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Holy Family Parish Council : %`R:7: 7]8I8Q`%JR:7: 7 :8I8 President
HOLY FAMILY P ARISH 106 South Main Street • Albion, New York 14411 Parish Office: 585-589-4243 • Fax: 585-589-0734 Faith Formation Office: 585-589-5236 Email: [email protected] Website: www.holyfamilyalbion.com R 5 Parish Staff Welcome! V`Q`V:J7 .1J$VCV51V1:J Q1VCHQIV7Q%8Q%HQIV Q .1.%`H. Pastor ….……… Rev. Richard Csizmar JQ :: `:J$V`5G% ::``1VJR7Q`QR:JRQ%`]:`1.HQII%J1 78CV:VCV % Parochial Vicar … Rev. Patryk Sobczyk @JQ1.Q11VH:JV`0V7Q%8 Retired Deacon ...... ….. James Collichio Parish Secretaries ......... Sue Szyikowski Parish Office Hours Sheila Lemcke QJ85!%V85VR85!.%`87 7:8I8‒7]8I8• #`1R:77 7:8I8‒ QQJ Bookkeeper ...................... Barb Passarell Mass Schedule Dir. of Faith Formation/Youth Ministry $: %`R:71$1C7 7]8I8:J Q`•$%JR:77 7:8I8QJ VI]Q`:`757:8I8.Q1`8 …………………………...Nancy Sedita &:1C7 :V7QJR:7 .`%`1R:75 7:8I8 Director of Maintenance…..Joseph King Maintenance Assistant…..David Daniels Confessions:$: %`R:77R7]8I8 Choir Dir. & Organist . Harriette Greaser Contemporary Music Dir. .... Chris Taber Religious Education Classes:$%JR:77 7 ‒7 :8I8 Migrant Ministry………. Doris Valentin 716-380-9337 Baptismal Preparation Classes:Bapsmal Preparaon Classes for parents are conducted individually. Call the Parish Office to register. Bapsms are held on Holy Family Parish Council : %`R:7: 7]8I8Q`%JR:7: 7 :8I8 President .......................... Matt Passarell Care of the Sick: CV:"VH:CC .V :`1".$ HV Q.:0VQII%J1QJ :@VJ Q .V Vice President…………… Alan Worgo sick/homebound. Nofy us of those desiring the Sacrament of Anoinng. Secretary .................. Joyce Winkelmann Trustee ...................................... Joe Gehl Eucharistic Adoration:(0V`7`1R:7 7:8I8‒ 7]8I81J .V"H.QQCH.:]VC8 Trustee .................................. -
Author First Name Title Genre Format Adler Elizabeth the Rich Shall
Format: HC: Hardcover - PB: Papaerback - SC: Softcover Author First Name Title Genre Format Adler Elizabeth The Rich Shall Inherit Fiction HC Ahern Cecelia The Time of my Life Fiction SC Ali Thalassa A Singular Hostage Fiction SC Andersen Susan All Shook Up Fiction HC Anderson Catherine My Sunshine Fiction HC Anderson Catherine Sweet Nothings Fiction HC Anderson Patrick First Family Fiction HC Archer Jeffery To Cut a Long Story Short Fiction SC Arvin Reed The Last Goodbye Fiction HC Attenberg Jami The Melting Season Fiction HC Auchincloss Louis Her Infinite Variety Fiction SC Auster Paul The Book of Illusions Fiction HC Auster Paul The Brooklyn Follies Fiction HC Bailey Roz Mommies Behaving Badly Fiction SC Baldacci David Simple Genius Fiction PB Ball Donna At Home on Ladybug Farm Fiction SC Balzo Sandra Dead Ends Fiction HC Banerjee Anjali Enchanting Lily Fiction SC Banks Russell Affliction Fiction SC Bartlett Anne Knitting Fiction HC Bass Hyatt The Embers Fiction HC Bateman Tracey You Had Me at Good-bye Fiction SC Battle Lois The Past is Another Country Fiction HC Belmond C.A. A Rather Charming Invitation Fiction SC Bentz Joseph A Son Comes Home Fiction SC Bernhardt William Death Row Fiction HC Berry Steve The King's Deception Fiction HC Blackstock Terri Breaker's Reef Fiction SC Blackwell Juliet A Ghostly Light Fiction PB Blatty William Peter The Exorcist Fiction HC Block Valerie Was It Something I Said? Fiction HC Block Valerie Don't Make a Scene Fiction HC Blume Randy Crazy in the Cockpit Fiction HC Bly Stephen Last Swan in Sacramento Fiction SC Bohjalian Chris The Sandcastle Girls Fiction SC Bolt Robert A Man for all Seasons Fiction SC Bonasia Lynn Some Assembly Required Fiction SC Booth Pat Marry Me Fiction HC Bourne Joanna The Forbidden Rose Fiction PB Bova Ben The Immortality Factor Fiction PB Boykin William G. -
Songs by Artist
Songs by Artist Title Title Title +44 3 Doors Down 5 Stairsteps, The When Your Heart Stops Live For Today Ooh Child Beating Loser 50 Cent 10 Years Road I'm On, The Candy Shop Beautiful When I'm Gone Disco Inferno Through The Iris When You're Young In Da Club Wasteland 3 Doors Down & Bob Seger Just A Lil' Bit 10,000 Maniacs Landing In London P.I.M.P. (Remix) Because The Night 3 Of Hearts Piggy Bank Candy Everybody Wants Arizona Rain Window Shopper Like The Weather Love Is Enough 50 Cent & Eminem & Adam Levine These Are Days 30 Seconds To Mars My Life 10CC Closer To The Edge My Life (Clean Version) Dreadlock Holiday Kill, The 50 Cent & Mobb Deep I'm Not In Love 311 Outta Control 112 Amber 50 Cent & Nate Dogg Peaches & Cream Beyond The Gray Sky 21 Questions U Already Know Creatures (For A While) 50 Cent & Ne-Yo 1910 Fruitgum Co. Don't Tread On Me Baby By Me Simon Says Hey You 50 Cent & Olivia 1975, The I'll Be Here Awhile Best Friend Chocolate Lovesong 50 Cent & Snoop Dogg & Young 2 Pac You Wouldn't Believe Jeezy California Love 38 Special Major Distribution (Clean Changes Hold On Loosely Version) Dear Mama Second Chance 5th Dimension, The How Do You Want It 3LW Aquarius (Let The Sun Shine In) 2 Pistols & Ray J No More Aquariuslet The Sunshine You Know Me 3OH!3 In 2 Pistols & T Pain & Tay Dizm Don't Trust Me Last Night I Didn't Get To She Got It StarStrukk Sleep At All 21 Demands 3OH!3 & Ke$ha One Less Bell To Answer Give Me A Minute My First Kiss Stoned Soul Picnic 3 Doors Down 3OH!3 & Neon Hitch Up Up & Away Away From The Sun Follow Me Down Wedding Bell Blues Be Like That 3T 6 Tre G Behind Those Eyes Anything Fresh Citizen Soldier 4 Non Blondes 702 Duck & Run What's Up I Still Love You Here By Me 4 P.M. -
Songbook Preview Artist 1014.Pdf
Margarita Mary's Karaoke Artist Title Artist Title ________________________________________________________________________________ _________________________________________________________________________________ 10 SEC COUNTDOW _________________________________________________________NHAPPY NEW YEAR 38 SPECIAL _________________________________________________________CAUGHT UP IN YOU ________________________________________________________________________________MERRY XMAS _________________________________________________________HOLD ON LOOSELY _10_______________________________________________________________________________ YEARS BEAUTIFUL _________________________________________________________________________________IF I'D BEEN THE ONE 10,000 MANIACS _________________________________________________________BECAUSE THE NIGHT 3LW I DO (WANNA GET CLOSE _________________________________________________________CANDY EVERYBODY WANTS _________________________________________________________ TO YOU) _________________________________________________________LIKE THE WEATHER NO MORE (BABY I'M A DO ________________________________________________________________________________MORE THAN THIS _________________________________________________________ RIGHT) 10CC _________________________________________________________DREADLOCK HOLIDAY _________________________________________________________________________________PLAYAS GON' PLAY _________________________________________________________I'M MANDY FLY ME_ 3RD________________________________________________________________________________ -
Dexter: Villain, Hero Or Simply a Man? the Perpetuation of Traditional Masculinity in Dexter
ATLANTIS. Journal of the Spanish Association of Anglo-American Studies. 32.2 (December 2010): 57–71 ISSN 0210-6124 Dexter: Villain, Hero or Simply a Man? The Perpetuation of Traditional Masculinity in Dexter Isabel Santaularia Universitat de Lleida [email protected] The paper analyses how television series Dexter generates complicity with its serial killer protagonist, Dexter Morgan, not only by giving him a heroic edge that overrides the monstrosity of his crimes, but also by focusing on his attempts to blend in and pass undetected by posing as a caring partner, father and co-worker. Dexter’s efforts to curve his inborn violence into submission and to appear as the New Man envisioned in our supposedly post-feminist state of affairs, however, do not prosper and the series ends up promoting an image of men as inherently aggressive, individualist and selfish. Dexter, I argue, does not manage to countermand a construction of masculinity based on violence and endorses a patriarchal ethos actively and stubbornly engaged in its self-preservation. Keywords: cultural studies; serial killer fiction; psycho-horror; masculinity; television; Dexter Dexter: ¿Villano, héroe o simplemente un hombre? Perpetuando la masculinidad tradicional en Dexter El artículo analiza cómo la serie Dexter genera complicidad con el asesino en serie protagonista, Dexter Morgan, no sólo proporcionándole atributos heroicos que nos hacen olvidar la monstruosidad de sus crímenes, sino también presentando a Dexter como un hombre ‘normal’ que intenta pasar inadvertido haciéndose pasar por un buen esposo, padre y compañero de trabajo. Los intentos de Dexter de controlar su violencia y estar a la altura del ideal postfeminista de lo que debe ser un hombre, sin embargo, no tienen éxito y la serie acaba promoviendo una imagen de la masculinidad basada en la agresión, la individualidad y el egoísmo. -
Last Name First Name Book Title 1 Aarsen Carolyne A
Wage Memorial Library Book List (Updated 1-29-2020) # Last Name First Name Book Title 1 Aarsen Carolyne A Father's Promise 2 Abrahams Peter A Perfect Crime 3 Adams Kelly The Silent Heart 4 Adams Kelly Wildfire 5 Adams Jane A Kiss Goodbye 6 Adler Elizabeth In A Heartbeat 7 Adler Elizabeth Legacy Secrets 8 Adler Elizabeth The Last Time I Saw Paris 9 Adler Elizabeth The Secret of the Villa Mimosa 10 Aiken Joan Mortimer Says Nothing 11 Aiken Joan The Haunting of Lamb House 12 Albom Mitch For One More Day 13 Alcott Louisa May A Long Fatal Love Chase 14 Alcott Louisa May Modern Magic 15 Alcott Kate The Dressmaker 16 Alexander Victoria The Prince's Bride 17 Allende Isabel City of the Beasts 18 Anderson Catherine Morning Light 19 Anderson Catherine Phantom Waltz 20 Anderson Catherine Sun Kissed 21 Anderson Susan Head Over Heels 22 Anderson Niki What My Cat Has Taught Me About Life 23 Andrews V.C. Celeste 24 Andrews V.C. Dark Angel 25 Andrews V.C. Darkest Hour 26 Andrews V.C. Dawn 27 Andrews V.C. Midnight's Whispers 28 Andrews V.C. Olivia 29 Andrews V.C. Secrets of the Morning 30 Andrews V.C. Twilight's Child 31 Andrews V.C. Web of Dreams 32 Ann Gabhart Angel Sister 33 Archer Jeffrey A Prisoner of Birth 34 Archer Jeffrey Honor Among Thieves 35 Archer Jeffrey Sons of Fortune 36 Arnold Elizabeth Joy Pieces of My Sister's Life 37 Arnold Elizabeth Joy When We Were Friends 38 Arnold Judith One Good Turn 39 Athanas Verne Pursuit 40 Atherton Nancy Aunt Dimity Beats The Devil 41 Atwood Margaret Cat's Eye 42 Auel Jean The Plains of Passage 43 Auel Jean -
The Rewards of Worship, Sermon Delivered at Dexter Avenue Baptist Church
possible for all of us to have eternal life We thank you, oh God And God grant that 28 Apr 1957 we wdl be grateful recipients of thy eternal blessings In the name and spint ofJesus, we pray Amen At MLKEC ET-20 The Martin Luther King, Jr. Papers Project The Rewards of Worship, Sermon Delivered at Dexter Avenue Baptist Church King mrourages hzs conpgatzon to appreczate partinpatzon zn communal wonhap He highlights stvcral wards of wonhap it elerrales partzapants btyond tht dull monotony of I$, it satisfies the human necd fi companzonship. and zt pr0vides tht nsou rces tofad e lfe’s dfjcultzes “I’mso glud whmertt7 Sunday marnz?sg cows about, arid I tan hearsom~thingwithin Tayang, %t usgo znto tha house of the Lord.’bn:azcst sornetzmes Iget a lztth. arrogant out zn tht 7uorld,”Kzngprotlazm “But whm Igct up enough nrwc to cow to tht-howc oj God. it- out zrs my soul and my I onscitnce begm to nng out And something haw to me that ‘Bu\e mad for th ei)trlrrsttng, Lorn for the strsrs, mated for ettmzty ’ ” Thefollowzng text was taken fiom an wdzo wciding ofU*seruzte ’ “I was glaci when they said unto me, Let us go into the house of the Lord ”2 Dr [ Wzllzam I?rncsr] Hoclung, a fomier professor of philosophy at Harvard University, has said somewhere that all life is diwded into work and worship. what we do our- selves and what we let the higher-thanaurselves do Worship is as much a part of the human organism as the nsing of the sun is to the cosmic order Men always have worshiped, and men always will worship This has been true in every nation, it -
View Liner Notes for Until That Morning Comes by Harmony Holiday
Liner Notes: Until That Morning Comes Harmony Holiday Fred and Lorenzo Moten announce: The smile of life is a Blackbird. After laughter comes tears. The kalimba framed between Phil Cohran's hands rolls notes like smiles, is shaped like a smile, narrows the cruel distance between speech and singing. Sam Cooke’s grin writhes and descends, prying open a clenched grunt, a hope that has been stunted by spoken language. The pulsing sound of the man working on the chain gang, gagged with rhythm, blunted frenzy hammering into dance and hammer grinning its iron mirror into the drift of road, arrow of a flock of blackbirds so happy and high in the burden flying in a crescent of love cry and smiling their leaving song. Bye, bye, blackbird, Miles’ trumpet smiles syllable by syllable, accessing the unrepentant joy in Black departure. The song, standard, becomes a countdown to starting anew as a fugitive in his interpretation, even our demons grin with its babbling happy interdimensional travel. And Sun Ra’s version of the adjacent standard, Smile haunts so good it heals. Smile when your heart is breaking, smile even though it’s aching, June Tyson sings, as if celebrating, broken news becoming good in her hinged dome of blue rhyme. The rhythm of forced joy joins that of forced labor and becomes mechanical, the machines smile at their leverage, women smile as revenge. James Baldwin smiles as if gasping with light, as if possessed by his own electric light, ravishing and severe. You can meet him here in the burdened grin, get near his disaster euphoria, his infinite gasp, edge into glory with him for a spell. -
Approaching Vigilantism in American History, Society and Culture Through Dexter
THE UNIVERSITY OF HULL Dissecting the Dark Defender: Approaching Vigilantism in American History, Society and Culture through Dexter being a Thesis submitted for the Degree of Doctor of Philosophy in the University of Hull by Madeleine Smith, BA (Hons) Film Studies August, 2015 Contents Introduction p.1 Chapter One: Vigilantism and American History in Dexter p.39 Part One: Justifying Vigilantism in Dexter p.42 Social Upheaval, Change and Problems p.45 Responsive and Persistent Forms of Crime p.57 Law Enforcement and the Judicial System p.64 Part Two: Manifestations of Vigilantism in Dexter p.73 Geography and Landscapes p.75 Brown’s ‘Three-Tier’ Social Model p.82 Socially Beneficial versus Socially Destructive Vigilantism p.88 Racial, Religious and Political Vigilantism p.97 Family Feuds and Vendettas p.110 Chapter Two: Masculinity, Patriarchy and Vigilantism in Dexter p.116 Part One: Father, Sons, and the Perpetuation of Vigilantism p.118 Harry and Dexter p.122 Dexter’s Disciples p.147 Part Two: Violence and Murder in the Nuclear Family Unit p.163 Chapter Three: Dexter and Vigilantes in American Popular Culture p.175 Part One: The Western, Crime and Vigilante Authority in Dexter p.183 Part Two: 1970s Vigilante Film Cycles and Dexter p.192 Doakes, Vigilantism and Blaxploitation p.193 Harry, Debra and Vigilante Cops p.201 Lumen and Rape-Revenge p.210 Part Three: Superheroes and Post-9/11 Vigilantism in Dexter p.222 Conclusion p.238 Appendices p.247 Appendix One: Articles and Amendments in the American Constitution p.247 Appendix Two: Film and TV Vigilantism, 1900-2015 p.250 Bibliography p.268 1 Introduction Vigilantism. -
ASCAP/BMI Comment
Stuart Rosen Senior Vice President General Counsel November 20, 2015 Chief, Litigation III Section Antitrust Division U.S. Department of Justice 450 5th Street NW, Suite 4000 Washington, DC 20001 Re: Justice Department Review of the BMI and ASCAP Consent Decrees To the Chief of the Litigation III Section: BMI recently alerted its community of affiliated songwriters, composers and publishers to the profound impact 100% licensing would have on their careers, both creatively and financially, if it were to be mandated by the U.S. Department of Justice. In a call to action, BMI provided a letter, one for songwriters and one for publishers, to which their signatures could be added. The response was overwhelming. BMI received nearly 13,000 signatures from writers, composers and publishers of all genres of music, at all levels in their careers. Some of the industry's most well- known songwriters added their names, including Stephen Stills, Cynthia Weil, Steve Cropper, Ester Dean, Dean Pitchford, Congressman John Hall, Trini Lopez, John Cafferty, Gunnar Nelson, Lori McKenna, Shannon Rubicam and Don Brewer, among many others. Enclosed you will find the letters, with signatures attached. On behalf of BMI, I strongly urge you to consider the voices of thousands of songwriters and copyright owners reflected here before making a decision that will adversely affect both the creators, and the ongoing creation of, one ofAmerica's most important cultural and economic resources. Vert truly yours, Stuart Rosen 7 World Trade Center, 250 Greenwich Street, New York, NY 10007-0030 (212) 220-3153 Fax: (212) 220-4482 E-Mail: [email protected] ® A Registered Trademark of Broadcast Music, Inc. -
The Psychopath's Double-Edged Sword: How Media Stigma Influences Aggravating and Mitigating Circumstances in Capital Sentencing
THE PSYCHOPATH'S DOUBLE-EDGED SWORD: HOW MEDIA STIGMA INFLUENCES AGGRAVATING AND MITIGATING CIRCUMSTANCES IN CAPITAL SENTENCING BANG THI* ABSTRACT Television dramas have historically portrayed psychopaths as the quintessential villain who is violent, lacks emotion, and is "evil." These portrayals perpetuate the stigma surrounding psychopaths and reinforce the belief that death is the appropriate punishment for such criminals, implicating sentencing concerns in the judicial system. The 21st century's "Golden Age" of television adds to the confusion as antihero protagonists have become popular in recent crime dramas. This Note seeks to examine how several recent television series serve to stigmatize psychopaths, which ultimately confuses potential jurors and contributes to improperly weighing mitigating evidence as aggravating instead. The U.S. Supreme Court has required that juries be provided some semblance of guidance to weigh evidence in capital sentencing. In Penry v. Lynaugh, the Court struck down a statute that removed jury discretion from consideration of aggravating and mitigating factors. In dictum, the Court noted that evidence of mental illness is a double-edged sword, but that it was unconstitutional to bar the jury from considering the potentially * Class of 2017, University of Southern California Gould School of Law, B.A. Psychology, University of Southern California, 2010. Thank you, Elyn Saks, for being an inspirational mentor and guiding me in exploring the interdisciplinary nature of mental health and law. I would also like to thank my parents and sister, who have supported me enormously. 173 174 REVIEW OF LA WAND SOCIAL JUSTICE [Vol. 26:2 mitigating nature of such evidence. This Note suggests that recent trends in the depiction of psychopaths in popular media has constructively foreclosed the consideration of psychopathic evidence as potentially mitigating.