3 Doors Down - Kryptonite
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AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green
AC/DC You Shook Me All Night Long Adele Rolling in the Deep Al Green Let's Stay Together Alabama Dixieland Delight Alan Jackson It's Five O'Clock Somewhere Alex Claire Too Close Alice in Chains No Excuses America Lonely People Sister Golden Hair American Authors The Best Day of My Life Avicii Hey Brother Bad Company Feel Like Making Love Can't Get Enough of Your Love Bastille Pompeii Ben Harper Steal My Kisses Bill Withers Ain't No Sunshine Lean on Me Billy Joel You May Be Right Don't Ask Me Why Just the Way You Are Only the Good Die Young Still Rock and Roll to Me Captain Jack Blake Shelton Boys 'Round Here God Gave Me You Bob Dylan Tangled Up in Blue The Man in Me To Make You Feel My Love You Belong to Me Knocking on Heaven's Door Don't Think Twice Bob Marley and the Wailers One Love Three Little Birds Bob Seger Old Time Rock & Roll Night Moves Turn the Page Bobby Darin Beyond the Sea Bon Jovi Dead or Alive Living on a Prayer You Give Love a Bad Name Brad Paisley She's Everything Bruce Springsteen Glory Days Bruno Mars Locked Out of Heaven Marry You Treasure Bryan Adams Summer of '69 Cat Stevens Wild World If You Want to Sing Out CCR Bad Moon Rising Down on the Corner Have You Ever Seen the Rain Looking Out My Backdoor Midnight Special Cee Lo Green Forget You Charlie Pride Kiss an Angel Good Morning Cheap Trick I Want You to Want Me Christina Perri A Thousand Years Counting Crows Mr. -
Umphrey's Mcgee
Umphrey’s McGee Brendan Bayliss: Guitar, vocals Jake Cinninger: Guitar, vocals Joel Cummins: Keyboard, piano, vocals Andy Farag: Percussion Kris Myers: Drums, vocals Ryan Stasik: Bass After 18-plus years of performing more than 100 concerts annually, releasing nine studio albums and selling more than 4.2 million tracks online, Umphrey’s McGee might be forgiven if they chose to rest on their laurels. But then that wouldn’t be consistent with the work ethic demonstrated by the band, which consistently attempts to raise the bar, setting and achieving new goals since forming on the Notre Dame campus in South Bend, Indiana, in 1997. After releasing their eighth studio album, Similar Skin, the first for their own indie label, Nothing Too Fancy (N2F) Music (distributed by RED), the group continued to push the envelope and test the limits. The London Session, was a dream come true for the members having been recorded at the legendary Studio Two at historic Abbey Road. The stealth recording session yielded 10 tracks in a single day, proving once again, the prolific UM waits for no one. As a follow up to The London Session, the envelope pushing continues with the November 11th release of ZONKEY. Umphrey’s McGee has been arranging and performing original mashups live for over eight years. It was only a matter of when, not if, some of those innovative concoctions would find their way into a studio. An album of 12 unique mashups, conceived and arranged by the band, ZONKEY is as seamless as it bizarre, playful as it is razor sharp. -
Midnight Special Songlist
west coast music Midnight Special Please find attached the Midnight Special song list for your review. SPECIAL DANCES for Weddings: Please note that we will need your special dance requests, (I.E. First Dance, Father/Daughter Dance, Mother/Son Dance etc) FOUR WEEKS in advance prior to your event so that we can confirm that the band will be able to perform the song(s) and that we are able to locate sheet music. In some cases where sheet music is not available or an arrangement for the full band is need- ed, this gives us the time needed to properly prepare the music and learn the material. Clients are not obligated to send in a list of general song requests. Many of our clients ask that the band just react to whatever their guests are responding to on the dance floor. Our clients that do provide us with song requests do so in varying degrees. Most clients give us a handful of songs they want played and avoided. Recently, we’ve noticed in increase in cli- ents customizing what the band plays and doesn’t play with very specific detail. If you de- sire the highest degree of control (allowing the band to only play within the margin of songs requested), we ask for a minimum of 100 requests. We want you to keep in mind that the band is quite good at reading the room and choosing songs that best connect with your guests. The more specific/selective you are, know that there is greater chance of losing certain song medleys, mashups, or newly released material the band has. -
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | the Legal Intellige
What the Fleetwood Mac Case Can Tell You About Pa. Partnerships | The Legal Intellige... Page 1 of 6 (/thelegalintelligencer/) Menu My Acco POWERED BY LAW.COM (/) Search (HTTPS://STORE.LAW.COM/REGISTRA (/thelegalintelligencer/search/) SOURCE=HTTPS%3A%2F% 2FTHELEGALINTELLIGENCER% 2FWHAT-THE-FLEETWOOD-MAC ABOUT-PA- Publications (/publications/) Law Topics (/topics/) Surveys & Rankings (/rankings/) Cases & Verdicts People & Community ROOMS FROM $34 BOOK NOW Commentary (/thelegalintelligencer/commentary/) What the Fleetwood Mac Case Can Tell You About Pa. Partnerships It’s official. The remaining major members of the renowned rock and roll band Fleetwood Mac, Mick Fleetwood, Stev Nicks, Christine McVie and John McVie, have gone their own way from bandmate Lindsey Buckingham. By Andrew J. DeFalco | November 20, 2018 at 04:02 PM Trending Stories +èÓ9Ô (http://www.almreprints.com) It’s official. The remaining major members of the 1 Meet the In-House National renowned rock and roll band Fleetwood Mac, Mick Women in Law Honorees Fleetwood, Stevie Nicks, Christine McVie and John (https://www.law.com/corpco the-in-house-national-women McVie, have gone their own way from bandmate in-law-honorees/) Lindsey Buckingham. According to Buckingham, after CORPORATE COUNSEL planning a world tour for 2018 and 2019, he was (/CORPCOUNSEL/) unceremoniously kicked out of the band, which will 2 Law Prof Who Exposed Big prevent him from earning an anticipated $12 million Law's Mandatory Arbitration Focus of Misconduct Probe cut of the proceeds from the tour. (https://www.law.com/2018/ prof-who-exposed-big-laws- Not surprisingly, Buckingham was peeved and saw mandatory-arbitration-is- focus-of-misconduct-probe/) Andrew J. -
POWER MTS 251Si a Digitally-Controlled, Multi-Process MIG/TIG/Stick Welder
EVERLAST POWER MTS 251Si A Digitally-Controlled, Multi-Process MIG/TIG/Stick Welder CC CV GMAW SMAW GTAW IGBT DC PULSE Operator’s Manual for the PowerMTS 251Si Safety, Setup and General Use Guide Rev. 1 0 11114-16 everlastwelders.com Specifications and Accessories subject to change without notice. 1- 877-755-9353 329 Littlefield Ave. South San Francisco, CA 94080 USA Table of Contents Section……………………………………………….Page Letter to the Customer …………………....………… 3 Everlast Contact Information…………….…………. 4 Safety Precautions…………………………………… 5 Introduction and Specifications…..………………… 9 Overview of Parameters and Specifications……. 9 Technical Parameters……………………………... 10 General Description, Purpose and Features……. 11 Set Up Guide and Component Identification….…... 12 Suggested Settings…….…………………...…….. 12 Connections and Polarity…………………………. 14 General Polarity and Amp Recommendations…. 15 Installing The Wire Spool…………………………. 17 Front View Main Panel……………………….…… 18 Front Panel Item Description and Explanation…. 19 Side View …………………………………..…….... 26 Side View Item Description and Explanation..….. 27 Rear View Back Panel…………………………….. 28 Rear Panel Item Description and Explanation….. 29 Basic Theory and Function…………………………. 30 Basic MIG Operation…..………………………….. 30 Pulse MIG Operation……………………………… 37 Pulse MIG Work Sheets………………………….. 45 Stick Operation…………………………………….. 51 Special Notes Concerning Operation………….… 52 Basic TIG Operation………………………………. 55 TIG Arc Starting……………………………………. 57 Tungsten Preparation…………………………….. 58 Pulse TIG Operation………………………………. 59 TIG Work Sheets…………………………………... 61 25 Series MIG Torch……………………………… 64 25 Series Consumables………………………….. 65 24 Series MIG Torch……………………………… 66 24 Series Consumables………………………….. 67 26 Series TIG Torch………………………………. 68 Trouble Shooting Guide……………………………... 69 Error Codes………………………………………… 71 2 Dear Customer, THANKS! You had a choice, and you bought an Everlast product. We appreciate you as a valued customer and hope that you will enjoy years of use from your welder. -
Grouplove/51765840/1?Loc=Interstitialskip
December 9, 2011 http://www.usatoday.com/life/music/ontheverge/story/2011-12-06/on-the-verge-with-indie-rock-group-grouplove/51765840/1?loc=interstitialskip Grouplove grew out of friendship By Korina Lopez, USA TODAY Group love, indeed: This Los Angeles-based quintet certainly lives up to its name. "We never planned to be a band. We were friends first and we just love being together," says lead singer Christian Zucconi. "Grouplove grew organically from that love." Their debut album, with the tongue-in-cheek title Never Trust a Happy Song, is quickly spreading the love, too. Their sweet and savory mix of jangly, upbeat melodies, Zucconi's anguished howl and keyboardist Hannah Hooper's coquettish backup vocals have been making the rounds in indie rock circles and on the charts. Joyful, noisy single Colours peaked at No. 12 on USA TODAY's alternative chart. Another track, Tongue Tied, lassoed the new iPod Touch commercial, which ran during the Grammy nominations concert and has continued since Thanksgiving. Add Grouplove's lock as the opening band for Young the Giant's tour in March and April, and it's no wonder they're so lovey-dovey. Happy accidents: Zucconi wasn't always this upbeat. "Before Grouplove, I was in other bands, but the timing never seemed right," he says. "I'd wake up every day depressed, I spent so many years miserable doing music. But it's wonderful now how we overcame everything together. It's funny that Grouplove is such a happy band." The band members met each other in 2008 at an artist commune in Crete. -
KWLC Fall Semester 2011
KWLC Fall Semester 2011 The Fall 2011 schedule is here! From Rock, to Dubstep, Classical to Jazz, KWLC is serving up a bit of everything on the platter of commercial-free radio broadcasting this semester. Shows marked with an asterisk are web-only and stream online at luther.edu/kwlc. Monday Wednesday Friday 8–9 PM: Mike Jungbluth (Rock)* 8 – 9P: Travis Houle (Rock)* *8 – 9P: Peter Jarzyna (Rock) 9-10 PM: Logan Langley and 9 – 10P: Erik Sand and Sam Zook *9 – 10P: Dylan Hinton (Rock) Andrew Meland (Variety Hour)* (Rock/Folk Rock)* 10 – 11P: Josh Bacon and Jamison 10-11 PM: Bianca Lutchen (Rock) 10 – 11P: Joe Thor (Rock) Ash (Rock) 11-12 AM: Cate Anderson (Rock) 11 – 12A: Kelsey Simpkins (Rock) 11 – 12A: Michaela Peterson 12-1 AM: Rahul Patle and Perran 12 – 1A: Carl Sorenson (Rock) (Rock) Wetzel (House/Dubstep) 12 – 1A: Marissa Schuh (Rock) Tuesday Thursday 9–10 PM: Kenza Sahir (Acoustic *9 – 10P: Ryan Castelaz (Rock) Rock)* 10 – 11P: Seth Duin (Rock) 10–11 PM: Quincy Voris (Rock) 11 – 12A: Katherine Mohr (Rock) 11–12 AM: Gunnar Halseth (Rock) 12 – 1A: Michael Crowe (Loud 12–1 AM: Georgia Windhorst Rock) (Rock) The AM | October 7th, 2011 2 KWLC Fall Semester 2011, cont. Saturday Sunday 7 – 8A: Lilli Petsch-Horvath (Classical) 7A – 12P: Sunday Services 8 – 9A: Hannah Strack (Broadway) 12 – 1P: Maren Quanbeck (Classical) 9 – 10A: Thando May (Afro-Pop) 1 – 2P: Alex Robinson (Classical) 10 – 11A: Marin Nycklemoe (Blues) 2 – 3P: Matt Lind (Classical) 11 – 12P: Noah Lange (Bluegrass/Folk) 3 – 4P: Michael Peterson (Classical) 12 – 12:50P: Margaret Yapp (Folk) 4 – 5P: Leif Larson (Jazz) 12:50 – 4:30P: Fall Football Coverage 5 – 6P: Kevin Coughenour (Jazz) 4:30 – 5P: Kyle Holder (Rock) 6 – 7P: Ted Olsen (Jazz) 5 – 6P: Cole Matteson (Folk/Bluegrass) 7 – 8P: Fred Burdine (Jazz) 6 – 7P: Ashley Urspringer (Rock) 8 – 9P: David Clair (Jazz) 7 – 8P: Rose Weselmann (Rock) 9 – 10P: Carl Cooley (Jazz/Rock) 8 – 9P: Gene Halverson (Rock) 10 – 11P: Emily Cochrane (Rock) 9 – 10P: Imsouchivy Suos (World) 11 – 12A: Matt Dickinson (Rock) 10 – 11P: Megan Creasey (Elec. -
Helena Mace Song List 2010S Adam Lambert – Mad World Adele – Don't You Remember Adele – Hiding My Heart Away Adele
Helena Mace Song List 2010s Adam Lambert – Mad World Adele – Don’t You Remember Adele – Hiding My Heart Away Adele – One And Only Adele – Set Fire To The Rain Adele- Skyfall Adele – Someone Like You Birdy – Skinny Love Bradley Cooper and Lady Gaga - Shallow Bruno Mars – Marry You Bruno Mars – Just The Way You Are Caro Emerald – That Man Charlene Soraia – Wherever You Will Go Christina Perri – Jar Of Hearts David Guetta – Titanium - acoustic version The Chicks – Travelling Soldier Emeli Sande – Next To Me Emeli Sande – Read All About It Part 3 Ella Henderson – Ghost Ella Henderson - Yours Gabrielle Aplin – The Power Of Love Idina Menzel - Let It Go Imelda May – Big Bad Handsome Man Imelda May – Tainted Love James Blunt – Goodbye My Lover John Legend – All Of Me Katy Perry – Firework Lady Gaga – Born This Way – acoustic version Lady Gaga – Edge of Glory – acoustic version Lily Allen – Somewhere Only We Know Paloma Faith – Never Tear Us Apart Paloma Faith – Upside Down Pink - Try Rihanna – Only Girl In The World Sam Smith – Stay With Me Sia – California Dreamin’ (Mamas and Papas) 2000s Alicia Keys – Empire State Of Mind Alexandra Burke - Hallelujah Adele – Make You Feel My Love Amy Winehouse – Love Is A Losing Game Amy Winehouse – Valerie Amy Winehouse – Will You Love Me Tomorrow Amy Winehouse – Back To Black Amy Winehouse – You Know I’m No Good Coldplay – Fix You Coldplay - Yellow Daughtry/Gaga – Poker Face Diana Krall – Just The Way You Are Diana Krall – Fly Me To The Moon Diana Krall – Cry Me A River DJ Sammy – Heaven – slow version Duffy -
BEST of 2011 – OUR FAVOURITE ALBUMS of the YEAR 1317 Commercial Drive Vancouver, BC Tel: 604-251-6964 Email: [email protected] Web: Highlifeworld.Com
HIGHLIFE Donec Egestas Scelerisque WORLD dolor: MUSIC BEST OF 2011 – OUR FAVOURITE ALBUMS OF THE YEAR 1317 Commercial Drive Vancouver, BC tel: 604-251-6964 email: [email protected] web: highlifeworld.com BEST OF 2011 BOMBINO Agadez Niger From the Saharan sands of Niger comes this recording by the brilliant guitarist/vocalist Bombino, who manages to create a distinctive desert blues style with echoes of both Ali Farka Toure and Tinariwen. An essential recording! TOM WAITS Bad As Me USA Gravelly-voiced poet and musical maverick Tom Waits returns with this strong batch of rocking blues stompers and tender ballads, joined by the likes of Keith Richards, Marc Ribot and David Hidalgo. Beginning with a train journey north to Chicago and ending in a bar on New Year’s eve (singing ‘Auld Lang Syne’ no less) this is a trip worth taking. Highly recommended! KIRAN AHLUWALIA Aam Zameen: Common Ground Canada Indo-Canadian vocalist Kiran Ahluwalia, known for her beautifully updated Ghazal music, this time does some continent hopping as she collaborates with desert blues sensations Tinariwen and Terakaft. From the opening take on Nusrat Fateh Ali Khan’s classic ‘Mustt Mustt’, propelled by handclaps and call and response vocals, we are in for an exciting cross-cultural musical feast. WILCO The Whole Love USA The 8th release by Jeff Tweedy and cohorts impressively reprises the various musical inclinations of this effortlessly creative group. From the off-kilter whirlwind of the opener to the epic beauty of the 12 minute closer, this is an album by a band at the top of their game. -
Chevy Court and Experience Stage Acts, 2018-2019 State Fairs
Exhibit 2 IFB #241 Chevy Court and Experience Stage Acts Chevy Court 2018 2019 Mir Fontane 8/22/2018 2:00 PM The Black River 8/21/2019 2:00 PM Blondie 8/22/2018 8:00 PM Bad Company (Stephen Rodgers opens) 8/21/2019 8:00 PM Dave Mason/ Steve Cropper 8/23/2018 2:00 PM Devinne Meyers 8/22/2019 2:00 PM Tedeschi-Trucks Band 8/23/2018 8:00 PM Grace Potter 8/22/2019 8:00 PM Rayvn Lanae 8/24/2018 2:00 PM CNY Songbirds 8/23/2019 2:00 PM Ludacris 8/24/2018 8:00 PM Lindsey Stirling 8/23/2019 8:00 PM Live 8/25/2018 2:00 PM Brownskin w/ Joe Driscoll 8/24/2019 2:00 PM Counting Crows 8/25/2018 8:00 PM Smokepurpp* 8/24/2019 8:00 PM Jackyl 8/26/2018 2:00 PM Jimmy Allen* 8/25/2019 2:00 PM Hunter Hayes 8/26/2018 8:00 PM Dropkick Murphys 8/25/2019 8:00 PM Herman's Hermits Starring Peter 8/27/2018 2:00 PM Hermans Hermits 8/26/2019 2:00 PM Noone Smokey Robinson 8/27/2018 8:00 PM Midland 8/26/2019 8:00 PM The Temptations 8/28/2018 2:00 PM Blood, Sweat & Tears 8/27/2019 2:00 PM Dropkick Murphys 8/28/2018 8:00 PM Farukko* 8/27/2019 8:00 PM Moriah Formica 8/29/2018 2:00 PM Mavericks 8/28/2019 2:00 PM L'il Yachty 8/29/2018 8:00 PM Ice Cube* 8/28/2019 8:00 PM Hanson 8/30/2018 2:00 PM Why Don't We 8/29/2019 2:00 PM Jukin Bone 8/30/2018 8:00 PM Vince Neill (Motley Crue) 8/29/2019 8:00 PM The Spirit of Johnny Cash 8/31/2018 2:00 PM Juice WRLD 8/30/2019 2:00 PM Big & Rich 8/31/2018 8:00 PM Granger Smith 8/30/2019 8:00 PM Collective Soul 9/1/2018 2:00 PM Atkins Riot 8/31/2019 2:00 PM ZZ Top 9/1/2018 8:00 PM Theory of a Deadman 8/31/2019 8:00 PM Brownskin Band 9/2/2018 -
Album Review: Bon Iver's 22, a Million
Album Review: Bon Iver’s 22, a Million 22, a Million, the newest album by American indie folk band Bon Iver, leaves the listener with an overarching question: Is there any border left between acoustic and electronic music? Although ambiguous as to which category it falls into, Bon Iver manages to respect both genres with a rich, homogenous mixture of experimental and traditional instrumentation. However, the album is a motley of songs that—both individually and as a group—build to nowhere, like a fleeting thought that crosses the mind at one point, but leaves no lasting impression. Founded in 2007 by singer/songwriter Justin Vernon, Bon Iver has been the vanguard of the indie folk/experimental genre. Vernon—a Wisconsin native with deep ties to the American wilderness—is undeniably influenced by a guitar-and-voice acoustic sound that is reminiscent of childhood campfires, roasting s’mores, and long silences between experienced fishermen. Tracks like “29 #Strafford APTS” and “00000 Million” have obvious connections to the folk genre: banjo, acoustic guitar, three and four-part vocal harmonizing, and chatter and laughter among musicians before the start of the song. These elements anchor the album, preventing it from straying too far from the group’s previous releases. During the five-year gap between the album Bon Iver and 22, a Million, Bon Iver evidently delved into the uncharted territory of experimental music. The use of synthesizers, vocal filtration, extensive sampling, and static-ridden beats establishes a distinctive atmosphere of digital haziness, a complementary frame for Vernon’s midwestern accent-tinged voice. -
Broadway-Our-Way-2015.Pdf
Our Mission Rainbow Women’s Chorus works together to develop musical excellence in an atmosphere of mutual support and respect. We perform publicly for the entertainment, education and cultural enrichment of our audiences and community. We sing to enhance the esteem of all women, to celebrate diversity, to promote peace and freedom, and to touch people’s hearts and lives. Our Story Rainbow Women’s Chorus is a nonprofit corporation governed by the Action Circle, a group of women dedicated to realizing the organization’s mission. Chorus members began singing together in 1996, presenting concerts in venues such as Christ the Good Shepherd Lutheran Church, Le Petit Trianon Theatre, the San Jose Repertory Theater and Triton Museum. The chorus also performs at church services, diversity celebrations, awards ceremonies, community meetings and private events. Rainbow Women’s Chorus is a member of the Gay and Lesbian Association of Choruses (GALA). In 2000, RWC proudly co-hosted GALA Festival in San Jose, with the Silicon Valley Gay Men’s Chorus. Since then, RWC has participated in GALA Festivals in Montreal (2004), Miami (2008), and Denver (2012). In February 2006, members of RWC sang at Carnegie Hall in NYC with a dozen other choruses for a breast cancer and HIV benefit. In July 2010, RWC traveled to Chicago for the Sister Singers Women’s Choral Festival. But we like it best when we are here at home, singing for you! Support the Arts Rainbow Women’s Chorus and other arts organizations receive much valued support from Silicon Valley Creates, not only in grants, but also in training, guidance, marketing, fundraising, and more.