CONTEMPORARY ARCHITECTURE in Spain
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Pritzker Architecture Prize Laureate
For publication on or after Monday, March 29, 2010 Media Kit announcing the 2010 PritzKer architecture Prize Laureate This media kit consists of two booklets: one with text providing details of the laureate announcement, and a second booklet of photographs that are linked to downloadable high resolution images that may be used for printing in connection with the announcement of the Pritzker Architecture Prize. The photos of the Laureates and their works provided do not rep- resent a complete catalogue of their work, but rather a small sampling. Contents Previous Laureates of the Pritzker Prize ....................................................2 Media Release Announcing the 2010 Laureate ......................................3-5 Citation from Pritzker Jury ........................................................................6 Members of the Pritzker Jury ....................................................................7 About the Works of SANAA ...............................................................8-10 Fact Summary .....................................................................................11-17 About the Pritzker Medal ........................................................................18 2010 Ceremony Venue ......................................................................19-21 History of the Pritzker Prize ...............................................................22-24 Media contact The Hyatt Foundation phone: 310-273-8696 or Media Information Office 310-278-7372 Attn: Keith H. Walker fax: 310-273-6134 8802 Ashcroft Avenue e-mail: [email protected] Los Angeles, CA 90048-2402 http:/www.pritzkerprize.com 1 P r e v i o u s L a u r e a t e s 1979 1995 Philip Johnson of the United States of America Tadao Ando of Japan presented at Dumbarton Oaks, Washington, D.C. presented at the Grand Trianon and the Palace of Versailles, France 1996 1980 Luis Barragán of Mexico Rafael Moneo of Spain presented at the construction site of The Getty Center, presented at Dumbarton Oaks, Washington, D.C. -
“HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert
FOR IMMEDIATE RELEASE Book : “HERE/AFTER: Structures in Time” Authors: Paul Clemence & Robert Landon Featuring Projects by Zaha Hadid, Jean Nouvel, Frank Gehry, Oscar Niemeyer, Mies van der Rohe, and Many Others, All Photographed As Never Before. A Groundbreaking New book of Architectural Photographs and Original Essays Takes Readers on a Fascinating Journey Through Time In a visually striking new book Here/After: Structures in Time, award-winning photographer Paul Clemence and author Robert Landon take the reader on a remarkable tour of the hidden fourth dimension of architecture: Time. "Paul Clemence’s photography and Robert Landon’s essays remind us of the essential relationship between architecture, photography and time," writes celebrated architect, critic and former MoMA curator Terence Riley in the book's introduction. The 38 photographs in this book grow out of Clemence's restless search for new architectural encounters, which have taken him from Rio de Janeiro to New York, from Barcelona to Cologne. In the process he has created highly original images of some of the world's most celebrated buildings, from Frank Lloyd Wright's Guggenheim Museum to Frank Gehry's Guggenheim Bilbao. Other architects featured in the book include Ludwig Mies van der Rohe, Oscar Niemeyer, Mies van der Rohe, Marcel Breuer, I.M. Pei, Studio Glavovic, Zaha Hadid and Jean Nouvel. However, Clemence's camera also discovers hidden beauty in unexpected places—an anonymous back alley, a construction site, even a graveyard. The buildings themselves may be still, but his images are dynamic and alive— dancing in time. Inspired by Clemence's photos, Landon's highly personal and poetic essays take the reader on a similar journey. -
ROMAN ENGINEERING on the ROADS to SANTIAGO II – the Roads of the Rioja1
© Isaac Moreno Gallo http://www.traianvs.net/ _______________________________________________________________________________ ROMAN ENGINEERING ON THE ROADS TO SANTIAGO II – The roads of the Rioja1 Published in: Revista Cimbra 356 by the Colegio de Ingenieros Técnicos de Obras Públicas [College of Public Works Technical Engineers]. Isaac Moreno Gallo © 2004 [email protected] TRAIANVS © 2005 (Translated by Brian R. Bishop © 2005) Introduction The present-day area of the Rioja has since antiquity been crucial to East-West communications in the North of the Iberian Peninsula. The road that communicated with Aquitania (Aquitaine) from Asturica (Astorga) via Pompaelo (Pamplona) led off the road to Tarraco (Tarragón) through Caesaraugusta (Saragossa) by a deviation at Virovesca (Briviesca). It gave this area a special strategic importance in that it was traversed by the East-West Roman highway for the whole of its present length. Important Roman cities like Libia (Herramélluri-Leiva), Tritium Magallum (Tricio), Vareia (Varea), Calagurris (Calahorra) and Graccurris (Alfaro) flourished, doubtless with the help of this vital communication route. The whole of the later history of the Rioja is closely linked with this spinal column, which has not ceased being used up to today: it performs its purpose still in the form of a motorway. A large part of it served, as only it could, the stream of people and cultures created by the pilgrimage to St. James of Compostela. As a result of this combination of politics and history, of the means of communications, of royal interests, of religious foundations and various other factors, the pilgrim roads changed through the ages. The changes were more visible at the beginning, before the Way was established by the centres of religion and hospitality that were specially founded to attract and care for pilgrims. -
Pag 01Ok.Qxd 20/06/2014 20:38 Pægina 1 EL CULTURAL1 Euro
pag 01ok.qxd 20/06/2014 20:38 PÆgina 1 EL CULTURAL1 Euro. Venta conjunta e inseparable con El Mundo, y en librerías especializadas 27 de junio - 3 de julio de 2014 www.elcultural.es Richard Hamilton El último autorretrato La distopía conquista la literatura Mérida absuelve a Salomé Paco Azorín abre el festival con una impactante revisión de la ópera de Strauss Pag 03.qxd 20/06/2014 21:13 PÆgina 3 PRIMERA PALABRA LUIS MARÍA ANSON de la Real Academia Española Felipe VI y la cultura elipe II, Felipe III y Fe- Graciano García, con saga- Se divirtió hablando con Pedro centenares de representantes lipe IV vivieron el Siglo de cidad impagable, situó a Don Almodóvar, el gran genio del de la cultura española, iberoa- FOro de la cultura españo- Felipe en la plataforma del Pre- cine español, con Maya Pli- mericana y mundial. la. Conocieron personalmente mio Príncipe de Asturias, lo sétskaya y Tamara Rojo, con Felipe VI no gobierna. o tuvieron noticia cercana de que ha permitido al actual Rey Paco de Lucía y Michael Ha- Pero reina. Y estoy seguro de los más grandes: Cervantes y comprender la significación neke. que alentará al Gobierno a que San Juan de la Cruz, Lope de profunda de la cultura en las le- Y el mundo de la Comuni- dedique sus mejores esfuerzos Vega y Santa Teresa, Veláz- tras, las artes plásticas, la mú- cación. Recuerdo a Indro Mon- al mundo de la cultura en el quez y Calderón, Fray Luis de sica, el cine, la ciencia… tanelli, mi inolvidado, mi gran que España ocupa lugar de re- León y Gracián, Góngora y He tenido la suerte de sen- amigo, departiendo con Don lieve internacional. -
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education
Rice Design Alliance Award Submission to the American Institute of Architects for Collaborative Achievement in Research, Dissemination, and Education 14 October 2011 On October 14, 2011, the Rice Design Alliance submitted an award submission to the American Institute of Architects for “Collaborative Achievement in Research, Dissemination, and Education.” Along with our organization’s “Biography,” a “Statement of Contributions,” and 15-pages of “Exhibits,” the RDA submission was nominated by Raymond Brochstein, FAIA with five support letters from John Kaliski, AIA, Nonya Grenader, FAIA, David Lake, FAIA, Jay Baker, FAIA, and Edward M. Baum, FAIA. Captured on the following page are a few quotes from these AIA colleagues and RDA supporters. SUBMISSION COMMITTEE Barbara Amelio, Kimberly Hickson, Lonnie Hoogeboom, Craig Minor, Suzy Minor, Danny Samuels, Carrie Glassman Shoemake STAFF Kathryn Fosdick, Raj Mankad, Katie Plocheck, Linda Sylvan “The Rice Design Alliance has been at the forefront of thinking about the future of the built environment and how cities and buildings must be sustainable. RDA has a regional reach beyond Houston, including Austin, Corpus Christi, Galveston and my town, San Antonio. RDA’s audience is not limited to design professionals. It is inclusive, open, and inviting. I have friends who are developers, lawyers, teachers, and artists who routinely attend their events because of the inspirational, informative content. RDA’s commitment to excellence and their success in expanding the audience elucidates how good design benefits all of us and the natural realm. “The Rice Design Alliance was conceived by David Crane who was Dean of the Rice University School of Architecture in 1972. -
The-Piano-Teaching-Legacy-Of-Solomon-Mikowsky.Pdf
! " #$ % $%& $ '()*) & + & ! ! ' ,'* - .& " ' + ! / 0 # 1 2 3 0 ! 1 2 45 3 678 9 , :$, /; !! < <4 $ ! !! 6=>= < # * - / $ ? ?; ! " # $ !% ! & $ ' ' ($ ' # % %) %* % ' $ ' + " % & ' !# $, ( $ - . ! "- ( % . % % % % $ $ $ - - - - // $$$ 0 1"1"#23." 4& )*5/ +) * !6 !& 7!8%779:9& % ) - 2 ; ! * & < "-$=/-%# & # % %:>9? /- @:>9A4& )*5/ +) "3 " & :>9A 1 The Piano Teaching Legacy of Solomon Mikowsky by Kookhee Hong New York City, NY 2013 2 TABLE OF CONTENTS Preface by Koohe Hong .......................................................3 Endorsements .......................................................................3 Comments ............................................................................5 Part I: Biography ................................................................12 Part II: Pedagogy................................................................71 Part III: Appendices .........................................................148 1. Student Tributes ....................................................149 2. Student Statements ................................................176 -
CAMINOS BURGALESES: LOS CAMINOS DEL NORTE (Siglos XV Y XVI)
FACULTAD DE HUMANIDADES Y COMUNICACIÓN DEPARTAMENTO DE CIENCIAS HISTÓRICAS Y GEOGRAFÍA TESIS DOCTORAL CAMINOS BURGALESES: LOS CAMINOS DEL NORTE (Siglos XV y XVI) Salvador Domingo Mena Dirigida por Juan José García González Catedrático de Historia Medieval de la Universidad de Burgos BURGOS, 2015 A Cari, Elena Eva Juan Javier Alex y Toño. tomo I CAMINOS BURGALESES: Los Caminos del Norte (Siglos XV y XVI) Resumen l presente trabajo desarrollado como Tesis de Doctorado se enmarca dentro del pro- grama de la Universidad de Burgos que lleva por título “La vida cotidiana en Castilla Ey León” y ha sido realizado bajo la dirección del doctor D. Juan José García González, catedrático de Historia Medieval. El contenido se identifica con los itinerarios que unían la ciudad de Burgos con los puer- tos del Cantábrico centro-oriental y, en concreto, con los de Santander, Laredo, Castro- Urdiales, Bilbao y Portugalete. El autor aspira en este plano a la restitución más fidedigna posible de sus trazados y de las variantes que fueron incorporando. Su ámbito territorial comprende la mitad septentrional de la actual provincia de Bur- gos, el tramo oriental de la Comunidad Autónoma de Cantabria y el segmento occidental de las provincias de Álava y Vizcaya. El marco cronológico se circunscribe a los siglos XV y XVI o, si se prefiere, al período que opera como puente de paso de la Edad Media a la Edad Moderna. A pesar de que el territorio burgalés es y ha sido siempre una encrucijada de caminos, los estudios que se les han dedicado están bien lejos de cubrir las expectativas. -
Six Canonical Projects by Rem Koolhaas
5 Six Canonical Projects by Rem Koolhaas has been part of the international avant-garde since the nineteen-seventies and has been named the Pritzker Rem Koolhaas Architecture Prize for the year 2000. This book, which builds on six canonical projects, traces the discursive practice analyse behind the design methods used by Koolhaas and his office + OMA. It uncovers recurring key themes—such as wall, void, tur montage, trajectory, infrastructure, and shape—that have tek structured this design discourse over the span of Koolhaas’s Essays on the History of Ideas oeuvre. The book moves beyond the six core pieces, as well: It explores how these identified thematic design principles archi manifest in other works by Koolhaas as both practical re- Ingrid Böck applications and further elaborations. In addition to Koolhaas’s individual genius, these textual and material layers are accounted for shaping the very context of his work’s relevance. By comparing the design principles with relevant concepts from the architectural Zeitgeist in which OMA has operated, the study moves beyond its specific subject—Rem Koolhaas—and provides novel insight into the broader history of architectural ideas. Ingrid Böck is a researcher at the Institute of Architectural Theory, Art History and Cultural Studies at the Graz Ingrid Böck University of Technology, Austria. “Despite the prominence and notoriety of Rem Koolhaas … there is not a single piece of scholarly writing coming close to the … length, to the intensity, or to the methodological rigor found in the manuscript -
Spain) ', Journal of Conflict Archaeology, Vol
Edinburgh Research Explorer Fought under the walls of Bergida Citation for published version: Brown, CJ, Torres-martínez, JF, Fernández-götz, M & Martínez-velasco, A 2018, 'Fought under the walls of Bergida: KOCOA analysis of the Roman attack on the Cantabrian oppidum of Monte Bernorio (Spain) ', Journal of Conflict Archaeology, vol. 12, no. 2, pp. 115-138. https://doi.org/10.1080/15740773.2017.1440993 Digital Object Identifier (DOI): 10.1080/15740773.2017.1440993 Link: Link to publication record in Edinburgh Research Explorer Document Version: Peer reviewed version Published In: Journal of Conflict Archaeology Publisher Rights Statement: This is the accepted version of the following article: Brown, C. J., Torres-martínez, J. F., Fernández-götz, M., & Martínez-velasco, A. (2018). Fought under the walls of Bergida: KOCOA analysis of the Roman attack on the Cantabrian oppidum of Monte Bernorio (Spain) Journal of Conflict Archaeology, 12(2), which has been published in final form at: https://doi.org/10.1080/15740773.2017.1440993 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. -
Anta A10– Vintage 2007 Our Perfection Denomination of Origin: D.O Ribera Del Duero
ANTA BANDERAS Anta a10– vintage 2007 Our perfection Denomination of Origin: d.o Ribera del Duero Area of Production and vineyard: Villalba de Duero (Northern Spain, Region of Castile & Leon, Province of Burgos), vineyards planted at 850-900 meters above the see level. Grape varieties: 75% Tempranillo, 5% Merlot, 20% Cabernet sauvignon Age of the vines: 10 years old Tasting notes: Balance in its countless nuances: in its fruity expression, irs aromatic chromatism. Its suggestion of spices and its soft notes of the French oak. A freestyle wine. The maximum expression of contemporariness. Food pairing: Red meats, Grilled tuna fish, strong cheese… Harvest: From the end of September till end of October. Prior to harvesting, controls of alcoholic and phenolic maturity are done in each plot and In order to preserve the quality of each grape berries and to avoid possible oxidation, we harvest at night and reception is done by gravity. Winemaking notes: Cool pré-fermentative maceration (8ºc for 48h) in order to stabilize the most expressive fruit aromas and polyphenoles. Then we leave temperature go up to 18º. During fermentation at controlled temperature of 24-25º, we proceed to “delestage” (process of fermenting red wine with skins and seeds) and “remontage” (process of pumping the fermenting grape juice over the cap during cuvaison) to the fermenting mass to insure not only a complete fermentation, but to achieve a finished wine with good fruit, soft tannins and stable color.. 13 days maceration at 27ºc. when density is as low as 60 points, devatting is done - Process -also known as “drawing”- consisting of the separation of the wine from the grape skins. -
The Things They've Done : a Book About the Careers of Selected Graduates
The Things They've Done A book about the careers of selected graduates ot the Rice University School of Architecture Wm. T. Cannady, FAIA Architecture at Rice For over four decades, Architecture at Rice has been the official publication series of the Rice University School of Architecture. Each publication in the series documents the work and research of the school or derives from its events and activities. Christopher Hight, Series Editor RECENT PUBLICATIONS 42 Live Work: The Collaboration Between the Rice Building Workshop and Project Row Houses in Houston, Texas Nonya Grenader and Danny Samuels 41 SOFTSPACE: From a Representation of Form to a Simulation of Space Sean tally and Jessica Young, editors 40 Row: Trajectories through the Shotgun House David Brown and William Williams, editors 39 Excluded Middle: Toward a Reflective Architecture and Urbanism Edward Dimendberg 38 Wrapper: 40 Possible City Surfaces for the Museum of Jurassic Technology Robert Mangurian and Mary-Ann Ray 37 Pandemonium: The Rise of Predatory Locales in the Postwar World Branden Hookway, edited and presented by Sanford Kwinter and Bruce Mau 36 Buildings Carios Jimenez 35 Citta Apperta - Open City Luciano Rigolin 34 Ladders Albert Pope 33 Stanley Saitowitz i'licnaei Bell, editor 26 Rem Koolhaas: Conversations with Students Second Editior Sanford Kwinter, editor 22 Louis Kahn: Conversations with Students Second Edition Peter Papademitriou, editor 11 I I I I I IIII I I fo fD[\jO(iE^ uibn/^:j I I I I li I I I I I II I I III e ? I I I The Things They've DoVie Wm. -
Jeffrey Beers International
People Podcasts Episode 57: Jeffrey Beers February 2, 2021 Print Prolific designer and architect Jeffrey Beers, who recently celebrated his namesake firm’s 35th anniversary, grew up traveling the world with his parents, which instilled in him a love of hospitality and design—a skill he honed under a who’s who of mentors, including Dale Chihuly, Oscar Niemeyer, and I.M. Pei. Bar Lui, his claim to fame, had the distinction of being the longest bar in Manhattan when it was created. But Beers’ talents go beyond design. He is also known for glassblowing, what he describes as a creative counterpoint to the rigors of architecture. For the self-described rebel entrepreneur, his passion for the industry is as present today as it was more than three decades ago, cementing his legacy as one of the forefathers of hospitality design today. Subscribe to Hospitality Design’s What I’ve Learned podcast on Apple Podcasts, Stitcher, Spotify, Google Podcasts, or listen here. Stacy Shoemaker Rauen: Hi, I’m here with JB:. Jeffrey, thanks so much for joining me today. Jeffrey Beers: Hi, Stacy. I’m thrilled to join you today. Thank you very much for inviting me. SSR: It’s so good to see you. Even if it’s over Zoom, it’s still very good to see you. JB: It’s great to see you, Stacy. Are you well? SSR: Good. JB: Boys are good? https://www.hospitalitydesign.com/people/podcasts/episode-57-jeffrey-beers/ SSR: Boys are good. Thank you. JB: Nice one. SSR: We always start at the beginning.