Legal Issues in Austen's Life and Novels
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Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020
Jane Austen’s Final Unfinished Work—Finished! Sanditon Scripted by Emmy® Award Winner Andrew Davies Premiering on MASTERPIECE on PBS January 12, 2020 Jane Austen was chronically ill with a mysterious disease in early 1817, when she turned her thoughts to a happier subject. She started work on a witty and delightful novel set in a seaside town. She never finished it. Now, noted screenwriter Andrew Davies (Pride and Prejudice, Les Misérables, Primetime Emmy® winner for Little Dorrit) picks up Austen’s plot and takes it in a glorious and satisfying direction, on Sanditon. Produced by Red Planet Pictures, the eight-hour series will premiere on MASTERPIECE on PBS on Sunday, January 12, 2020 at 9pm ET. MASTERPIECE’s bold and lavish adaptation of Jane Austen’s final work stars Rose Williams (Curfew) as Austen’s lively but levelheaded heroine, Charlotte Heywood; Theo James (Divergent) as the humorous, charming (and slightly wild!) Sidney Parker; Anne Reid (Years and Years) as the forthright grande dame of Sanditon, Lady Denham; Kris Marshall (Love Actually) as Sanditon’s compulsively enterprising promoter, Tom Parker; and Crystal Clarke (Ordeal by Innocence) as the mysterious West Indian heiress, Miss Lambe. Also appearing are Kate Ashfield (Secrets and Lies) as Tom’s stalwart spouse, Mary; Jack Fox (Riviera) as the fortune hunter Sir Edward Denham; Charlotte Spencer (Watership Down) as Sir Edward’s scheming sister, Esther; and Lily Sacofsky (Bancroft) as the enigmatic and elegant Clara Brereton. With four acclaimed Austen adaptations to his credit (Pride and Prejudice, Sense and Sensibility, Northanger Abbey and Emma), plus the Pride and Prejudice modernization Bridget Jones’s Diary, Andrew Davies is no stranger to Jane Austen’s story strategies— which makes him the perfect candidate to channel the creative spirit of one of the world’s most amusing and penetrating novelists. -
The Entailment in Jane Austen's Pride and Prejudice , 41 Ga
Digital Commons @ Georgia Law Scholarly Works Faculty Scholarship 1-1-2013 A Funhouse Mirror of Law: The nE tailment in Jane Austen's Pride and Prejudice Peter A. Appel University of Georgia, [email protected] Repository Citation Peter A. Appel, A Funhouse Mirror of Law: The Entailment in Jane Austen's Pride and Prejudice , 41 Ga. J. Int'l & Comp. L. 609 (2013), Available at: https://digitalcommons.law.uga.edu/fac_artchop/959 This Article is brought to you for free and open access by the Faculty Scholarship at Digital Commons @ Georgia Law. It has been accepted for inclusion in Scholarly Works by an authorized administrator of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. A FUNHOUSE MIRROR OF LAW: THE ENTAILMENT IN JANE AUSTEN'S PRIDE AND PREJUDICE Peter A. Apper I. INTRODUCTION The relationship between a society and its law is inexact. Despite repeated claims that law mirrors societal norms and values, no scholar has punctured that balloon of an idea better than Alan Watson. In his groundbreaking Legal Transplants' and many subsequent works, Alan has demonstrated the many disjunctures between law and society.2 Alan has devoted a large part of his impressive corpus of scholarship on legal development to expand on this idea, and he has convincingly demonstrated that legal development often occurs through borrowing and accident as much as deliberate societal decision. For example, Alan has painstakingly traced how the dictates and opinions of the ancient Roman jurists, who were pagans, were incorporated into Justinian's Digest, which was produced by a committee at the direction of a Christian emperor living in Byzantium. -
September 2013 News
Sent 9/1/2013 Jane Austen Society of North America Southwest September 2013 News In This Issue September Calendar Fall Meeting Registration Sunday, September 1, 1:30pm - THE SCHOOL FOR September Calendar SCANDAL by Richard Brinsley Sheridan with the New Austen-themed Long Beach Reading Group Books Please join the Long Beach Reading Group as they Royal Oak Events participate in a readers theater of The School for Scandal, Winter Meeting Preview a 1777 comic treatment on manners. Theatrical Connect on Social Media participation is voluntary. For more information, please click here to email Gerda Kilgore or call her at (562) 496- 4452. Sunday, September 1, 6:00pm - A CIRCLE OF SISTERS by Judith Flanders with the Santa Monica Reading Group. Please join the Santa Monica Reading Group to discuss a Circle of Sisters, a novel about four sisters who come from a lower-middle class background and how they fare in Victorian society.For more information, please call Diana Birchall at (310)394-2196, or please click here to email her. Sunday, September 8 - The next meeting will be devoted to socializing and talking about Jane and There are still playing games inspired by Pride and Prejudice with a few days to the Pasadena Reading Group. sign up for the Please join the Pasadena Reading Group for a a fun Fall Meeting! social event. For more information, please email Susan Ridgeway, or you may call her at 626-357-1397. NOTE: This group is at capacity and can't accept new members, Registration please see the information on the San Gabriel Valley open until Reading Group below. -
Play Guide Table of Contents
PLAY GUIDE TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 SONG LIST 3 MEET THE CHARACTERS 4 MEET THE CREATORS: PAUL GORDON AND JANE AUSTEN 5 INTERVIEW WITH PAUL GORDON 7 THE NOVEL IN THE MUSIC 9 POLLOCK’S TOY THEATRES 11 LITERARY CATEGORIZATION OF AUSTEN 12 LITERARY TIMELINE 13 THE AUSTEN INDUSTRY 14 AUSTEN IN POPULAR CULTURE 15 FEMINISM IN EMMA 16 THE EMMA DEDICATION 18 HISTORICAL CONTEXT 18 HISTORICAL TIMELINE 22 DISCUSSION QUESTIONS AND ACTIVITIES 23 Jane Austen’s Emma Play Guide written and compiled by Katherine Monberg, Literary Assistant, and R Elisabeth Burton, Artistic Intern Discussion questions and activities provided by April Jackson, Associate Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS JPMorgan Chase The Marshall Foundation Arizona Commission on the Arts John and Helen Murphy Foundation The Maurice and Meta Gross Bank of America Foundation National Endowment for the Arts Foundation Blue Cross Blue Shield Arizona Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Boeing PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company -
August 8, 2003
Jane Austen Society of North America Vancouver Region Newsletter No. 131 October, 2017 Muse & Musings “The company of clever, well-informed people, who have a great deal of conversation” June 17th Meeting Sue Trusler introduced a new novel that has resonated with her, Margaret Drabble's The Dark Flood Rises, an Books and Berries apocalyptic novel about old age. Books and Berries is our annual members’ book review meeting. Here is a list of the books we shared: And my trifle with “whipt syllabub” was a “receipt” from the newly published Dining with Jane Austen by JASNA Laureen McMahon brought What Regency Women did for Life-member Julienne Gehrer. My copy arrived today and us by Rachel Knowles with the legacies of 12 women who I am impressed, flipping through pages packed with full- were contemporaries of Jane. colour photos. I can't wait to share it with everyone. Mary Atkins suggested two titles: a P&P sequel entitled Our book sale raised $118! Thank you Iris Dayson and An Enduring Love by Sophie Turner, with a good number Donna Ornstein for organizing, and everyone for opening of real events to satisfy the history buffs; and A Jane your pocketbooks and library shelves to give a new home Austen Education (because we all do have much to learn to a few gently-used books. from reading Jane) as compiled by now-enlightened “Jane's Bountiful Basket” went to Janice Sexton, William Deresiewicz. introduced by Donna. We hope to see Janice again in our Iris Dayson presented Textiles: The Whole Story by fall meetings! Beverly Gordon. -
INTRODUCTION: DID JANE AUSTEN REALLY MEAN THAT? 1. the Novels Oj}Ane Austen, Edited by R
NOTES INTRODUCTION: DID JANE AUSTEN REALLY MEAN THAT? 1. The Novels oj}ane Austen, edited by R. W. Chapman. Further references from Austen's novels are to this edition and are included in the text. 2. Claudia Johnson forged a new direction for Austen studies in Jane Austen: WrJmen, Politics, and the Novel. I am deeply indebted to her work as weil as to that of William H. Galperin, The Historical Austen, Deidre Shauna Lynch, The Economy of Character: Novels, Market Culture, and the Business ofInner Meaning, and Mary Ann O'Farrell, Telling Complexions: The Nineteenth-Century English Novel and the Blush. That said, different concerns do shape my project. O'Farreil and I share a central focus on the body in Austen, though we tend to move in dissimilar directions about the kind of somatic work this novelist performs; while O'Farrell commits herself to an understanding of the blush as an expression of pleasure, she also analyzes it in su btle Foucauldian terms as a regulatory device. Lynch's book places Austen at the capstone of her ambitious study of the relationship between the novel's development and economic change; in this context, she demon strates how the kind of "characters" associated with the novel (individ uals with depth) emerge as a way for people to accommodate themselves to a new and commercialized world. I share with her an interest in the play between surface and depth in characters, and my focus on material objects opens an avenue, I hope, for further explo ration of how Austen uses things to foster a sense of inwardness for the characters in her fiction. -
Jane Austen's Reading
Jane Austen’s Reading: The Chawton Years Gillian Dow and Katie Halsey Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors. Spectator 93 (16 June, 1711) Introduction to Jane Austen’s Reading The earliest description of Jane Austen‘s reading is Henry Austen‘s account in the ‗Biographical Notice of the Author‘ in the first edition of Northanger Abbey, published posthumously in December 1817. James Edward Austen-Leigh‘s Memoir of his aunt (1870) also describes her reading, drawing on the information in the ‗Biographical Notice‘. Henry and Edward focus firmly on authors considered in the nineteenth century to be ‗useful and entertaining‘. They both agree that she loved the works of Samuel Johnson, William Cowper, George Crabbe and Samuel Richardson, in particular Richardson‘s Sir Charles Grandison (1753-4). Henry Austen tells of her early infatuation with ‗Gilpin on the Picturesque‘, writing also that ‗her reading was very extensive in history and belles letters‘, and that she was ‗intimately acquainted with the merits and defects of the best essays and novels in the English language‘ (‗Biographical Notice‘, 330). James Edward suggests that what Henry had called ‗extensive‘ reading in history was actually ‗the old guides – Goldsmith, Hume and Robertson‘. He briefly alludes to her admiration of Sir Walter Scott‘s poetry and Waverley (1814), and quotes her joking determination to read no novels but Maria Edgeworth‘s, her relatives‘ and her own. James Edward then turns from Austen‘s reading: ‗It was not, however, what she knew, but what she was, that distinguished her from others‘ (Austen-Leigh, 78-80). -
UC Berkeley Working Papers
UC Berkeley Working Papers Title Locality and custom : non-aboriginal claims to customary usufructuary rights as a source of rural protest Permalink https://escholarship.org/uc/item/9jf7737p Author Fortmann, Louise Publication Date 1988 eScholarship.org Powered by the California Digital Library University of California % LOCALITY AND CUSTOM: NON-ABORIGINAL CLAIMS TO CUSTOMARY USUFRUCTUARY RIGHTS AS A SOURCE OF RURAL PROTEST Louise Fortmann Department of Forestry and Resource Management University of California at Berkeley !mmUTE OF STUDIES'l NOV 1 1988 Of Working Paper 88-27 INSTITUTE OF GOVERNMENTAL STUDIES UNIVERSITY OF CALIFORNIA, BERKELEY LOCALITY AND CUSTOM: NON-ABORIGINAL CLAIMS TO CUSTOMARY USUFRUCTUARY RIGHTS AS A SOURCE OF RURAL PROTEST Louise Fortmann Department of Forestry and Resource Management University of California at Berkeley Working Paper 88-27 November 1988 Institute of Governmental Studies Berkeley, CA 94720 Working Papers published by the Institute of Governmental Studies provide quick dissemination of draft reports and papers, preliminary analyses, and papers with a limited audience. The objective is to assist authors in refining their ideas by circulating research results ana to stimulate discussion about puolic policy. Working Papers are reproduced unedited directly from the author's pages. LOCALITY AND CUSTOM: NON-ABORIGINAL CLAIMS TO CUSTOMARY USUFRUCTUARY RIGHTS AS A SOURCE OF RURAL PROTESTi Louise Fortmann Department of Forestry and Resource Management University of California at Berkeley Between 1983 and 1986, Adamsville, a small mountain community surrounded by national forest, was the site of three protests. In the first, the Woodcutters' Rebellion, local residents protested the imposition of a fee for cutting firewood on national forest land. -
Protecting Folklore Under Modern Intellectual Property Regimes
American University Law Review Volume 48 | Issue 4 Article 2 1999 Protecting Folklore Under Modern Intellectual Property Regimes: A Reappraisal of the Tensions Between Individual and Communal Rights in Africa and the United States Paul Kuruk Follow this and additional works at: http://digitalcommons.wcl.american.edu/aulr Part of the Intellectual Property Commons, and the International Law Commons Recommended Citation Kuruk, Paul. “ Protecting Folklore Under Modern Intellectual Property Regimes: A Reappraisal of the Tensions Between Individual and Communal Rights in Africa and the United States.” American University Law Review 48, no.4 (April, 1999): 769-843. This Article is brought to you for free and open access by the Washington College of Law Journals & Law Reviews at Digital Commons @ American University Washington College of Law. It has been accepted for inclusion in American University Law Review by an authorized administrator of Digital Commons @ American University Washington College of Law. For more information, please contact [email protected]. Protecting Folklore Under Modern Intellectual Property Regimes: A Reappraisal of the Tensions Between Individual and Communal Rights in Africa and the United States Keywords Folklore, Intellectual Property Law, Regional Arrangements This article is available in American University Law Review: http://digitalcommons.wcl.american.edu/aulr/vol48/iss4/2 PROTECTING FOLKLORE UNDER MODERN INTELLECTUAL PROPERTY REGIMES: A REAPPRAISAL OF THE TENSIONS BETWEEN INDIVIDUAL AND COMMUNAL RIGHTS IN AFRICA AND THE UNITED STATES * PAUL KURUK TABLE OF CONTENTS Introduction.............................................................................................. I. Folklore Under Traditional Systems........................................ 776 A. Nature of Folklore ............................................................. 776 B. Protection Under Customary Law .................................... 780 1. Social groups and rights in folklore ........................... -
![Love and Freindship [I.E. Friendship] : and Other Early Works](https://docslib.b-cdn.net/cover/6170/love-and-freindship-i-e-friendship-and-other-early-works-366170.webp)
Love and Freindship [I.E. Friendship] : and Other Early Works
FREINDSHIP OTHER, EAKIX'WORKS m. JANE 'AUSTEN V \ LOVE AND FREINDSHIP Reproduction, about half size, from a page of the ORIGINAL MANUSCRIPT LOVE & FREINDSHIP AND OTHER EARLY WORKS NOW FIRST PVBLISHED FROM THE ORIGINAL MS. BY JANE A USTEN WITH A PREFACE BY G. K. CHESTERTON NEW YORK FREDERICK A. STOKES COMPANY PUBLISHERS Copyright, 1922, ly J. R. SANDERS A II Rights Reserved Printed in the United States of America To Madame la Comtesse DE FEVILLIDE this Novel is inscribed by her obliged Humble Servant THE AUTHOR. "Deceived in Frefeidship and Betrayed in Love' PREFACE a recent newspaper controversy about the INconventional silliness and sameness of all the human generations previous to our own, some- body said that in the world of Jane Austen a lady was expected to faint when she received a pro- posal. To those who happen to have read any of the works of Jane Austen, the connection of ideas will appear slightly comic. Elizabeth Bennett, for instance, received two proposals from two very confident and even masterful ad- mirers; and she certainly did not faint. It would be nearer the truth to say that they did. But in any case it may be amusing to those who are thus amused, and perhaps even instructive to those who thus need to be instructed, to know that the earliest work of Jane Austen, here published for the first time, might be called a satire on the fable of the fainting lady. "Beware of fainting fits ... though at times they may be refresh- ing and agreable yet believe me they will in the end, if too often repeated and at improper sea- sons, prove destructive to your Constitution." Such were the words of the expiring Sophia to the afflicted Laura; and there are modern critics vii PREFACE capable of adducing them as a proof that all soci- ety was in a swoon in the first decade of the nine- teenth century. -
Jane Austen's Legacy: Anna Austen Lefroy's Manuscript of Sanditon
Jane Austen's Legacy: Anna Austen Lefroy's Manuscript of Sanditon MARY GAITHER MARSHALL 357 W. GroveLombard, Street, IllinoisLombard, IL 60148 Jane Anna Austen Lefroy, Jane Austen's "literary niece," was the first to attempt a continuation of Jane Austen's incomplete Sanditon, although her work was the last to be published, almost 150 years later. The existence of Lefroy's manuscript was virtually unknown until it appeared at auction asLot266 in the December 13,1977,sale at Sotheby Parke Bernet. Dr. James M. W. Borg, a bookseller, publisher, and independent scholar, was the successful bidder (and current owner). In 1982, knowing of my interest in Jane Austen and my previous Austen publications, he inquired if I would be willing to edit the Lefroy manuscript for publication by his Chiron Press. I agreed and soon began transcribing the heavily revised manuscript. With the growing interest in Lefroy's manuscript (as seen in Le Faye's article and those published here by Peter Sabor and Kathleen James-Cavan), perhaps a description of the manuscript would be valuable because only Dr. Borg and I have worked with the original document. Anna Lefroy's manuscript consists of 113 handwritten pages on wove writing paper. Fifty-four leaves are divided into three gatherings and hand stitched with thread. The remaining 21 leaves, consisting of a plot revolving about Clara Brereton, are loose fold- ings. Although Lefroy's continuation of Sanditon is incomplete, her manuscript is approximately the same length as Austen's fragment and therefore doubles the length of the novel. Notes in blue, orange, and red pencil, with numbers indicating word counts and with "1st edition-23 lines- 160/words per page" on the last leaf, indicate that Lefroy had thoughts of publishing the work. -
Pride & Prejudice
Austen Jane Austen was a major English novelist, whose brilliantly witty, elegantly structured satirical fiction marks the transition in English literature from 18th century neo-classicism to 19th century romanticism. At the age of 14 she wrote her first novel, Love and Freindship (sic) and then A History of England by a partial, prejudiced and ignorant Historian, together with other very amusing juvenilia. In her early twenties Jane Austen wrote the novels that were later to be re-worked and pub- lished as Sense and Sensibility, Pride and Prejudice and Northanger Abbey. Pride & PrejudiceJane Austen Pride & Prejudice Pride Pride and Prejudice is the story of Mrs. and Mr. Bennet and their five daughters, Jane, Elizabeth, Mary, Catherine and Lydia, especially Elizabeth. The story focuses on various romantic adventures these young girls encounter at their residence. Their parents are strikingly contrasting to each other. Mr. Bennet comes across as a wise and witty gentleman, while the issue of marrying off her daughters has absorbed Mrs. Bennet completely. The arrival of the young and wealthy bachelor Charles Bingley and his friend Fitzwilliam Darcy in the neigh- borhood adds a new twist to Austen’s tale..