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Palladio's Influence in America
Palladio’s Influence In America Calder Loth, Senior Architectural Historian, Virginia Department of Historic Resources 2008 marks the 500th anniversary of Palladio’s birth. We might ask why Americans should consider this to be a cause for celebration. Why should we be concerned about an Italian architect who lived so long ago and far away? As we shall see, however, this architect, whom the average American has never heard of, has had a profound impact on the architectural image of our country, even the city of Baltimore. But before we investigate his influence we should briefly explain what Palladio’s career involved. Palladio, of course, designed many outstanding buildings, but until the twentieth century few Americans ever saw any of Palladio’s works firsthand. From our standpoint, Palladio’s most important achievement was writing about architecture. His seminal publication, I Quattro Libri dell’ Architettura or The Four Books on Architecture, was perhaps the most influential treatise on architecture ever written. Much of the material in that work was the result of Palladio’s extensive study of the ruins of ancient Roman buildings. This effort was part of the Italian Renaissance movement: the rediscovery of the civilization of ancient Rome—its arts, literature, science, and architecture. Palladio was by no means the only architect of his time to undertake such a study and produce a publication about it. Nevertheless, Palladio’s drawings and text were far more engaging, comprehendible, informative, and useful than similar efforts by contemporaries. As with most Renaissance-period architectural treatises, Palladio illustrated and described how to delineate and construct the five orders—the five principal types of ancient columns and their entablatures. -
Albemarle County in Virginia
^^m ITD ^ ^/-^7^ Digitized by tine Internet Archive in 2008 with funding from IVIicrosoft Corporation http://www.arGhive.org/details/albemarlecountyiOOwood ALBEMARLE COUNTY IN VIIIGIMIA Giving some account of wHat it -was by nature, of \srHat it was made by man, and of some of tbe men wHo made it. By Rev. Edgar Woods " It is a solemn and to\acKing reflection, perpetually recurring. oy tHe -weaKness and insignificance of man, tHat -wKile His generations pass a-way into oblivion, -with all tKeir toils and ambitions, nature Holds on Her unvarying course, and pours out Her streams and rene-ws Her forests -witH undecaying activity, regardless of tHe fate of Her proud and perisHable Sovereign.**—^e/frey. E.NEW YORK .Lie LIBRARY rs526390 Copyright 1901 by Edgar Woods. • -• THE MicHiE Company, Printers, Charlottesville, Va. 1901. PREFACE. An examination of the records of the county for some in- formation, awakened curiosity in regard to its early settle- ment, and gradually led to a more extensive search. The fruits of this labor, it was thought, might be worthy of notice, and productive of pleasure, on a wider scale. There is a strong desire in most men to know who were their forefathers, whence they came, where they lived, and how they were occupied during their earthly sojourn. This desire is natural, apart from the requirements of business, or the promptings of vanity. The same inquisitiveness is felt in regard to places. Who first entered the farms that checker the surrounding landscape, cut down the forests that once covered it, and built the habitations scattered over its bosom? With the young, who are absorbed in the engagements of the present and the hopes of the future, this feeling may not act with much energy ; but as they advance in life, their thoughts turn back with growing persistency to the past, and they begin to start questions which perhaps there is no means of answering. -
National Register of Historic Places Registration Form
NPS Form 10.900 I OM6 No. 102*4018 (Rw. gee) United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominatlng or requestlng determinations of eligibility for lndlvldual propertles or districts, See lnstructlons In Quldellnes . for Completing National Register Forms (National Register Bulletln 16). Complete each Item by marking "xu In the appropriate box or by enterlng the requested information. Ifan item does not apply to the property being documented, enter "NIA" for "not applicable." For functions, styles, rnaterlals, and areas of significance, enter only the categories and subcategories listed In the instructions. For additional space use contlnuatlon sheets (Form 10-900a). Type all entries. 1. Name of Property historic name John Vowles House other nameslsite number 1111 and 1113 West Main Street a 2. Location street & number 1111 and 1113 West Main Street anotfor publication city, town Charlottesville uvicinity state Virginia code VA county Charlottesville code 540 zip code 22901 (city) 3. Classlficatlon Ownership of Property Category of Property Number of Resources within Property W private building(s) Contrlbutlng Noncontributing public-local district 3 buildings public-State site sites public-Federal structure structures object objects 3 Total Name of related multiple property listing: Number of contributing resource8 prevlously N /A listed In the National Register N/A 4. StatelFederal Agency Certlflcatlon -- As the designated authority under the ~atlonalHlstorlc Preservation Act of 1966, as amended, I hereby certify that thls anomination request for determination of ellglbllity meets the documentation standards for registering propertles in the Natlonal Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60, In my opinlon, the property [;?meets adoes not meet the Natlonal Register criteria, See contlnuatlon sheet. -
African-Americans and the Construction of the University of Virginia
African-Americans and the Construction of the University of Virginia by Allison Sims Linney HIUS 404 Independent Study Professor Peter Onuf Spring 1993 Allison Sims Linney 1 The origins of the University of Virginia have often been studied by looking at the first professors and students. However, there was a group of people at the University long before the professors and students ever arrived and classes started on March 7, 1825. This first community consisted of the people who built the University of Virginia. This community of builders has attracted the interest of a few historians. Much has been learned about the major and minor contractors, the different craftsmen, and the workmen, but very little is known about the roles played by African-American slaves and free African-Americans. Despite the scarce documentation, it is essential to look at the presence of slavery in the building of the University of Virginia for two reasons. First, any new information about black workers sheds light on the entire group of people who built Thomas Jefferson’s “Academical Village”; second, historians have a responsibility to find out more about the history of people, such as slaves, who have traditionally been ignored in historical narrative accounts. Although historians may never be able to document completely the precise capacity in which African-Americans were involved in the development of the University, it is clear that they were part of both the operation and the construction of the University. The Proctor’s Papers reveal the names of specific African-Americans present during the University’s construction. -
Monticello Chair Rev5
A Monticello Joinery Chair? An Examination of the Evidence By Tom Newbern and Jim Melchor During his tenure at Colonial Williamsburg, Wallace Gusler served as Master Gunsmith, Curator of Mechanical Arts, Curator of Furniture, and Director of Conservation. He is a scholar, author, and first-class craftsman and artist. Gusler pioneered the approach of looking at historic objects from the perspective of the maker of the object. He has often expressed his approach as follows: “If you want to understand an object, carefully examine every detail of the object and listen to what it is trying to tell you”. At first glance, this curious armchair appears to be a simple, country- made example from the South, possibly the Virginia Piedmont (Fig. 1, Vernacular armchair). However, it is far more interesting than just a vernacular chair, and it definitely has a story to tell. Figure 1 As our good friend, John Bivins, always said, the first step in attempting to determine the origin of an object is first to eliminate locations where it was not made. As that query is applied to this unusual armchair, based on its appearance and proportions, the list of locales where it was not made is extensive and almost all-inclusive. The armchair is constructed of walnut. (The inlayed strips on the front and outside surfaces of the lower front legs are not thought to be original. They were probably added at a later time in an attempt to update this armchair.) It contains rounded two-piece, vertically laminated, poplar blocks in its front corners and rounded one-piece, poplar blocks in its back corners, one of which is replaced (Fig. -
Nomination Form
Unfiftsd Slator Dapmrtmmnt of tha IMar P!etional Park Ssrv~ca Natlonel Register of Hletorlc Places Registration Form Thlr hm rm br mn nmnrthrg ar mhg a( w~bllhybr IndMdull wowtlw w dm.?W Mwtbu In Iw &mpklhg NHlanU RmW Fbma [N&honaRNnn Bulkrtn $8). Cawnch Hm by mrrklrlng "r" In thr ma!.aa* a b.Imtvkrg hm H~WM~hmmm17 m ~*m rwrt tcl IM wng dlxurmrrtd. rnnr "Mh"IM "far001kNM." FD~fumba. w,m, and Irmb Ot o~gnrflcrne*.mlmr only thm eatppn and 6mv-w Irfld In Zhr I I ~ For~ lddnlOn&! . Ipl# uW rnnt!lwllW (Form 70-1). Typ* oll mtrln. - - 7. Nmm* of Pmparty hi5tonc mma -~;rmlrw t fil~no. 68-104 2. Locatlm~pprnxirrratel~31,200-xr-a hrd~rwltm-i -8: the north.I-1~ romm L"otfor~M~pI~a c~rj,town 1 1 w nn the cn~ri-h -nil t-h~rTr~-5t.. 4i.JI ' Ylclnlty stet* Vsrqpnla code dounty ~ra~ap as377 tip W 77971 - -- Aa tnr doatgnats autharhy under the Pllmtlonal HLltarlc Pmarvrtlon An a! IPW, ur#rWd, 1 hereby csntfy th~tIhk 9norn17at1anL; rsquan ~dtdsYmEnltlOn at ~IQIMI~tr tths dmmms~brundlrdm tar mptmtsrlng prom- In w r ot nlrtorlc Pfmar md mrra Ihr pm~~dural mnd prol+#bnrl rqulremrntl Ht brth In 30 CFCl Pnfl61). Edm not mwl tba NMnml Rqmr cm#rlm. mnutbn nn. 1 A - ,- 14 Not/ l9CiQ Dmr of Historic Resources - WMESTIC TTC slnqle dwellinq sin- multlple dwellinq e secondarv structure hotel storaae e t Architectural Classification Materials (enter categories from instructions) (enter categories trom instructions) foundatin WCOD NQ STYrE walls IAL shlnale C~o~an roof 1- BRICK see continwtion sheet other Describe present and historic physical appearance. -
Barboursville Iterations of the “Rotunda House”
Pall adiana JOURNAL OF CENTER FOR PALLADIAN STUDIES IN AMERICA FALL 2019 Barboursville Iterations of the “Rotunda House” Henry Hull When James Barbour (1775 –1842) set out to build his home in his personality made a tremendous impact not only on his political native Orange County, Virginia, he consulted the same person career, but also on his agrarian pursuits and architectural aspirations. 1 upon whom he had built his political career, Thomas Jefferson. Barboursville would come to embody these passions in the specific One of only a few houses for which Jefferson was largely responsible language of Jeffersonian Palladianism. for the design, Barboursville is at the epicenter In 1808, Barbour started his architectural en - of neoclassical architectural discourse in the deavor with a pair of two-story structures early republic. At least 14 years in the making, arranged in an arc flanking the western hillside Barbour’s residence underwent a series of of his future residence. Barbour, then in his design changes involving the leading architectural mid-30s, served as Speaker of the Virginia House figures in the United States, including Thomas of Delegates. He and his family likely occupied Jefferson as well as Robert Mills and Benjamin these buildings in 1810, when the next critical Henry Latrobe. A remarkable assemblage development of Barbour’s project occurred. of 19th-century depictions of Barboursville chronicles Jefferson’s commitment and As part of Barboursville’s architectural influence in reforming domestic architecture in development, he commissioned Cephas the United States. Thompson to paint his portrait. Thompson, a contemporary of Barbour, was an itinerant From a young age, James Barbour devoted his portrait artist from Massachusetts, who trav - life to a career in public service. -
Nomination Form
USDI/NPS NRHP Registration Form Edgewood (VDHR 062-0004) 3008 Warminster Road Nelson County, Virginia Page 2 5. Classification Ownership of Property (Check as many boxes as apply): Category of Property (Check only one box): X private X building(s) public-local district public-State site public-Federal structure object Number of Resources within Property: Contributing Noncontributing 9 0 buildings 3 0 sites 1 0 structures 0 0 objects 13_ 0 Total Number of contributing resources previously listed in the National Register 0 Name of related multiple property listing (Enter "N/A" if property is not part of a multiple property listing.) N/A 6. Function or Use Historic Functions (Enter categories from instructions): Cat: DOMESTIC Sub: Single Dwelling, Secondary Structure FUNERARY Cemetery AGRICULTURE/SUBSISTENCE Agricultural Field, Agricultural Outbuilding Current Functions (Enter categories from instructions): Cat: DOMESTIC Sub: Single Dwelling, Secondary Structure FUNERARY Cemetery AGRICULTURE/SUBSISTENCE Agricultural Outbuilding 7. Description Architectural Classification (Enter categories from instructions): EARLY REPUBLIC LATE 19th and EARLY 20th CENTURY REVIVALS /Colonial Revival Materials (Enter categories from instructions): foundation: STONE: Rubble BRICK: roof: STONE:Slate ASPHALT:Shingle walls: WOOD: Weatherboard BRICK other: N/A Narrative Description (Describe the historic and current condition of the property on one or more continuation sheets.) USDI/NPS NRHP Registration Form Edgewood (VDHR 062-0004) 3008 Warminster Road Nelson County, Virginia Page 3 8. Statement of Significance Applicable National Register Criteria (Mark "X" in one or more boxes for the criteria qualifying the property for National Register listing) X A Property is associated with events that have made a significant contribution to the broad patterns of our history. -
2106 Presbyterian Exiles Layout 1 15/05/2018 08:56 Page I
2106 Presbyterian exiles_Layout 1 15/05/2018 08:56 Page i Exiles of ’98 Ulster Presbyterians and the United States Peter Gilmore Trevor Parkhill William Roulston 2106 Presbyterian exiles_Layout 1 15/05/2018 08:56 Page ii First published 2018 by Ulster Historical Foundation, The Corn Exchange, 31 Gordon Street, Belfast, BT1 2LG www.ancestryireland.com www.booksireland.org.uk Except as otherwise permitted under the Copyright, Designs and Patents Act, 1988, this publication may only be reproduced, stored or transmitted in any form or by any means with the prior permission in writing of the publisher or, in the case of reprographic reproduction, in accordance with the terms of a licence issued by the Copyright Licensing Agency. Enquiries concerning reproduction outside those terms should be sent to the publisher. © Ulster Historical Foundation and the contributors ISBN: 978-1-909556-62-1 Front cover illustration: A commemorative jug commissioned in memory of John Nevin who died in exile in Tennessee in 1806, Ballymoney Museum (Courtesy Causeway Coast and Glens Borough Council) Back cover illustration: Summerville Cemetery, Augusta, Georgia, showing the burial place of James Bones, an exile from County Antrim. The inscription on his tombstone is shown alongside the inscription on the headstone to his father John in Duneane churchyard, County Antrim. (Courtesy Erick Montgomery) Ulster Historical Foundation Registered with The Charity Commission for Northern Ireland NIC100280 Printed by Bell & Bain Limited Design by J.P. Morrison 2106 Presbyterian exiles_Layout 1 15/05/2018 08:56 Page iii Contents Preface and acknowledgements iv Abbreviations v Notes on contributors vi Introductory essays 1. -
Montpelier: the History of a House, 1723-1998
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2004 Montpelier: The history of a house, 1723-1998 Matthew Gantert Hyland College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, and the United States History Commons Recommended Citation Hyland, Matthew Gantert, "Montpelier: The history of a house, 1723-1998" (2004). Dissertations, Theses, and Masters Projects. Paper 1539623438. https://dx.doi.org/doi:10.21220/s2-n2ws-xm44 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. MONTPELffiR; THE HISTORY OF A HOUSE, 1723-1998 A Dissertation Presented to The Faculty of the American Studies Program The College of William and Mary In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy by Matthew Gantert Hyland 2004 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. APPROVAL SHEET This dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Matthew Ganteiy Hyland Approved by the Committee, March 2004 Chandos Michael Brown, Chair Barbara G. Carson RobernA. Gross Carol Sheriff Alan Wallach Carl Lounsbury The Colonial Williamsburg Foundation n Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DEDICATION To Christy, gracias 111 Reproduced with permission of the copyright owner. -
African-Americans and the Construction of the University of Virginia
African-Americans and the Construction of the University of Virginia by Allison Sims Linney HIUS 404 Independent Study Professor Peter Onuf Spring 1993 Allison Sims Linney 1 The origins of the University of Virginia have often been studied by looking at the first professors and students. However, there was a group of people at the University long before the professors and students ever arrived and classes started on March 7, 1825. This first community consisted of the people who built the University of Virginia. This community of builders has attracted the interest of a few historians. Much has been learned about the major and minor contractors, the different craftsmen, and the workmen, but very little is known about the roles played by African-American slaves and free African-Americans. Despite the scarce documentation, it is essential to look at the presence of slavery in the building of the University of Virginia for two reasons. First, any new information about black workers sheds light on the entire group of people who built Thomas Jefferson’s “Academical Village”; second, historians have a responsibility to find out more about the history of people, such as slaves, who have traditionally been ignored in historical narrative accounts. Although historians may never be able to document completely the precise capacity in which African-Americans were involved in the development of the University, it is clear that they were part of both the operation and the construction of the University. The Proctor’s Papers reveal the names of specific African-Americans present during the University’s construction. -
Geometer's Angle
Rachel Fletcher Geometer’s Angle 113 Division St. Thomas Jefferson’s Poplar Forest Great Barrington, MA 01230 USA Abstract. A unique geometric construction known to [email protected] Thomas Jefferson reveals a rich interplay of root-two geometric elements when applied to Jefferson’s octagonal Keywords: Thomas Jefferson, plan of Poplar Forest, his eighteenth-century villa retreat. descriptive geometry, geometric construction, octagon, root-two Thomas Jefferson and classicism In Colonial America, when buildings were typically “designed” by craftsmen and tradesmen, rather than architects, Thomas Jefferson was largely responsible for introducing the classical aesthetic to architecture. His designs reflect the neo-classical movement that emerged as Humanism in Renaissance Europe, then flourished in the Enlightenment from the 1730s to the end of the eighteenth century. Jefferson scholar Fiske Kimball considers that “directly or indirectly American classicism traces its ancestry to Jefferson, who may truly be called the father of our national architecture” [Kimball 1968, 89]. An “amateur” architect with no formal training, Jefferson first became aware of classical architecture through books, then later gained first-hand experiences of ancient Roman and eighteenth-century French buildings while serving as American Minister to Paris (1784-1789). He studied the written treatises of Marcus Pollio Vitruvius, Leon Battista Alberti, Inigo Jones, Sebastiano Serlio and others who relied on classical rules of architecture and mathematical techniques for achieving proportion [O’Neal 1978, 2]. On architectural matters, Jefferson is reported to have said that Andrea Palladio “was the bible,” even though he knew his buildings only through books.1 Jefferson practiced the Roman classical architecture of Palladio and late eighteenth century France, and borrowed extensively from classical sources.