Pride & Prejudice

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Austen Jane Austen was a major English novelist, whose brilliantly witty, elegantly structured satirical fiction marks the transition in English literature from 18th century neo-classicism to 19th century romanticism. At the age of 14 she wrote her first novel, Love and Freindship (sic) and then A History of England by a partial, prejudiced and ignorant Historian, together with other very amusing juvenilia. In her early twenties Jane Austen wrote the novels that were later to be re-worked and pub- lished as Sense and Sensibility, Pride and Prejudice and Northanger Abbey. Pride & PrejudiceJane Austen Pride & Prejudice Pride Pride and Prejudice is the story of Mrs. and Mr. Bennet and their five daughters, Jane, Elizabeth, Mary, Catherine and Lydia, especially Elizabeth. The story focuses on various romantic adventures these young girls encounter at their residence. Their parents are strikingly contrasting to each other. Mr. Bennet comes across as a wise and witty gentleman, while the issue of marrying off her daughters has absorbed Mrs. Bennet completely. The arrival of the young and wealthy bachelor Charles Bingley and his friend Fitzwilliam Darcy in the neigh- borhood adds a new twist to Austen’s tale..

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Love and Freindship [I.E. Friendship] : and Other Early Works
FREINDSHIP OTHER, EAKIX'WORKS m. JANE 'AUSTEN V \ LOVE AND FREINDSHIP Reproduction, about half size, from a page of the ORIGINAL MANUSCRIPT LOVE & FREINDSHIP AND OTHER EARLY WORKS NOW FIRST PVBLISHED FROM THE ORIGINAL MS. BY JANE A USTEN WITH A PREFACE BY G. K. CHESTERTON NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1922, ly J. R. SANDERS A II Rights Reserved Printed in the United States of America To Madame la Comtesse DE FEVILLIDE this Novel is inscribed by her obliged Humble Servant THE AUTHOR. "Deceived in Frefeidship and Betrayed in Love' PREFACE a recent newspaper controversy about the INconventional silliness and sameness of all the human generations previous to our own, some- body said that in the world of Jane Austen a lady was expected to faint when she received a pro- posal. To those who happen to have read any of the works of Jane Austen, the connection of ideas will appear slightly comic. Elizabeth Bennett, for instance, received two proposals from two very confident and even masterful ad- mirers; and she certainly did not faint. It would be nearer the truth to say that they did. But in any case it may be amusing to those who are thus amused, and perhaps even instructive to those who thus need to be instructed, to know that the earliest work of Jane Austen, here published for the first time, might be called a satire on the fable of the fainting lady. "Beware of fainting fits ... though at times they may be refresh- ing and agreable yet believe me they will in the end, if too often repeated and at improper sea- sons, prove destructive to your Constitution." Such were the words of the expiring Sophia to the afflicted Laura; and there are modern critics vii PREFACE capable of adducing them as a proof that all soci- ety was in a swoon in the first decade of the nine- teenth century.
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Legal Issues in Austen's Life and Novels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 27 Issue 2 Spring 2017 Article 2 Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels Maureen B. Collins Follow this and additional works at: https://via.library.depaul.edu/jatip Part of the Computer Law Commons, Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Science and Technology Law Commons Recommended Citation Maureen B. Collins, Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels, 27 DePaul J. Art, Tech. & Intell. Prop. L. 115 (2019) Available at: https://via.library.depaul.edu/jatip/vol27/iss2/2 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Collins: Reading Jane Austen through the Lens of the Law: Legal Issues in READING JANE AUSTEN THROUGH THE LENS OF THE LAW: LEGAL ISSUES IN AUSTEN'S LIFE AND NOVELS Maureen B. Collins I. INTRODUCTION Jane Austen is most closely associated with loves lost and found and vivid depictions of life in Regency England. Austen's heroines have served as role models for centuries to young women seeking to balance manners and moxie. Today, Austen's characters have achieved a popularity she could have never foreseen. There is an "Austen industry" of fan fiction, graphic novels, movies, BBC specials, and Austen ephemera.
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Frivolity and Fainting in LOVE and FREINDSHIP and "The Mystery": Reinterpreting Nonsense in Jane Austen's Juvenilia
University of St. Thomas, Minnesota UST Research Online English Master's Essays English Summer 2019 Frivolity and Fainting in LOVE AND FREINDSHIP and "The Mystery": Reinterpreting Nonsense in Jane Austen's Juvenilia Amy Vander Heiden Follow this and additional works at: https://ir.stthomas.edu/cas_engl_mat Part of the English Language and Literature Commons 1 FRIVOLITY AND FAINTING IN LOVE AND FREINDSHIP AND “THE MYSTERY”: REINTERPRETING NONSENSE IN JANE AUSTEN’S JUVENILIA Amy Vander Heiden Master’s Thesis 26 August 2019 2 In discussing which of Jane Austen’s “betweenities”1 to publish, Caroline Austen labels the story of “Evelyn” from her aunt’s juvenilia2 as “all nonsense”: “I have thought that the story, I beleive [sic] in your possession, all nonsense, might be used.”3 Obviously, the story was used and published, along with many more works of Jane Austen’s early “nonsense,” to become the three-volume juvenilia we have today. But, Caroline’s conventional thinking—that the story was “all nonsense”—held for a long time in scholarship. Recently, the works of the juvenilia have enjoyed substantial re-readings, with scholars paying special attention to the very nonsense with which Caroline was concerned.4 Juliet McMaster’s groundbreaking Jane Austen, Young Author (2016) is the first book-length study of the juvenilia,5 which devotes significant space to one of Austen’s longer, completed works: Love and Freindship.6 McMaster draws attention to the I would like to thank Dr. Young-ok An for her patience and feedback on my work. 1. William Austen-Leigh and Richard Arthur Austen-Leigh, Jane Austen: A Family Record.
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Love & Friendship
LOVE & FRIENDSHIP Un film de Whit Stillman Kate Beckinsale, Chlöe Sevigny, Stephen Fry Durée : 92min Sortie : le 22 juin 2016 Serveur presse: http://www.frenetic.ch/fr/catalogue/detail//++/id/974 RELATION PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG Tel. 079 320 63 82 Bachstrasse 9 • 8038 Zürich [email protected] Tel. 044 488 44 00 • Fax 044 488 44 11 www.frenetic.ch Synopsis Susan Vernon (Kate Beckinsale), une ravissante lady qui sait ce qu’elle veut, dispose de bien d’atouts mais manque cruellement de domicile fixe. La veuve ne ménage pas ses peines pour arranger un mariage avantageux pour sa fille et pour elle-même. Elle s’incruste chez sa belle-sœur (Chlöe Sevigny) et chez son mari, un homme dont l’esprit n’est guère à la hauteur de sa fortune. Le roman «Lady Susan», considéré comme une perle secrète de l’œuvre précoce de Jane Austen, est porté à l’écran par le réalisateur-culte Whit Stillman qui lui confère avec fraîcheur et humour irrésistible une vraie modernité. 2 CAST OF CHARACTERS Lady Susan Vernon A beautiful young widow in straitened circumstances Mrs. Alicia Johnson Lady Susan’s friend; an American Loyalist exile, from Hartford in the Connecticut Mr. Johnson Alicia’s older husband to whom “the great word Respectable” applies Lord Manwaring A divinely attractive man Lady Lucy Manwaring His wealthy wife; formerly Mr. Johnson’s ward Miss Maria Manwaring Lord Manwaring’s eligible younger sister Miss Frederica Susanna Vernon A school girl; Lady Susan’s daughter Mrs. Catherine Vernon (nee DeCourcy) Lady Susan’s sister-in-law Mr.
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The Wicked Widow: Reading Jane Austen’S Lady Susan As a Restoration Rake
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2018-06-01 The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake Amanda Teerlink Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Teerlink, Amanda, "The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake" (2018). All Theses and Dissertations. 7100. https://scholarsarchive.byu.edu/etd/7100 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brett Chan McInelly, Chair Nicholas A. Mason Paul Aaron Westover Department of English Brigham Young University Copyright © 2018 Amanda Teerlink All Rights Reserved ABSTRACT The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink Department of English, BYU Master of Arts Of all of Austen’s works, Lady Susan tends to stand alone in style and character development. The titular character of the novella in particular presents a literary conundrum for critics and readers of Austen. Despite varied and colorful readings, critics have failed to fully resolve the differences between Lady Susan and Austen’s more beloved, maidenly heroines such as Elizabeth Bennet and Anne Elliott.
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Jane Austen´S Biography with Regard to Facts Which Influenced Her Writing…………… …………………………………
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA UNIVERZITY PALACKÉHO Katedra anglistiky a amerikanistiky Satire on other literary works in the work of Jane Austen Satira na jiná literární díla v díle Jane Austen (bakalářská práce) Veronika Vřetionková Anglická filologie a francouzská filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2010 1 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. V Olomouci, dne 10.8. 2010 ……………………………... 2 Acknowledgement: I would like to express many thanks to my supervisor Mgr. Ema Jelínková, Ph.D., particularly for his kind support and valuable remarks. 3 List of Abreviations e.g. Exempli gratia: a Latin expression meaning “for example” etc. Et cetera: a Latin expression meaning “and other things” 4 Contents 1.INTRODUCTION……………………………………………………………...1 2. JANE AUSTEN´S BIOGRAPHY WITH REGARD TO FACTS WHICH INFLUENCED HER WRITING…………… …………………………………. 2 2.1 Family Relations………………………………………………………….. 2 2.2 Places and People…………………………………………………………..3 2.3 Education…………………………………………………………………...5 2.4 Reading………………………………………………………………...…..5 3. JANE AUSTEN AND HER WRITING…………………………………...…..9 3.1. Juvenilia……………………………………………………...……………9 3.2 Mature Works………………………………………………………….…12 3.2.1 Earlier Works……………………………………………………….12 3.2.2 Later Works………………………………………………………...13 4. SATIRE AND WOMEN SATIRISTS……………………………………….15 4.1. Satire……………………………………………………………………..15 4.2. Women Satirists……………………………………………………….…17 5. SATIRE, HUMOR AND COMIC IN THE WORK OF JANE AUSTEN…...19
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“The Unmeaning Luxuries of Bath”: Urban Pleasures in Jane Austen's
“The unmeaning luxuries of Bath”: Urban Pleasures t in Jane Austen’s World :Li PAULA BYRNE Paula Byrne is the author of Jane Austen and the Theatre. She has also edited the forthcoming Routledge Literary Sourcebook, Jane Austen’s Emma. Dr. Byrne, formerly a school, college, and university lecturer, is now a full-time writer. But who is that bombazine lady so gay, So profuse of her beauties in sable array? How she rests on her heel, how she turns out her toe, How she pulls down her stays, with her head up to show Her lily-white bosom that rivals the snow! (“A description of the Ball, with an episode on Beau Nash,” The New Bath Guide, or Memoirs of the B-N-R-D Family in a series of Poetical Epistles, 1797?) No place in England, in a full season, affords so brilliant a circle of polite company as Bath. The young, the old, the grave, the gay, the infirm, and the healthy, all resort to this place of amusement. Cer- emony beyond the essential rules of politeness is totally exploded; every one mixes in the Rooms upon an equality; and the enter- tainments are so widely regulated, that although there is never a cessation of them, neither is there a lassitude from bad hours, or from an excess of dissipation. The constant rambling about of the younger part of the company is very enlivening and cheerful. In the morning the rendezvous is at the Pump-Room;—from that time ’till noon in walking on the Parades, or in the different quarters of the town, visiting the shops, etc;—thence to the Pump-Room again, and after a fresh strole, to dinner; and from dinner to the PAULA BYRNE Urban Pleasures in Jane Austen’s World 13 Theatre (which is celebrated for an excellent company of comedi- ans) or the Rooms, where dancing, or the card-table, concludes the evening.
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“The Certain Corrective”: Sanditon, Students and Strategies of Defamiliarization
7/24/2018 “The certain corrective”: Sanditon, Students and Strategies of Defamiliarization Home › | Publications › | Persuasions On-Line › | Volume 38 No. 2 › | “The certain corrective”: Sanditon, Students and Strategies of Defamiliarization “The certain corrective”: Sanditon, Students and Strategies of Defamiliarization Print Email By Katie Halsey Katie Halsey (email: [email protected]) is Senior Lecturer in Eighteenth-Century Literature at the University of Stirling and Director of its Centre for Eighteenth-Century Studies. Her most recent publications include Shakespeare and Authority (2018; with Angus Vine) and a special issue of Textus (2017), “Subversive Jane Austen: From the Critic to the Reader.” Her monograph, Jane Austen and her Readers, 1786–1945, was published in 2012. Featured in Volume 38, No. 2 — Spring 2018 Teaching Jane Austen › Related Works Sanditon › n their introduction to the special issue of Persuasions On-Line dedicated to “Teaching Austen and her Contemporaries,” Bridget Draxler, Misty Krueger, and Susan Allen Ford suggest that, “although high school teachers and university professors the world over include Jane Austen’s ction in their I courses, the body of scholarship on teaching Austen is surprisingly small.” A year later, Emily Zarka and Devoney Looser identied more than sixty print and online sources related to the teaching of Austen written in the past fty years, among them four substantial books and the Persuasions On-Line special issue itself, but it is certainly true that when it comes to thinking
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13. Sanditon and Suspense
JANE AUSTEN NORA BARTLETT EDITED BY JANE STABLER B Reflections of a Reader ARTLETT NORA BARTLETT EDITED BY JANE STABLER All lovers of Jane Austen, the most knowledgeable as well as those who have just discovered her, will have much to learn from these modest, searching, and wonderfully perceptive essays. Prof. Richard Cronin, University of Glasgow This volume presents an exhilarating and insightful collection of essays on Jane JANE AUSTEN Austen – distilling the author’s deep understanding and appreciation of Austen’s works across a lifetime. The volume is both intra- and inter-textual in focus, ranging from perceptive analysis of individual scenes to the exploration of motifs across Austen’s fiction. Full of astute connections, these lively discussions hinge on the study of human behaviour – from family relationships to sickness and hypochondria – highlighting Austen’s artful literary techniques and her powers of human observation. Jane Austen: Reflections of a Reader by (the late) Nora Bartlett is a brilliant contribution to the field of Jane Austen studies, both in its accessible style (which preserves the oral register of the original lectures), and in its foregrounding of the reader in a warm, compelling and incisive conversation about Austen’s works. As such, it will appeal widely to all lovers of Jane Austen, whether first-time readers, students or scholars. As with all Open Book publications, this entire book is available to read for free on the publisher’s website. Printed and digital editions, together with supplementary digital material, can also be found at www.openbookpublishers.com Cover image: Woman Reading, Portrait of Sofia Kramskaya by Ivan Kramskoi (1837–1887).
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Love & Friendship
Curzon Artificial presents A Westerly Films, Blinder Films, Chic Films Production, in co-production with Revolver Amsterdam & Arte France Cinema, in association with Protagonist Pictures, Soficinema 11 & Cinemage 10 & the Netherlands Film Fund & with the participation of Bord Scannán na hÉireann/Irish Film Board, LOVE & FRIENDSHIP Based on Jane Austen’s unfinished novella Lady Susan Written & Directed by WHIT STILLMAN Starring Kate Beckinsale Xavier Samuel Morfydd Clark Emma Greenwell Tom Bennett James Fleet Jemma Redgrave Justin Edwards Jenn Murray With Stephen Fry and Chloë Sevigny PRESS CONTACTS: Jonathan Rutter, Patrick Reed, Marine Monnier Online enquiries: Sanam Jehanfard, Paul Ockelford Tel: + 44 20 7292 8330 [email protected] 1 INTRODUCTION LOVE & FRIENDSHIP is an adaptation of young Jane Austen’s novella Lady Susan, believed to have been written in the mid 1790s but revised up to a fair copy prepared in 1805 and finally published by her nephew, James Edward Austen-Leigh, in 1871. Set in the 1790s, earlier than most Austen tales, LOVE & FRIENDSHIP concerns beautiful young widow Lady Susan Vernon (Kate Beckinsale) who has come to Churchill, the estate of her in-laws, to wait out colourful rumours about her dalliances circulating through polite society. Whilst ensconced there, she decides to secure a husband for herself and for her daughter, Frederica, played by Morfydd Clark. Chloë Sevigny, who starred with Beckinsale in Stillman's The Last Days of Disco (1998), plays Lady Susan’s friend and confidante Alicia Johnson, with Stephen Fry as her husband, the "very Respectable" Mr. Johnson. The waters are troubled by the arrival at Churchill of the handsome, eligible Reginald DeCourcy (Xavier Samuel) and silly but cheerful -- and very rich -- Sir James Martin (Tom Bennett).
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SHORT SUMMARY (Synopsis)
Appendix 1 SHORT SUMMARY (Synopsis) Pride and Prejudice is the story of Mr. and Mrs. Bennet and their five unmarried daughters. They live in the estate of Longbourn in Hertfordshire, a rural district about thirty miles from London. The family is not rich. Their property is ‘entailed’ to pass to the nearest male heir in the family, in this case to Mr. Collins. The main concern of Mrs. Bennet’s life is to see that all her daughters are married, preferably to men with large fortunes. She sees an opportunity for her eldest daughter Jane when Mr. Charles Bingley, a wealthy gentlemen from the city, occupies the nearby estate of Netherfield Park. In her excitement, she urges her husband to visit Mr. Bingley on the very first day of his arrival, before any of the other neighbors. Mr. Bennet complies to his wife’s request and visits Mr. Bingley, but withholds information about his visit from the family. At the next social gathering in Meryton, Bingley brings along his two sisters, Caroline Bingley and Louisa Hurst. But more importantly, he brings his closest friend, Mr. Fitzwilliam Darcy. Bingley, who is charming and social, is immediately attracted to the modest and gentle Jane Bennet. Darcy, in contrast to Bingley, is proud, rude, and disagreeable. When Bingley suggests that Darcy dance with Elizabeth Bennet, he refuses and negatively comments on her looks. Elizabeth overhears the comment and develops a strong prejudice against Darcy. At the next ball in Netherfield, Darcy feels an attraction for Elizabeth and asks her for a dance. She refuses to dance with him, thereby avenging the earlier insults.
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Pride & Prejudice Discussion Guide
Pride & Prejudice Discussion Guide For William Jeanes Memorial Library Virtual Book Club ABOUT THE AUTHOR Jane Austen was born in Steventon, Hampshire on December 16, 1775 and grew up in a tight-knit family. She was the seventh of eight children, with six brothers and one sister. Her parents, George Austen and Cassandra Leigh, were married in 1764. Her father was an orphan but with the help of a rich uncle he attended school and was ordained by the Church of England. Subsequently, he was elevated enough in social standing to provide Cassandra a worthy match whose family was of a considerably higher social status. In 1765, they moved to Steventon, a village in north Hampshire, about 60 miles southwest of London, where her father was appointed rector. Like their father, two of Austen’s older brothers, James and Henry, were ordained and spent most of their lives in the Church of England. Of all her brothers, Austen was closest to Henry; he served as her agent, and then after her death, as her biographer. George, the second oldest son, was born mentally deficient and spent the majority of his life in institutions. The third son, Edward, was adopted by their father’s wealthy cousin, Thomas Knight, and eventually inherited the Knight estate in Chawton, where Austen would later complete most of her novels. Cassandra, Austen’s only sister, was born in 1773. Austen and Cassandra were close friends and companions throughout their entire lives. It is through the remaining letters to Cassandra that biographers are able to piece Austen’s life together.
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