DOCSLIB.ORG

INTERWOVEN: Dress That Crosses Borders and Challenges Boundaries

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
INTERWOVEN: Dress That Crosses Borders and Challenges Boundaries INTERWOVEN: Dress that Crosses Borders and Challenges Boundaries International Conference of Dress Historians Friday, 27 October 2017 and Saturday, 28 October 2017 Conference Venue: The Art Workers’ Guild, 6 Queen Square London, WC1N 3AT, England Presented By: The Association of Dress Historians www.dresshistorians.org The border has emerged as a key conceptual device in recent political and social history. Join us as we consider the role of dress in transcending historical boundaries that operated to denote traditional divisions of gender, class, and nationality, among others. The Association of Dress Historians (ADH) is delighted to present its upcoming international conference, which features 62 separate paper presentations delivered over two exciting days of scholarship in dress history. Conference tickets are £30 for one day or £50 for two days. All conference tickets include tea and networking sessions, lunch, and a wine reception each day. Conference tickets can be purchased online at: https://tinyurl.com/ADHCONF. This conference programme includes the entire two–day presentation schedule, all 62 conference speakers’ paper abstracts and biographies, with an image that represents their conference presentation. Additionally, this programme includes the biographies of the 20 panel chairs and the five conference interns. In the interest of the environment, this conference programme will not be printed on paper. We advise reading it digitally. Also in the interest of the environment, at the end of the conference, please return your plastic name badge to the name badge table, so we can use them again. Thank you. The Association of Dress Historians is Registered Charity #1014876 of The Charity Commission for England and Wales. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. Please direct all inquiries regarding the conference and this document to [email protected]. Copyright © 2017 The Association of Dress Historians 2 Contents Conference Presentation Schedule ........................................................................ 6 Conference Speakers’ Paper Abstracts and Biographies ..................................... 15 Jenna Allsopp, MA ........................................................................................... 17 Fiona Anderson, MA ....................................................................................... 19 Eva I Andersson, PhD ...................................................................................... 21 Rosa Edith Moya Ayala and Angela Bernice Kennedy Ramos ........................ 23 Soline Anthore Baptiste, MA ........................................................................... 25 Art Blake, PhD ................................................................................................. 27 Reggie Blaszczyk, PhD ..................................................................................... 29 Raissa Bretaña, BFA ......................................................................................... 31 Constance Karol Burks, MA ............................................................................ 33 Robyne Erica Calvert, PhD .............................................................................. 35 Katy Canales ..................................................................................................... 37 Alexandra Carter, MA ...................................................................................... 39 Alexa Chan, MA and Heidi Lempp, PhD ....................................................... 41 Éva Deák, PhD ................................................................................................. 43 Lauren De’Ath ................................................................................................. 45 Victoria de Lorenzo, MA ................................................................................. 47 Helen Elands, MA............................................................................................ 49 Michelle Tolini Finamore, PhD ....................................................................... 51 Hadas Fischer ................................................................................................... 53 Carmen Gaitán–Salinas, MA ............................................................................ 55 Thomas P Gates, MA, MSLS, MAEd.............................................................. 57 Olivia Gecseg .................................................................................................... 59 Sarah–Mary Geissler, BA ................................................................................. 61 Katie Godman .................................................................................................. 63 Hiroka Goto ..................................................................................................... 65 Inga Lena Ångström Grandien, PhD ............................................................... 67 Fiona Jardine, PhD and Theresa Coburn ........................................................ 69 Lovisa Willborg Jonsson .................................................................................. 71 3 Kenisha Kelly, MFA ......................................................................................... 73 Nargess Khodabakhshi, MFA .......................................................................... 75 Anna Knutsson, MA, MPhil ............................................................................. 77 Tiina Kuokkanen, PhD .................................................................................... 79 Calina Langa, PhD ........................................................................................... 81 Charlene K Lau, PhD ...................................................................................... 83 Julie Macindoe, MA ......................................................................................... 85 Allison Martino, MA ........................................................................................ 87 Emma McClendon, MA................................................................................... 89 James Middleton, MA ...................................................................................... 91 Deirdre Murphy ............................................................................................... 93 Martin Pel ......................................................................................................... 95 Diana Rafaela Pereira, MA ............................................................................... 97 Chrys Plumley .................................................................................................. 99 Ivana Čapeta Rakić, PhD ................................................................................ 101 Michael Ballard Ramsey ................................................................................. 103 Stacey Clare Richards, BA Hons, MA ........................................................... 105 Georgina Ripley, MA ..................................................................................... 107 Erica Suzanne Scott, MA ................................................................................ 109 Andrea J Severson .......................................................................................... 111 Ayelet Shats .................................................................................................... 113 Rebecca Shawcross ......................................................................................... 115 Svitlana Shiells, PhD....................................................................................... 117 Pamela Smith, MA ......................................................................................... 119 Matthew Storey, MA ...................................................................................... 121 Anushka Tay, MA .......................................................................................... 123 Emma Treleaven, MA .................................................................................... 125 Nadya Wang, MA .......................................................................................... 127 Rainer Wenrich, PhD .................................................................................... 129 Holly Winter, MA .......................................................................................... 131 Kerstin S Wölling, MA ................................................................................... 133 4 Lucy Worsley, PhD ........................................................................................ 135 Allie Yamaguchi, MA ..................................................................................... 137 Panel Chairs’ Biographies .................................................................................. 138 Fiona Anderson, MA ..................................................................................... 138 Reggie Blaszczyk, PhD ................................................................................... 138 Andrew Breer, PhD ....................................................................................... 138 Constance Karol Burks .................................................................................. 139 Robyne Erica Calvert, PhD ...........................................................................
Load more

Recommended publications
  • Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Fall 2017 Textile Society of America Newsletter 29:2 — Fall 2017 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Materials Conservation Commons, Fashion Design Commons, Fiber, Textile, and Weaving Arts Commons, Industrial and Product Design Commons, Interdisciplinary Arts and Media Commons, and the Metal and Jewelry Arts Commons Textile Society of America, "Textile Society of America Newsletter 29:2 — Fall 2017" (2017). Textile Society of America Newsletters. 80. https://digitalcommons.unl.edu/tsanews/80 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. VOLUME 29. NUMBER 2. FALL 2017 Photo Credit: Tourism Vancouver See story on page 6 Newsletter Team BOARD OF DIRECTORS Editor-in-Chief: Wendy Weiss (TSA Board Member/Director of Communications) Designer: Meredith Affleck Vita Plume Member News Editor: Caroline Charuk (TSA General Manager) President [email protected] Editorial Assistance: Natasha Thoreson and Sarah Molina Lisa Kriner Vice President/President Elect Our Mission [email protected] Roxane Shaughnessy The Textile Society of America is a 501(c)3 nonprofit that provides an international forum for Past President the exchange and dissemination of textile knowledge from artistic, cultural, economic, historic, [email protected] political, social, and technical perspectives. Established in 1987, TSA is governed by a Board of Directors from museums and universities in North America.
    [Show full text]
  • Glengarry Highland Games in Maxville, July 30
    -~--- ------------------------- I .,- ·---·-··· --···-··--~, I ' I I The Glengarry News i i extends aliurufrecf tliousand ivdcomes I \ -------- - ------··---~' • • • --.,-,,_..•,-,: -.!3',1.:,,_;..._";a,.~·~,.,~:¥,-. r- - -:+-·_ TO YOUR GOOD HEALTH · ·: . ' ~ .- - . ... ~ - . - - - " - ~Wzhrl11,hlr2!,IW lria,07Et. Great leaders opened games by Anaaa H. McDonell The Rt. Hon. Edward chose their own home town Robt. H. Saunders, CBF, desk, ably assisted by his MacRae; 1961-62, Dr. Don Successful continuity of Schreyer, governor general lassie, Cathy MacEwan. A Q.C., chairman of Ontario wife Leila. And Angus H. Gamble; 1963-64, Wm. R. any community enterprise, of Canada and his wife, Her decade later, 1976, Mrs. Hydro was the 1950 guest. McDonell, 1964. MacEwen; 1965-66, Leslie such as the Glengarry Excellency Lily Schreyer. Alice MacNabb of .Mac­ And turning to the judic­ Presidents during the 36 Clark; 1967-68, Hugh Highland Games, for al­ Following the 1948 found­ Nabb of Clan MacLeod, iary, Chief Justice Kenneth years: Smith; 1969-70, R. W. most two score years is an ing of the Games, premiers Scotland, represented Charles MacKay, Mont­ MacLennan; 1971-72, Wal­ played a similar role in Dame Flora MacLeod. real, 1974. 1948, Peter Macinnes; achievement equaled by ter Blaney; 1973-74, Garry officiating. Two years later, The Games having a Representing the Clans 1949, A. S. MacIntosh; only a few counterparts. Smith; 1975-76-77, D. E. Continuity of having pre­ 1950, Hon. Leslie Frost, basic. sports background, in addition to the MacLeods 1950, C. L. MacGregor; 1951, Ken Barton; 1952, D. stigious Canadian person­ premier of Ontario was in the executive obviously were: Dave Grundie, Grand MacMaster; 1978-79, Ian D.
    [Show full text]
  • Toronto! Welcome to the 118Th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies
    TORONTO, ONTARIO JANUARY 5–8, 2017 Welcome to Toronto! Welcome to the 118th Joint Annual Meeting of the Archaeological Institute of America and the Society for Classical Studies. This year we return to Toronto, one of North America’s most vibrant and cosmopolitan cities. Our sessions will take place at the Sheraton Centre Toronto Hotel in the heart of the city, near its famed museums and other cultural organizations. Close by, you will find numerous restaurants representing the diverse cuisines of the citizens of this great metropolis. We are delighted to take this opportunity of celebrating the cultural heritage of Canada. The academic program is rich in sessions that explore advances in archaeology in Europe, the Table of Contents Mediterranean, Western Asia, and beyond. Among the highlights are thematic sessions and workshops on archaeological method and theory, museology, and also professional career General Information .........3 challenges. I thank Ellen Perry, Chair, and all the members of the Program for the Annual Meeting Program-at-a-Glance .....4-7 Committee for putting together such an excellent program. I also want to commend and thank our friends in Toronto who have worked so hard to make this meeting a success, including Vice Present Exhibitors .......................8-9 Margaret Morden, Professor Michael Chazan, Professor Catherine Sutton, and Ms. Adele Keyes. Thursday, January 5 The Opening Night Public Lecture will be delivered by Dr. James P. Delgado, one of the world’s Day-at-a-Glance ..........10 most distinguished maritime archaeologists. Among other important responsibilities, Dr. Delgado was Executive Director of the Vancouver Maritime Museum, Canada, for 15 years.
    [Show full text]
  • Pipe Band Uniforms, Highland Dress & Accessories
    PIPE BAND UNIFORMS, HIGHLAND DRESS & ACCESSORIES KILTS Made in Scotland by Leading Kiltmaker - 100% Worsted Cloth Gent’s Full Kilts Medium Worsted Cloth .............................8 yard Kilt .......$ 720.00 ..................................................................9 yard Kilt .......$ 750.00 Old & Rare Range - Medium Worsted .......8 yard Kilt .......$ 795.00 ..................................................................9 yard Kilt .......$ 825.00 Heavy Weight Stock Cloth .........................8 yard Kilt .......$ 765.00 ..................................................................9 yard Kilt .......$ 795.00 Special Weave - 16oz Cloth .......................8 yard Kilt .......$ 925.00 ..................................................................9 yard Kilt .......$ 990.00 Dancer’s Full Kilts ............................................................................. From $ 475.00 Ladies Semi-Kilt LTWT Wstd Cloth, up to 100 cm hips Machine Sewn ........................ From $ 350.00 Ladies Hostess Kilt Ankle Length 100% Worsted, up to 100cm hips. Machined ....................... $ 590.00 Straight Skirt - Reever cloth ........................................................................ $ 240.00 All of the above to measure - Delivery 8-10 weeks JACKETS Made to measure from Scotland - Delivery 8-10 weeks Several styles including Argyll, Crail, Montrose, Prince Charlie and Band Tunics to detail Plain Barathea Cloth, Crail & Argyll Style .................. $ 490.00 Tweed Crail & Argyll Style .......................................
    [Show full text]
  • 1 Newsletter Februar 2019 Liebe Netzwerker*Innen, Im Aktuellen
    Newsletter Februar 2019 Liebe Netzwerker*innen, im aktuellen Newsletter für Februar sind wieder viele Hinweise und Informationen enthalten. Viel Spaß beim Durchsehen! Wir freuen uns über jeden Beitrag an [email protected]. Sendet uns neue Informationen für den Newsletter März 2019 bitte als Word-Datei bis zum 15. Februar. Herzlichen Dank für eure Mitarbeit! Wir hoffen, ihr hattet einen guten Start in 2019 und senden herzliche Grüße Catharina Obernauer und das Newsletter-Team PS: Ihr könnt den Newsletter jederzeit wieder abbestellen. Sendet dafür bitte einen kurzen Hinweis an [email protected]. Wir werden euch dann umgehend aus dem Verteiler nehmen. Inhalt 1. Infos für Mitglieder S. 2 2. Vorträge, Veranstaltungen und Tagungen S. 4 3. Call for Papers - Ausschreibungen S. 8 4. Stellenangebote /Ausschreibungen S. 12 5. Ausstellungen S. 13 6. Interessantes S. 22 1 1. Infos für Mitglieder Save the date! - 11. Jahresmitgliederversammlung in Berlin Termin: 2. – 5. Mai 2019 Das vorläufige (!) Programm ist jetzt online. Genaue Angaben zu den verschiedenen Programmpunkten folgen, wenn alle Zusagen vorliegen. Sowie die Einladung zur JMV mit Programm und Anmeldeformular per E-Mail bei Ihnen eintrifft, können Sie sich anmelden. Die Verschickung ist für die erste Februarhälfte geplant. Wir freuen uns alle sehr auf ein Wiedersehen in Berlin! Tagungsort: LETTE VEREIN BERLIN Stiftung des öffentlichen Rechts Viktoria-Luise-Platz 610777 Berlin http://www.letteverein.berlin/ Tagungshotel: Motel One Tiergarten An der Urania 12/14, 10787 Berlin Kontingentabruf nach Buchungseingang, Deadline 7. März 2019. Das Buchungsformular ist über die Website abrufbar. Orga-Koordination: Katrin Lindemann ([email protected]) Neues auf der Website • zahlreiche Information über Ausstellungen weltweit, recherchiert und eingestellt von Maria Stabel (Aktuelles/ Ausstellungen) • 5 Call for Papers und Infos über mehr als fünfzig nationale und internationale Tagungen, zusammengestellt von H.
    [Show full text]
  • Northern Serbia. Photo By: Dragiša Deljanin
    Male and Female folk dress, Srem region, Vojvodina, Northern Serbia Northern Serbia. Photo by: Dragiša Deljanin Central Serbia The Serb folk dress of Central Serbia are divided into two groups: the Dinaric and Morava styles Šumadija folk dress, Central Serbia Photo by: By Dragiša Deljanin Eastern Serbia The Serb folk dress of Eastern Serbia is part of the Morava style, but also take some small The costumes of Pirot are richly decorated, male costume influences from the Dinaric and Pannonian styles. As part of a cultural zone consists of natural-white zobun, black-red belt, black or red with Bulgaria and Romania, the attire has likeness to those in adjacent Bulgarian and Romanian provinces. Traditional shepherd attire, typical for this attire is woolen vests and trousers and subara on the head. Women wear white dresses capes (from sheep), walking sticks, etc. under black zobun, which has gold stripes on borders, decorated aprons and white kerchiefs around their heads. Serbian Dance group from Sombor, in East Serbian folk attire. Photo by: Orjen Photo by: Björn Láczay Southeastern Serbia The traditional urban dress of Vranje is a mix of local tradition and oriental influences. The male costume consists of dark trousers and gunj with red stripes at the end of its sleeves, red silk belt and the black shoes. Women wear black plush skirts, white blouses and highly decorated libada embroidered with gold srma, dimije (shalwar pants), pafta around waist and tepeluk on the head. Photo by: Petar Milošević Western Serbia The Serb folk dress of Western Serbia are part of the Dinaric style, but also take some small influences from the Adriatic, Morava, and Pannonian styles.
    [Show full text]
  • Clothing Terms from Around the World
    Clothing terms from around the world A Afghan a blanket or shawl of coloured wool knitted or crocheted in strips or squares. Aglet or aiglet is the little plastic or metal cladding on the end of shoelaces that keeps the twine from unravelling. The word comes from the Latin word acus which means needle. In times past, aglets were usually made of metal though some were glass or stone. aiguillette aglet; specifically, a shoulder cord worn by designated military aides. A-line skirt a skirt with panels fitted at the waist and flaring out into a triangular shape. This skirt suits most body types. amice amice a liturgical vestment made of an oblong piece of cloth usually of white linen and worn about the neck and shoulders and partly under the alb. (By the way, if you do not know what an "alb" is, you can find it in this glossary...) alb a full-length white linen ecclesiastical vestment with long sleeves that is gathered at the waist with a cincture aloha shirt Hawaiian shirt angrakha a long robe with an asymmetrical opening in the chest area reaching down to the knees worn by males in India anklet a short sock reaching slightly above the ankle anorak parka anorak apron apron a garment of cloth, plastic, or leather tied around the waist and used to protect clothing or adorn a costume arctic a rubber overshoe reaching to the ankle or above armband a band usually worn around the upper part of a sleeve for identification or in mourning armlet a band, as of cloth or metal, worn around the upper arm armour defensive covering for the body, generally made of metal, used in combat.
    [Show full text]
  • The Nineteenth Century (History of Costume and Fashion Volume 7)
    A History of Fashion and Costume The Nineteenth Century Philip Steele The Nineteenth Century Library of Congress Cataloging-in-Publication Data Copyright © 2005 Bailey Publishing Associates Ltd Steele, Philip, 1948– Produced for Facts On File by A history of fashion and costume. Bailey Publishing Associates Ltd The Nineteenth Century/Philip Steele 11a Woodlands p. cm. Hove BN3 6TJ Includes bibliographical references and index. Project Manager: Roberta Bailey ISBN 0-8160-5950-0 Editor:Alex Woolf 1. Clothing and dress—History— Text Designer: Simon Borrough 19th century. 2. Fashion—History— Artwork: Dave Burroughs, Peter Dennis, 19th century. Tony Morris GT595.S74 2005 Picture Research: Glass Onion Pictures 391/.009/034—dc 22 Consultant:Tara Maginnis, Ph.D. 2005049453 Associate Professor of the University of Alaska, Fairbanks, and creator of the website,The The publishers would like to thank Costumer's Manifesto (http://costumes.org/). the following for permission to use their pictures: Printed and bound in Hong Kong. Art Archive: 17 (bottom), 19, 21 (top), All rights reserved. No part of this book may 22, 23 (left), 24 (both), 27 (top), 28 be reproduced or utilized in any form or by (top), 35, 38, 39 (both), 40, 41 (both), any means, electronic or mechanical, including 43, 44, 47, 56 (bottom), 57. photocopying, recording, or by any information Bridgeman Art Library: 6 (left), 7, 9, 12, storage or retrieval systems, without permission 13, 16, 21 (bottom), 26 (top), 29, 30, 36, in writing from the publisher. For information 37, 42, 50, 52, 53, 55, 56 (top), 58. contact: Mary Evans Picture Library: 10, 32, 45.
    [Show full text]
  • Heritage and Innovation: Charles Frederick Worth, John Redfern, And
    Heritage and Innovation: but despite his efforts to simplify women’s daytime clothes the usual effect was heavily Charles Frederick Worth, draped and fringed, and as stuffily claustro - phobic as the gewgaw-cluttered interiors John Redfern, and the associated with Victorian English taste”. Dawn of Modern Fashion The Kyoto Costume Institutes 2002 publi - cation of fashions from the 18 th through the Daniel James Cole 20 th Centuries includes a short, partially accurate biography Redfern but with erro - neous life dates that would have him opening his business around the age of 5. Recent scholarship creates a different pic - ture of both Worth and Redfern. Pivotal to the history of clothing, Redfern’s story is only recently being rediscovered, and only in the past few years has a proper explo - ration and assessment begun (primarily by the work of Susan North). North (2008) puts forward the thesis that in the late 19 th century, Redfern and Sons was of equal importance to the House of Worth. It is even possible to assert that Redfern, and his legacy, were actually of greater importance as shapers of 20 th Century styles. An exam - ination of Redfern and Redfern Ltd., in Charles Frederick Worth’s story has been comparison to their contemporaries, calls told often and is familiar to fashion schol - into question not only the preeminence of ars. But while Worth has enjoyed a place of Worth, but also aspects of the careers of Paul significance in fashion history, the story of Poiret and Gabrielle Chanel. his contemporary, John Redfern has been The following explores how Worth and ignored, or at best reduced to mere footnote Redfern, in different ways, shaped the tastes status.
    [Show full text]
  • Joseph Smith Period Clothing 145
    Carma de Jong Anderson: Joseph Smith Period Clothing 145 Joseph Smith Period Clothing: The 2005 Brigham Young University Exhibit Carma de Jong Anderson Early in 2005, administrators in Religious Education at Brigham Young University gave the green light to install an exhibit (hopefully my last) in the display case adjacent to the auditorium in the Joseph Smith Building. The display would showcase the clothing styles of the life span of the Prophet Joseph Smith and the people around him (1805–1844). There were eleven mannequins and clothing I had constructed carefully over many years, mingled with some of my former students’ items made as class projects. Those pieces came from my teaching the class, “Early Mormon Clothing 1800–1850,” at BYU several years ago. There were also a few original pieces from the Joseph Smith period. During the August 2005 BYU Education Week, thousands viewed these things, even though I rushed the ten grueling days of installation for something less than perfect.1 There was a constant flow of university students passing by and stopping to read extensive signage on all the contents shown. Mary Jane Woodger, associate professor of Church History and Doctrine, reported more young people and faculty paid attention to it than any other exhibit they have ever had. Sincere thanks were extend- ed from the members of Religious Education and the committee plan- ning the annual Sydney B. Sperry October symposium. My scheduled lectures to fifteen to fifty people, two or three times a week, day or night for six months (forty stints of two hours each), were listened to by many of the thirty thousand viewers who, in thank-you letters, were surprised at how much information could be gleaned from one exhibit.
    [Show full text]
  • The Paris Seamstress
    This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental. Copyright © 2018 by Natasha Lester Cover design by Faceout Cover copyright © 2018 by Hachette Book Group, Inc. Hachette Book Group supports the right to free expression and the value of copyright. The purpose of copyright is to encourage writers and artists to produce the creative works that enrich our culture. The scanning, uploading, and distribution of this book without permission is a theft of the author’s intellectual property. If you would like permission to use material from the book (other than for review purposes), please contact [email protected]. Thank you for your support of the author’s rights. Forever Hachette Book Group 1290 Avenue of the Americas, New York, NY 10104 forever-romance.com twitter.com/foreverromance First published in March 2018 by Hachette Australia First American Edition: September 2018 Forever is an imprint of Grand Central Publishing. The Forever name and logo are trademarks of Hachette Book Group, Inc. The publisher is not responsible for websites (or their content) that are not owned by the publisher. The Hachette Speakers Bureau provides a wide range of authors for speaking events. To find out more, go to www.hachettespeakersbureau.com or call (866) 376-6591. Library of Congress Control Number: 2018940376 ISBN 978-1-5387-1477-5 (trade paperback) ISBN 978-1-5387-1475-1
    [Show full text]
  • PASSPORT May 18-20, 2018 Ethnic Attire Your Photo Here
    and Dayton International Festival, Inc. present PASSPORT May 18-20, 2018 Ethnic Attire Your Photo Here Name:_______________________________________________ Birthday:___________________________________________ Country of Residence:____________________________ My Heritage I was born in:__________________________________________ My Father was born in:__________________________________ My Mother was born in:_________________________________ My Father’s Father was born in:___________________________ My Father’s Mother was born in:__________________________ My Mother’s Father was born in:__________________________ My Mother’s Mother was born in:_________________________ Date Issued:___________________ Valid Through:__________________ Issued by: Dayton International Festival, Inc. Africa Swahilli – jambo Zulu – sawubona Hausa - alo’ Egyptian - hetmet CURRENCIES Eretria Nakfa Nigeria Naira Rwanda Franc Senega CFA Franc Zimbabwe Dollar What is the name of the ethnic dress in Eritrea? Burundi CURRENCY Burundian Franc Can you name the fabric wrap worn by girls, women and older men in Burundi? China CURRENCY Renminbi What is the name of this traditional Chinese dress? Columbia CURRENCY Columbian Peso One of the most famous pieces of ethnic attire in Colombia is "la pollera colora" or the "brightly colored skirt" worn by women. The skirt can come in a multitude of designs, vibrant colors, prints, ruffles, lace or stripes. Men wear similar outfits except they will have on a sombrero vueltiao (turned hat) and alpargatas (flat espadrilles). Can you name another item that men wear? Czechoslovakia Dobrý deň (Slovak for Good Day) CURRENCY Czech Republic: Koruna Slovakia: Euro The decorative embroidery on a Slovak folk costume reveals three things about the wearer: 1. ____________________ 2.____________________ 3._____________________ Egypt CURRENCY Egyptian Pound What fabric did the Ancient Egyptians use for their most clothing? Ethiopia Selam CURRENCY Birr Can you name the traditional ankle length dress is usually worn by Ethiopian and Eritrean women at formal events.
    [Show full text]