Bluegrass Jamming Class

Total Page:16

File Type:pdf, Size:1020Kb

Bluegrass Jamming Class BLUEGRASS JAMMING CLASS TAUGHT BY PETE WERNICK USING THE WERNICK METHOD* Thursday, Feb 23, 1-4pm TUITION $60 Wintergrass Music Festival Bellevue, WA Assisted by Joan Wernick, Kelly Bogan & Jon Epstein PETE’S STUDENTS SAY: Pete Wernick (aka “Dr. Banjo”) is renowned worldwide for his contributions to bluegrass music: the hot- “I have been waiting to start picking force in several trend-setting bands including Hot Rize playing real bluegrass with people and Country Cooking, respected author and teacher, and 15- for quite a while—and now I can! ” year President of the International Bluegrass Music Association. Since 1980, Pete has conducted over 100 instructional camps “An incredible experience!” nationwide and overseas, and is the creator of the Wernick “So much more fun than sitting Method for learning basic bluegrass jamming. on the couch playing alone.” • All bluegrass instruments * Wernick Method Classes teach real bluegrass jamming! • No jamming experience necessary * in your area * * with other pickers like you * • You will be jamming the first session! * Hands-on learning in large and small groups * Learn many bluegrass standards * Gentle tempos! Mistakes expected * Full ground rules and etiquette of typical jams * How to lead songs and how to follow new songs * How to find melodies, fake solos, sing harmony * Ear skills taught and emphasized, as in real bluegrass * Tab/note reading skills not needed or used * Group and individualized instruction on backup skills * Understanding, low-pressure, time-tested teaching! Pete Wernick (“Dr. Banjo”, originator of Banjo Camps and Bluegrass Jam Camps) has created a method that has taught DO YOU QUALIFY? It’s easier than you may think! If you play guitar, thousands worldwide how to fit into mandolin, banjo, fiddle, bass, or dobro… you can be part of a bluegrass jam. bluegrass music jams at their own Only requirements: You must be able to tune your instrument (electronic level. Wernick Method teachers are tuning devices welcome) and change smoothly between G, C, D, and A. personally certified by Pete based on (Fiddles and basses need to know which notes work with which chords) their knowledge of bluegrass, teaching in general, and teaching bluegrass according to his methods. Fast playing is not expected, nor is the ability to solo required. REGISTER NOW! VISIT BGJAM.COM, CLICK JAM CLASSES.
Recommended publications
  • Jack Pearson
    $6.00 Magazine Volume 16, Number 2 January/February 2012 Jack Pearson Al Smith Nick DiSebastian Schenk Guitars 1 Flatpicking Guitar Magazine January/February 2012 design by [email protected] by “I am very picky about the strings I use on my Kendrick Custom Guitar, and GHS gives me unbeatable tone in a very long lasting string.” GHS Corporation / 2813 Wilber Avenue / Battle Creek . Michigan 49015 / 800 388 4447 2 Flatpicking Guitar Magazine January/February 2012 Block off February 23 thru the 26th!! Get directions to the Hyatt Regency in Bellevue, WA. Make hotel & travel arrangements. Purchase tickets for shows and workshops! Practice Jamming!! Get new strings! Bookmark wintergrass.com for more information! Tell my friends about who’s performing: Ricky Skaggs & Kentucky Thunder Tim O’Brien, The Wilders, The Grascals, The Hillbenders, Anderson Family Bluegrass and more!!! Practice Jamming!!!!! wintergrass.com 3 Flatpicking Guitar Magazine January/February 2012 Feb 23-26th 4 Flatpicking Guitar Magazine January/February 2012 1 Flatpicking Guitar Magazine January/February 2012 CONTENTS Flatpicking FEATURES Jack Pearson & “Blackberry Pickin’” 6 Guitar Schenk Guitars 25 Flatpick Profile: Al Smith & “Take This Hammer” 30 Magazine CD Highlight: Nick DiSebastian: “Snowday” 58 The Nashville Number System: Part 2 63 Volume 16, Number 2 COLUMNS January/February 2012 Bluegrass Rhythm Guitar: Homer Haynes 15 Published bi-monthly by: Joe Carr High View Publications Beginner’s Page: “I Saw the Light” 18 P.O. Box 2160 Dan Huckabee Pulaski, VA 24301
    [Show full text]
  • December 2020
    Wrap Up Your Holidays with Us! Take a much-needed break from the hustle and bustle of the season and enjoy our December Newsletter. We've got a lot to cover! Watch our fun and informative New Virtual Store Tours and Staff Picks; meet our Instrument Specialist, Ian Dehmel; listen to our "We Recommend" pick - Colorado bluegrass band Hot Rize; see our Top 5 Gifts Under $30; learn what's so special about Breedlove guitars; find out who's battling it out on the banjo in the swamp, and a lot more. So take a few minutes and dive in! You'll be glad that you did. Take Our Ukulele Video Tour! Ukuleles are affordable, fun to play and, with just four strings, relatively easy to learn. The Denver Folklore Center is happy to stock a large selection of new and vintage ukuleles with prices ranging from the very affordable to rare collectibles. Watch our new Ukulele Video Tour! Join Saul, owner of the Denver Folklore Center, for a few tips on picking out the best uke for you or someone you love. Learn some basics like how to play, types of ukuleles, different tonewood attributes and more. Then contact us or come in and let our team help you choose the ideal instrument in your price range. And be sure to read our blog post to find out Which Ukulele Size is Right for You. Staff Focus - Ian Dehmel Originally from the Western Slope His introduction to the Folklore (Fruita, CO), Ian Dehmel is one of Center came from his dad, who had our Instrument Specialists.
    [Show full text]
  • Roland White Band
    The Roland White Band Roland White Bluegrass mandolin master Roland White has played in some of the most influential and popular groups in the music's history, and has played a notable part in creating that history. Springing from a large family of musicians, Roland and his younger brothers Eric and Clarence first played together as youngsters in their native Maine. Moving to southern California in 1955, The Country Boys (later to become The Kentucky Colonels) won talent contests, appeared on local television shows and even landed appearances on The Andy Griffith Show. They toured the country during the folk music boom of the early 60's, creating a sensation among coffeehouse, festival and college audiences with their instrumental virtuosity, traditional brother vocal harmonies and rhythmic innovations. The Kentucky Colonels' influence far exceeded the band's short tenure as an active band. Their "Appalachian Swing" album remains one of the most important albums of that era, a landmark in the history of bluegrass. Moving from The Kentucky Colonels into a position as guitarist for Bill Monroe in the late 60's, Roland absorbed the traditional feel and repertoire from his mentor, the Father Of Bluegrass, which remains a strong element in his music today. From Monroe's band, Roland joined that of another bluegrass pioneer, Lester Flatt, playing mandolin and recording several albums as a member of The Nashville Grass from 1969-1973. In 1973 a short-lived reunion of The White Brothers was brought to an untimely end due to Clarence White's tragic death. Of this brief reunion came two concert recordings that capture the excitement of the White Brothers' sound fully matured, after Clarence's excursions in country rock with the Byrds and Roland's studies with the Monroe and Flatt.
    [Show full text]
  • Hot Rize Radio Boogie Mp3, Flac, Wma
    Hot Rize Radio Boogie mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Folk, World, & Country Album: Radio Boogie Country: US Released: 1999 Style: Bluegrass MP3 version RAR size: 1496 mb FLAC version RAR size: 1225 mb WMA version RAR size: 1754 mb Rating: 4.8 Votes: 728 Other Formats: AU DXD MOD ASF VOX VQF AAC Tracklist Hide Credits Radio Boogie 1 2:43 Written-By – L.C. Smith , R. Mayo* Ain't Gonna Work Tommorrow 2 2:20 Written-By – Traditional Wild Bill Jones 3 2:05 Written-By – Traditional Land Of Enchantment 4 3:15 Written-By – T. O'Brien* The Man In The Middle 5 2:52 Written-By – T. H. Campbell* I Long For The Hills 6 2:24 Written-By – T. O'Brien* Just Ain't 7 2:09 Written By – H. And G. Willis No Brakes 8 2:13 Written-By – P. Wernick* Walkin' The Dog 9 2:30 Written By – T. & C. GrimsleyWritten-By – C. Grimsley*, T. Grimsley* The Sweetest Song I Sing 10 3:27 Written-By – T. O'Brien* Tom And Jerry 11 2:28 Written-By – Traditional Gone But Not Forgotten 12 2:55 Written-By – P. Wernick* Companies, etc. Phonographic Copyright (p) – Rounder Records Corp. Phonographic Copyright (p) – Flying Fish Records, Inc. Copyright (c) – Flying Fish Records, Inc. Credits Banjo, Harmony Vocals – Pete Wernick* Bass, Harmony Vocals – Nick Forster Guitar – Charles Sawtelle Lead Vocals – Charles Sawtelle (tracks: 9) Lead Vocals, Mandolin, Fiddle – Tim O'Brien Barcode and Other Identifiers Barcode: 0 1896-40231-2 6 Label Code: LC 4588 Matrix / Runout (Hub Stamp): D3128SE23095346LH Other versions Category Artist Title (Format) Label Category Country Year FF 231 Hot Rize Radio Boogie (LP, Album) Flying Fish FF 231 US 1981 FF 231 Hot Rize Radio Boogie (LP, Album) Flying Fish FF 231 US 1981 FF 70231 Hot Rize Radio Boogie (CD, Album) Flying Fish Records, Inc.
    [Show full text]
  • Than a Spruced up D-28 Close Collaboration with a Bluegrass Star Produced This 1986 Preston Thompson Dreadnought by Teja Gerken
    Great Acoustics More Than a Spruced Up D-28 Close collaboration with a bluegrass star produced this 1986 Preston Thompson Dreadnought By Teja Gerken EVERY LUTHIER YEARNS to have a guitar end up in the hands of a virtuoso who will use the creation onstage and in the studio. Some- times these connections happen by chance, but other times they’re the result of a collaboration between builder and player. Such is the case with this Preston Thompson Dread- nought, which was built for—and played by—the late flatpicking star Charles Sawtelle. Thompson (pktguitars.com) first met Sawtelle in Boulder, Colorado, in the late 1970s. Sawtelle was just getting started playing with Hot Rize (he began on bass before switching to guitar; other original members were founding guitarist Mike Scap, mandolinist and fiddler Tim O’Brien, and banjo player Pete Wernick). Thompson and Sawtelle quickly struck up a friendship. Eventually, Thompson moved to Vermont to attend Charles Fox’s School of Guitar Research and Design Center, and after finishing the program, settled in Bend, Oregon. He remained a close friend of Sawtelle, and the influential blue- grass guitarist was a regular houseguest whenever he passed through Oregon. Swatelle’s main instrument at the time was a 1937 Martin D-28, and while he loved the guitar’s sound, he longed for something fancier to play onstage. So, Sawtelle asked Thompson to build a dreadnought with the tone and feel of the D-28, but dressed up with the abalone purfling, fingerboard inlay, and details of a style-42 Martin.
    [Show full text]
  • 2018-Bluegrass-Program.Pdf
    Festival Grounds G C F A B C D E K H J I A Tent Seating E Main Lodge – Ice Cream, “The Living Room”, H Shower Building B Information Tent Merchandise Counter, and Rec Room I Gate House C Vendor Areas F The Loose Caboose J Dump Station D Main Stage G Workshop Tent K Family Activities We ask that everyone exercise care and caution while inside the park, as there are many children at play and pedestrians on the roads throughout. Things to Know WATER FILL UP LOCATIONS Main Grove Camp Sites #9-10, Outside Beachfront Restrooms, Behind Soda Machines, Back of Main Lodge, Shower Building by Street Light HOT Inside Coin-Operated SHOWERS & LAUNDRY ROOM In the Main Grove Camping Area Shower Building HANDICAPPED FRIENDLY FACILITIES Main Grove Restroom/Shower Building INSIDE FLUSH TOILETS & OUTSIDE RINSE OFF SHOWERS Restrooms located by the Beachfront and across from the Playground PORT-A-POTTIES located throughout the Park grounds FIRST AID and INFORMATION and LOST & FOUND at the Information Tent and in the Caboose CHARGING STATION available in the Main Lodge “Living Room” Thursday, Friday, Saturday, and Sunday MAIN LODGE— Festival Merch, Ice Cream, Living Room, Rec Hall LOOSE CABOOSE — Hot Dogs, Firedogs, Soups, and Snacks ICE & WOOD available at the Gate and Loose Caboose EMERGENCY PHONE #’s Park Office 207-725-6009 Police 207-725-5521 Ambulance 207-725-5541 Trash bags are provided at the Gate upon arrival. Additional bags are available in the Main Lodge. PLEASE PLACE YOUR TRASH BAGS AT THE ROADSIDES FOR DAILY PICK-UP.
    [Show full text]
  • Peter Wernick
    PETER WERNICK. Born 1946 Transcript of OH 1489V This interview was recorded on December 20, 2007, for the Maria Rogers Oral History Program. The interviewer is Anne Dyni. The interview also is available in video format, filmed by Liz McCutcheon. The interview was transcribed by Dee Baron. NOTE: The interviewer’s questions and comments appear in parentheses. Added material appears in brackets. ABSTRACT: Banjo player Pete Wernick talks about his career as a musician, ranging from playing bluegrass in New York City during the 1960s to playing banjo with Earl Scruggs on the David Letterman Show in 2005, as well as the many professional successes he has had in between, most notably as a member of the bluegrass band Hot Rize, which played together for twelve years and has continued to play highly popular reunion shows. [A]. 00:00 (Today is December 20th, 2007. I’m interviewing Pete Wernick of 7930 Oxford Road in Niwot. Pete, when and where were you born?) New York City, February 25, 1946. (Do you have any brothers or sisters?) My one and only sister just passed away about a month ago. (Oh, I’m sorry.) She was my older sister. Her name was Sarah and she lived in Boston. (Was she a musician?) Not at all. No. She was a writer and collaborated on various books including medical books. (Were there any instruments in your family at all?) My dad always had an interest in music and from his childhood he played harmonica by ear, and that was the one instrument he would take out at gatherings and so on and played on a pretty rudimentary level.
    [Show full text]
  • Wichita Lineman to Find a Melody by Ear
    and e-mail him the file.) He can work on a super-easy song like Little Birdie, and you can get someone to sing that at the jam, so he has at least one victory. If there’s anyone else like him in the class, see if you can find them a big-print (bigger the better) songbook and the list of 2-chord songs, and have them go off in a separate room and see what they can do with G and D7. That might take the pressure off, and seem well worth their time. In other words, keep lowering the bar, but the immutable “best place to start” is learning to change chords and keep rhythm on 1-5 songs. Let me know how it goes! Pete ______________________ Tough love has a mixed reputation of course. Considerate people feel bad about dispensing disappointing information. This turns out to be a big part of what I have to do with students. Tough love for novice jammers means “no book.” Banjo players at my Basic Camp only get to read small amounts of tab. We work on a lot of “ear” stuff, and learning how to watch and listen, as that is the foundation to put in place before digging into rote note-for- LET’S ROLL note lead playing. All in due time, but start with the foundation, no matter how impatient the student is to learn a lot of Tough Love for a Struggling Picker; leads. Learn chords and rhythm, and how Playing the Words of Wichita Lineman to find a melody by ear.
    [Show full text]
  • Summergrass 2018 Summergrass to Welcome
    Welcome to Summergrass 2018 We’re so glad you are joining us this 16th year! Summergrass proudly brings to Southern California this outstanding weekend of authentic bluegrass music, workshops, & music camps, along with a multitude of other festival activities—all to create a memorable Summergrass musical extravaganza at this nostalgic agricultural museum setting! Summergrass t-shirts are here! And our 2018 design is as seen here on the cover. Make sure to visit our t-shirt booth to buy the style of your choice. Supplies are limited, so get yours early! Sample the delicious food selections here at the museum’s food court (see page 15), and check out the unique products from our many fine vendors (see page 17). Summergrass has something for everyone! Don’t forget to check out the fantastic raffle items to be raffled off on Sunday! Buy your raffle tickets at the raffle booth now. Great prizes! (see page 18 for all raffle information.) Cheers to all our volunteers & fans - you’re the heart of Summergrass! Thank you one and all! And have a wonderful time at our 16th Annual Summergrass San Diego Oh Brother, That’s Good Bluegrass! FESTIVAL GUIDELINES Summergrass does not wish to impose too many rules and regulations or to limit anyone’s enjoyment of the festival, but in order to ensure that EVERYONE has as much fun & comfort as possible, here are a few items you should know… Workshop Area: All music workshops will be held in the Assembly Building this year. The museum has changed the Farmhouse area, which was our workshop area in the past.
    [Show full text]
  • BANDS ISSUE BOARD of DIRECTORS from the Membership Chair
    The Bluegrass Music Association of Central Canada Newsletter-Volume 3 Issue 4-0ctober 2009 Composer-Thom Gardiner Sponsored by Lois White Sponsored by Skyway Bluegrass Memorial Award Club A few of the winners of the 2008 Awards BANDS ISSUE www.bmacc.ca BOARD OF DIRECTORS From the Membership Chair President- Denis Chadbourn MACC was 2 years old on March 31/09. Our membership continues to grow. Home: 705-776-7754 B Work: 705-474-2271 If there are individual members of BMACC that belong to a band or other organization, you should consider paying an additional $30 and take advantage Vice-president- Donald Tarte of what BMACC can offer. 888-876-3369 Organizational Members will be entitled to: Secretary- Wes Lowe A free listing in each issue of the "BMACC Notes" 519-539-8967 A free listing in the appropriate info section of the BMACC website. Treasurer - Roland Aucoin *List their upcoming events in the BMACC Event Calendar. 905-635-1818 Advertise at a reduced rate in the "BMACC Notes" Directors at Large *Check out the web site. Current events are listed on the first page. Just click and see Gord deVries more details. It is important that BMACC get this information. 519-668-0418 All organizational members should submit their events to: Roland Aucoin Cindy deBoer-Winterbottom 205 Plains Road W. Unit 84 905-331-9915 Burlington, Ontario Karen May L7T 4H3 705-788-4362 raucoin@cogeco,ca or call 905-635-1818 Steve Pritchard All membership renewals and changes of information should be sent to Rolly at the 416-696-1241 above address.
    [Show full text]
  • Enjoy the Festival but Also Come See All That's New!
    2 • MerleFest • Wilkes Journal-Patriot • April 2015 MerleFest brings special shows by over 120 artists MerleFest is known for four days of spe- Mitchell County with William Ritter and cial musical collaborations and themes on 13 Sarah Ogletree at 1 p.m. and by Wayne different stages and this year is no exception. Henderson and Helen White from 3:30 p.m. Ted Hagaman, festival director, said he’s also particularly pleased with the Tributes to Doc and Merle Saturday combination of artists at MerleFest for the Highlights Saturday include three spe- first time and returning festival favorites. cial tributes to Doc and Merle Watson. “Doc’s Show,” hosted by David Holt with Strong Thursday lineup Carol Rifkin and others, is at 10:30 a.m. One of the newcomers, Asheville-based at the Traditional Stage. Underhill Rose, will lead off on the Watson “Memories of Doc and Merle,” hosted by Stage at 3 p.m. Thursday with a blend of T. Michael Coleman with special guests, Americana, R&B, country and bluegrass, is at noon at the Creekside Stage. just 30 minutes after the festival gates open. “Doc Watson Guitar Tribute,” featuring It consists of Eleanor Underhill, Sally Jack Lawrence, David Holt, T. Michael 1430 Second Street 1838 Winkler Street Williamson and Molly Rose. “Joining the Coleman and others, is at 1:45 p.m. on North Wilkesboro Wilkesboro lineup for Merlefest has been a long-time the Watson Stage. goal of ours,” said Underhill in an inter- The popular Hillside Album Hour, view with the Johnson City Press.
    [Show full text]
  • Lpitc~1 I.C.,Mo
    BULl rlATE U.S. POSTAGE PAID Per.it No. 2419 lPITC~1 I.C.,Mo. THE PENNY PITCH PAGE 3 romn •. LEX:rJlt~ TABLE OF CONTENTS: . ., .. ~ ... ::'). WEST ~OAST REPORT .••....••..•....•.•.... 4 LEROI S REVIEWS ••••.•..•.•.•..••... L •••• 5 TRUE TALES OF LEPINEY •••••. , .•••..••.... 7 THE PENNY PITCH ENCOURAGES READERS TO CON­ LOU I SA'S STORy ••••.•.• I ••••••••••••••••• ~ TRIBUTE--LETTERS~ ARTICLES~ POETRY AND ART. 4128 BROADWAY YOUR ENTRIES MAY BE PRINTED. ORIGINALS KANSAS CITY, MISS.oURI64111 ~6~~~~,~NJ~i~A~~~ES::::::::::::::::::::'9 WILL NOT BE RETURNED. SEND TO: (816) 561-1580 DICK WRIGHT •.•.•.•......••..••••...•.•. 10 OLE UNKEL BOB'S OLD TIME JAZZ ••.•.•..•• ~l CHARLES CHANCE~ SR. EDITOR ....... Charles Chance, Sr. SOUTH AFR ICA .••••..•.•.....••..•....•.. f2 PENNY PITCH ASSISTING ... Rev. Dwight Frizzell KING SHINE INTERNATIONAL •••.•.•.....•.. t2 4128 BROADWAY ••• J'ay Mandeville REGGA E••.••.. ) •.•..••. ; ...•.... , ...•... i K.C. ~ MO 64111 YOUSEFF YANCY S TALKIN JAZZ ........•.. 35 CONTRIBUTORS: Rosie Scrivo, Gary Houston, WINFIELD •.•••.•..•.•.•.....••..•....•.• 6 PENNY PITCH: Rev. DWl.ght Frizzell, Jay Handeville, Chris SWINGIN' GRASS (BLUEGRASS) .••....•..••. 17 Kim A, LcRoi Johnson, Milton MorriS, Horris Help!? We just returned from another fun Martin, ROdney Franks, John Geier, Scott METAL .•.•. '.' ·1························ '~1 week at Winfield, Ks--I missed getting a O'Kelley, Ole Unkel Bob Mossman, E. Collins, ~~~~~0~u~~~R1pART·ii):::::::::::::::::: 2 record of the De Dannan group. They are I-Sheryl, ltifilil-Irie, Youseff Yancy, Lane AGENT ORANGE EXPOSED .••..••...••.•••••. 3 the best Irish group I've ever heard. Turner, BoL Redford, Joe Stelnger, John CLASSICAL NOTES ..•••.•....••.••.••.•.•. 24 Can you tell me where to get their albums Heuertz, Brian Co}gan, Sid Musso, Chad Mus­ UNCLASS IF I ED .•.•..•••.•.•••...•••••..•• 22 5 and how much? The pink trailer was out so, BroQkes DeSoto, Brian Auger, Dan Conn, FRESH AIRE ...•........•...••..•...••..
    [Show full text]