The Cambridge Companion to Sam Shepard Edited by Matthew Roudane Index More Information

Cambridge University Press 0521771587 - The Cambridge Companion to Sam Shepard Edited by Matthew Roudane Index More information

INDEX

“A Kind of Alaska”: Women in the Plays of Angels in America, 1, 274 O’Neill, Pinter, and Shepard, 300 Antigone, 41 Aaron, Joyce, 81, 88, 293 Antonioni, Michelangelo, 81, 89, 124, 210, Action, 5, 93–96, 242, 270, 307 214, 228 Adams, Brooke, 212 Apollo, 124 Adolphs, Ulrich, 298 Argnot, Pierre, 220 Adult Children of Alcoholics, 145 Aristotle, 203 Advertisements for the Unexperienced Arredondo, Jeri, 165 Planters of NewEngland , 71 Ars Moriendi, 191 Aesthetic Illusion, 302 Artaud, Antonin, 4, 47, 100, Afﬂiction, 290 275, 297 “Ain’t No Fortunate Son, I”, 66 Auerbach, Doris, 172, 198, 301 Albee, Edward, 1, 2, 8, 12, 186, 269–70, 293 Bach, J. S., 261 Aldrich, Robert, 184 Bachman, Charles, 301 Alexander the Great, 203 Back Bog Beast Bait, 58, 231–32, 271 Allen, Jennifer, 32 Backus, Margot Gayle, 111 Allen, Michael, 39, 40 Bad Day at Black Rock, 174, 176 Almereyda, Michael, 288 Bakhtin, Mikhail, 295 Altman, Robert, 135, 220, 308 Bakker, Jim, 202 American Drama Criticism, 293 Baltimore Waltz, The, 258 American Drama since 1960 300 Banks, Rosemarie, 301 American Dramatists, 294 Barish, Jonas, 201 American Dream Myth, 69–71, 198, Barnes, Clive, 306 300 Barnes, Theo, 41 American Dreams, 299 Barsha, Tony, 41, 44, 46, 48–49, 51, 57, American Literature and the Arts, 302 59, 61 American Place Theatre, 34, 36, 57, Basinger, Kim, 221 262, 308 Bataille, Georges, 260 American Playhouse, 308 Bataille, Georges, 267 American Playwrights, 304 Bates, Alan, 165, 224 Anderson, Reed, 32 Bates, Kathy, 217 Andrews, Raymond, 104 Beard, The, 58 Angel City, 19, 23, 73, 124–26, 128, 131, Beat poetry, 4 189, 199, 206, 210, 238–39, 307 Beatles, The, 2

320

index

Beckett, Samuel, 3, 14, 40, 50, 53, 56, 73, 83, Caffe Cino, 35–37, 40, 65, 305 86, 103, 139, 145, 176, 198, 222, 255, Callens, Johan, 294–96, 298–99, 302, 285, 297 304 Beckett Translating/Translating Beckett, Cambridge History of American Theatre, 301 vol. iii, The, 300 Belgian Essays on Language and Literature, Canby, Vincent, 220 302 Cannes film festival, 212 Benet, Carol, 298 Cardinal, Tantoo, 167 Beresford, Bruce, 217 Cardullo, Bert, 112, 118 Bertin, Michael, 304 Carmines, Al, 37 Bettelheim, Bruno, 89 Carpenter, Charles A., 293 Beyond Naturalism, 303 Carroll, Beeson, 36, 48 Bigsby, Christopher, 31, 142, 294, 300, Carson, Hunter, 160, 219 302–3 Cassavetes, John, 183 Birthday Party, The, 303 Catch-22, 2 Black Panthers, 9, 56, 66 Chaikin, Joseph, 4, 6, 74–75, 79, 83–110, Blessing, Lee, 269 189, 235–36, 250, 257, 293, 298, 304, Blood Wedding, 15 308–9 Blow-Up, 210 Chandler, Raymond, 129 Blue Bitch, 190 Changeling, The, 190, 195, 214 “Blue Bouquet, The”, 4, 271 Chaudhuri, Una, 141 Blumenthal, Eileen, 100, 102, 304 Chekhov, Anton, 4, 78 Bock, Hedwig, 302 Ch énetier, Marc, 302 Body Across the Map, A, 295 Cherry Lane Theatre, 216, 223 Bodyguard, The, 190, 195, 206, 214 Chicago, 3, 9, 35–36, 41–43, 89, 154, Bottoms, Steven J., 31, 32, 121, 143, 144, 305 199, 276, 294–95 Chocr ón,Isaac, 299 Bowen, Elizabeth, 285 Chubb, Kenneth, 6, 32, 300 Box, The, 44 Cities of the Dead, 103 Boy Life on the Prairie, 212 Clark, William, 70 Brantley, Ben, 273 Clement, Aurore, 162 Brater, Enoch, 147 Clurman, Harold, 307 Brecht, Bertolt, 84, 85, 297, 301 Cocteau, Jean, 16 Brennan, Walter, 176 Coen, Stephanie, 33, 139 Brienza, Susan, 301–2 Cohn, Ruby, 46, 302 Brook, Peter, 18 Coleman, Ornette, 41, 237 Brooks, Peter, 101 Coleridge, Samuel Taylor, 123–24 Brustein, Robert, 247 Coltrane, John, 237 Buford, Kate, 185 Communists, Cowboys, and Queers, 172 Buried Child, 2, 5, 8, 14, 19, 21, 24, 27, 52, Connection, The, 8 58, 67–68, 72–73, 111–22, 140, 163, Contemporary Authors, 294 172–73, 176–77, 179–81, 187, 213, 235, Cook, Ralph, 37–41, 43, 46, 49, 56, 58–59, 261, 266, 269, 289, 293, 297, 301, 233, 305 304–5, 307 Cooper, Gary, 171, 176, 184–86, 210 Burnett, T-Bone, 67, 231, 280 Coppola, Francis Ford, 193 Burning Plane, The, 78 Corkery, Daniel, 285 Burstyn, Ellen, 198, 212 Corso, Gregory, 41 Burwick, Frederick, 302 Cott, Jonathan, 139

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index

Cowboy Mouth, 57–58, 93, 172, 198, Dr. Strangelove, 2 228–30, 302, 306 Dramatic Dialogue, 303–4 Cowboys, 3, 34–35, 38–39, 43, 92, 163, Dugdale, John, 294 292, 297, 305 Dumb Waiter, The, 126 Cowboys #, 2 92, 305 Duran, Manual, 32 Cranham, Ken, 66 Durning, Charles, 221 Creedence Clearwater Revival, 66 Dylan, Bob, 9, 45, 87, 197, 229–30, Crimes of the Heart, 213, 217 307 Critical Angles, 302 Critical Introduction to Twentieth-Century Early, Michael, 123 American Drama, A, 302 Ecrits, 155 Crucible, The, 1, 75, 189 Eddleman, Floyd E., 293–94 Cruising Paradise, 2, 14–15, 27, 29, 77–78, Edson, Margaret, 1 174, 247–48, 254–55, 257, 284 Eisenhower, Dwight, 7, 71, 202 Crumb, Jane Ann, 158–59 El Teatro de Sam Shepard, 299 Current Bibliography, 294 Eliot, T. S., 100, 119, 191, 200 “Curse of the Raven’s Black Feather, The”, Ellis-Fermor, Una, 196 250 Emerson, Ralph Waldo, 123 Curse of the Starving Class, 2, 5, 8, 15–16, Endgame, 73, 176 19, 20–22, 27, 67–68, 72–73, 87, Essays on Contemporary American Drama, 111–22, 140, 146, 163, 172, 174, 302 177–79, 187, 196–97, 206, 213–14, Essays on Modern American Drama, 301 217, 219, 235, 240, 260–61, 270, 289, “Everything is Broken”, 9 293, 307 Eyes for Consuela, 2, 4, 77, 243, 257–78, Customs Collector in Baggy Pants, The, 309 41–43 Faludi, Susan, 60, 173 Daniels, Barry, 33, 89 Falwell, Jerry, 202–5 Darwin, Charles, 290 Far North, 22, 26, 215, 221–25 Day of the Locust, The, 23, 129–30 Faulkner, William, 189 “Days of Blackouts”, 254 Fay, Stephen, n., 16, 32 Days of Heaven, 212–13 Feingold, Michael, 267 de Beauvoir, Simone, 89 Feminist Rereadings of Modern American Death of a Salesman, 72, 119 Drama, 301 Deats, Sarah Munson, 192–93, 196 Ferencz, George, 241–42 Debusscher, Gilbert, 302 Ferlinghetti, Lawrence, 4, 41–43 Delicate Balance, A, 270 Figgis, Darrell, 285 Demastes, William, 143, 301, 303 Finnerty, Warren, 43 DeRose, David J., 114, 265, 294, 297 Finney, Albert, 218 Desire Under the Elms, 20, 301 Fluck, Winifred, 304 Devils of Loudun, The, 189, 205 Fonda, Jane, 65 Dickey, James, 89 Fool For Love, 2, 5, 8, 13, 15, 22, 24, 58, 60, Die Tyrannei der Bilder: Sam Shepard’s 67–68, 73, 111, 124, 133–35, 140, 154, Dramen, 298 163, 193, 211, 214–15, 219–21, 243, Dionysius, 13, 124, 193 279, 298, 301, 308 Doctor Faustus, 71, 189–209 Fool Moon, 67 Dostoyevsky, Fedor, 47 Foote, Horton, 269–70 Douglas, Kirk, 55, 184 Ford, John, 175, 184

322

index

Forensic and the Navigators, 35–36, 47, 55, Grant, Gary, 294 231, 233 Greenstreet, Sydney, 127 Fornes, Maria Irene, 58 Guests of the Nation, 284 Fourteen Hundred Thousand, 89 Guide to Critical Reviews, A, 293 Foutz, Anthony, 214 Gurdjieff, Georgei, 12 Fractured, 203, 214–15 Gussow, Mel, 308 Francis, 213 Frank, Robert, 81, 89, 105 Hadler, Georgia, 36 Frazier, James, 301 Hadler, Walter, 36, 46, 48–51, 53, Frescoes of the Skull, 139 55–56, 61 Freud, Sigmund, 100 Hall, Ann C., 300 Friedman, Alan, 301 Hamlet, 77, 213, 288 From Middleton and Rowley’s “Changeling” Hammill, Graham, 203–5 to Sam Shepard’s “Bodyguard”, 296 Handke, Peter, 4 Frye, Northrop, 118 Handman, Wynn, 36 Hansberry, Lorraine, 1 Gammon, James, 59, 280, 288 Harrelson, Woody, 280 Ganz, Arthur, 304 Harris, Ed, 59, 293 Garber, Marjorie, 196, 200 Harris, Richard, 165, 224 Garcia, David, 56–57 Hart, Bill, 36, 59 Gardner, Fred, 210 Hart, Lynda, 114, 157, 177, 294–95, Garland, 212 297, 301 “Gary Cooper or the Landscape”, 174 Hauser, Kaspar, 100 Geis, Deborah, 303 Hawk, The, 14, 19, 22, 44, 46–47 Gelber, Jack, 8 Hawk Moon, 18, 77, 88, 247–49, General History of Virginia, The, 70 252–53 Genet, Jean, 40 Hawke, Ethan, 293 Geography of a Horse Dreamer, 8, 17, 19, Hemingway, Ernest, 25, 189 59, 66, 124, 126, 128, 130–31, 190, Herman, William, 303 306–7 “Hero Is in His Kitchen, The”, 254 Gerard, Jeremy, 258 High Noon, 176 Gere, Richard, 212 Hoffman, Abbie, 306 Gerould, Daniel, 302 Hoffman, Philip, 69 Getting Out, 1 Hoffman, William, 49 Ghosts, 119 Holy Ghostly, The, 3, 48, 51–52, 144, 154, Ginsberg, Allen, 4, 41, 105 163–64, 232, 279–80, 306 Glaspell, Susan, 1 Holy Modal Rounders, The, 67, 228, 233, Glaudini, Robert, 57 238–39, 306 Goad, Jim, 50, 53 Homecoming, The, 20 Godfather, The, 193 Hoskins, Bob, 59, 66 Golden Bough, The, 301 Houghton, James, 269 Golden Screw, The, 44–46 HowI Learned to Drive , 258 Gordon, Stephanie, 40 Howe, Benjamin, 31 Gothic Family Romance, The, 111 Hughes, Howard, 206, 307 Goulet, Robert, 87 Huneven, Michelle, 248 Grabes, Herbert, 304 Hunter, 55 Graham, Billy, 202, 205 Huxley, Aldous, 189 Graham, Laura, 296 Hwang, David Henry, 58

323

index

“I’m So Tired of Being Alone”, 202 Kinski, 219 Ibsen, Henrik, 119, 206 Kissman, Lee, 35–36, 46 Icarus’s Mother, 88, 93, 197–98, 206, 242, Kleb, William, 294–95 305 Knowles, Christopher, 104 Inacoma, 89, 234–36, 242 Knowlson, James, 139 Informed Heart, The, 89 Kolin, Philip C., 294 Inner Landscapes: The Theatre of Sam Kopit, Arthur, 301 Shepard, 298 Koutoukas, H. M., 34 Interview, 102 Kramer, Mimi, 264 Ionesco, Eug`ene, 297 Krekel, Michael, 298 Issacharoff, Michael, 280 Kubrick, Stanley, 2 Kushner, Tony, 1, 259, 274 Jagger, Dean, 176 Jakobson, Roman, 97 La MaMa Experimental Theatre Club, James, Caryn, 224 35–37, 40, 43, 45, 57, 65, 241, 305 James, Henry, 112, 212 La Turista, 77, 87, 93, 260, 262, 266, Jefferson, Thomas, 69 271, 303–5 Johnson, O-Lan, 36, 46–47, 58, 308 Lacan, Jacques, 155–57 Jones, Robin F., 280 Lahr, John, 258, 280, 306 Joplin, Janis, 229 Lancaster, Burt, 184–86 Joseph Chaikin: Exploring at the Boundaries Lange, Jessica, 221, 308 of Theatre, 304 Langer, Lawrence L., 147 Joyce, James, 285 “Language, Visualization, and the Inner Judson Memorial Church, 37, 41, 65 Library”, 203 Judson Poets’ Theatre, 35, 36–37 “Late Henry Conran, The”, 79, 284–85 Jung, Carl Gustav, 47, 193, 301 Late Henry Moss, The, 2, 79–80, 89, 279–91, 309 Kafka, Franz, 89 Laurel, Stan, 15 Kalb, Jonathan, 99, 104 Leary, Timothy, 66 Kanby, 267 Lee, Eric, 302 Katukani, Michiko, 33 Lee, Jonathan Scott, 155 Kauffman, Stanley, 220 Lee, Ralph, 88 Kaufman, Millard, 176 “Left-Handed Kachina”, 250 Kaufman, Phil, 213 Lenin, Vladimir, 51 Keaton, Buster, 15 Lesson in Dead Language, A, 48 Keitel, Harvey, 308 Lester, Elenore, 38 Kennedy, Adrienne, 1, 48, 269 Leverett, James, 302 Kennedy, Andrew, 304 Lewis, Meriwether, 70 Kennedy, John Fitzgerald, 2, 66, 101 Lie of the Mind, A, 1, 5, 8, 15–16, 21–25, Kerouac, Jack, 4, 40, 47, 189 27, 67, 73, 111, 124, 134, 139–55, Kerr, Walter, 306 157–60, 163, 166, 192, 214, 220, 225, Kibbee, Roland, 184 243, 251, 261–63, 269–70, 272, 289, Kierkegaard, Soren, 89 295, 299, 301, 303, 305, 308 Killer’s Head, 270, 307 Lincoln Center, 228, 306 Kinski, Nastassja, 160 Lincoln, Abraham, 69 King Lear, 75, 101 Linney, Romulus, 269 King, Kimball, 293, 299 Lion, John, 58 King, Martin, 66, 70 Lippman, Amy, 31

324

index

Little Ocean, 294, 307 Mednick, Kathleen, 214 Living Theatre, The, 43 Mednick, Murray, 41, 43–48, 51, 55–57, Lonely Are the Brave, 55, 177, 182, 184 61, 214 Long Day’s Journey into Night, 1, 15, Melﬁ, Leonard, 43 21–22 Melodrama Play, 35, 45, 47–49, 87, 93, Look Back in Anger, 112 189, 231, 302, 305–6 Looka Yonder, 303 Melville, Herman, 123 Lorca, Federico Garcia, 12–15 Mencken, H. L., 24 Loynd, Roy, 217 Metamorphoses, 203 Lucille Lortel Theatre, 270 Michel, Pierre, 302 Luedtke, Luther, 302 Middleton, Thomas 190, 195, 296 Luria, A. R., 96 Midsummer Night’s Dream, A, 222 Lyons, Charles R., 111 Miller, Arthur, 1, 9, 18, 20, 119, 189, 280, 300 MacNamara, Brinsley, 285 Miller, David, 182 MacNamara, Brook, 304 Mingus, Charles, II, 41, 237 Mad Dog Blues, The, 35, 48, 57, 87–88, 90, Mingus, Charles, III, 39 124, 171–72, 186, 229, 231, 279 Minh, Ho Chi, 65 Madison Square Garden, 230 Modern American Drama, 302 Magic Theatre, 4, 74, 79, 114, 230, 234, 273, Modern Drama Scholarship and Criticism, 280, 307 293, 299, 301 Major Strategies in Twentieth-Century Moffat, Donald, 222 Drama, 303 Monologue in Contemporary American Malkin, Jeanette R., 140–41, 303 Drama, 303 Malkovich, John, 215–16, 262, 308–9 Moore, George, 285 Mamet, David, 241, 259, 300, 302 Motel Chronicles, 14–16, 19, 26–28, 77, Man Fly, 189–209 171, 178, 184, 237, 247–48, 251 “Man That Corrupted Hadleyburg, The”, Mottram, Ron, 298 189 Mulroney, Dermot, 165 Man with a Shattered World, The, 96 Mutation Show, The, 100–1 “Man’s Man, A”, 78, 254 Manhattan Theatre Club, 271, 275 Nabokov, Vladimir, 247 Manifest Destiny, 2, 10, 70, 76, 120, 199 Nash, Thomas, 118, 301 Marin, Cheech, 280 National Review, The, 220 Mark Taper Forum, 189, 205 NewAmerican Dramatists , 302 Marlowe, Christopher, 189–209 NewEngland Trails , 70 Marranca, Bonnie, 32, 299–300, 304 NewEssays on American Drama , 302 Marvin, Lee, 176 NewRepublic , 220 Marx, Karl, 51, 66 New Theatre for Now, 189 Maufort, Marc, 301–2 New York Public Theatre, 265 Maxagasm, 214 Nietzsche, Friedrich, 124 McClary, Michael, 217 ’night, Mother, 75 McClure, Michael, 58 Nightwalk, 81 McCulloch, Jeanne, 31 Nixon, Richard M., 206 McDonough Carla J., 273, 300 No Exit, 198 McGhee, Jim, 296 “No More Masterpieces”, 100 McNally, Terence, 259 Nolte, Nick, 218, 280, 290 Me and My Brother, 81, 89, 105 Nora, Pierre, 103

325

index

Norman, Marsha, 1, 75 Paz, Octavio, 4, 271 Not I, 86 Pedro Paramo, 78 “Note to the Actors”, 125, 239 Pelican Brief, The, 213 Nugent, Frank S., 175 Penn, Sean, 280 Performance Group, 306 O’Connor, Frank, 4, 78–79, 284–85 Performing Drama/Dramatizing O’Donnell, Peadar, 285 Performance, 303 O’Flaherty, Liam, 285 Perry, Frederick J., 297 O’Horgan, Tom, 48 Petrie, Daniel, 198 O’Kelly, Seumas, 285 Phantom Trailer, The, 249 O’Neill and the Emergence of American Phillips, Diana, 302 Drama, 301 Phoenix, River, 165 O’Neill, Eugene, 1, 14–15, 20–22, 111, 206, Pilling, John, 139 301–2 Pinter, Harold, 4, 18, 20, 24, 40, Oh! Calcutta!, 265, 305 221–22, 304 Old Times, 24, 221 Pirandello, Luigi, 4, 297 On the Road, 4 “Place”, 255 On the Waterfront, 74 Plato, 203 Open Theatre, 4, 74, 81, 87–92, 101–3, Playwrights Unit, 305 235, 250 Plummer, Amanda, 308 Operation Sidewinder, 5, 9, 163, 199, Plutarch, 204 210, 214, 228, 231, 233, 302, 306 Poe, Edgar Allan, 47, 123 Oppenheimer, Joel, 48 Poeta en Nueva York, 13 Orbison, Tucker, 301 Pollack, Jackson, 41, 49, 302 Orlovsky, Julius, 105–6 Pollack, William, 157 Orr, John, 301 Ponti, Carlo, 125 Osborne, John, 112 Postmodern Drama, 303 Other American Drama, The, 303 Powe, Bruce, 302 Oumano, Ellen, 292–94 Power, Tyrone, 212 Our Town, 52 Presence of the Actor, The, 91, 95, 100 Overtone Theatre, 236 Proust, 103, 139 Ovid, 196 Public Theatre, 309

Page, Geraldine, 308 Quinlan, Karen Ann, 89, 234 Page, Walter, 302 Quinn, Aidan, 308 Paglia, Camille, 196–97 Papp, Joseph, 308 Rabe, David, 259, 300–1 Paris, Texas, 15, 21–22, 25, 132, 155, Raben, Estelle Manette, 303 160–63, 169, 171, 177–78, 181, Rabkin, Eric, 296 199, 218, 220–21 Rabkin, Gerald, 307 Parker, Charlie, 41 Ragland-Sullivan, Ellie, 156 Parker, Dorothy, 301 Raisin in the Sun, A, 1 Parks, Suzan-Lori, 259 Rea, Stephen, 66 Parone, Edward, 189 Reading for the Plot, 101 Pasolli, Robert, 56 Reagan, Ronald, 202, 274 Patraka, Vivian M., 298 Real Boys: Rescuing Our Sons from the Patrick, Robert, 45 Myths of Boyhood, 157 Pattern, The, 44 “Real Gabby Hayes,” 174, 254

326

index

Realism and the American Dramatic Sam Shepard, Arthur Kopit, and the Tradition, 301 Off-Broadway Theater, 301 Realms of the Self, 304 Sam Shepard: A Casebook, 299 Reconstruction-Analysis of “Buried Child”, Sam Shepard: Between the Margins and the A, 297 Centre, 299 Red Clay Ramblers, 67, 225, 243 Sam Shepard: Stalking Himself, 293 Red Cross, 36, 41, 44, 240, 305 Sam Shepard: The Life and Work of an Redneck Manifesto, The, 50 American Dreamer, 292–94 Reilly, John, 69 Sam Shepard: Theme, Image, and the Rereading Shepard, 299 Director, 296 Resurrection, 198, 206, 212–13 Sam’s Shepard’s Metaphorical Stages, 294, Rich, Frank, 265, 308 297 Richardson, Tony, 214 Sander, Rick, 41 Right Stuff, The, 213 Sankey, Tom, 44 Ringaleevie, 214 Sartre, Jean-Paul, 198 Rivera, Jos ´e, 259 Savage/Love, 31, 81, 89–90, 98–99, 102, Roach, Joseph, 103 236, 304, 308 Roach, Max, 242 Savran, David, 95, 149, 172 Robinson, James, 301 Schechner, Richard, 304, 306 Robinson, Marc, 250–51, 303 Scherzer, Dina, 301 Rock Garden, The, 3, 34–36, 38–40, 43, Schlaeger, Jurgen,¨ 304 51, 67–68, 154, 198, 233, 298, 305 Schlueter, June, 301 Rockwell, Norman, 114 Schmitz, G. D., 218 Rogers, Roy, 174 Schvey, Henry, 302 Rogoff, Gordon, 308 Searchers, The, 174–77, 183, 185 Rojo, Jerry, 304 Seduced, 77, 199, 206, 210, 271, Rolling Stones, The, 2, 214, 228 279 Rolling Thunder Logbook, 230 “See You in My Dreams”, 284–85 “Rolling Thunder Review”, 229 “Self-Made Man, The”, 248–50 Rosen, Carol, 31, 133, 162 Serpent, The, 87, 100–1 Rossman, Charles, 301 Sessums, Kevin, 197 Roudan ´e,Matthew, 6, 24, 33, 52, Seven Stages Theatre, 89 294, 300 Seventh Son, 214 Rowlands, Gina, 183 “Sex of Fishes, The”, 250 Rowley, William, 190, 195, 296 Shakespeare, William, 75, 288 Royal Court Theatre, 66, 112 Shane, 174 Royal Shakespeare Company, 189 Shaved Splits, 36, 49, 56 Rulfo, Juan, 4, 78 Shepard, O-Lan, 214, 235 Shepard, Samuel Rogers (father), 12, Sacks, Oliver, 101 51 Sad Lament of Pecos Bill on the Eve of Shewey, Don, 228, 251, 276, 292 Killing His Wife, The, 206, 270, 307 Siegel, Mark, 298 Sainer, Arthur, 49 Signature Theatre Company, 89, 231, 258, Salem, James, 293–94 269–70, 295, 309 Sam Shepard, 292–94, 297–98 Silent, 10, 23, 26, 155, 163–69, 194, 215, Sam Shepard and the American Theatre, 219, 223–25, 257 295 Simard, Rodney, 303 Sam Shepard on the German Stage, 298 Simon, John, 220

327

index

Simpatico, 5, 7–8, 17, 19, 22–23, 26–30, Suicide in B-ﬂat, 93, 298–99 47–48, 59–60, 71, 206, 212, 214, Sung, Kim Il, 51 217–18, 243, 257–78, 309 Superstitions, 236–37 Simpson, Mona, 31 Synge, John Millington, 79–80 Sinise, Gary, 72, 215–16, 269, 293, 308 Take It Like a Man, 172 Sleeping at the Wheel, 249 Tallmer, Jerry, 305 Smash, 49 Tavv, Michael, 295 Smith, John, 70 Taylor, Robert, 212 Smith, Michael, 38, 44, 58, 305 Ten Modern American Playwrights, Smith, Patti, 92–93, 229, 306 293 Smith, Susan Harris, 259 Terminal, 88, 100–1 “Snows of Kilimanjaro, The”, 189 Texts for Nothing, 86–87 Socrates, 249 The Play and Its Critics, 304 Sodom, 9 The Theatre of Sam Shepard, 295 Solarium, 48, 53 Theatre Genesis, 8, 34–64, 88, 233, 257, “Spencer Tracy Is Not Dead”, 174, 255 305 Spivak, Gayatri, 164 Theatre of Sam Shepard, The, 294 Springsteen, Bruce, 227 Theatre on the Square, 280 St. Mark’s Church, 35, 37, 38, 39, 40, Theatre Quarterly, 300 41, 56, 58–60, 65 Theatrefacts, 294 Staclin, Andy, 280 Theatres, Spaces, Environments, 304 Stagecoach, 213 Thousand and One Nights, 12 Staging Difference, 302 Three Tall Women, 270 Staging Masculinity, 300 Todorov, Tzvetan, 296 Stampfel, Peter, 239 Tom Jones, 214 Stanislavski, Konstantin S., 74 Tongues, 4, 31, 74, 81, 87, 89–90, 98–99, Stanton, Harry Dean, 171, 219, 221 102, 105, 189, 236, 304, 308 States of Shock, 5, 8–9, 10, 13, 15, 59, 198, Tooth of Crime (Second Dance), The, 231, 205–6, 243, 257–78, 292, 297, 309 276, 309 Steane, J. B., 191 Tooth of Crime, The, 4, 8, 14, 17, 27, Steel Magnolias, 213 49, 54, 59, 93, 124, 144, 186, 201, Stein, Gertrude, 300, 303 205, 227, 229–32, 244, 260, 266, Steppenwolf Theatre Company, 72, 269, 293, 300, 303–6 308 Tousey, Sheila, 165, 280 Steppling, John, 58 Tracy, Spencer, 174–76, 255 Stewart, Ellen, 35, 38 Tragedy of Homer Stills, 57 Stiffed, 60, 173 Tragicomedy and Contemporary Culture, Stix, John, 81 301 Stockwell, Dean, 160 “True Dylan”, 197–98, 206 Stone, Catherine, 234–35, 236, 238 True Lies: The Architecture of the Fantastic Stone, Sharon, 218 in the Plays of Sam Shepard, 296 Stoppard, Tom, 303 True West, 1, 2, 3, 5, 21–23, 27, 48, 51, Stories of Love, 259 58, 60, 67–69, 72, 76, 93, 111, 124, Streetcar Named Desire, A, 73 131, 133, 139–54, 161–64, 172–73, Studies in American Drama, 1945–Present, 175, 177, 181–87, 189, 203, 210, 294 212–17, 219–20, 223, 225, 266, Sturgess, John, 176 275, 286, 293, 298, 302, 308

328

index

Trumbo, Dalton, 182 Wetzsteon, Ross, 127–28, 305 Trunk, The, 44 When the World Was Greenv, 2, 5, 9, 75, 81, Tucker, Martin, 128, 292–94 89, 98, 102–3, 105, 243, 257, 270, 295, Twain, Mark, 79, 189 309 Tynan, Kenneth, 305 Whiting, John, 189, 205 Whitman, Walt, 13, 14, 29, 123, 189, 205, Understanding Contemporary American 259, 302 Drama, 303 Who’s Afraid of Virginia Woolf? 2, 12 Unnamable, The, 83, 86, 99 Wilcox, Leonard, 128, 299 Unseen Hand, The, 27, 35, 52, 55, Wilde, Oscar, 304 65, 163, 172, 206, 231–32, 306 Wilder, Thornton, 52 Up to Thursday, 3, 36, 38 Wilhelm, Albert, 197 Willadt, Susanne, 264 Vallejo, C ´esar, 25, 89 Williams, Megan, 143 van Itallie, Jean-Claude, 102 Williams, Tennessee, 9, 73, 302 Vanden Heuvel, Michael, 301, 303 Wilmeth, Don, 300 Vera Cruz, 171, 176, 184–86 Wilson, August, 259, 300 Verbal Violence in Contemporary Wilson, Lanford, 38 Dramav, 303 Wilson, Robert, 104 Vermeulen, Michael, 31 Wings of the Dove, 212 Village Gate, 234, 305 Winter Project, 89–90, 102 Vogel, Paula, 258–59, 274 Wit, 1 Von Cowboys bis True West: Sam Shepard’s Woititz, Geringer, 145 Dramen, 298 Wolfe, George C., 309 Wolfe, Tom, 213 Wade, Leslie A., 295–96 Wolter, Jurgen¨ C., 294, 298 Wagner, Richard, 192 Woodruff, Richard, 308 Waiting for Godot, 3, 143, 198 Woods, James, 217 Walter, Sidney Schubert, 89 Wordsworth, William, 199 War in Heaven, The, 75, 81, 83–90, 95–96, Worstward Ho, 86 98–99, 101–6, 308 Woyzeck, 87 Warchus, Matthew, 69, 218 Warhol, Andy, 306 Yale Repertory Theatre, 306 Warshow, Robert, 177 Yankowitz, Susan, 88 Washington, George, 69 Yeager, Chuck, 213 Waste Land, The, 119 Yearbook of Research in English, 304 Water Works at Lincoln, The, 4–50, Young Man from Atlanta, The, 270 54–55 Young, Barbara, 38, 50 Watt, Douglas, 308 Wayne, John, 174–76, 184 Zabriskie Point, 77, 81, 89, 124, 128–30, Webb, James, 184 210, 214, 228, 306 Webster, Duncan, 303 Zapruder, Abraham, 101 Wenders, Wim, 160, 171, 177 Zasetsky, Lev, 96–98, 101 Wertheim, Albert, 302 Zinman, Toby, 198, 200 West, Mae, 229 Zola, Emile,´ 1 West, Nathanael, 23, 129 Zoo Story, The, 8

329