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"Knit Your Own Stuff"; Or, Finishing Offjane Austen
Terry: "Knit Tour Oun Stuff ' 1.1 "Knit Your Own Stuff"; or, Finishing OffJane Austen JUDITH TERRY Faculty of Education, University of Victoria, Victoria, BC I'm sure you are wondering how this talk came by its title. As I set about explaining, I do want to assure you that, unlikely as it seems, I am on the way to Stanton Parsonage. I shall take a rather roundabout route, bythe back lanes, but I shall end up at the Watsons' front door. I start out from the home ofJoan Austen-Leigh. That was where I once not held Jane's housewife, where, for a sudden startled moment, looking so much at the housewife as the minute size of the needle inside it, I had a very intense sensation of knowing Jane, glimpsing the Jane we do not know. It was Jane de-familiarized-Jane sewing, not Jane writing- although the question that was passing through my mind might have referred to either: how did she do it? I don't Pretend this experience is unique-although it was peculiarly female. We all have these moments. Mini remained with me, and had some part, I am sure, in my later desire, decision, to write Miss Abigail's Part or Version E Diuersion, which in a way reflects thatjuxtaposition ofthe needle and the pen, since it is the other side ofJane too, the story of Mansfield Park from the servant's point of view, the underside of that large household, the side you don't see. This kind of literary inbreeding is not new-oneJaneite friend ofmine has pleasant memories of Pemberley Shades, which follows the fortunes of Ltzzy andDarcy after they are married-but it is especially popular these days and has reached new heights of sophistication. -
Love and Freindship [I.E. Friendship] : and Other Early Works
FREINDSHIP OTHER, EAKIX'WORKS m. JANE 'AUSTEN V \ LOVE AND FREINDSHIP Reproduction, about half size, from a page of the ORIGINAL MANUSCRIPT LOVE & FREINDSHIP AND OTHER EARLY WORKS NOW FIRST PVBLISHED FROM THE ORIGINAL MS. BY JANE A USTEN WITH A PREFACE BY G. K. CHESTERTON NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1922, ly J. R. SANDERS A II Rights Reserved Printed in the United States of America To Madame la Comtesse DE FEVILLIDE this Novel is inscribed by her obliged Humble Servant THE AUTHOR. "Deceived in Frefeidship and Betrayed in Love' PREFACE a recent newspaper controversy about the INconventional silliness and sameness of all the human generations previous to our own, some- body said that in the world of Jane Austen a lady was expected to faint when she received a pro- posal. To those who happen to have read any of the works of Jane Austen, the connection of ideas will appear slightly comic. Elizabeth Bennett, for instance, received two proposals from two very confident and even masterful ad- mirers; and she certainly did not faint. It would be nearer the truth to say that they did. But in any case it may be amusing to those who are thus amused, and perhaps even instructive to those who thus need to be instructed, to know that the earliest work of Jane Austen, here published for the first time, might be called a satire on the fable of the fainting lady. "Beware of fainting fits ... though at times they may be refresh- ing and agreable yet believe me they will in the end, if too often repeated and at improper sea- sons, prove destructive to your Constitution." Such were the words of the expiring Sophia to the afflicted Laura; and there are modern critics vii PREFACE capable of adducing them as a proof that all soci- ety was in a swoon in the first decade of the nine- teenth century. -
Pride & Prejudice
Austen Jane Austen was a major English novelist, whose brilliantly witty, elegantly structured satirical fiction marks the transition in English literature from 18th century neo-classicism to 19th century romanticism. At the age of 14 she wrote her first novel, Love and Freindship (sic) and then A History of England by a partial, prejudiced and ignorant Historian, together with other very amusing juvenilia. In her early twenties Jane Austen wrote the novels that were later to be re-worked and pub- lished as Sense and Sensibility, Pride and Prejudice and Northanger Abbey. Pride & PrejudiceJane Austen Pride & Prejudice Pride Pride and Prejudice is the story of Mrs. and Mr. Bennet and their five daughters, Jane, Elizabeth, Mary, Catherine and Lydia, especially Elizabeth. The story focuses on various romantic adventures these young girls encounter at their residence. Their parents are strikingly contrasting to each other. Mr. Bennet comes across as a wise and witty gentleman, while the issue of marrying off her daughters has absorbed Mrs. Bennet completely. The arrival of the young and wealthy bachelor Charles Bingley and his friend Fitzwilliam Darcy in the neigh- borhood adds a new twist to Austen’s tale.. -
The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels Elizabeth Bolger Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College English Honors Papers English Department 2017 The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels Elizabeth Bolger Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/enghp Part of the Feminist, Gender, and Sexuality Studies Commons, and the Literature in English, British Isles Commons Recommended Citation Bolger, Elizabeth, "The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen's Novels" (2017). English Honors Papers. 31. http://digitalcommons.conncoll.edu/enghp/31 This Honors Paper is brought to you for free and open access by the English Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in English Honors Papers by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. The Rewards of Impertinence: Happy and Unhappy Endings in Jane Austen’s Novels An Honors Thesis presented by Elizabeth Bolger to the Department of English in partial fulfillment of the requirements for Honors in the Major Field Connecticut College New London, Connecticut May 2017 Acknowledgments I would like to thank the people whom I have become close to during my four years at Connecticut College. Their support, wisdom, perspective, and company are eternally valuable to me. I am grateful for our endless conversations—even when they are ridiculous—and the countless times they have listened to me ramble about my thesis. You know who you are. I would also like to thank my family who have always encouraged me to challenge myself and reach for my wildest dreams—even when they seem unobtainable. -
A British Homecoming: Growing up Alongside Austen, Dickens, and Dahl
Claudia Dantoin, Undergraduate A British Homecoming: Growing Up Alongside Austen, Dickens, and Dahl On a spelling test in primary school, I was marked incorrect on one word: Color. That little word, to which I added the needed letter “u” highlights much of my character and growth as a book collector. As a young girl, home, for me, was always one of two places. The first was my own sanctuary, the family house, nestled amongst the rolling hills and red-barned landscapes of a small Wisconsin town. The second was amongst books, be they at the library or the local bookshop whose bespeckled shopkeepers knew me by name. However, such books magically shared one common point of origin. From the tender age of seven when I first picked up a Roald Dahl novel, I knew that I had found my ink and paper kin in a tiny island nation over 3,000 miles away: Britain. Amongst books, I sought out the avenues available for a magical trip across the pond. Into the rabbit hole. Through the looking glass. By means of the great glass elevator. All of these delightful inventions of the classic British authors enthralled me. Perhaps growing up with four siblings in the house made life a bit of a tornado of activity. From the chaos of everyday life, I would find peace in the rolling hillsides of Surrey and the perpetual magic of London. Through my British books I could find a world where Sherlock always solved the crime, tea arrived promptly at 4 pm on the nose, and small boys could change the mind of stodgy Lord Fauntleroys. -
Legal Issues in Austen's Life and Novels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 27 Issue 2 Spring 2017 Article 2 Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels Maureen B. Collins Follow this and additional works at: https://via.library.depaul.edu/jatip Part of the Computer Law Commons, Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Science and Technology Law Commons Recommended Citation Maureen B. Collins, Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels, 27 DePaul J. Art, Tech. & Intell. Prop. L. 115 (2019) Available at: https://via.library.depaul.edu/jatip/vol27/iss2/2 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Collins: Reading Jane Austen through the Lens of the Law: Legal Issues in READING JANE AUSTEN THROUGH THE LENS OF THE LAW: LEGAL ISSUES IN AUSTEN'S LIFE AND NOVELS Maureen B. Collins I. INTRODUCTION Jane Austen is most closely associated with loves lost and found and vivid depictions of life in Regency England. Austen's heroines have served as role models for centuries to young women seeking to balance manners and moxie. Today, Austen's characters have achieved a popularity she could have never foreseen. There is an "Austen industry" of fan fiction, graphic novels, movies, BBC specials, and Austen ephemera. -
Frivolity and Fainting in LOVE and FREINDSHIP and "The Mystery": Reinterpreting Nonsense in Jane Austen's Juvenilia
University of St. Thomas, Minnesota UST Research Online English Master's Essays English Summer 2019 Frivolity and Fainting in LOVE AND FREINDSHIP and "The Mystery": Reinterpreting Nonsense in Jane Austen's Juvenilia Amy Vander Heiden Follow this and additional works at: https://ir.stthomas.edu/cas_engl_mat Part of the English Language and Literature Commons 1 FRIVOLITY AND FAINTING IN LOVE AND FREINDSHIP AND “THE MYSTERY”: REINTERPRETING NONSENSE IN JANE AUSTEN’S JUVENILIA Amy Vander Heiden Master’s Thesis 26 August 2019 2 In discussing which of Jane Austen’s “betweenities”1 to publish, Caroline Austen labels the story of “Evelyn” from her aunt’s juvenilia2 as “all nonsense”: “I have thought that the story, I beleive [sic] in your possession, all nonsense, might be used.”3 Obviously, the story was used and published, along with many more works of Jane Austen’s early “nonsense,” to become the three-volume juvenilia we have today. But, Caroline’s conventional thinking—that the story was “all nonsense”—held for a long time in scholarship. Recently, the works of the juvenilia have enjoyed substantial re-readings, with scholars paying special attention to the very nonsense with which Caroline was concerned.4 Juliet McMaster’s groundbreaking Jane Austen, Young Author (2016) is the first book-length study of the juvenilia,5 which devotes significant space to one of Austen’s longer, completed works: Love and Freindship.6 McMaster draws attention to the I would like to thank Dr. Young-ok An for her patience and feedback on my work. 1. William Austen-Leigh and Richard Arthur Austen-Leigh, Jane Austen: A Family Record. -
Of Jane Austen Study Shows the Effects of Its Long History in Several Ways
"79 NCI NQ,2-3950 JANE AUSTEN AND HER CRITICS, 194[.0-1954 THESIS Presented to the Graduate Council of the North Texas State College in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS by Betty Ann Bowen, B. A. Denton, Texas August1, 9% TABLE OF CONTENTS Chapter Page I. BIOGRAPHY: 19&O-19.54 . 1 II. CRITICISM: 1940-1954 . 27 The Janeites The Non-Janeites III. CONCLUSION . 96 BIBLIOGRAPHY . 101 iii CHAPTER I BIOGRAPHY: 1940-1954 Nearly a century and a half has passed since Jane Austen lived and wrote, and the amount of biographical and critical material devoted to her during that time is of imposing, even intimidating proportions. The present state of Jane Austen study shows the effects of its long history in several ways. Because scholarship and criticism tend to assimilate earlier discoveries and opinions, recent publi- cation is difficult to assess accurately; and because biogra- phy and criticism tend to overlap, much of that recently published is difficult to categorize clearly. These factors and the immense volume of the material can present several problems to one who must select material for a specific pur- pose, and the nature of its contents makes a bibliographical guide almost necessary. The purpose of this thesis is to survey Jane Austen biography and criticism published since 1940 in order to show the present state of Jane Austen study while providing a bibliographical guide to recent material. 1 By surveying 1 The titles included in this survey are collected from the following bibliographies: Modern Humanities Research Association, Annual Bibliography of EnglishLanguage and Literature, Vols. -
Love & Friendship
LOVE & FRIENDSHIP Un film de Whit Stillman Kate Beckinsale, Chlöe Sevigny, Stephen Fry Durée : 92min Sortie : le 22 juin 2016 Serveur presse: http://www.frenetic.ch/fr/catalogue/detail//++/id/974 RELATION PRESSE DISTRIBUTION Eric Bouzigon FRENETIC FILMS AG Tel. 079 320 63 82 Bachstrasse 9 • 8038 Zürich [email protected] Tel. 044 488 44 00 • Fax 044 488 44 11 www.frenetic.ch Synopsis Susan Vernon (Kate Beckinsale), une ravissante lady qui sait ce qu’elle veut, dispose de bien d’atouts mais manque cruellement de domicile fixe. La veuve ne ménage pas ses peines pour arranger un mariage avantageux pour sa fille et pour elle-même. Elle s’incruste chez sa belle-sœur (Chlöe Sevigny) et chez son mari, un homme dont l’esprit n’est guère à la hauteur de sa fortune. Le roman «Lady Susan», considéré comme une perle secrète de l’œuvre précoce de Jane Austen, est porté à l’écran par le réalisateur-culte Whit Stillman qui lui confère avec fraîcheur et humour irrésistible une vraie modernité. 2 CAST OF CHARACTERS Lady Susan Vernon A beautiful young widow in straitened circumstances Mrs. Alicia Johnson Lady Susan’s friend; an American Loyalist exile, from Hartford in the Connecticut Mr. Johnson Alicia’s older husband to whom “the great word Respectable” applies Lord Manwaring A divinely attractive man Lady Lucy Manwaring His wealthy wife; formerly Mr. Johnson’s ward Miss Maria Manwaring Lord Manwaring’s eligible younger sister Miss Frederica Susanna Vernon A school girl; Lady Susan’s daughter Mrs. Catherine Vernon (nee DeCourcy) Lady Susan’s sister-in-law Mr. -
The Wicked Widow: Reading Jane Austen’S Lady Susan As a Restoration Rake
Brigham Young University BYU ScholarsArchive All Theses and Dissertations 2018-06-01 The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake Amanda Teerlink Brigham Young University Follow this and additional works at: https://scholarsarchive.byu.edu/etd Part of the Arts and Humanities Commons BYU ScholarsArchive Citation Teerlink, Amanda, "The ickW ed Widow: Reading Jane Austen<&trade>s Lady Susan as a Restoration Rake" (2018). All Theses and Dissertations. 7100. https://scholarsarchive.byu.edu/etd/7100 This Thesis is brought to you for free and open access by BYU ScholarsArchive. It has been accepted for inclusion in All Theses and Dissertations by an authorized administrator of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink A thesis submitted to the faculty of Brigham Young University in partial fulfillment of the requirements for the degree of Master of Arts Brett Chan McInelly, Chair Nicholas A. Mason Paul Aaron Westover Department of English Brigham Young University Copyright © 2018 Amanda Teerlink All Rights Reserved ABSTRACT The Wicked Widow: Reading Jane Austen’s Lady Susan as a Restoration Rake Amanda Teerlink Department of English, BYU Master of Arts Of all of Austen’s works, Lady Susan tends to stand alone in style and character development. The titular character of the novella in particular presents a literary conundrum for critics and readers of Austen. Despite varied and colorful readings, critics have failed to fully resolve the differences between Lady Susan and Austen’s more beloved, maidenly heroines such as Elizabeth Bennet and Anne Elliott. -
Jane Austen´S Biography with Regard to Facts Which Influenced Her Writing…………… …………………………………
UNIVERZITA PALACKÉHO V OLOMOUCI FILOZOFICKÁ FAKULTA UNIVERZITY PALACKÉHO Katedra anglistiky a amerikanistiky Satire on other literary works in the work of Jane Austen Satira na jiná literární díla v díle Jane Austen (bakalářská práce) Veronika Vřetionková Anglická filologie a francouzská filologie Vedoucí práce: Mgr. Ema Jelínková, Ph.D. Olomouc 2010 1 Prohlašuji, že jsem tuto bakalářskou práci vypracovala samostatně a uvedla úplný seznam citované a použité literatury. V Olomouci, dne 10.8. 2010 ……………………………... 2 Acknowledgement: I would like to express many thanks to my supervisor Mgr. Ema Jelínková, Ph.D., particularly for his kind support and valuable remarks. 3 List of Abreviations e.g. Exempli gratia: a Latin expression meaning “for example” etc. Et cetera: a Latin expression meaning “and other things” 4 Contents 1.INTRODUCTION……………………………………………………………...1 2. JANE AUSTEN´S BIOGRAPHY WITH REGARD TO FACTS WHICH INFLUENCED HER WRITING…………… …………………………………. 2 2.1 Family Relations………………………………………………………….. 2 2.2 Places and People…………………………………………………………..3 2.3 Education…………………………………………………………………...5 2.4 Reading………………………………………………………………...…..5 3. JANE AUSTEN AND HER WRITING…………………………………...…..9 3.1. Juvenilia……………………………………………………...……………9 3.2 Mature Works………………………………………………………….…12 3.2.1 Earlier Works……………………………………………………….12 3.2.2 Later Works………………………………………………………...13 4. SATIRE AND WOMEN SATIRISTS……………………………………….15 4.1. Satire……………………………………………………………………..15 4.2. Women Satirists……………………………………………………….…17 5. SATIRE, HUMOR AND COMIC IN THE WORK OF JANE AUSTEN…...19 -
Where Is Jane Austen in the Watsons?
84 Persuasions No- I Where Is Jane Austen in The Watsons? JAMES HELDMAN Department of English, Western Kentucky University, Bowling Green, Kentucky 42I01 The Watsons is unique amongJane Austen's works in many ways, not the least of which is that it is the only work of her maturity which she deliberately chose not to complete. Beyond that, the experience of reading The Watsons seems to me to be strikingly different from the experience of reading her other works. Something is missing-or almost missing-something which is characteristic and even essential in her completed novels. That something is the narrative voice ofJane Austen telling us the story, informing us, guiding us, shaping our responses, standing between us and her characters as we together watch them live their lives. In a very real sense, despite her profound skill in presenting her stories dramatically, every Jane Austen novel is to some degree an extended conversation withJane Austen herself. One need only recall the opening sentence of Pride and Prejudice as perhaps the most famous illustration of this voice: It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. (PP, 3)t Of Sir Walter Elliot's passion for the Baronetage, we hear: Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; . there any unwelcome sensations, arising from domestic affairs, changed natu- rally into pity and contempt, as he turned over the almost endless creations of the last century-and there, if every other leaf were powerless, he could read his own history with an interest which never failed.