On the Origin of the Name "Hobbit"
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Giant List of Folklore Stories Vol. 5: the United States
The Giant List of Stories - Vol. 5 Pattern Based Writing: Quick & Easy Essay Skim and Scan The Giant List of Folklore Stories Folklore, Folktales, Folk Heroes, Tall Tales, Fairy Tales, Hero Tales, Animal Tales, Fables, Myths, and Legends. Vol. 5: The United States Presented by Pattern Based Writing: Quick & Easy Essay The fastest, most effective way to teach students organized multi-paragraph essay writing… Guaranteed! Beginning Writers Struggling Writers Remediation Review 1 Pattern Based Writing: Quick & Easy Essay – Guaranteed Fast and Effective! © 2018 The Giant List of Stories - Vol. 5 Pattern Based Writing: Quick & Easy Essay The Giant List of Folklore Stories – Vol. 5 This volume is one of six volumes related to this topic: Vol. 1: Europe: South: Greece and Rome Vol. 4: Native American & Indigenous People Vol. 2: Europe: North: Britain, Norse, Ireland, etc. Vol. 5: The United States Vol. 3: The Middle East, Africa, Asia, Slavic, Plants, Vol. 6: Children’s and Animals So… what is this PDF? It’s a huge collection of tables of contents (TOCs). And each table of contents functions as a list of stories, usually placed into helpful categories. Each table of contents functions as both a list and an outline. What’s it for? What’s its purpose? Well, it’s primarily for scholars who want to skim and scan and get an overview of the important stories and the categories of stories that have been passed down through history. Anyone who spends time skimming and scanning these six volumes will walk away with a solid framework for understanding folklore stories. -
'Goblinlike, Fantastic: Little People and Deep Time at the Fin De Siècle
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output ’Goblinlike, fantastic: little people and deep time at the fin de siècle https://eprints.bbk.ac.uk/id/eprint/40443/ Version: Full Version Citation: Fergus, Emily (2019) ’Goblinlike, fantastic: little people and deep time at the fin de siècle. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email ‘Goblinlike, Fantastic’: Little People and Deep Time at the Fin De Siècle Emily Fergus Submitted for MPhil Degree 2019 Birkbeck, University of London 2 I, Emily Fergus, confirm that all the work contained within this thesis is entirely my own. ___________________________________________________ 3 Abstract This thesis offers a new reading of how little people were presented in both fiction and non-fiction in the latter half of the nineteenth century. After the ‘discovery’ of African pygmies in the 1860s, little people became a powerful way of imaginatively connecting to an inconceivably distant past, and the place of humans within it. Little people in fin de siècle narratives have been commonly interpreted as atavistic, stunted warnings of biological reversion. I suggest that there are other readings available: by deploying two nineteenth-century anthropological theories – E. B. Tylor’s doctrine of ‘survivals’, and euhemerism, a model proposing that the mythology surrounding fairies was based on the existence of real ‘little people’ – they can also be read as positive symbols of the tenacity of the human spirit, and as offering access to a sacred, spiritual, or magic, world. -
Chaotic Descriptor Table
Castle Oldskull Supplement CDT1: Chaotic Descriptor Table These ideas would require a few hours’ the players back to the temple of the more development to become truly useful, serpent people, I decide that she has some but I like the direction that things are going backstory. She’s an old jester-bard so I’d probably run with it. Maybe I’d even treasure hunter who got to the island by redesign dungeon level 4 to feature some magical means. This is simply because old gnome vaults and some deep gnome she’s so far from land and trade routes that lore too. I might even tie the whole it’s hard to justify any other reason for her situation to the gnome caves of C. S. Lewis, to be marooned here. She was captured by or the Nome King from L. Frank Baum’s the serpent people, who treated her as Ozma of Oz. Who knows? chattel, but she barely escaped. She’s delirious, trying to keep herself fed while she struggles to remember the command Example #13: word for her magical carpet. Malamhin of the Smooth Brow has some NPC in the Wilderness magical treasures, including a carpet of flying, a sword, some protection from serpents thingies (scrolls, amulets?) and a The PCs land on a deadly magical island of few other cool things. Talking to the PCs the serpent people, which they were meant and seeing their map will slowly bring her to explore years ago and the GM promptly back to her senses … and she wants forgot about it. -
The the Water Mills of Shipley
THE WATER MILLS OF SH IPLEY by BILBIL L HAMPSHIRE Published by the Shipley Local History Society with the help and support of the Bradford Metropolitan District Council’s Shipley Community Area Panel Community Chest. December 2000 Printed by : Aldon Brearley - Ashley Lane, Shipley, West Yorkshire. THE WATER MILLS OF SHIPLEY bybyby BILL HAMPSHIRE With original drawings by Maggie Lambert * & Bill Hampshire** CONTENTS Introduction……………………..…………………...…....1 The Early Years……………………………………….…...3 The Seventeenth and Eighteenth Centuries…....7 Into A New Century……………………………..……...16 Hirst Mill and the Wrights……………………..…….23 A New Direction……………………………………….…27 ILLUSTRATIONS Hirst Mill from the River Aire…………………....…....Cover Location of the three Mills : 1850……………………...…...1 Drawing of a Fulling Frame..………………….….………..…4 Jeffery’s 1775 map of Yorkshire...……….…………….…….5 Plan of Dixon Mill : 1846..……….….….……………...….....7 Dixon Family Tree...…………………….………..………….....9 Overend and Wrights Family Tree...……….…….…......13 Leeds Intelligencer : 1804……….………………...…….....15 Leeds Mercury : 1823……….…………...………………..….18 Plan of New Hirst Mill : 1906….……….....……...….…..20 Leeds Intelligencer : 1817……….....…………….…….......22 Plan of Hirst Mill : 1846…………...….……………..…......23 Hirst House *…………………...…………….…………….......27 Plan of Hirst Mill : 1906…………..…………….……..…....28 New Hirst Mill c.1920s ** ….……….…..…………….....…30 William Wright ……………………………………….……......31 Appendix …………...………….……………………….…...…...32 New Hirst Mill c.1910 * ………………………………...…...33 Hirst Mill today ………………….……………….…Back Cover INTRODUCTION hat stretch of the River Aire forming the Northern boundary of Shipley once sup- T ported three watermills, namely Hirst Mill, Dixon Mill and New Hirst Mill. Hirst Mill may almost certainly be traced back to the thirteenth century. Dixon Mill and New Hirst Mill were built in 1635 and 1745 respectively. The following is an attempt to piece together the history of the mills in terms of their owners and occupiers and the nature of their business. -
Investigating Regional Speech in Yorkshire: Evidence from the Millennium Memory Bank
Investigating Regional Speech in Yorkshire: Evidence from the Millennium Memory Bank Sarah Elizabeth Haigh A thesis submitted to the University of Sheffield for the degree of Master of Philosophy in the School of English Literature, Language and Linguistics January 2015 1 Abstract In this thesis I investigate the extent to which accent variation existed in Yorkshire at the turn of the millennium. I do this by examining the speech of a number of speakers from different locations around the region, recorded in 1998-9 as part of the Millennium Memory Bank oral history project conducted by the BBC and British Library. I also use this data to study change over time by comparing two generations of speakers from the Millennium Memory Bank, and also comparing those speakers with data from the Survey of English Dialects. I conduct the study focussing on two phonological variables: the GOAT vowel, and the PRICE vowel. I discuss the changes and variation found, both over time and with regard to place, with reference to dialect levelling as it has previously been described within the region, considering the possibility of the development of a „pan-Yorkshire‟ variety. My findings suggest that, although changes have clearly occurred in Yorkshire since the time of the SED, some variation within the region remains robust, and there may even be evidence of new diversity arising as urban varieties in Yorkshire cities continue to evolve. I also assess the potential of an oral history interview collection such as the Millennium Memory Bank for use in linguistic research, discussing the advantages and drawbacks of such data, and describing ways in which the collection as it currently stands could be made more accessible to linguists. -
La Figure Du Dragon : Des Origines Mythiques À La Fantasy Et À La Dragon Fantasy Anglo-Saxonnes Contemporaines
La figure du dragon : des origines mythiques `ala Fantasy et `ala Dragon Fantasy anglo-saxonnes contemporaines Daisy De Palmas Jauze To cite this version: Daisy De Palmas Jauze. La figure du dragon : des origines mythiques `ala Fantasy et `ala Dragon Fantasy anglo-saxonnes contemporaines. Litt´eratures.Universit´ede la R´eunion,2010. Fran¸cais. <NNT : 2010LARE0025>. <tel-01160963> HAL Id: tel-01160963 https://tel.archives-ouvertes.fr/tel-01160963 Submitted on 8 Jun 2015 HAL is a multi-disciplinary open access L'archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destin´eeau d´ep^otet `ala diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publi´esou non, lished or not. The documents may come from ´emanant des ´etablissements d'enseignement et de teaching and research institutions in France or recherche fran¸caisou ´etrangers,des laboratoires abroad, or from public or private research centers. publics ou priv´es. UNIVERSITE DE LA REUNION FACULTE DES LETTRES ET DES SCIENCES HUMAINES La figure du dragon : des origines mythiques à la Fantasy et à la Dragon Fantasy anglo-saxonnes contemporaines Thèse de littérature anglo-saxonne présentée en vue de l‟obtention du grade de docteur par Daisy de Palmas Jauze préparée sous la direction de Mme le professeur Sophie Geoffroy soutenue le 26 juin 2010 devant un jury composé de : M. Alain GEOFFROY, professeur, Université de la Réunion Mme Sophie GEOFFROY, professeur, Université de la Réunion Mme Irène LANGLET, professeur, Université de Limoges Mme Anne LARUE, professeur, Université de Paris XIII UNIVERSITE DE LA REUNION FACULTE DES LETTRES ET DES SCIENCES HUMAINES La figure du dragon : des origines mythiques à la Fantasy et à la Dragon Fantasy anglo-saxonnes contemporaines Thèse de littérature anglo-saxonne présentée en vue de l‟obtention du grade de docteur par Daisy de Palmas Jauze préparée sous la direction de Mme le professeur Sophie Geoffroy soutenue le 26 juin 2010 devant un jury composé de : M. -
Bloody Bones
Bloody Bones by Laurell K. Hamilton Book 5 of the Anita Blake Vampire Hunter Series Chapter 1 It was St. Patrick's Day, and the only green I was wearing was a button that read, "Pinch me and you're dead meat." I'd started work last night with a green blouse on, but I'd gotten blood all over it from a beheaded chicken. Larry Kirkland, zombie-raiser in training, had dropped the decapitated bird. It did the little headless chicken dance and sprayed both of us with blood. I finally caught the damn thing, but the blouse was ruined. I had to run home and change. The only thing not ruined was the charcoal grey suit jacket that had been in the car. I put it back on over a black blouse, black skirt, dark hose, and black pumps. Bert, my boss, didn't like us wearing black to work, but if I had to be at the office at seven o'clock without any sleep at all, he would just have to live with it. I huddled over my coffee mug, drinking it as black as I could swallow it. It wasn't helping much. I stared at a series of 8-by-10 glossy blowups spread across my desktop. The first picture was of a hill that had been scraped open, probably by a bulldozer. A skeletal hand reached out of the raw earth. The next photo showed that someone had tried to carefully scrape away the dirt, showing the splintered coffin and bones to one side of the coffin. -
Every Tongue Got to Confess
ZORA NEALE HURSTON Every Tongue Got to Confess Negro Folk-tales from the Gulf States Foreword by John Edgar Wideman Edited and with an Introduction by Carla Kaplan Contents E-Book Extra The Oral Tradition: A Reading Group Guide Every Tongue Got to Confess Foreword by John Edgar Wideman Introduction by Carla Kaplan A Note to the Reader Negro Folk-tales from the Gulf States Appendix 1 Appendix 2 Appendix 3 “Stories Kossula Told Me” Acknowledgments About the Author Praise By Zora Neale Hurston Credits Copyright About the Publisher Acknowledgments The estate of Zora Neale Hurston is deeply grateful for the contributions of John Edgar Wideman and Dr. Carla Kaplan to this publishing event. We also thank our editor Julia Serebrinsky, our publisher Cathy Hemming, our agent Victoria Sanders, and our attorney Robert Youdelman who all work daily to support the literary legacy of Zora Neale Hurston. Lastly, we thank those whose efforts past and present have been a part of Zora Neale Hurston’s resurgence. Among them are: Robert Hemenway, Alice Walker, the folks at the MLA, Virginia Stanley, Jennifer Hart, Diane Burrowes and Susan Weinberg at HarperCollins Publishers, special friends of the estate Imani Wilson and Kristy Anderson, and all the teachers and librarians everywhere who introduce new readers to Zora every day. Foreword With the example of her vibrant, poetic style Zora Neale Hurston reminded me, instructed me that the language of fiction must never become inert, that the writer at his or her desk, page by page, line by line, word by word should animate the text, attempt to make it speak as the best storytellers speak. -
John Collet (Ca
JOHN COLLET (CA. 1725-1780) A COMMERCIAL COMIC ARTIST TWO VOLUMES VOLUME I CAITLIN BLACKWELL PhD University of York Department of History of Art December 2013 ii ABSTRACT This thesis focuses on the comic work of the English painter John Collet (ca. 1725- 1780), who flourished between 1760 and 1780, producing mostly mild social satires and humorous genre subjects. In his own lifetime, Collet was a celebrated painter, who was frequently described as the ‘second Hogarth.’ His works were known to a wide audience; he regularly participated in London’s public exhibitions, and more than eighty comic prints were made after his oil paintings and watercolour designs. Despite his popularity and prolific output, however, Collet has been largely neglected by modern scholars. When he is acknowledged, it is generally in the context of broader studies on graphic satire, consequently confusing his true profession as a painter and eliding his contribution to London’s nascent exhibition culture. This study aims to rescue Collet from obscurity through in-depth analysis of his mostly unfamiliar works, while also offering some explanation for his exclusion from the British art historical canon. His work will be located within both the arena of public exhibitions and the print market, and thus, for the first time, equal attention will be paid to the extant paintings, as well as the reproductive prints. The thesis will be organised into a succession of close readings of Collet’s work, with each chapter focusing on a few representative examples of a significant strand of imagery. These images will be examined from art-historical and socio-historical perspectives, thereby demonstrating the artist’s engagement with both established pictorial traditions, and ephemeral and topical social preoccupations. -
The Mabbot Street Entrance of Nighttown, Before Which Stretches an Uncobbled Tramsiding Set with Skeleton Tracks, Red and Green Will-O'-The-Wisps and Danger Signals
CIRCE (CHAPTER 15) NOTE: Reader’s lines are marked with red initials. Paul Cronan will read each character’s name and its succeeding parenthetical stage direction, unless otherwise marked. p. 429 (350) (PC) (The Mabbot street entrance of nighttown, before which stretches an uncobbled tramsiding set with skeleton tracks, red and green will-o'-the-wisps and danger signals. Rows of grimy houses with gaping doors. Rare lamps with faint rainbow fins. Round Rabaiotti's halted ice gondola stunted men and women squabble. They grab wafers between which are wedged lumps of coral and copper snow. Sucking, they scatter slowly. Children. The swancomb of the gondola, highreared, forges on through the murk, white and blue under a lighthouse. Whistles call and answer.) p. 431 (352) (PC) (Stephen, flourishing the ashplant in his left hand, chants with joy the introit for paschal time. Lynch, his jockeycap low on his brow, attends him, a sneer of discontent wrinkling his face.) p. 434 (354) (PC) At Antonio Rabaiotti's door Bloom halts, sweated under the bright arclamp. He disappears. In a moment he reappears and hurries on.) (BW) BLOOM: Fish and taters. N. g. Ah! (MJK) (He disappears into Olhausen's, the porkbutcher's, under the downcoming rollshutter. A few moments later he emerges from under the shutter, puffing Poldy, blowing Bloohoom. In each hand he holds a parcel, one containing a lukewarm pig's crubeen, the other a cold sheep's trotter, sprinkled with wholepepper. He gasps, standing upright. Then bending to one side he presses a parcel against his ribs and groans.) (BW) BLOOM: Stitch in my side. -
RCA Victor Consolidated Series
RCA Discography Part 17 - By David Edwards, Mike Callahan, and Patrice Eyries. © 2018 by Mike Callahan RCA Victor Consolidated Series In 1972, RCA instituted a consolidated series, where all RCA releases were in the same series, including albums that were released on labels distributed by RCA. APL 1 0001/APD 1 0001 Quad/APT 1 0001 Quad tape — Love Theme From The Godfather — Hugo Montenegro [1972] Medley: Baby Elephant Walk, Moon River/Norwegian Wood/Air on the G String/Quadimondo/I Feel the Earth Move/The Godfather Waltz/Love Theme from the Godfather/Pavanne/Stutterolgy RCA Canada KPL 1 0002 — Trendsetter — George Hamilton IV [1975] Canadian LP. Bad News/The Ways Of A Country Girl/Let My Love Shine/Where Would I Be Now/The Good Side Of Tomorrow/My Canadian Maid/The Wrong Side Of Her Door/Time's Run Out On You/The Isle Of St. Jean/The Dutchman RCA Red Seal ARL 1 0002/ARD 1 0002 Quad – The Fantastic Philadelphians Volume 1 – Eugene Ormandy and Philadelphia Orchestra [1972] EspanÞa Rhapsody (Chabrier)/The Sorcerer's Apprentice (Dukas)//Danse Macabre (Saint-Sae8ns)/A Night On Bald Mountain (Moussorgsky) 0003-0007 (no information) RCA Special Products DPL 1 0008 – Toyota Jazz Parade – Various Artists [1973] Theme from Toyota – Al Hirt/Java – Al Hirt/Cotton Candy – Al Hirt/When the Saints Go Marching In – Al Hirt/At the Jazz Band Ball – Dukes of Dixieland/St. Louis Blues – Louis Armstrong/St. James Infirmary – King Oliver//Hi-Heel Sneakers – Jose Feliciano/Amos Moses – Jerry Reed/Theme from Shaft – Generation Gap/Laughing – Guess Who/Somebody to Love – Jefferson Airplane 0009-0012 (no information) APL 1 0013/APD 1 0013 Quad/APT 1 0013 Quad tape — Mancini Salutes Sousa — Henry Mancini [1972] Drum Corps/Semper Fidelis/Washington Post/Drum Corps/King Cotton/National Fencibles/The Thunderer/Drum Corps/El Capitan/The U. -
Wordsmiths & Warriors
Literary Refractions No. 1 - Year 5 12/2014 - LC.12 [sic] - a journal of literature, culture and literary translation Wordsmiths & Warriors Jane Mattisson Review of Wordsmiths & Warriors: The English-Language Tourist’s Guide to Britain by David and Hilary Crystal. Oxford: Oxford University Press, 2013. 424pp. Wordsmiths & Warriors relates a real journey of thousands of miles undertaken by David and Hilary Crystal. The result is a fascinating combination of English-language history and travelogue (the study gives detailed instructions on how to find each place mentioned). David is responsible for the descriptions, and Hilary, for the full-colour photographs. The book comprises a guide for those wishing to follow in their footsteps; at the same time, it reflects the chronology of the language. The Crystals visit places associated with such well-known writers as Chaucer, Shakespeare, and Wordsworth; dictionary compilers such as Johnson and Murray; and a number of well-known and lesser-known dialect writers, elocutionists, and grammarians. Warrior wordsmiths such as King Alfred are also mentioned. Wordsmiths & Warriors emphasises the centrality of the Anglo-Saxon, medieval and early modern periods in the development of the English language as it is known today. A progressive view of language change and transition is generally avoided in the study in favor of a more personal selection of texts. The scope of the book is wide, incorporating small villages as well as major cities, ancient texts and more modern ones. Fifty-seven chapters take us to places as far apart as St Albans, Peterborough, West Malvern, Grasmere, Bath, Pegwell Bay, Lindisfarne, Cerne Abbas, Bourne, Canterbury, and Oxford.