FBR Playlist 3-13-17

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3/13/17 Southern Flavor Bill Monroe Country Music Hall of Fame Over the Road I'm Bound to Go Uncle Dave Macon Go Long Mule Oh Baby You Done Me Wrong Uncle Dave Macon Go Long Mule Honey Babe I'm Bound to Ride Stringbean 22 Early Starday Recordings Ol Rattler Grandpa Jones Best of the Best Gold Watch & Chain Carter Family Gold Watch & Chain Home in Old Kentucky New Lost City Ramblers w Cousin EmmyNew Lost City Ramblers w Cousin Emmy High On a Mountain Ola Belle Reed O Sister! Pretty Saro Doc Watson Family Tradition Anniversary Blue Yodel Doc Watson Family Songs From the Southern Mountains You'll Get No More of Me Hazel Dickens Few old Memories Banjo Pickin Girl Hazel Dickens & Alice Gerrard Hazel Dickens & Alice Gerrard Walking in My Sleep Laurie Lewis & the Right Hands Hazel & Alice Sessions Honky Tonk Women Old & In the Gray Old & In the Gray Sally Goodwin Cushman, Charlie Five String Time Flint Hill Special Emerson, Bill Banjo Man Whatcha Gonna Do Bela Fleck & Abigail Washburn Bela Fleck & Abigail Washburn Wicked Path of Sin Stanley Brothers Early King & Starday Recordings I'm Using My Bible For a Roadmap Reno & Smiley King Collectors Box Good For What Ails Me Caskey, Donna Lynn Nameless Heart It Ain't Personal Caskey, Donna Lynn The Love Still Shows Break Free Caskey, Donna Lynn The Love Still Shows Never Let Me Go Flatt Lonesome Too You're the One Flatt Lonesome Runaway Train Blue Million Tears Joe Mullins & Radio Ramblers They're Playing My Song No Doubt About It Flatt & Scruggs Flatt & Scruggs 1949-59 Why Did You Wander Earls of Leicester Rattle & Roar All I Want Is You Earls of Leicester Rattle & Roar Voice Of My Savior Longview High Lonesome Get Right With God Doyle Lawson & Quicksilver Burden Bearer Blue Darlin Del McCoury Cold Hard Facts You Don't Know My Mind Tony Rice Caifornia Autumn Beaumont Rag Tony Rice Unit Unit of Measure I Know What It Means to Be Lonesome Osborne Brothers Osborne Brothers 1955-68 Eight More Miles to Louisville Osborne Brothers Osborne Brothers 1968-74 Today I Started Loving You Again Osborne Brothers Osborne Brothers 1968-74 Matterhorn Country Gentlemen Early Rebel Recordings The First One To Love You Louvin Brothers When I Stop Dreaming My Walking Shoes Grisman, Gill, Pedersen, et al Grisman, Gill, Pedersen, Buchanan, Gordy Fiddlin Dan Ned Luberecki Take Five Earl's Court Ned Luberecki Take Five Sis Draper Ricky Skaggs Brand New Strings No Place To Hide Alison Krauss So Long So Wrong Walkin Boss Tim O'Brien Cornbread Nation Hear Jerusalem Morn Hot Rize Traditional Ties Workin On A Building Bill Monroe Bluegrass 1950-58 Raw Hide Bill Monroe Anthology New Lost City Ramblers w Cousin Emmy Grisman, Gill, Pedersen, Buchanan, Gordy.

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Folk Music Society Newsletter
Folk Music Society of New York, Inc. June, 2018 vol. 53 No. 6 June Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club in Woodside, 8pm 6 Wed Folk Open Sing; 7pm in Brooklyn 10 Sun Upper West Side Song Swap; at HINY, Upper West Side, guest David Massengill 11 Mon FMSNY Board of Directors Meeting; 7:15pm; see p. 5 17 Sun Shanty Sing; Snug Harbor, Staten Island, 25pm 20 Wed Sunnyside Singers Club; perf. Jeremy Aaron, 8pm July Mondays: Irish Traditional Music Session; Landmark, 8pm Wednesdays: Sunnyside Singers Club; Woodside, 8pm 3 Tue Newsletter Mailing, 7pm in Jackson Heights, Queens 4 Wed Folk Open Sing; 7pm in Brooklyn 9 Mon FMSNY Board of Directors Meeting; loc. tba, see p. 5 15 Sun Shanty Sing on Staten Island, 25 pm 18 Wed Sunnyside Singers Club; perf. Mike Agranoff, 8pm Details on pages 23 Table of Contents Events at a Glance.........................1 Repeating Events.........................11 Society Events Details...............23 Festival Listings..........................14 Topical Listing of Society Events. 3 Falcon Ridge Ad..........................20 From the Editor.............................4 Folk Music Society Info..............21 Bernie Stolls Memoriams..........45 Ashokan Acoustic Guitar Camp..22 Donatge with Amazon, et al..........5 Mark Hamburgh Ad....................22 Calendar Listings..........................6 Pinewoods Hot Line....................23 Calendar Location Info.................8 Membership Form Join Us!......24 The Society's Web Page: www.folkmusicny.org facebook: https://www.facebook.com/FMSNY/ 1 Irish Traditional Music Session: every Monday, 8-11pm Tenor banjo, harmonica and fiddle player Don Meade and friends get together every Monday night for an Irish traditional music session in the back room of this historic Hell’s Kitchen bar/restaurant.
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Traditional Song
3 TraditionalSong l3-9 Traditional Song Week realizes a dream of a comprehensive program completely devoted to traditional styles of singing. Unlike programs where singing takes a back seat to the instrumentalists, it is the entire focus of this week, which aims to help restore the power of songs within the larger traditional music scene. Here, finally, is a place where you can develop and grow in confidence about your singing, and have lots of fun with other folks devoted to their own song journeys. Come gather with us to explore various traditional song genres under the guidance of experienced, top-notch instructors. When singers gather together, magical moments are bound to happen! For Traditional Song Week’s ninth year and our celebration of The Swannanoa Gathering’s 25th Anniversary, we are proud to present a gathering of highly influential singers and musicians who have remained devoted over the years to preserving and promoting traditional song. Tuesday evening will be our big Hoedown for a Traditional Country, Honk-Tonk, Western Swing Song and Dance Night. Imagine singing to a house band of Josh Goforth, Robin and Linda Williams and Ranger Doug or Tim May, Tim O’Brien, and Mark Weems! So, bring your boots and hats, your voices and instruments, and get ready to bring on the fun! Our Community Gathering Time each day just after lunch affords us the opportunity to experience together, as one group, diverse topics concerning our shared love of traditional song. This year’s spotlight will feature folks who have been “on the road” and singing for quite a while.
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Music for the People: the Folk Music Revival
MUSIC FOR THE PEOPLE: THE FOLK MUSIC REVIVAL AND AMERICAN IDENTITY, 1930-1970 By Rachel Clare Donaldson Dissertation Submitted to the Faculty of the Graduate School of Vanderbilt University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY in History May, 2011 Nashville, Tennessee Approved Professor Gary Gerstle Professor Sarah Igo Professor David Carlton Professor Larry Isaac Professor Ronald D. Cohen Copyright© 2011 by Rachel Clare Donaldson All Rights Reserved For Mary, Laura, Gertrude, Elizabeth And Domenica ACKNOWLEDGEMENTS I would not have been able to complete this dissertation had not been for the support of many people. Historians David Carlton, Thomas Schwartz, William Caferro, and Yoshikuni Igarashi have helped me to grow academically since my first year of graduate school. From the beginning of my research through the final edits, Katherine Crawford and Sarah Igo have provided constant intellectual and professional support. Gary Gerstle has guided every stage of this project; the time and effort he devoted to reading and editing numerous drafts and his encouragement has made the project what it is today. Through his work and friendship, Ronald Cohen has been an inspiration. The intellectual and emotional help that he provided over dinners, phone calls, and email exchanges have been invaluable. I greatly appreciate Larry Isaac and Holly McCammon for their help with the sociological work in this project. I also thank Jane Anderson, Brenda Hummel, and Heidi Welch for all their help and patience over the years. I thank the staffs at the Smithsonian Center for Folklife and Cultural Heritage, the Kentucky Library and Museum, the Archives at the University of Indiana, and the American Folklife Center at the Library of Congress (particularly Todd Harvey) for their research assistance.
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The Tuttles with AJ Lee Bio 2013
The Tuttles with AJ Lee Authentic bluegrass & roots music from the next generation! !The next generation of bluegrass is here: The Tuttles with AJ Lee! This young, super talented band is composed of singers and multi-instrumentalists who have been playing music since they were barely old enough to hold a pick. The band has received numerous awards: Best Band for two years in a row from The Northern California Bluegrass Society; Molly Tuttle voted Best Guitarist, Michael Tuttle the Best Mandolin Player, and Jack Tuttle the Best Fiddler. Best Vocalist awards went to AJ Lee in 2010, 2011 and 2013 and Molly in 2012. This band receives standing ovations wherever they play because of their youthful, vibrant performances of old traditional tunes and tasteful new originals. What People are Saying Pete Wernick, Hot Rize, "A.J. Lee and Molly Tuttle are the kind of singers who can bring you into a song, and create a duet blend that makes the senses stand at attention. Molly’s younger brothers, Sullivan and Michael, are playing strong and agile leads. Jack Tuttle, one of the most respected music teachers in Northern California, helps bluegrass take root in the next generation.” Bluegrass Music Association of Canada, Dave Porter Vice-President, "At Gettysburg they received 3 standing O's and were introduced for their second set as the surprise and discovery of the festival. The reception was the same at Wind Gap...neither TheTuttlesWithAJLee.com YouTube nor their well-produced CD's do them justice...their instrumental wizardry almost made me laugh out loud in sheer amazement." The Band Members !!A.J.
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PRESS RELEASE...For Immediate Release Thomas Point Beach
PRESS RELEASE...For Immediate Release Thomas Point Beach brings Bluegrass to Brunswick Performers Include The Earls of Leicester presented by Jerry Douglas, The Legendary Larry Sparks, The Gibson Brothers, Balsam Range, Sierra Hull, and many, many more Brunswick, ME- August 9, 2018 – The Thomas Point Beach Bluegrass Festival will be held August 30, 31, September 1 & 2, continuing a Labor Day weekend tradition of nearly 40 years. The Thomas Point Beach Bluegrass Festival has solidified itself as a premiere event for both bluegrass aficionados and those new to the genre. It is recognized internationally for its fine line-up and beautiful venue. The Thomas Point Beach Bluegrass Festival was established in 1979 by Pati Crooker, of Brunswick, Maine, with the goal of bringing traditional bluegrass music to her coastal home. Since its inception, the Thomas Point Beach Bluegrass Festival has hosted over 200 of the best performers in Bluegrass music on its historic stage, from old down-home favorites to internationally renowned acts. Following Pati’s passing in 2016 her son and daughter-in-law, Michael and Jennifer Mulligan, decided to bring back the event with the help and support of long-time festival associate Shari Elder, as well as other park staff, industry experts, family, and friends. “Last year, we gave it a shot, we took a gamble, and it was the best decision we could have made” said Michael Mulligan. “After the festival was over, we took time to consider the future, and there didn’t seem to be much of a doubt that we would be doing it again in 2018.” Throughout the four day event, the stage show blends regional favorites with bluegrass legends and award winners, as well as a solid mix of traditional and the contemporary styles.
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Than a Spruced up D-28 Close Collaboration with a Bluegrass Star Produced This 1986 Preston Thompson Dreadnought by Teja Gerken
Great Acoustics More Than a Spruced Up D-28 Close collaboration with a bluegrass star produced this 1986 Preston Thompson Dreadnought By Teja Gerken EVERY LUTHIER YEARNS to have a guitar end up in the hands of a virtuoso who will use the creation onstage and in the studio. Some- times these connections happen by chance, but other times they’re the result of a collaboration between builder and player. Such is the case with this Preston Thompson Dread- nought, which was built for—and played by—the late flatpicking star Charles Sawtelle. Thompson (pktguitars.com) first met Sawtelle in Boulder, Colorado, in the late 1970s. Sawtelle was just getting started playing with Hot Rize (he began on bass before switching to guitar; other original members were founding guitarist Mike Scap, mandolinist and fiddler Tim O’Brien, and banjo player Pete Wernick). Thompson and Sawtelle quickly struck up a friendship. Eventually, Thompson moved to Vermont to attend Charles Fox’s School of Guitar Research and Design Center, and after finishing the program, settled in Bend, Oregon. He remained a close friend of Sawtelle, and the influential blue- grass guitarist was a regular houseguest whenever he passed through Oregon. Swatelle’s main instrument at the time was a 1937 Martin D-28, and while he loved the guitar’s sound, he longed for something fancier to play onstage. So, Sawtelle asked Thompson to build a dreadnought with the tone and feel of the D-28, but dressed up with the abalone purfling, fingerboard inlay, and details of a style-42 Martin.
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2018-Bluegrass-Program.Pdf
Festival Grounds G C F A B C D E K H J I A Tent Seating E Main Lodge – Ice Cream, “The Living Room”, H Shower Building B Information Tent Merchandise Counter, and Rec Room I Gate House C Vendor Areas F The Loose Caboose J Dump Station D Main Stage G Workshop Tent K Family Activities We ask that everyone exercise care and caution while inside the park, as there are many children at play and pedestrians on the roads throughout. Things to Know WATER FILL UP LOCATIONS Main Grove Camp Sites #9-10, Outside Beachfront Restrooms, Behind Soda Machines, Back of Main Lodge, Shower Building by Street Light HOT Inside Coin-Operated SHOWERS & LAUNDRY ROOM In the Main Grove Camping Area Shower Building HANDICAPPED FRIENDLY FACILITIES Main Grove Restroom/Shower Building INSIDE FLUSH TOILETS & OUTSIDE RINSE OFF SHOWERS Restrooms located by the Beachfront and across from the Playground PORT-A-POTTIES located throughout the Park grounds FIRST AID and INFORMATION and LOST & FOUND at the Information Tent and in the Caboose CHARGING STATION available in the Main Lodge “Living Room” Thursday, Friday, Saturday, and Sunday MAIN LODGE— Festival Merch, Ice Cream, Living Room, Rec Hall LOOSE CABOOSE — Hot Dogs, Firedogs, Soups, and Snacks ICE & WOOD available at the Gate and Loose Caboose EMERGENCY PHONE #’s Park Office 207-725-6009 Police 207-725-5521 Ambulance 207-725-5541 Trash bags are provided at the Gate upon arrival. Additional bags are available in the Main Lodge. PLEASE PLACE YOUR TRASH BAGS AT THE ROADSIDES FOR DAILY PICK-UP.
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Peter Wernick
PETER WERNICK. Born 1946 Transcript of OH 1489V This interview was recorded on December 20, 2007, for the Maria Rogers Oral History Program. The interviewer is Anne Dyni. The interview also is available in video format, filmed by Liz McCutcheon. The interview was transcribed by Dee Baron. NOTE: The interviewer’s questions and comments appear in parentheses. Added material appears in brackets. ABSTRACT: Banjo player Pete Wernick talks about his career as a musician, ranging from playing bluegrass in New York City during the 1960s to playing banjo with Earl Scruggs on the David Letterman Show in 2005, as well as the many professional successes he has had in between, most notably as a member of the bluegrass band Hot Rize, which played together for twelve years and has continued to play highly popular reunion shows. [A]. 00:00 (Today is December 20th, 2007. I’m interviewing Pete Wernick of 7930 Oxford Road in Niwot. Pete, when and where were you born?) New York City, February 25, 1946. (Do you have any brothers or sisters?) My one and only sister just passed away about a month ago. (Oh, I’m sorry.) She was my older sister. Her name was Sarah and she lived in Boston. (Was she a musician?) Not at all. No. She was a writer and collaborated on various books including medical books. (Were there any instruments in your family at all?) My dad always had an interest in music and from his childhood he played harmonica by ear, and that was the one instrument he would take out at gatherings and so on and played on a pretty rudimentary level.
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Lpitc~1 I.C.,Mo
BULl rlATE U.S. POSTAGE PAID Per.it No. 2419 lPITC~1 I.C.,Mo. THE PENNY PITCH PAGE 3 romn •. LEX:rJlt~ TABLE OF CONTENTS: . ., .. ~ ... ::'). WEST ~OAST REPORT .••....••..•....•.•.... 4 LEROI S REVIEWS ••••.•..•.•.•..••... L •••• 5 TRUE TALES OF LEPINEY •••••. , .•••..••.... 7 THE PENNY PITCH ENCOURAGES READERS TO CON LOU I SA'S STORy ••••.•.• I ••••••••••••••••• ~ TRIBUTE--LETTERS~ ARTICLES~ POETRY AND ART. 4128 BROADWAY YOUR ENTRIES MAY BE PRINTED. ORIGINALS KANSAS CITY, MISS.oURI64111 ~6~~~~,~NJ~i~A~~~ES::::::::::::::::::::'9 WILL NOT BE RETURNED. SEND TO: (816) 561-1580 DICK WRIGHT •.•.•.•......••..••••...•.•. 10 OLE UNKEL BOB'S OLD TIME JAZZ ••.•.•..•• ~l CHARLES CHANCE~ SR. EDITOR ....... Charles Chance, Sr. SOUTH AFR ICA .••••..•.•.....••..•....•.. f2 PENNY PITCH ASSISTING ... Rev. Dwight Frizzell KING SHINE INTERNATIONAL •••.•.•.....•.. t2 4128 BROADWAY ••• J'ay Mandeville REGGA E••.••.. ) •.•..••. ; ...•.... , ...•... i K.C. ~ MO 64111 YOUSEFF YANCY S TALKIN JAZZ ........•.. 35 CONTRIBUTORS: Rosie Scrivo, Gary Houston, WINFIELD •.•••.•..•.•.•.....••..•....•.• 6 PENNY PITCH: Rev. DWl.ght Frizzell, Jay Handeville, Chris SWINGIN' GRASS (BLUEGRASS) .••....•..••. 17 Kim A, LcRoi Johnson, Milton MorriS, Horris Help!? We just returned from another fun Martin, ROdney Franks, John Geier, Scott METAL .•.•. '.' ·1························ '~1 week at Winfield, Ks--I missed getting a O'Kelley, Ole Unkel Bob Mossman, E. Collins, ~~~~~0~u~~~R1pART·ii):::::::::::::::::: 2 record of the De Dannan group. They are I-Sheryl, ltifilil-Irie, Youseff Yancy, Lane AGENT ORANGE EXPOSED .••..••...••.•••••. 3 the best Irish group I've ever heard. Turner, BoL Redford, Joe Stelnger, John CLASSICAL NOTES ..•••.•....••.••.••.•.•. 24 Can you tell me where to get their albums Heuertz, Brian Co}gan, Sid Musso, Chad Mus UNCLASS IF I ED .•.•..•••.•.•••...•••••..•• 22 5 and how much? The pink trailer was out so, BroQkes DeSoto, Brian Auger, Dan Conn, FRESH AIRE ...•........•...••..•...••..
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I. Historical Background and Theoretical Framework
I Am a Pilgrim: The Road to Telluride Bluegrass Festival Culture and the Quest for Identity in the New West I. Historical Background and Theoretical Framework Introduction As the title, borrowed from a song with a long history in the canon of bluegrass music, implies, this project has become an exploration of personal identity as well as an examination of the vital and exciting subculture which has grown up around bluegrass music in the American West over the last four decades. Twenty years ago my first exposure to what sociologist Robert O. Gardner now terms “New West Bluegrass Culture” came in the form of a “working vacation” to the Telluride Bluegrass Festival to vend clothing for my employer at the time. That week and the experiences I shared with so many new and old friends changed the direction of my life. Through the ensuing years I watched as other new initiates attended the festival and experienced similar epiphanies. After a few years absence I returned to the Telluride festival this summer as an aspiring scholar, armed with the tools of an ethnographer (notebook, discreet digital recording device), the ethno-musicological theories of Mark Slobin, Gardner’s excellent dissertation, and a naïve belief that a few years of separation and some academic training would allow me to become an impartial and objective observer of a culture in which I have been immersed for two decades.1 This project is an attempt to shed some light on a sub-culture which I believe has developed some unique and effective mechanisms for establishing and maintaining personal and group identity in an increasingly challenging modern/post-modern environment.
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LET's ROLL: Ask Dr. Banjo
LET’S ROLL: Ask Dr. Banjo Hot Rize. Due to scheduling complications, we couldn’t record at the same time. Bryan and Tim O’Brien laid down the guitar, Hot Rize for Public Consumption mandolin, and vocal parts in Nashville, Pete Wernick then Nick Forster and I added bass and am lucky to have had some neat We were all pleased with the way they banjo in Boulder. This is not my favorite opportunities in music these days. came out, and one, the Norman Blake song way to record, though it can get convincing Along with three banjo camps and six Church Street Blues has started climbing results. Hot Rize is a band in which the Ior seven jam camps a year, I’ve gotten to the national bluegrass chart. whole is greater than the sum of the parts, perform with a number of cool groups in a The recording process was a first for and the synergy is hopefully part of what variety of places (Ryman Auditorium gets recorded. and Carnegie Hall in just the last One great advantage though, was week, yow!). Lately, I even did some that I had an unpressured recording recording for a “real record label”— situation with just an engineer in a that endangered species that manages small home studio, and the freedom to to hang on despite the current plight take whatever time necessary to get the of the record business. desired result. Brand new on Sugar Hill Records Another factor in this recording was are two cuts by Hot Rize, part of the rarity of the opportunity, Hot Rize’s Bryan Sutton’s splendid album first recording of the millennium (wow, “Almost Live.” These are the band’s just that word sounds momentous), and first studio recordings since 1990, our first ever with Bryan, who’s played and the cuts are two numbers we’d eight years with us now.
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Hot Rizerises Again at the Gordon Center for Performing Arts -- Saturday, November 15, 2014
LegendaryProgressiveBluegrass Band Hot RizeRises again at the Gordon Center for Performing Arts -- Saturday, November 15, 2014 Back in action and on the road again after a 24-year hiatus, Hot Rize gets setto Steam up the Gordon Saturday, November 15 at 8pm September XX, 2014 – Owings Mills, MD –Award-winning, internationally-renown bluegrass band Hot Rize is backon the road and back on fire. On Saturday, November 15,Hot Rize willperform music fromWhen I’m Free, their first studio album in 24 years,at the Gordon Center for Performing Arts in Owings Mills, Maryland. “There’s a lot you can say about love, death, coal mines, farms, and trains,” says Pete Wernick, Hot Rizebanjo player and vocalist. Hot Rize, however, eager to “show that [they’re] not stuck in the 20th century,” is releasing 14 contemporary bluegrass tracks onWhen I’m Free, on September 30, 2014, a month-and-a-half in advance of the Gordon show. While the recordings are progressive, mixing new and traditional bluegrass styles, Hot Rize’smusicians (including Wernick; Tim O’Brien on vocals, mandolin, fiddle and guitar; Nick Forster on vocals and electric bass; and Bryan Sutton on vocals and guitar)recorded the new album in traditional fashion facing one another in a circle, true to bluegrass form. Renowned actor, comedian and banjoist Steve Martin (yes, the Steve Martin) once called Hot Rize “…the great modern bluegrass band . the connective tissue that links the great founders of bluegrass with the modern tradition.” Mid-way through the show, the Gordon and Hot Rize will also welcome another band on stage, Red Knuckles and the Trailblazers, a hilariously wacky but musically deft country swing band that Hot Rize frequently tours with.
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