is the objective world, if only we could see it, the ahuman landscape Wallace Stevens says “One must have a mind of winter / To regard.”1 For Woolf, the thing itself has a special connection to language; each time it appears in her work she relates it to words or writing. Perhaps because she is a writer or perhaps just because language is a distinctly human form of communication, she is dedicated to exploring the power of words to communicate the thing itself.
    [Show full text]