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Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
Albemarle County in Virginia
^^m ITD ^ ^/-^7^ Digitized by tine Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.arGhive.org/details/albemarlecountyiOOwood ALBEMARLE COUNTY IN VIIIGIMIA Giving some account of wHat it -was by nature, of \srHat it was made by man, and of some of tbe men wHo made it. By Rev. Edgar Woods " It is a solemn and to\acKing reflection, perpetually recurring. oy tHe -weaKness and insignificance of man, tHat -wKile His generations pass a-way into oblivion, -with all tKeir toils and ambitions, nature Holds on Her unvarying course, and pours out Her streams and rene-ws Her forests -witH undecaying activity, regardless of tHe fate of Her proud and perisHable Sovereign.**—^e/frey. E.NEW YORK .Lie LIBRARY rs526390 Copyright 1901 by Edgar Woods. • -• THE MicHiE Company, Printers, Charlottesville, Va. 1901. PREFACE. An examination of the records of the county for some in- formation, awakened curiosity in regard to its early settle- ment, and gradually led to a more extensive search. The fruits of this labor, it was thought, might be worthy of notice, and productive of pleasure, on a wider scale. There is a strong desire in most men to know who were their forefathers, whence they came, where they lived, and how they were occupied during their earthly sojourn. This desire is natural, apart from the requirements of business, or the promptings of vanity. The same inquisitiveness is felt in regard to places. Who first entered the farms that checker the surrounding landscape, cut down the forests that once covered it, and built the habitations scattered over its bosom? With the young, who are absorbed in the engagements of the present and the hopes of the future, this feeling may not act with much energy ; but as they advance in life, their thoughts turn back with growing persistency to the past, and they begin to start questions which perhaps there is no means of answering. -
John Hemings' Monticello and Poplar Forest
Journal of Intellectual Property Law Volume 28 Issue 1 Article 7 January 2021 John Hemings' Monticello and Poplar Forest J. Wesley Giglio University of Georgia School of Law Follow this and additional works at: https://digitalcommons.law.uga.edu/jipl Part of the Intellectual Property Law Commons Recommended Citation J. Wesley Giglio, John Hemings' Monticello and Poplar Forest, 28 J. INTELL. PROP. L. 175 (2021). Available at: https://digitalcommons.law.uga.edu/jipl/vol28/iss1/7 This Notes is brought to you for free and open access by Digital Commons @ Georgia Law. It has been accepted for inclusion in Journal of Intellectual Property Law by an authorized editor of Digital Commons @ Georgia Law. Please share how you have benefited from this access For more information, please contact [email protected]. John Hemings' Monticello and Poplar Forest Cover Page Footnote J.D. Candidate, 2021, University of Georgia School of Law. He dedicates this and all future work to his wife, Katie, without whom none of it would be possible. This notes is available in Journal of Intellectual Property Law: https://digitalcommons.law.uga.edu/jipl/vol28/iss1/7 Giglio: John Hemings' Monticello and Poplar Forest DEMO2 (DO NOT DELETE) 1/12/2021 5:36 AM JOHN HEMINGS’ MONTICELLO AND POPLAR FOREST J. Wesley Giglio* * J.D. Candidate, 2021, University of Georgia School of Law. He dedicates this and all future work to his wife, Katie, without whom none of it would be possible. 175 Published by Digital Commons @ Georgia Law, 2021 1 Journal of Intellectual Property Law, Vol. 28, Iss. 1 [2021], Art. -
The Architecture of Slavery: Art, Language, and Society in Early Virginia
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1991 The architecture of slavery: Art, language, and society in early Virginia Alexander Ormond Boulton College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African History Commons, Architecture Commons, and the United States History Commons Recommended Citation Boulton, Alexander Ormond, "The architecture of slavery: Art, language, and society in early Virginia" (1991). Dissertations, Theses, and Masters Projects. Paper 1539623813. https://dx.doi.org/doi:10.21220/s2-3sgp-s483 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. Hie quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. -
African-Americans and the Construction of the University of Virginia
African-Americans and the Construction of the University of Virginia by Allison Sims Linney HIUS 404 Independent Study Professor Peter Onuf Spring 1993 Allison Sims Linney 1 The origins of the University of Virginia have often been studied by looking at the first professors and students. However, there was a group of people at the University long before the professors and students ever arrived and classes started on March 7, 1825. This first community consisted of the people who built the University of Virginia. This community of builders has attracted the interest of a few historians. Much has been learned about the major and minor contractors, the different craftsmen, and the workmen, but very little is known about the roles played by African-American slaves and free African-Americans. Despite the scarce documentation, it is essential to look at the presence of slavery in the building of the University of Virginia for two reasons. First, any new information about black workers sheds light on the entire group of people who built Thomas Jefferson’s “Academical Village”; second, historians have a responsibility to find out more about the history of people, such as slaves, who have traditionally been ignored in historical narrative accounts. Although historians may never be able to document completely the precise capacity in which African-Americans were involved in the development of the University, it is clear that they were part of both the operation and the construction of the University. The Proctor’s Papers reveal the names of specific African-Americans present during the University’s construction. -
Monticello Chair Rev5
A Monticello Joinery Chair? An Examination of the Evidence By Tom Newbern and Jim Melchor During his tenure at Colonial Williamsburg, Wallace Gusler served as Master Gunsmith, Curator of Mechanical Arts, Curator of Furniture, and Director of Conservation. He is a scholar, author, and first-class craftsman and artist. Gusler pioneered the approach of looking at historic objects from the perspective of the maker of the object. He has often expressed his approach as follows: “If you want to understand an object, carefully examine every detail of the object and listen to what it is trying to tell you”. At first glance, this curious armchair appears to be a simple, country- made example from the South, possibly the Virginia Piedmont (Fig. 1, Vernacular armchair). However, it is far more interesting than just a vernacular chair, and it definitely has a story to tell. Figure 1 As our good friend, John Bivins, always said, the first step in attempting to determine the origin of an object is first to eliminate locations where it was not made. As that query is applied to this unusual armchair, based on its appearance and proportions, the list of locales where it was not made is extensive and almost all-inclusive. The armchair is constructed of walnut. (The inlayed strips on the front and outside surfaces of the lower front legs are not thought to be original. They were probably added at a later time in an attempt to update this armchair.) It contains rounded two-piece, vertically laminated, poplar blocks in its front corners and rounded one-piece, poplar blocks in its back corners, one of which is replaced (Fig. -
Nomination Form
Unfiftsd Slator Dapmrtmmnt of tha IMar P!etional Park Ssrv~ca Natlonel Register of Hletorlc Places Registration Form Thlr hm rm br mn nmnrthrg ar mhg a( w~bllhybr IndMdull wowtlw w dm.?W Mwtbu In Iw &mpklhg NHlanU RmW Fbma [N&honaRNnn Bulkrtn $8). Cawnch Hm by mrrklrlng "r" In thr ma!.aa* a b.Imtvkrg hm H~WM~hmmm17 m ~*m rwrt tcl IM wng dlxurmrrtd. rnnr "Mh"IM "far001kNM." FD~fumba. w,m, and Irmb Ot o~gnrflcrne*.mlmr only thm eatppn and 6mv-w Irfld In Zhr I I ~ For~ lddnlOn&! . Ipl# uW rnnt!lwllW (Form 70-1). Typ* oll mtrln. - - 7. Nmm* of Pmparty hi5tonc mma -~;rmlrw t fil~no. 68-104 2. Locatlm~pprnxirrratel~31,200-xr-a hrd~rwltm-i -8: the north.I-1~ romm L"otfor~M~pI~a c~rj,town 1 1 w nn the cn~ri-h -nil t-h~rTr~-5t.. 4i.JI ' Ylclnlty stet* Vsrqpnla code dounty ~ra~ap as377 tip W 77971 - -- Aa tnr doatgnats autharhy under the Pllmtlonal HLltarlc Pmarvrtlon An a! IPW, ur#rWd, 1 hereby csntfy th~tIhk 9norn17at1anL; rsquan ~dtdsYmEnltlOn at ~IQIMI~tr tths dmmms~brundlrdm tar mptmtsrlng prom- In w r ot nlrtorlc Pfmar md mrra Ihr pm~~dural mnd prol+#bnrl rqulremrntl Ht brth In 30 CFCl Pnfl61). Edm not mwl tba NMnml Rqmr cm#rlm. mnutbn nn. 1 A - ,- 14 Not/ l9CiQ Dmr of Historic Resources - WMESTIC TTC slnqle dwellinq sin- multlple dwellinq e secondarv structure hotel storaae e t Architectural Classification Materials (enter categories from instructions) (enter categories trom instructions) foundatin WCOD NQ STYrE walls IAL shlnale C~o~an roof 1- BRICK see continwtion sheet other Describe present and historic physical appearance. -
Barboursville Iterations of the “Rotunda House”
Pall adiana JOURNAL OF CENTER FOR PALLADIAN STUDIES IN AMERICA FALL 2019 Barboursville Iterations of the “Rotunda House” Henry Hull When James Barbour (1775 –1842) set out to build his home in his personality made a tremendous impact not only on his political native Orange County, Virginia, he consulted the same person career, but also on his agrarian pursuits and architectural aspirations. 1 upon whom he had built his political career, Thomas Jefferson. Barboursville would come to embody these passions in the specific One of only a few houses for which Jefferson was largely responsible language of Jeffersonian Palladianism. for the design, Barboursville is at the epicenter In 1808, Barbour started his architectural en - of neoclassical architectural discourse in the deavor with a pair of two-story structures early republic. At least 14 years in the making, arranged in an arc flanking the western hillside Barbour’s residence underwent a series of of his future residence. Barbour, then in his design changes involving the leading architectural mid-30s, served as Speaker of the Virginia House figures in the United States, including Thomas of Delegates. He and his family likely occupied Jefferson as well as Robert Mills and Benjamin these buildings in 1810, when the next critical Henry Latrobe. A remarkable assemblage development of Barbour’s project occurred. of 19th-century depictions of Barboursville chronicles Jefferson’s commitment and As part of Barboursville’s architectural influence in reforming domestic architecture in development, he commissioned Cephas the United States. Thompson to paint his portrait. Thompson, a contemporary of Barbour, was an itinerant From a young age, James Barbour devoted his portrait artist from Massachusetts, who trav - life to a career in public service. -
"Tranquill Pursuits": Thomas Jefferson's Quest for Privacy at Poplar Forest Elizabeth Wolfson Washington University in St
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-2019 "Tranquill Pursuits": Thomas Jefferson's Quest for Privacy at Poplar Forest Elizabeth Wolfson Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Recommended Citation Wolfson, Elizabeth, ""Tranquill Pursuits": Thomas Jefferson's Quest for Privacy at Poplar Forest" (2019). Arts & Sciences Electronic Theses and Dissertations. 1733. https://openscholarship.wustl.edu/art_sci_etds/1733 This Thesis is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS University College “Tranquill Pursuits”: Thomas Jefferson’s Quest for Privacy at Poplar Forest by Elizabeth Wolfson A thesis presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree Master of Liberal Arts May 2019 St. Louis, MO Table of Contents Acknowledgements……………………………………………………………………... iii Introduction………………………………………………………………………………. 1 Chapter 1: The Construction of Poplar Forest: Overcoming Obstacles to Realize a Vision…………………………………………………………... 6 1.1 The Site………………………………………………………….……………….. 8 1.2 Remote -
Race &Remembrance At
Race & Remembrance at Thomas Jefferson’s Monticello by Michael Aubrecht homas Jefferson is remembered as per- his slaves a monetary share for extra vegetables, chick- Thaps the most exceptional Founding ens, and fish for the main house—as well as for special tasks performed outside their normal working hours. He Father. His contributions to the birth of also encouraged some of his enslaved artisans by offering the United States are second to none, and them a percentage of profit from the sales of goods pro- duced in their shops. An extremely diversified man him- his words have inspired generations of self, Jefferson was most likely impressed by the skills cul- tivated by his slaves. In this respect, his treatment of them Americans to value their liberty. At the imitates a mutual respect for hard working individuals same time, the author of the Declaration of who cared about contributing to Monticello’s well-being. Jefferson’s good friend, James Madison, also appreciated Independence is criticized as the most hyp- the vocations exhibited on Mulberry Row and purchased ocritical affiliate of the revolutionary gen- all of the nails used to enlarge his neighboring estate of Montpelier from Jefferson’s nail foundry. eration. The largest point of contention in Like many powerful Southerners, Jefferson also ben- this Virginia planter’s legacy is his lifelong efited greatly from slavery in the political spectrum. Many experts have argued that Jefferson’s election as the third practice of slave owning and how it bene- President of the United States was due solely to the South’s fited him socially, politically, and personally. -
City of Charlottesville, Virginia City Council Agenda
CITY OF CHARLOTTESVILLE, VIRGINIA CITY COUNCIL AGENDA Agenda Date: November 2, 2020 Action Required: Report Presenter: Jeff Werner, Preservation & Design Planner, Department of Neighborhood Development Services (NDS) Ben Ford, Ph.D., Principal, Rivanna Archaeological Services Staff Contacts: Jeff Werner, Preservation & Design Planner, NDS Alex Ikefuna, Director, NDS Title: Update on unmarked burials near the Gilmer/Craven/Hotopp Cemetery at Pen Park Background: On December 2, 2019, City Council approved a resolution authorizing the use of $9,319 from the Department of Neighborhood Development Services Small Area Plans CIP fund to study the archeological evaluation of possible unmarked graves outside the enclosed family plots at the Gilmer/Craven/Hotopp Cemetery at Pen Park. With that approval, Council requested an update on the findings, after which options for next steps would be explored. The City acquired Pen Park in the 1970s. Pen Park, as it was named by Dr. George Gilmer who acquired the property in 1777, changed ownership several times, with the occupants being the Gilmer family (from 1777 to 1812), the Craven family (from 1819 to 1845), and the Hotopp family (from 1866 to 1904). While others owned and occupied Pen Park for brief periods, the Gilmers, Cravens, and Hotopps are the only families to establish cemeteries there. The City retained the services of Rivanna Archeological Services (RAS) who, on July 15, 2020, coordinated with NAEVA Geophysics Inc. to conduct an examination of the site using Ground Penetrating Radar (GPR). Evaluation of the GPR data suggests the likelihood of 43 unmarked and unrecorded graves outside the walls of the three family plots, roughly in three rows and primarily to the east, behind the family plots.1 The majority lie outside the Gilmer and Craven sections. -
Maplewood Cemetery
Maplewood Cemetery Street Address: 425 Maple Street Map & Parcel: 530203 Present Zoning: R1A Original Owner: City of Charlottesville Present Owner: City of Charlottesville Historic Name: Maplewood Cemetery Date/Period: 1827- Style: Various Land Area: 3.6 acres Condition: Fair Sources: ACHS files, City records University of Virginia Library, Special Collections Criteria for Historic Designation 1. The historic, architectural or cultural significance, if any, of the structure or site and whether it has been listed on the National Register of Historic Places or the Virginia Landmarks Register: Maplewood Cemetery is Charlottesville’s oldest public cemetery. When Charlottesville was laid out in 1762, the city plans did not include a public burying ground. At that time, many people were buried near their parish church or in family plots on their own property. One such informal cemetery existed on land near Park Street owned by Peter Lott, where his friends, family and neighbors were buried. In 1827, Maplewood was established as the town’s official cemetery, a 3.6-acre property now located a few blocks northeast of downtown Charlottesville on land which was once a part of the farm granted to the Merriweather family in 1735. When the new cemetery opened, many of the stones (and perhaps remains) of those buried on Park Street were transferred there. Maplewood’s oldest gravestone, that of Lettitia Shelby, the wife of Kentucky’s first governor who died in 1777 while visiting relatives in Albemarle County, was probably one of those stones transferred from the burying ground on Park Street. Maplewood Cemetery is currently bordered by Lexington Avenue, Maple Street, 8th Street, and Kelly Avenue, but it was originally located on farmland outside the city limits, in accordance with sanitary codes of the time.