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An event benefitting the AP World Organization th SEPTEMBER 11 , 2021 PerformingBOB JAMES Artists PIECES OF A DREAM GERALD ALBRIGHT JAZZ FUNK SOUL MARION MEADOWS ALEX BUGNON JEFF BRADSHAW AND FRIENDS 114 S. New York Avenue, Atlantic City, New Jersey AP WORLD An 501c-3, tax deductible organization built on the legacy of a beloved son, doing our part to strengthen families and inspire communities during difficult times. Professional basketball player, DeAndre’ Bembry of the Toronto Raptors, launched AP World in memory of his brother, Adrian Potts. Adrian celebrated his brothers’ accomplishments and planned to be sitting alongside DeAndre’ to watch the NBA draft on June 23, 2016. Adrian helped plan the draft party with their mother, Essence. Essence dedicated her life to helping her sons achieve success and was devastated when she received the dreaded phone call no parent ever wants to hear. In the early morning of June 11, 2016 literally days before the much-anticipated draft, Essence received the tragic news from Adrian’s father. Her 20-year-old, ambitious, fun-loving and tenacious son, was shot and killed near the University of North Carolina, Charlotte campus. This tragedy had a shocking and paralyzing effect on the Bembry family. Knowing where to find support and assistance while planning a funeral service, dealing with unimaginable grief and the reality of life without a son, brother and best friend, were overwhelming for Essence and DeAndre’. This family tragedy served as the catalyst for DeAndre’ to develop a support system that could be an anchor and a resource hub for other families who may have to take a similar journey through grief. -
Adult Contemporary Radio at the End of the Twentieth Century
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
Sammy Strain Story, Part 4: Little Anthony & the Imperials
The Sammy Strain Story Part 4 Little Anthony & the Imperials by Charlie Horner with contributions from Pamela Horner Sammy Strain’s remarkable lifework in music spanned almost 49 years. What started out as street corner singing with some friends in Brooklyn turned into a lifelong career as a professional entertainer. Now retired, Sammy recently reflected on his life accomplishments. “I’ve been inducted into the Rock & Roll Hall of Fame twice (2005 with the O’Jays and 2009 with Little (Photo from the Classic Urban Harmony Archives) Anthony & the Imperials), the Vocal Group Hall of Fame (with both groups), the Pioneer R&B Hall of Fame (with Little An- today. The next day we went back to Ernie Martinelli and said thony & the Imperials) and the NAACP Hall of Fame (with the we were back together. Our first gig was to be a week-long O’Jays). Not a day goes by when I don’t hear one of the songs engagement at the Town Hill Supper Club, a place that I had I recorded on the radio. I’ve been very, very, very blessed.” once played with the Fantastics. We had two weeks before we Over the past year, we’ve documented Sammy opened. From the time we did that show at Town Hill, the Strain’s career with a series of articles on the Chips (Echoes of group never stopped working. “ the Past #101), the Fantastics (Echoes of the Past #102) and The Town Hall Supper Club was a well known venue the Imperials without Little Anthony (Echoes of the Past at Bedford Avenue and the Eastern Parkway in the Crown #103). -
Community Services Report 2009-2010
Community Services Report 2009-2010 Music is a gift that has touched all our lives. When musicians and those who support them share the gift of music, they bring people together in a way nothing else has the power to do. In 1989, The Recording Academy® established MusiCares® to sustain music and its makers. MISSION MusiCares provides a safety net of critical assistance for music people in times of need. MusiCares’ services and resources cover a wide range of financial, medical and personal emergencies, and each case is treated with integrity and confidentiality. MusiCares also focuses the resources and attention of the music industry on human service issues that directly impact the health and welfare of the music community. In 2010, MusiCares experienced a landmark year by serving the largest number of clients to date — more than 2,200 — with $2.5 million in aid. OUR PROGRAMS AND SERVICES Since its inception, MusiCares has developed into a premier support system for music people by “Thank you so much for providing innovative programs and services designed to meet the specific needs of its constituents. supporting our family and remembering the players.” EMERGENCY FINANCIAL ASSISTANCE PROGRAM — MusiCares Client The “heart and soul” of MusiCares is the Emergency Financial Assistance Program. With a commitment to providing help to those in need as quickly as possible, this program provides assistance for basic living expenses including rent, utilities and car payments; medical expenses including doctor, dentist and hospital bills; psychotherapy; and treatment for HIV/ AIDS, Parkinson’s disease, Alzheimer’s disease, hepatitis C and other critical illnesses. -
Nile Rodgers in New York City, 1991
Nile Rodgers in New York City, 1991 68 MUSICAL EXCELLENCE Nile Rodgers HE CREATES A DISTINCTIVE SOUND ON THE RECORDS HE WRITES, PRODUCES, ARRANGES, AND PLAYS ON. BY ROB BOWMAN Nile Rodgers’ influence on popular music over the past forty years is nearly unfathomable. As a guitarist, songwriter, producer, arranger, and funkster extraordinaire, Rodgers has left his imprint on a stun- ningly wide array of genres including disco, R&B, rock, mainstream pop, hip-hop, and EDM. Looking over the breadth of his career, a case could easily be made that no single individual has had a greater impact on the sound of pop, from the late 1970s to the present day. ¶ Alongside his partner, bass player wunderkind Bernard Edwards, Rodgers wrote and produced hit after hit for Chic, Sister Sledge, and Diana Ross, tearing up both the dance floor and the radio. After Chic broke up and Rodgers and Edwards went their separate ways, Rodgers broke free of the disco moniker and reinvented himself, producing, arranging, and playing guitar on David Bowie’s come- back album, Let’s Dance (1983), and Madonna’s breakout album, 69 Like a Virgin (1984). Along the way he took INXS and Chic in their prime then Duran Duran to new heights with “Original Sin” with Rodgers and and “The Reflex,” respectively, and produced albums by Bernard Edwards Mick Jagger, Jeff Beck, the B-52s, and David Lee Roth. center stage, 1979 He played key guitar parts on Steve Winwood’s “High- er Love” and Michael Jackson’s HIStory. More recent- ly he cowrote and played guitar on Daft Punk’s “Get Lucky,” winning two Grammy Awards in the process. -
Umass Fine Arts Center Concert Hall
umassumass finefine artsarts center center CENTERCENTER SERIESSERIES 2008–20092008–2009 1 1 2 3 2 3 playbill playbill 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 1 Paul Taylor Dance Company 11/13/08 2 Avery Sharpe Trio 11/21/08 3 Soweto Gospel Choir 12/03/08 UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM UMA021-PlaybillCover.indd 3 8/6/08 11:03:54 PM DtCokeYoga8.5x11.qxp 5/17/07 11:30 AM Page 1 DC-07-M-3214 Yoga Class 8.5” x 11” YOGA CLASS ©2007The Coca-Cola Company. Diet Coke and the Dynamic Ribbon are registered trademarks The of Coca-Cola Company. 2 We’ve mastered the fine art of health care. Whether you need a family doctor or a physician specialist, in our region it’s Baystate Medical Practices that takes center stage in providing quality and excellence. From Greenfield to East Longmeadow, from young children to seniors, from coughs and colds to highly sophisticated surgery — we’ve got the talent and experience it takes to be the best. Visit us at www.baystatehealth.com/bmp 3 &ALLON¬#OMMUNITY¬(EALTH¬0LAN IS¬PROUD¬TO¬SPONSOR¬THE 5-ASS¬&RIENDS¬OF¬THE¬&INE¬!RTS¬#ENTER 4 5 Supporting The Community We Live In Helps Create a Better World For All Of Us Allen Davis, CFP® and The Davis Group Are Proud Supporters of the Fine Arts Center! The work we do with our clients enables them to share their assets with their families, loved ones, and the causes they support. -
LIT2013000004 - Andy Gibb.Pdf
•, \.. .. ,-,, i ~ .«t ~' ,,; ~-· ·I NOT\CE OF ENTR'Y.OF APPEARANCE AS AllORNE'< OR REPRESEN1' Al\VE DATE In re: Andrew Roy Gibb October 27, 1978 application for status as permanent resident FILE No. Al I (b)(6) I hereby enter my appearanc:e as attorney for (or representative of), and at the reQUest of, the fol'lowing" named person(s): - NAME \ 0 Petitioner Applicant Andrew Roy Gibb 0 Beneficiary D "ADDRESS (Apt. No,) (Number & Street) (City) (State) (ZIP Code) Mi NAME O Applicant (b)(6) D ADDRESS (Apt, No,) (Number & Street) (City} (ZIP Code) Check Applicable ltem(a) below: lXJ I I am an attorney and a member in good standing of the bar of the Supreme Court of the United States or of the highest court of the following State, territory; insular possession, or District of Columbia A;r;:ka.nsa§ Simt:eme Coy;ct and am not under -a (NBme of Court) court or administrative agency order ·suspending, enjoining, restraining, disbarring, or otherwise restricting me in practicing law. [] 2. I am an accredited representative of the following named religious, charitable, ,social service, or similar organization established in the United States and which is so recognized by the Board: [] i I am associated with ) the. attomey of record who previously fited a notice of appearance in this case and my appearance is at his request. (If '!J<?V. check this item, also check item 1 or 2 whichever is a1wropriate .) [] 4. Others (Explain fully.) '• SIGNATURE COMPLETE ADDRESS Willi~P .A. 2311 Biscayne, Suite 320 ' By: V ? Litle Rock, Arkansas 72207 /I ' f. -
September 1984
MODERN DRUMMER VOL.8, NO. 9 Cover Photo by Rick Malkin CONTENTS FEATURES ART BLAKEY After paying his dues with such greats as Fletcher Henderson, Dizzy Gillepsie and Thelonious Monk, Art Blakey went on to lead the legendary Jazz Messengers. Here, he traces his career from its inception in Pittsburgh clubs to the present, and discusses the inspiration and training he received from Chick Webb and Sid Catlett. by Chip Stern 8 CARMINE APPICE To remain at the hub of the music industry for nearly 20 years takes talent, perseverance, and versatility. In addition to drumming for such major acts as Vanilla Fudge, Rod Stewart, Ted Nugent and Ozzy Osbourne, Carmine Appice has been active as a clinician, educator and songwriter. He openly discusses his career and offers candid insights about the industry. by Robert Santelli 14 ARTHUR PRESS Drawing from his experiences as percussionist and assistant timpanist with the Boston Symphony, Arthur Press shares his thoughts about interpreting orchestral parts, adjusting to different conductors, and maintaining professionalism. He also gives advice about concert snare drums, and discusses his MMO recording, Classical Percussion. by Rick Mattingly 18 INSIDE YAMAHA 22 by Charles M. Bernstein and William F. Miller JONATHAN MOFFETT Have Drums—Will Travel 26 by Robyn Flans COLUMNS THE JOBBING DRUMMER EDUCATION JUST DRUMS 114 Avoiding Overplaying 88 PROFILES CONCEPTS by Tim Price Drumming And Prejudice JAZZ DRUMMERS WORKSHOP PORTRAITS by Roy Burns 30 Jazz Patterns In 5/4 Bobby Daniels 94 by Robyn Flans 34 THE MUSICAL -
Stephanie Mills, Hot on Disk, Considers Return to Broadway
48 General News cc Survey For Week Ending 8/1/81 PLANS AUGUST VEGAS DEBUT Stephanie Mills, Hot On Disk, ISoulSoul TM Copyright 981. Billboard Publications. Inc No part of this publication may be reproduced. stored in a ret ieval system. or transmitted. in any form or by any means. electronic. mechanical. Considers Return To Broadway photocopying recording or otherwise without the prior written permission of the publisher. By TIM WALTER 6 WASHINGTON, D.C, and Dionne with Burt Bacharach; they Z Js 8 -If says she is certain that she and Dan- 111E TRUE were when Stephanie Mills cuts an LP iel will include another song on the my first successful producers." Artist, Label L Number ta Artist, label & Number with husband Jeffrey Daniel of next album. She has definite thoughts of doing N; (Dist- label) N (Dist. Label) Shalamar, it won't happen soon. Mills will continue the "marriage" a complete LP with Teddey Pen- 1 14 STREET SONGS 8+i 4 3 DEUCE "It's a good possibility," she says, with producers and songwriters dergrass. "There's no problem there, Rick James, Kurt's Blow, Polygram SRM -Iá020 "but it can't possibly happen any it's just a matter of scheduling, find- Gordy G8- 1002M1 (Motown) James Mtume and Reggie Lucas, 40 40 IT'S WINNING TIME 3 7 IT MUST BE MAGIC time in the near future. He has his but Ashford and Simpson will do at ing the time to get into the studio to- Klique, MCA MCA 5198 Teens Marie, I gether. It's something I think we career and have mine and we're not least two tracks "and we're talking to Gordy G8 -1004M1 (Motown) both want." 41 42 16 ALICIA going to mix them anytime soon." other producers. -
Record Plant, Sausalito CA
[email protected] The Record Plant, Sausalito 1972 – 2009 | Credits on 5 of Top 50 Best-Selling Albums All-Time. Historic Nor – Cal Recording Studio Prince / Sly Stone / Fleetwood Mac / Rick James / Santana Van Morrison / Stevie Wonder / Whitney Houston / Heart Metallica / Bob Marley / Grateful Dead / Jefferson Starship Legendary Location… 2200 Bridgeway, Sausalito Est. 1972 California U.S.A. 1970’s Sausalito Music Factory opens as “Record Plant” The unassuming, redwood clad building just north of San Francisco, Sausalito on Oct 29, 1972. California at 2200 Bridgeway in Sausalito, opened in the early 1970’s 1973 - Bob Marley & The as Sausalito Recording before becoming the Record Plant in the fall of Wailers record LIVE album at Record Plant. 1972. The Record Plant, Sausalito was the third in a chain of Record Plant studios operating in Los Angeles and New York. “The Plant,” as 1976-Fleetwood Mac record Rumours album. 10th best- it was later known, would become the location of some of the most selling album all-time. successful & popular recordings in music history. 1978 - Prince records his first album, For You. The grand opening was celebrated with the first in a tradition of th 1980’s Rick James records “Super annual Halloween parties on Sunday, October 29 , 1972. Attendees, Freak” at the Record Plant including John Lennon & Yoko Ono dressed as trees, were treated to in December, 1980. the laid back vibe of the studio situated near the bay in the industrial John Fogerty and Huey part of Sausalito, ten minutes from bustling San Francisco. Lewis & the News cut #1 albums at the Plant.