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INTERWOVEN: Dress That Crosses Borders and Challenges Boundaries
INTERWOVEN: Dress that Crosses Borders and Challenges Boundaries International Conference of Dress Historians Friday, 27 October 2017 and Saturday, 28 October 2017 Conference Venue: The Art Workers’ Guild, 6 Queen Square London, WC1N 3AT, England Presented By: The Association of Dress Historians www.dresshistorians.org The border has emerged as a key conceptual device in recent political and social history. Join us as we consider the role of dress in transcending historical boundaries that operated to denote traditional divisions of gender, class, and nationality, among others. The Association of Dress Historians (ADH) is delighted to present its upcoming international conference, which features 62 separate paper presentations delivered over two exciting days of scholarship in dress history. Conference tickets are £30 for one day or £50 for two days. All conference tickets include tea and networking sessions, lunch, and a wine reception each day. Conference tickets can be purchased online at: https://tinyurl.com/ADHCONF. This conference programme includes the entire two–day presentation schedule, all 62 conference speakers’ paper abstracts and biographies, with an image that represents their conference presentation. Additionally, this programme includes the biographies of the 20 panel chairs and the five conference interns. In the interest of the environment, this conference programme will not be printed on paper. We advise reading it digitally. Also in the interest of the environment, at the end of the conference, please return your plastic name badge to the name badge table, so we can use them again. Thank you. The Association of Dress Historians is Registered Charity #1014876 of The Charity Commission for England and Wales. -
Copyright Statement This Copy of the Thesis Has Been Supplied On
University of Plymouth PEARL https://pearl.plymouth.ac.uk 04 University of Plymouth Research Theses 01 Research Theses Main Collection 2021 How progressive was the representation of physical disability within mainstream film in the 1990s, given the increased awareness about disability during the decade? Ruse, Connor David http://hdl.handle.net/10026.1/17388 University of Plymouth All content in PEARL is protected by copyright law. Author manuscripts are made available in accordance with publisher policies. Please cite only the published version using the details provided on the item record or document. In the absence of an open licence (e.g. Creative Commons), permissions for further reuse of content should be sought from the publisher or author. Copyright Statement This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with its author and that no quotation from the thesis and no information derived from it may be published without the author's prior consent. 1 How progressive was the representation of physical disability within mainstream film in the 1990s, given the increased awareness about disability during the decade? by Connor David Ruse A thesis submitted to the University of Plymouth in partial fulfilment for the degree of RESEARCH MASTERS School of Humanities and Performing Arts July 2021 2 Acknowledgements Many thanks to my supervisory team at the University of Plymouth, Dr Darren Aoki, Dr Ryan Sweet and Dr Simon Topping, for providing excellent feedback throughout this Research Masters and for ensuring I remain focused on the historical side of film analysis. -
Costume Institute Records, 1937-2008
Costume Institute Records, 1937-2008 Finding aid prepared by Arielle Dorlester, Celia Hartmann, and Julie Le Processing of this collection was funded by a generous grant from the Leon Levy Foundation This finding aid was generated using Archivists' Toolkit on August 02, 2017 The Metropolitan Museum of Art Archives 1000 Fifth Avenue New York, NY, 10028-0198 212-570-3937 [email protected] Costume Institute Records, 1937-2008 Table of Contents Summary Information .......................................................................................................3 Historical note..................................................................................................................... 4 Scope and Contents note.....................................................................................................6 Administrative Information .............................................................................................. 6 Related Materials .............................................................................................................. 7 Controlled Access Headings............................................................................................... 7 Collection Inventory............................................................................................................9 Series I. Collection Management..................................................................................9 Series II. Curators' and Administrators' Files............................................................ -
The Rise of the Costume Designer: a Critical History of Costume on the New York Stage from 1934 to 1950
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1968 The Rise of the Costume Designer: a Critical History of Costume on the New York Stage From 1934 to 1950. Eelin Stewart Harrison Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Harrison, Eelin Stewart, "The Rise of the Costume Designer: a Critical History of Costume on the New York Stage From 1934 to 1950." (1968). LSU Historical Dissertations and Theses. 1444. https://digitalcommons.lsu.edu/gradschool_disstheses/1444 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. This dissertation has been microfilmed exactly as received 68-16,312 HARRISON, Eelin Stewart, 1915- THE RISE OF THE COSTUME DESIGNER: A CRITICAL HISTORY OF COSTUME ON THE NEW YORK STAGE F R O M 1934 TO 1950. Louisiana State University and Agricultural and Mechanical College, Ph.D., 1968 Speech-Theater University Microfilms, Inc., Ann Arbor, Michigan Co) EELIN STEWART HARRISON 1968 ALL RIGHTS RESERVED THE RISE OF THE COSTUME DESIGNER: A CRITICAL HISTORY OF COSTUME ON THE NEW YORK STAGE FROM 1934 TO 1950 A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Speech by Eelin Stewart Harrison B.A., Brooklyn College, 1945 M.A., Louisiana State University, 1946 May, 1968 , ACKNOWLEDGMENTS The author wishes to express gratitude to all those who have so graciously given of their time and skill in the accomplishment of this task: To my esteemed professor, Claude L. -
Star Trek Tng
Star trek tng Continue This article is about the television series. For other purposes, see Star Trek: The Next Generation (Disbigation). American TV series Star Trek: The Next GenerationGenre Sci-Fi Drama Mystery Action Adventure Createdgene RoddenberryStarringPatrick StewartJonAthan FrakesLe Burton BurtonDenise CrosbyMichael DornGates McFaddenMarina SirtisBrent SpinerWil WheatonTheme composer Alexander CourageJerry GoldsmithComposer (s) Dennis McDay Chattos7no. episodes178 (episode list)ProductionSy producer (s) Gene Roddenberry (1987-1991)Rick Berman (1989-1994) Showrunners Maurice Hurley (1988 8-1989)Michael Piller (1989-1994)Jerry Taylor (1993-1994)CinemaEdward R. Brown (1987-1989)Marvin V. Rush (1989-1992) Jonathan West (1992-1994)Running time44 minutesProduction company (s) Paramount Internal Television Distributor Paramount Internal Television (1 CBS Paramount Television (2006-2007) CBS Television Distribution (2007-present) Budget $1.3 million per episodeReleaseOrigingin NetworkFirst-runs syndication 23Picture formatNTSC 480i 4:31080p 4:3 (Blu-ray) Audio formatDolby SRDolby Digital 5 .1 (DVD)DTS-HD Master Audio 7.1 (Blu-ray)Original release28 September 1987 (1987-09-28) - May 23, 1994 (1994-05- 23)TimelineResred Star Trek : Animated seriesAfter Star Trek: Deep Space NineRelated showsStar Trek series Expressed Links Star Trek: The Next Generation in StarTrek.com Star Trek: The Next Generation (TNG) is an American sci-fi television series created by Gene Roddenberry. It premiered from September 28, 1987 to May 23, 1994, in a syndication covering 178 episodes over seven seasons. The third series of the Star Trek franchise is the second sequel to Star Trek: The Original. Расположенный в 24 веке, когда Земля является частью Объединенной федерации планет, он следует приключения звездолета Звездного Звездного Звездного Звезды, USS Enterprise (NCC-1701-D), в своем исследовании галактики Млечный Путь. -
Costume: Readings in Theatre Practice
Copyrighted matrial – 978–1–137–02948–5 Compilation, original and editorial matter © Ali Maclaurin and Aoife Monks 2015 For copyright information on individual readings see the acknowledgements on page vii All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2015 by PALGRAVE Palgrave in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of 4 Crinan Street, London N1 9XW. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave is a global imprint of the above companies and is represented throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978–1–137–02949–2 hardback ISBN 978–1–137–02948–5 paperback This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. -
Fashion Behind the Footlights: the Influence of Stage
FASHION BEHIND THE FOOTLIGHTS: THE INFLUENCE OF STAGE COSTUMES ON WOMEN'S FASHIONS IN ENGLAND FROM 1878-1914 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Karen Adele Recklies, B.A., M.A. * * * * * The Ohio State University 1982 Reading Committee: Approved By Alan Woods George Crepeau Firman Brown, Jr. Advisor Department of Theatre Copyright Karen Adele Recklies 1982 I I I l I ~ ACKNOWLEDGMENTS I would like to thank the following, people for their help in preparing the dissertation: my advisor Alan Woods, George Crepeau, Firman Brown, Jr., Mary Millican, and my husband Don for his preparation of the illustrations. ii VITA 1971 ...................... B.A., Kent State University, Kent, Ohio 1971-72................... Teaching Assistant, Department of Theatre, Kent State Univer sity, Kent, Ohio 1974 ............... M.A., Kent State University, Kent, Ohio 1976-80 ................. Graduate Teaching Associate, Graduate Administrative Associ ate, Department of Theatre, The Ohio State University, Columbus, Ohio 1981-82 ................. Graduate Administrative Associ ate, Center for Medieval and Renaissance Studies, The Ohio State University, Columbus, Ohio PUBLICATIONS AND PRESENTATIONS "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Part of the Competitive Costume Panel at the American Theatre Association National Convention, August 1981. "Lillie Langtry's Stage Costumes: Examples of Contemporary Fashions in England and America, 1895-1900." Accepted for publication in Theatre Studies. FIELDS OF STUDY Major Field; Theatre Studies in Costume Design and Costume History. Professor Michelle Guillot Studies in Literature and Criticism. Professor John Morrow Studies in History. -
Charles Schoonmaker COSTUME DESIGN
Charles Schoonmaker COSTUME DESIGN Television As the World Turns, CBS / 1999-2005/ Emmy Award – 2001 All My Children, ABC / 1995-1999 Another World, NBC / 1985-1995 / Emmy Award – 1994,1990,1989 Pardon Me for Living / Highgate Pictures / With Margaret Hamilton and Christian Slater The Rise and Rise of Daniel Rocket by Peter Parnell / American Playhouse / PBS / (as Assistant Costume Designer) Theatre Living Together by Alan Ayckbourn / Peter Hackett, Director / Northern Stage / White River Junction, VT Oh God by Anat Gov / Guy Ben-Aharon, Director / Israeli Stage / Arsenl Center for the Arts / Watertown, MA Violet by Jeanine Tesori and Brian Crawley / Paul Daigneault, Director / SpeakEasy Stage Company / Boston, MA Love, Sex, and Death in the Amazon by Robert Murphy / Jean Randich, Director / Collider Theatre / Paradise Garage, NYC The Gospel According to Thomas Jefferson, Charles Dickens and Leo Tolstoy: Discord by Scott Carter / Byam Stevens, Director / Chester Theatre Company / Chester, MA Mothers and Sons by Terrence McNally / Paul Daigneault, Director / SpeakEasy Stage Company / Boston, MA Ulysses on Bottles by Gilad Evron, Tr. Evan Fallenberg / Guy Ben- Aharon, Director / Israeli Stage Company / Arts Emerson / Boston, MA Venus in Fur by David Ives / Daniel Goldstein, Director / Huntington Theatre Company / Boston, MA / IRNE Award, Best Costume Design, Large Theatre Far From Heaven by Richard Greenberg, Scott Frankel, and Michael Korie / Scott Edmiston, Director / SpeakEasy Stage Company / Schoonmaker cv Boston, MA / Norton and IRNE -
Professors Receive Recognition for Their Excellence in Teaching Level and Service
00005 70065002029809910 UNIVERSITY ArtCH I NE S ö C ä 1 0 6 3 ( 2 ) Babylon 5’s G ’ Kar INDEX... the Babylon 5’s Andreas editorials.... .,,1 Katsulas (G’ Kar) lifestyle...... ...6 makes a stop in St. sports......... ... 9 Louis for autograph signings. See photo, classifieds.., ..12 ALTON, EAST ST IS & EDWARDSVILLE page 6. ♦ Tuesday, A pril 21, 1998 S o u t h e r n I l l i n o i s U n i v e r s i t y a t E dwardsville Vol. 50, No. 64 ♦ Professors receive recognition for their excellence in teaching level and service ■ BY ZHANDA changes, Frisbe mathematics and statistics; activities, while obtaining their JOHNSON stays abreast of Aland Stueber, professor undergraduate or graduate NEWS EDITOR current theory and of geography; and Kathy education. method within her Burke, a lecturer in the Martell is recognized by her Charlotte Frisbe, professor field, and she also school of nursing. Each peers for her innovation in the of anthropology, and Eric Voss, pays close recipient will receive a classroom and for developing assistant professor of chemistry, attention to $500 award. business simulation exercises to were recently selected as co teaching Sewell has taught a involve students in active team recipients of this year’s SIUE techniques and wider range of decision making processes. She Teaching Excellence Award. On new technology for mathematics and statistic also takes advantage of the Sunday, the two received an her classes. courses than any other internet for teaching purposes award of $1,250 at the Honors Outside of the faculty in the department. -
Starlog Magazine
REVOLUTIO,UP On location with EE a LOONEY TUNES DOCTOR M CAT IN THE HAT A. m% TIMELINE # ^ HAUNTED TAKEN HULK MBm MANSION Fntpr if \/oii finro^ y SMALLVILLE sweetheart Kristin Kreuk us)TRU CALLING • TARZAN • JAKE 2.0 vw.starlog.com NUMBER 317 • DECEMBER 2003 • THE SCIENCE AbL &k\ INSIDE THIS ISSUE VACATION TERRORS Visiting Medieval France is no holiday for the Timeline team WIN A BET, ON A SET He does movie tricks at that, as they film The Cat in the Hat BUGS, ROBBY & JOE DANTE Toon royalty entertains SF's greatest with Looney Tunes: Back in Action START THE REVOLUTIONS Producer Joel Silver previews the future of The Matrix LIFE & DEATH IN ROBOTA Doug Chiang & Orson Scott Card envision a new universe ANIMATIONS OF JEDI Star Wars moves to Cartoon Network with Clone Wars GRIM GRINNING GHOSTS Abandon all hope, ye who enter The Haunted Mansion HOBBIT AT SEA This year, Billy Boyd takes part(s) in two epic adventures BRIGHT APE, BIG CITY Tarzan swings into New York's perilou jungle LANA LANG'S LOST LOVE It sizzles for Smallville's sweetheart Kristin Kreu TRU DESTINY The heroine relives yesterday to save tomorrow HEROIC UPGRADE Chris Gorham becomes an SF star as v. spy Jake 2.0 SCOTT BAKULA SPEAKS This starship captain hasn't given up his Enterprise DOUBLE DELIGHTS The Klimaszewski Sisters stand reve Trek twins HIS CYLON CHILDHOOD Noah Hathaway grew up on board Ba STARLOC: The science Fiction Universe is published monthly by STARLOG GROUP, INC., 475 Park Avenue South, New York, NY 10016. -
What Is the Best Way to Begin Learning About Fashion, Trends, and Fashion Designers?
★ What is the best way to begin learning about fashion, trends, and fashion designers? Edit I know a bit, but not much. What are some ways to educate myself when it comes to fashion? Edit Comment • Share (1) • Options Follow Question Promote Question Related Questions • Fashion and Style : Apart from attending formal classes, what are some of the ways for someone interested in fashion designing to learn it as ... (continue) • Fashion and Style : How did the fashion trend of wearing white shoes/sneakers begin? • What's the best way of learning about the business behind the fashion industry? • Fashion and Style : What are the best ways for a new fashion designer to attract customers? • What are good ways to learn more about the fashion industry? More Related Questions Share Question Twitter Facebook LinkedIn Question Stats • Latest activity 11 Mar • This question has 1 monitor with 351833 topic followers. 4627 people have viewed this question. • 39 people are following this question. • 11 Answers Ask to Answer Yolanda Paez Charneco Add Bio • Make Anonymous Add your answer, or answer later. Kathryn Finney, "Oprah of the Internet" . One of the ... (more) 4 votes by Francisco Ceruti, Marie Stein, Unsah Malik, and Natasha Kazachenko Actually celebrities are usually the sign that a trend is nearing it's end and by the time most trends hit magazine like Vogue, they're on the way out. The best way to discover and follow fashion trends is to do one of three things: 1. Order a Subscription to Women's Wear Daily. This is the industry trade paper and has a lot of details on what's happen in fashion from both a trend and business level. -
Experiences and Perceptions of Broadway Costume Designers Sara Jablon Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2016 Historical accuracy in costume design: experiences and perceptions of Broadway costume designers Sara Jablon Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the American Material Culture Commons, Fashion Design Commons, and the Theatre and Performance Studies Commons Recommended Citation Jablon, Sara, "Historical accuracy in costume design: experiences and perceptions of Broadway costume designers" (2016). Graduate Theses and Dissertations. 14972. https://lib.dr.iastate.edu/etd/14972 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Historical accuracy in costume design: Experiences and perceptions of Broadway costume designers by Sara Jablon A dissertation submitted to the graduate faculty in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Major: Apparel, Merchandising, and Design Program of Study Committee: Eulanda A. Sanders, Major Professor Fatma Baytar Mary Lynn Damhorst Brad Dell John W. Monroe Iowa State University Ames, Iowa 2016 Copyright © Sara Jablon, 2016. All rights reserved. ii TABLE OF CONTENTS LIST OF FIGURES .....................................................................................................................