Hot Rizerises Again at the Gordon Center for Performing Arts -- Saturday, November 15, 2014

Total Page:16

File Type:pdf, Size:1020Kb

Hot Rizerises Again at the Gordon Center for Performing Arts -- Saturday, November 15, 2014 LegendaryProgressiveBluegrass Band Hot RizeRises again at the Gordon Center for Performing Arts -- Saturday, November 15, 2014 Back in action and on the road again after a 24-year hiatus, Hot Rize gets setto Steam up the Gordon Saturday, November 15 at 8pm September XX, 2014 – Owings Mills, MD –Award-winning, internationally-renown bluegrass band Hot Rize is backon the road and back on fire. On Saturday, November 15,Hot Rize willperform music fromWhen I’m Free, their first studio album in 24 years,at the Gordon Center for Performing Arts in Owings Mills, Maryland. “There’s a lot you can say about love, death, coal mines, farms, and trains,” says Pete Wernick, Hot Rizebanjo player and vocalist. Hot Rize, however, eager to “show that [they’re] not stuck in the 20th century,” is releasing 14 contemporary bluegrass tracks onWhen I’m Free, on September 30, 2014, a month-and-a-half in advance of the Gordon show. While the recordings are progressive, mixing new and traditional bluegrass styles, Hot Rize’smusicians (including Wernick; Tim O’Brien on vocals, mandolin, fiddle and guitar; Nick Forster on vocals and electric bass; and Bryan Sutton on vocals and guitar)recorded the new album in traditional fashion facing one another in a circle, true to bluegrass form. Renowned actor, comedian and banjoist Steve Martin (yes, the Steve Martin) once called Hot Rize “…the great modern bluegrass band . the connective tissue that links the great founders of bluegrass with the modern tradition.” Mid-way through the show, the Gordon and Hot Rize will also welcome another band on stage, Red Knuckles and the Trailblazers, a hilariously wacky but musically deft country swing band that Hot Rize frequently tours with. “This is going to be an incredible show,” saidRandi Benesch, Managing Director of the Gordon Center. “Hot Rize is very hot. The style of bluegrass they play, their fusion of traditional with electric and contemporary expressions of new and old bluegrass themes – these guys are phenomenal, musically, and their interaction with the audience,on top of that, ishysterical.” To hear a sample track from When I’m Free, go tohttp://www.esquire.com/blogs/culture/hot-rize-blue- is-fallin#comments. But better –come see Hot Rize live! Co-presented with the Charm City Folk & Bluegrass Festival, tickets are $35 in advance; $39 at the door, and may be ordered online at www.gordoncenter.com. The Gordon Center is located on the campus of the Rosenbloom JCC at 3506 Gwynnbrook Ave., Owings Mills, MD 21117. The Box Office can be reached at 410.356.7469. ### The Peggy and Yale Gordon Center for Performing Arts is Baltimore County’s premiere arts destination. The Gordon Center offers an eclectic variety of professional entertainment in music, theater, dance, family programming and film. You will experience world-class acoustics in an intimate, state-of-the-art venue. Free parking in well-lit spaces, handicap accessible, and equipped with a special RF system for the hearing impaired, the Gordon Center can be enjoyed by all. .
Recommended publications
  • Folk Music Society Newsletter
    Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HI­NY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 2­5pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 2­5 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 2­3 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............2­3 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........4­5 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form ­ Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ ­ 1 ­ Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant.
    [Show full text]
  • Traditional Song
    3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while.
    [Show full text]
  • Jack Pearson
    $6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301
    [Show full text]
  • The Tuttles with AJ Lee Bio 2013
    The Tuttles with AJ Lee Authentic bluegrass & roots music from the next generation! !The next generation of bluegrass is here: The Tuttles with AJ Lee! This young, super talented band is composed of singers and multi-instrumentalists who have been playing music since they were barely old enough to hold a pick. The band has received numerous awards: Best Band for two years in a row from The Northern California Bluegrass Society; Molly Tuttle voted Best Guitarist, Michael Tuttle the Best Mandolin Player, and Jack Tuttle the Best Fiddler. Best Vocalist awards went to AJ Lee in 2010, 2011 and 2013 and Molly in 2012. This band receives standing ovations wherever they play because of their youthful, vibrant performances of old traditional tunes and tasteful new originals. What People are Saying Pete Wernick, Hot Rize, "A.J. Lee and Molly Tuttle are the kind of singers who can bring you into a song, and create a duet blend that makes the senses stand at attention. Molly’s younger brothers, Sullivan and Michael, are playing strong and agile leads. Jack Tuttle, one of the most respected music teachers in Northern California, helps bluegrass take root in the next generation.” Bluegrass Music Association of Canada, Dave Porter Vice-President, "At Gettysburg they received 3 standing O's and were introduced for their second set as the surprise and discovery of the festival. The reception was the same at Wind Gap...neither TheTuttlesWithAJLee.com YouTube nor their well-produced CD's do them justice...their instrumental wizardry almost made me laugh out loud in sheer amazement." The Band Members !!A.J.
    [Show full text]
  • PRESS RELEASE...For Immediate Release Thomas Point Beach
    PRESS RELEASE...For Immediate Release Thomas Point Beach brings Bluegrass to Brunswick Performers Include The Earls of Leicester presented by Jerry Douglas, The Legendary Larry Sparks, The Gibson Brothers, Balsam Range, Sierra Hull, and many, many more Brunswick, ME- August 9, 2018 – The Thomas Point Beach Bluegrass Festival will be held August 30, 31, September 1 & 2, continuing a Labor Day weekend tradition of nearly 40 years. The Thomas Point Beach Bluegrass Festival has solidified itself as a premiere event for both bluegrass aficionados and those new to the genre. It is recognized internationally for its fine line-up and beautiful venue. The Thomas Point Beach Bluegrass Festival was established in 1979 by Pati Crooker, of Brunswick, Maine, with the goal of bringing traditional bluegrass music to her coastal home. Since its inception, the Thomas Point Beach Bluegrass Festival has hosted over 200 of the best performers in Bluegrass music on its historic stage, from old down-home favorites to internationally renowned acts. Following Pati’s passing in 2016 her son and daughter-in-law, Michael and Jennifer Mulligan, decided to bring back the event with the help and support of long-time festival associate Shari Elder, as well as other park staff, industry experts, family, and friends. “Last year, we gave it a shot, we took a gamble, and it was the best decision we could have made” said Michael Mulligan. “After the festival was over, we took time to consider the future, and there didn’t seem to be much of a doubt that we would be doing it again in 2018.” Throughout the four day event, the stage show blends regional favorites with bluegrass legends and award winners, as well as a solid mix of traditional and the contemporary styles.
    [Show full text]
  • December 2020
    Wrap Up Your Holidays with Us! Take a much-needed break from the hustle and bustle of the season and enjoy our December Newsletter. We've got a lot to cover! Watch our fun and informative New Virtual Store Tours and Staff Picks; meet our Instrument Specialist, Ian Dehmel; listen to our "We Recommend" pick - Colorado bluegrass band Hot Rize; see our Top 5 Gifts Under $30; learn what's so special about Breedlove guitars; find out who's battling it out on the banjo in the swamp, and a lot more. So take a few minutes and dive in! You'll be glad that you did. Take Our Ukulele Video Tour! Ukuleles are affordable, fun to play and, with just four strings, relatively easy to learn. The Denver Folklore Center is happy to stock a large selection of new and vintage ukuleles with prices ranging from the very affordable to rare collectibles. Watch our new Ukulele Video Tour! Join Saul, owner of the Denver Folklore Center, for a few tips on picking out the best uke for you or someone you love. Learn some basics like how to play, types of ukuleles, different tonewood attributes and more. Then contact us or come in and let our team help you choose the ideal instrument in your price range. And be sure to read our blog post to find out Which Ukulele Size is Right for You. Staff Focus - Ian Dehmel Originally from the Western Slope His introduction to the Folklore (Fruita, CO), Ian Dehmel is one of Center came from his dad, who had our Instrument Specialists.
    [Show full text]
  • Roland White Band
    The Roland White Band Roland White Bluegrass mandolin master Roland White has played in some of the most influential and popular groups in the music's history, and has played a notable part in creating that history. Springing from a large family of musicians, Roland and his younger brothers Eric and Clarence first played together as youngsters in their native Maine. Moving to southern California in 1955, The Country Boys (later to become The Kentucky Colonels) won talent contests, appeared on local television shows and even landed appearances on The Andy Griffith Show. They toured the country during the folk music boom of the early 60's, creating a sensation among coffeehouse, festival and college audiences with their instrumental virtuosity, traditional brother vocal harmonies and rhythmic innovations. The Kentucky Colonels' influence far exceeded the band's short tenure as an active band. Their "Appalachian Swing" album remains one of the most important albums of that era, a landmark in the history of bluegrass. Moving from The Kentucky Colonels into a position as guitarist for Bill Monroe in the late 60's, Roland absorbed the traditional feel and repertoire from his mentor, the Father Of Bluegrass, which remains a strong element in his music today. From Monroe's band, Roland joined that of another bluegrass pioneer, Lester Flatt, playing mandolin and recording several albums as a member of The Nashville Grass from 1969-1973. In 1973 a short-lived reunion of The White Brothers was brought to an untimely end due to Clarence White's tragic death. Of this brief reunion came two concert recordings that capture the excitement of the White Brothers' sound fully matured, after Clarence's excursions in country rock with the Byrds and Roland's studies with the Monroe and Flatt.
    [Show full text]
  • Hot Rize Radio Boogie Mp3, Flac, Wma
    Hot Rize Radio Boogie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Radio Boogie Country: US Released: 1999 Style: Bluegrass MP3 version RAR size: 1496 mb FLAC version RAR size: 1225 mb WMA version RAR size: 1754 mb Rating: 4.8 Votes: 728 Other Formats: AU DXD MOD ASF VOX VQF AAC Tracklist Hide Credits Radio Boogie 1 2:43 Written-By – L.C. Smith , R. Mayo* Ain't Gonna Work Tommorrow 2 2:20 Written-By – Traditional Wild Bill Jones 3 2:05 Written-By – Traditional Land Of Enchantment 4 3:15 Written-By – T. O'Brien* The Man In The Middle 5 2:52 Written-By – T. H. Campbell* I Long For The Hills 6 2:24 Written-By – T. O'Brien* Just Ain't 7 2:09 Written By – H. And G. Willis No Brakes 8 2:13 Written-By – P. Wernick* Walkin' The Dog 9 2:30 Written By – T. & C. GrimsleyWritten-By – C. Grimsley*, T. Grimsley* The Sweetest Song I Sing 10 3:27 Written-By – T. O'Brien* Tom And Jerry 11 2:28 Written-By – Traditional Gone But Not Forgotten 12 2:55 Written-By – P. Wernick* Companies, etc. Phonographic Copyright (p) – Rounder Records Corp. Phonographic Copyright (p) – Flying Fish Records, Inc. Copyright (c) – Flying Fish Records, Inc. Credits Banjo, Harmony Vocals – Pete Wernick* Bass, Harmony Vocals – Nick Forster Guitar – Charles Sawtelle Lead Vocals – Charles Sawtelle (tracks: 9) Lead Vocals, Mandolin, Fiddle – Tim O'Brien Barcode and Other Identifiers Barcode: 0 1896-40231-2 6 Label Code: LC 4588 Matrix / Runout (Hub Stamp): D3128SE23095346LH Other versions Category Artist Title (Format) Label Category Country Year FF 231 Hot Rize Radio Boogie (LP, Album) Flying Fish FF 231 US 1981 FF 231 Hot Rize Radio Boogie (LP, Album) Flying Fish FF 231 US 1981 FF 70231 Hot Rize Radio Boogie (CD, Album) Flying Fish Records, Inc.
    [Show full text]
  • Bluegrass Jamming Class
    BLUEGRASS JAMMING CLASS TAUGHT BY PETE WERNICK USING THE WERNICK METHOD* Thursday, Feb 23, 1-4pm TUITION $60 Wintergrass Music Festival Bellevue, WA Assisted by Joan Wernick, Kelly Bogan & Jon Epstein PETE’S STUDENTS SAY: Pete Wernick (aka “Dr. Banjo”) is renowned worldwide for his contributions to bluegrass music: the hot- “I have been waiting to start picking force in several trend-setting bands including Hot Rize playing real bluegrass with people and Country Cooking, respected author and teacher, and 15- for quite a while—and now I can! ” year President of the International Bluegrass Music Association. Since 1980, Pete has conducted over 100 instructional camps “An incredible experience!” nationwide and overseas, and is the creator of the Wernick “So much more fun than sitting Method for learning basic bluegrass jamming. on the couch playing alone.” • All bluegrass instruments * Wernick Method Classes teach real bluegrass jamming! • No jamming experience necessary * in your area * * with other pickers like you * • You will be jamming the first session! * Hands-on learning in large and small groups * Learn many bluegrass standards * Gentle tempos! Mistakes expected * Full ground rules and etiquette of typical jams * How to lead songs and how to follow new songs * How to find melodies, fake solos, sing harmony * Ear skills taught and emphasized, as in real bluegrass * Tab/note reading skills not needed or used * Group and individualized instruction on backup skills * Understanding, low-pressure, time-tested teaching! Pete Wernick (“Dr. Banjo”, originator of Banjo Camps and Bluegrass Jam Camps) has created a method that has taught DO YOU QUALIFY? It’s easier than you may think! If you play guitar, thousands worldwide how to fit into mandolin, banjo, fiddle, bass, or dobro… you can be part of a bluegrass jam.
    [Show full text]
  • Than a Spruced up D-28 Close Collaboration with a Bluegrass Star Produced This 1986 Preston Thompson Dreadnought by Teja Gerken
    Great Acoustics More Than a Spruced Up D-28 Close collaboration with a bluegrass star produced this 1986 Preston Thompson Dreadnought By Teja Gerken EVERY LUTHIER YEARNS to have a guitar end up in the hands of a virtuoso who will use the creation onstage and in the studio. Some- times these connections happen by chance, but other times they’re the result of a collaboration between builder and player. Such is the case with this Preston Thompson Dread- nought, which was built for—and played by—the late flatpicking star Charles Sawtelle. Thompson (pktguitars.com) first met Sawtelle in Boulder, Colorado, in the late 1970s. Sawtelle was just getting started playing with Hot Rize (he began on bass before switching to guitar; other original members were founding guitarist Mike Scap, mandolinist and fiddler Tim O’Brien, and banjo player Pete Wernick). Thompson and Sawtelle quickly struck up a friendship. Eventually, Thompson moved to Vermont to attend Charles Fox’s School of Guitar Research and Design Center, and after finishing the program, settled in Bend, Oregon. He remained a close friend of Sawtelle, and the influential blue- grass guitarist was a regular houseguest whenever he passed through Oregon. Swatelle’s main instrument at the time was a 1937 Martin D-28, and while he loved the guitar’s sound, he longed for something fancier to play onstage. So, Sawtelle asked Thompson to build a dreadnought with the tone and feel of the D-28, but dressed up with the abalone purfling, fingerboard inlay, and details of a style-42 Martin.
    [Show full text]
  • 2018-Bluegrass-Program.Pdf
    Festival Grounds G C F A B C D E K H J I A Tent Seating E Main Lodge – Ice Cream, “The Living Room”, H Shower Building B Information Tent Merchandise Counter, and Rec Room I Gate House C Vendor Areas F The Loose Caboose J Dump Station D Main Stage G Workshop Tent K Family Activities We ask that everyone exercise care and caution while inside the park, as there are many children at play and pedestrians on the roads throughout. Things to Know WATER FILL UP LOCATIONS Main Grove Camp Sites #9-10, Outside Beachfront Restrooms, Behind Soda Machines, Back of Main Lodge, Shower Building by Street Light HOT Inside Coin-Operated SHOWERS & LAUNDRY ROOM In the Main Grove Camping Area Shower Building HANDICAPPED FRIENDLY FACILITIES Main Grove Restroom/Shower Building INSIDE FLUSH TOILETS & OUTSIDE RINSE OFF SHOWERS Restrooms located by the Beachfront and across from the Playground PORT-A-POTTIES located throughout the Park grounds FIRST AID and INFORMATION and LOST & FOUND at the Information Tent and in the Caboose CHARGING STATION available in the Main Lodge “Living Room” Thursday, Friday, Saturday, and Sunday MAIN LODGE— Festival Merch, Ice Cream, Living Room, Rec Hall LOOSE CABOOSE — Hot Dogs, Firedogs, Soups, and Snacks ICE & WOOD available at the Gate and Loose Caboose EMERGENCY PHONE #’s Park Office 207-725-6009 Police 207-725-5521 Ambulance 207-725-5541 Trash bags are provided at the Gate upon arrival. Additional bags are available in the Main Lodge. PLEASE PLACE YOUR TRASH BAGS AT THE ROADSIDES FOR DAILY PICK-UP.
    [Show full text]
  • Peter Wernick
    PETER WERNICK. Born 1946 Transcript of OH 1489V This interview was recorded on December 20, 2007, for the Maria Rogers Oral History Program. The interviewer is Anne Dyni. The interview also is available in video format, filmed by Liz McCutcheon. The interview was transcribed by Dee Baron. NOTE: The interviewer’s questions and comments appear in parentheses. Added material appears in brackets. ABSTRACT: Banjo player Pete Wernick talks about his career as a musician, ranging from playing bluegrass in New York City during the 1960s to playing banjo with Earl Scruggs on the David Letterman Show in 2005, as well as the many professional successes he has had in between, most notably as a member of the bluegrass band Hot Rize, which played together for twelve years and has continued to play highly popular reunion shows. [A]. 00:00 (Today is December 20th, 2007. I’m interviewing Pete Wernick of 7930 Oxford Road in Niwot. Pete, when and where were you born?) New York City, February 25, 1946. (Do you have any brothers or sisters?) My one and only sister just passed away about a month ago. (Oh, I’m sorry.) She was my older sister. Her name was Sarah and she lived in Boston. (Was she a musician?) Not at all. No. She was a writer and collaborated on various books including medical books. (Were there any instruments in your family at all?) My dad always had an interest in music and from his childhood he played harmonica by ear, and that was the one instrument he would take out at gatherings and so on and played on a pretty rudimentary level.
    [Show full text]